Tag: Hellmouth

Monkeypox Joe Defends Homogamy

When, oh when, will conservatives learn that their newly converted darlings from the Left are not, and will never be, on their side:

On the Saturday episode of “The Joe Rogan Experience,” the comedian and massively successful podcast host pushed back against critics who have accused him of being a “secret conservative,” citing GOP opposition to gay marriage as one of many reasons he is not, nor has ever been, a Republican.

“It’s not just abortion rights, but now they’re going after gay marriage too, which is so strange to me,” Rogan said while interviewing comedian Andrew Schulz. He brought up how Sen. Marco Rubio (R-Fla.) reportedly said he will not vote in favor of a bipartisan bill that would codify same-sex marriage into federal law to protect that right from being revoked by the Supreme Court.

Lawmakers have put forward a bill that would ban state governments from recognizing the traditional definition of marriage in what supporters argue is a needed protection for marriage equality. But some Republicans say the bill is unnecessary because the Supreme Court legalized same-sex marriage in 2015 and no one reasonably thinks the court will reverse that decision. Rubio reportedly called the bill a “stupid waste of time.”

“Marco Rubio is saying that it’s like a silly thing to argue about, to be concerned about, and some other senator, a gay woman, confronted him and she was furious at it. ‘Cause gay marriage is not silly, it’s marriage. It’s marriage for people that are homosexual and for them it’s important,” Rogan said, referring to reports that Sen. Tammy Baldwin (D-Wisc.) confronted Rubio about his opposition to the bill.

“Gay marriage is not silly. It’s marriage — it’s marriage from people that are homosexual and it’s, for them, it’s important. They want it,” Rogan continued. “They want to affirm their love and their relationship. And the fact that they’re going after that now almost makes me feel like they want us to fight. They wanna divide us in the best way they can. And this is the best way for them to keep pulling off all the bulls*** they’re doing behind the scenes is to get us to fight over things like gay marriage or get us to fight over things like abortion. It’s just like, why are you removing freedoms?”

“Yes,” Schulz said. “If you are gonna say that marriage is an important cultural institution to the fabric of America, you can’t remove it from Americans.”

“It’s so homophobic,” Rogan declared. “Because you’re saying there’s something wrong with being homosexual by saying that you are opposed to gay marriage. You’re saying you’re opposed to gay people.”

I think having a social safety net is crucial. We should help each other. We’re supposed to be one big community. I’m a bleeding-heart liberal when it comes to a lot of s***,” Rogan emphasized.

Monkeypox Joe is pro-sodomy, pro-falsehood, and pro-ritual satanic prenatal murder. He’s not one of the good guys. He’s NEVER been one of the good guys; he’s a Hellmouth denizen and a ticket-taker par excellence.

FFS, stop falling for these gatekeeping charades. They’re not only worse than you think, they’re usually worse than you imagine.

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It’s Going to be So Bad

How to demonstrate you don’t understand the work of JRR Tolkien in three words or less:

Season 1 has a $465 million budget. Amazon Studios chief Jennifer Salke stated in May 2021 that she was “pretty confident” that the show will draw the required viewership to make the money worth spent.

Back in 2017, when it was reported that Amazon had bought the rights to “The Lord of the Rings” — winning a bidding war against Netflix — the number reported with that sale was $250 million. That number alone made it the most expensive television series ever, but later, The Hollywood Reporter reported that the whole series would end up costing more than $1 billion, due to production expenses (casting, producers, visual effects, etc.). “The Lord of the Rings” film trilogy’s own Elijah Wood reacted to that particular figure during an interview, saying, “That’s crazy to me.” For context, the Peter Jackson trilogy grossed $2.92 billion worldwide. The combined budget for all three films was $281 million.

That $250 million rights deal for “The Lord of the Rings” also came with a five-season commitment for the series. A guaranteed five seasons should also guarantee at least one full story told from beginning to end, even though there’s always the possibility of more, depending on the series’ success. The deal also allowed for the potential of spin-off series, which could mean the potential for even more of Middle-earth outside just this adaptation. In November 2019, Deadline confirmed that Amazon had officially ordered a second season of the series and that it was already in the works. According to the report, the official early renewal means that there will be a shorter wait time between the first two seasons come release.

However, the series may not ever get out of the Second Age — which is, again, 3,441 years long, so it’s got a lot to work with — as, according to Tolkien scholar and “The Lord of the Rings” consultant Tom Shippey, the estate of J.R.R. Tolkien has refused to grant Amazon permission to film anything other than the Second Age, as to not alter the history of the more fleshed out Third Age. “But you can add new characters and ask a lot of questions…”

The tagline of the newly-released trailer? “Nothing is evil…in the beginning.”

When you already suspect – no, when you already KNOW – that the series is going to be a converged abomination wearing the title of the books as a skinsuit, you shouldn’t be surprised by anything the Hellmouth producers come up with.

And yet, to begin with a marketing tagline of “Nothing is evil…” is really going a bit far even for a collection of inverted anticreatives. No matter how it is subsequently modified after the ellipsis.

It’s going to be bad. It’s going to be so bad, it’s going to make THE WHEEL OF TIME and the last season of A GAME OF THRONES look good by comparision.

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The Lobster Pope’s Music

In which the CIA, the Beat Generation, the Grateful Dead, and Jordan Peterson are all connected through the recognizable pattern in their esoteric influences in Speaking Ill of the Dead:

That path between dark and light. The balance of opposites. The “third way”. The same tiresome luciferian/gnostic nonsense that appeals to the vain and is catnip to secret kings. The message is specifically anti-Christian in that it is a spirituality that you achieve entirely through your journeying. There is truth to the value of moderation, but that’s not really what the path between dark and light is referring to. It’s more build your own god, or do what thou wilt.

Except Hunter backs off from full power-seeking with a warning. This is a solitary journey – no one will help you including the songwriter. And it leads “home” – another word with no real meaning but has a comforting ring to it when it floats by. Probably best to just trip, nod sagely, and not think too much.

There is something familiar about being teased with a spiritual path through vaguely luciferian gnostic “balance” only to be warned off diving in head first. Remember, it’s all an if – a hypothetical.

Why, that’s the Lobster Pope’s music!

There’s the pattern. Fake media world has no connection to reality beyond the rough settings and characters it bends to a narrative. Everything else – the stories, consequences, rules, ideologies, values, etc. – are made up whole cloth and can be whatever the narrative engineers want it to be. It’s how image and style change so fast, but the dyscivic message underneath always moves in the same direction. What changes are the pieces – the squid ink – used to cover the lukewarm luciferian de-moralization.

It’s easy to tell how unreal it was in hindsight – it’s legacy is all empty nostalgia. Dried-out protoplasm waxing over how awesome it was to twitch to stimuli, with absolutely nothing meaningful to show for it. If we know them by their fruits, it’s just another road to nowhere.

It’s become almost comedic in mediocre fantasy novels, the way in which everything – and I mean every single novel – has been about “maintaining the balance” for the last 30 years. It’s similar to the way in which TV constantly pushes the fake “we’re family” theme about people who are not family and action movies all seem to include the scene where a diverse group will “do it… together”.

And this doesn’t even begin to get into the diversity, inclusivity, and anti-boundaries wickedness that now abounds. But we all know where it was always heading.

Satan Presiding at the Infernal Council, 1824

Fake family + balance + together = the destruction of the ability for families to follow a father’s leadership toward the Good, the Beautiful, and the True.

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Coexistence is Impossible

Or, as the Bible puts it, what fellowship can light have with darkness?

Woke and good can’t coexist. The two clash and woke always wins.

Ok, why woke? After all, most people don’t want the bullet points above, they want fun escapism. There is no way anyone involved with entertainment production doesn’t know this. As Tickerguy has pointed out numerous times, talent is hired for what they know and how well they do their job. If they don’t entertain people, they should be fired.

But we live in clown world, so we get never ending BAD.

Woke is a deliberate choice, why is it made? How do these hacks have jobs?

God gave Satan the world. I will not ponder why He did so, it’s above my paygrade. Satan recruits humans and some of them are in the entertainment industry: actors, writers, directors, camera operators, producers. It’s a losing proposition for the human who is always treated like used toilet paper.

If they stay in Satan’s influence, over time they become more corrupt: they slip farther and farther away from whatever gifts God gave them.

God holds the power of creation. He created the universe and everything in it. He’s pretty bad ass and not Someone you want to off.

God granted every living creature on this planet a touch of creation. Humans and every other animal reproduces. Insects, fish, plants, and even bacteria can. This was part of God’s gift to us all. He also blessed humans with creativity.

Viruses can’t reproduce without a host cell. They invade and trick the cell into making copies of itself. They’re not really alive and have no touch of creation.

Satan and other demons can’t create, only copy and destroy by corruption.

People who throw in with Satan are lower than bacteria. Over time these evil adjacent people become like viruses: helpless without a host to infect and hijack. Eventually, they can’t create.

They can only copy or corrupt shows with woke, eventually destroying them.

That explains the endless reboots and BAD coming out of Hollyweird.

Don’t compromise with Clown World. It can only corrupt and degrade you.

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We Are Wizards

Or we might as well be, insofar as the denizens of the Hellmouth are concerned. Vox’s First Law meets Arthur C. Clark’s First Law on the chans.

Were Sherlock Holmes to kill a hotel room full of three people, he’d enter using a secret door in the hotel that he read about in a book ten years ago. He’d throw peanuts at one guy causing him to go into anaphylactic shock, as he had deduced from a dartboard with a picture of George Washington Carver on it pinned to the wall that the man had a severe peanut allergy. The second man would then kill himself just according to plan as Sherlock had earlier deduced that him and the first man were homosexual lovers who couldn’t live without each other due to a faint scent of penis on each man’s breath and a slight dilation of their pupils whenever they looked at each other.

As for the third man, why, Sherlock doesn’t kill him at all. The third man removes his sunglasses and wig to reveal he actually WAS Sherlock the entire time. But Sherlock just entered through the Secret door and killed two people, how can there be two of him? The first Sherlock removes his mask to reveal he’s actually Moriarty attempting to frame Sherlock for two murders. Sherlock, however, anticipated this, the two dead men stand up. They’re undercover police officers, it was all a ruse.

“But Sherlock!” Moriarty cries “That police officer blew his own head off. look at it. There’s skull fragments on the wall, how is he fine now? How did you fake that?”

Sherlock just winks at the screen, the end.

This is retarded because Sherlock is a smart person written by a stupid person to whom smart people are indistinguishable from wizards.

Any sufficiently advanced intelligence is indistinguishable from wizardry.

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Now Do the Showers

How many Holocaust claims need to be publicly proven to be lies by scholars before it is eventually concluded that the general theme itself is, at the very least, a fantastic exaggeration of a historical atrocity?

Herman Rosenblat received international attention for his tale about being a hungry little boy in a Nazi concentration camp who was thrown apples every day by a little girl named Roma, on the other side of the fence.

Years later, according to the story, Rosenblat met that same girl on a blind date in New York City and proposed to her on the spot.

The only problem was, Rosenblat’s story, which he and his wife had been telling for 13 years, was a lie.

Six weeks ago Holocaust scholars proved that it was physically impossible for prisoners to approach the fence at the concentration camp where Herman was kept and that Roma’s family was actually 200 miles away at the time.

Wednesday, for the first time, Rosenblat spoke out in an exclusive interview with “Good Morning America” to share his side of the story.

“It wasn’t a lie,” he told “GMA.” “It was my imagination. And in my imagination, in my mind, I believed it. Even now, I believe it, that she was there and she threw the apple to me. … In my imagination, it was true.”

And at what point is it going to occur to people that all of these survivors telling ridiculous stories about their lives in the concentration camps tend to suggest that they, at least, weren’t there to be killed in the first place? After all, scholars have already determined that there was no “rollercoaster of death” at Auschwitz, that four million people didn’t die at Auschwitz, and that no one ever put a bear, an eagle, and a jew in a cage together anywhere on the planet, much less every single day.

Imagine if the Japanese had started telling stories like these about their own internments in the United States. Or if any of the vast majority of the other people being held in the same Nazi camps did. Where are all the Polish and Romanian stories about “the trapeze of death”, “the marmot, the snake, and the Slav”, or the mass slaughter that took place in the terrible pillow chambers? Would the world similarly genuflect before their nonsense?

And forget the damning forensic evidence and the wooden doors. I figured out that the “showers of death” also had to be a lie when I simply thought for a few seconds about what would be necessary to make it safe for the disposal crew to enter them after a round of executions. After all, it’s easier, safer, faster, less expensive, and much more lethal to simply remove the oxygen from an air-tight chamber than it is to pump it full of poison gas, then purge the gas from it.

A children’s version of the story, entitled Angel Girl (ISBN 978-0822-58739-2), written by Laurie Friedman and illustrated by Ofra Amit, was published in September 2008 by Carolrhoda Books of Lerner Publishing Group.

Of course it was. In fact, it’s still available on Amazon. Because when you live in an Empire of Lies, a substantial percentage of what you think you know is actually false.

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The Hate is Real

“Evil cannot create anything new, they can only corrupt and ruin good forces have invented or made.”

JRR Tolkien

This is the response – entirely justified – with which Tolkien fans have greeted the trailer for The Rings of Amazon. The trailer is bad. It’s so bad that I tapped out after only 36 seconds, which will most likely be the only 36 seconds of this wicked, ill-conceived desecration of a literary treasure that I ever see.

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And Morgoth Smiled

The Dark Herald explains why there is no chance that the Amazon demolition of The Silmarillion is not going to make the execrable Disney Wars trilogy, the abysmal Godfather III, and the tedious final season of A Game of Thrones all look like entertaining cinematic masterpieces in comparison:

Christopher Tolkien was the good son of a great man; he steadfastly protected his father’s legacy and works. But he is gone now. The estate now belongs to Tolkien’s grandchildren and ALL of them are trust fund babies who act like trust fund babies. They want their other friends with money to stroke their asses and tell them how brave they are being for letting Bezos bastardize and soil their grandfather’s work. They are completely blind to the fact that this pile of fetid garbage is going to stain people’s memories of his masterpiece.

This whole catastrophe started with Jeff Bezos saying he was determined to have his own Game of Thrones. Which means that this abortion is going to be a derivative work of George R.R. Martin, not JRR Tolkien. The producers are denying this with tears and oaths but the fact that they hired an Intimacy Coordinator (AKA Sex Arranger) tells you what books this show is based on.

The truth is, this show isn’t based on any of Tolkien’s books. What Amazon has the rights to are the background notes. No joke, that is what they own the rights to and that is what Bezos has spent hundreds of millions on.

While the contract they had with Christopher Tolkien had some very strict limits with regards to what they couldn’t do with regards to JRR Tolkien’s overall story arc, it had a major loophole in that they could create new characters. And boy, did they ever.

In addition, they have undeniably altered established characters significantly. Galadriel, Commander of the Northern Fucking Armies. No, I’m not kidding they got her that wrong.

It’s not just the SJW wokery. It’s the complete disrespect for the source material and the author.

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We Wuz Alfs

Amazon is blackwashing Tolkien’s elves in Tha Rangz a Powwa:

Lord Of The Rings: The Rings Of Power is set to take the franchise in a diverse new direction, featuring the first ever black elf in Middle Earth’s history. New images for the much-anticipated series, which has a reported budget of $465 million, have been released by Vanity Fair, and show Ismael Cruz Córdova taking on the role of silvan elf Arondir…. The series is set to feature the most diverse cast in the franchise’s history, and along with starring a black elf, Lenny Henry will star as a harfoot elder. Sophia Nomvete also stars as a dwarven princess named Disa – making her the first black, and female, woman to play a dwarf in the Lord of the Rings universe.

Black elves, black hobbits, and black dwarves. This grotesquerie is going to redefine the concept of “epically bad”.

For a considerably more Tolkienesque take on elves, you may wish to consider reading the comic series A THRONE OF BONES on Arktoons.

(gets back to work finishing A SEA OF SKULLS)

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