I’ve previously written on how LET IT GO is a satanic anthem that summarizes the moral perspective of Aleister Crowley. But never having seen the movie, I didn’t know what a complete inversion of Hans Christian Anderson’s SNOW QUEEN the Disney movie actually is.
When Gerda encounters the magical henchmen of the Snow Queen, waiting for her at the gate, she generates a legion of angles to protect her as she repeats The Lord’s Prayer and it turns the mist around her into an army of angels. She is able to break through the Snow Queen’s palace and finally rescue Kay because she has help from God to enter unharmed and to reach Kay while the Snow Queen has gone away. Without this advantage, Gerda would have never been able to rescue Kay.
The story of Frozen is secular and dry in comparison and despite the presence of the supernatural in its universe, it is completely un-enchanted by it on a spiritual level.
Elsa is incredibly cruel to Anna when she finds her. Anna finds that Elsa cares about nothing but herself. Elsa’s leading song “Let it Go” is a call to abandon all your responsibilities for personal gratification. “Let it go” proclaims that any time a woman, or in this case a monarch, has to exercise temperance of her emotions and behaviour, or quell her own hedonistic desires to fulfill her responsibilities, it is a form of oppression to her that she ought to break free from. This thought pattern presents in a myriad ways in modern culture that targets women to make them resent any roles other than transactional employment.
Some of the lyrics in the song Let it go are, “No right, no wrong, no rules for me, I’m free”. How many girls are innocently singing along to this anthem to selfishness and entitlement? How many of them will then go on to internalise this message as adults?
Based on the behaviour of grown women in the modern west, it is clear this messaging already has a stronghold on the female psyche that seems to perceive motherhood and marriage as oppression primarily because she has to spend a significant part of her day thinking about and helping others. A mother having to remember her children’s doctors appointments and pick up laundry to put in the washing machine is “emotional labour” that instagram tells her she ought to be compensated for.
When Anna attempts to convince Elsa to come home and end the blizzard that is endangering the lives of her people, Elsa, in a fit of passion, strikes Anna with her powers and in doing so begins the process of a slow death for Anna. The only thing that can save Anna is “an act of true love”. Anna then rushes home to Arendelle to get a kiss from her boyfriend Prince Hans only to discover he never loved her at all and leaves her to freeze so that he can usurp the throne.
Prince Hans then tries kill Elsa. However, Anna jumps in to save Elsa and takes the sword which freezes on impact with the rest of Anna’s body. But because this was an “act of true love” the sword shatters and Anna’s curse put on her by Elsa goes away. Anna, who did nothing wrong, and was the victim of the curse, had to prove herself as virtuous in order to break this curse. To call the logic of this ending idiotic would be an understatement.
I’m now tempted to produce an AI movie that inverts the inversion in which the good sister Greta shows up with Prince Hansel and his magic flaming sword to destroy her wicked sister Ilse and melt her evil ice castle.
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