Their World Stopped

While ours kept going, which is why it’s virtually impossible to talk to a Boomer about anything anymore.

All through the 80’s and well into the 90’s, it used to drive me crazy when KQ92 would play its annual list of most-requested songs, which would inevitably end with “And number one, for the twenty-third straight year, is Stairway to Heaven by Led Zeppelin!”

This is KQ’s top-ten most-requested songs as of 2017:

  1. Won’t Get Fooled Again by The Who
  2. You Shook Me All Night Long by AC/DC
  3. Money by Pink Floyd
  4. Kashmir by Led Zeppelin
  5. You Wreck Me by Tom Petty
  6. Turn the Page by Bob Seger
  7. Another Brick in the Wall by Pink Floyd
  8. Baba O’Riley by The Who
  9. Hotel California by Eagles
  10. Layla by Derek and the Dominos

I’m pretty well-versed in music, but I’ve never even heard of the Tom Petty song, and I didn’t know the name of either the Led Zeppelin song or the correct name of the “teenage wasteland” song by The Who. The newest song on there was recorded 44 years ago. The only surprise is that the Boomers finally got tired of listening to Stairway to Heaven, which fell from its perennial top-spot down to number 30.

Keep in mind that this is a radio station located in the home town of Prince Rogers Nelson. And there isn’t one single Prince song in the top 500 most-requested.


Big Bear on Taylor Swift

In which a subject I never thought it would be necessary to contemplate is addressed, as apparent Owen has set the Internet on fire again.

Why would a rich famous guy marry a 34-year-old woman? If you started immediately you MIGHT be able to have two kids. And she’s publicly had sex with a ton of guys. Despite her wealth she’s very low quality for any successful male. Just seems weird and almost like he’s a gay guy. Why would a successful man want a middle-aged woman who’s always on tour? Is it…could it be…because he’s gay?

I can think of a few possible explanations:

  • Travis Kelce is 34 as well. It is nice to have similar references as your wife. Most men marry a woman 1-3 years younger. And given that Taylor Swift is observably immature, she probably looks and behaves more like a woman who falls in that age group.
  • Taylor is very attractive. She held her own even when she was surrounded by Victoria’s Secret models before it went all diverse and inclusive. She’ll probably be far more attractive at 50 than many of her potential younger rivals will at 40.
  • Travis Kelce only has one brother. So two kids would probably strike him as normal, and thereby her age would not as be as disqualifying as those who value large families might assume.
  • Taylor is smart and talented. Perhaps Travis is a Renaissance Man who truly values… okay, that’s not it.
  • Taylor has generational wealth. Travis appears to be considerably more money-motivated than the average NFL tight end. See: Gronk.
  • Travis is a calculating fame whore and marrying Taylor Swift will establish him as a bona fide celebrity that will allow him to launch his post-NFL music and acting career.
  • Travis and Taylor are both gay and this will be a lavender marriage.
  • Everyone is right. The relationship is true love, Travis and Taylor are both gay, and the transpiracy theorists are correct and Taylor is actually a man.

Frankly, I’m a little shocked that Big Bear went for the lavender interpretation and not the last one. He must be mellowing out now that he’s not being cancelled every five minutes.

I can’t believe I’m actually going to be pulling for the 49ers this Super Bowl. I will never forgive Clown World for this. And in other Chiefs-related news, there has been a mysterious lack of agitation at ex-KC Offensive Coordinator’s annual failure to get a head coaching job this year.


Made in a Lab

The global pandemic was a fraud and Covid-19 was made in a lab. This is precisely why Clown World wants to be able to thought police Substack. Dr. Robert Malone publishes the smoking gun that conclusively proves Covid 19 was a synthetic virus, which is to say, a bioweapon produced in a laboratory:

Many moons ago I was on a podcast with Alex Washburn regarding his paper

“Endonuclease Fingerprint indicates a synthetic origin of SARS-CoV-2”

This was the first data that really cemented the synthetic origins of SARs-CoV-2. The ZooCrew went into high gear with the typical smoke grenades and even published other fraudulent associations with the wet market to distract from this (Pekar, Worobey and Andersen to name just a few). Worobey has a history of covering up state leaks with HIV. Everyone is likely aware of Kristian Andersen’s sudden about-face with Fauci regarding his opinion on the synthetic origin of SARs-CoV-2 with the Proximal Origins paper. He went on to be awarded a healthy multi-million dollar grant for reconsidering his position and manifesting it in the Nature paper. These folks are conflicted and aggressive online. They behave very similar to Peter Hotez with his demands for military intervention against anti-vaxxers.

These antagonists were just delivered a final blow.

The argument that Bruttel et al. put forward was that SARs-CoV-2 was unique in its even distribution of certain enzyme cut sites that are commonly used with Golden Gate genome assembly strategies. I previously put together a substack on the nature of these interesting TypeIIs restriction enzymes that helps explain why they are such handy tools for generating scar-less or ‘no see-um’ synthetic genome assemblies.

The ZooCrew screamed “Coincidence“.

But now, Emily Kopp from The US Right to Know (USRTK) has obtained additional detail about the DEFUSE proposal that is far more than a smoking gun but ,in fact, is more analogous to finding the gun, fingerprint and confession note in one place.

Emily found evidence that this proposal also listed the very restriction enzyme (BsmBI) that Bruttel et al. claimed could build the virus. Not only did Bruttel et al. notice that BsmBI sites were conveniently evenly spaced throughout the viral genome and this spacing was not only NOT observed in other CVs but that this approach made complete sense as a logical path to manually assembling the genome.

Lo and behold the DEFUSE proposal actually contains NEB R0580S part numbers to order these very enzymes to construct the virus in the manner Bruttel et al. predicted.

This is a case closed event!

There is no more debate. C19 was made in a lab. Which lab and when is still a hot topic but it didn’t come from a pangolin courting a bat.

The Smoking Gun, ROBERT MALONE MD, 19 January 2024

I never, ever, even imagined for one single second that “Covid 19” was anything other than a manmade bioweapon. The “eating bats from a Chinese wet market” was always far too absurd to take seriously. The only reason I didn’t come right out and articulate that forcefully at the time, rather than repeatedly imply it, was because I had absolutely no evidence supporting my position other than logic and history, which I have learned over the years is never sufficient to convince anyone of anything.

But I did leave certain clues concerning my true opinion about Coronachan…

The only thing that really surprised me about Covid-19 was the bioweapon’s relative lack of lethality; without the ventilators and deadly treatment protocols that killed so many elderly people, the so-called pandemic would have been too obviously harmless to inspire hundreds of millions of innocent and excessively gullible people to submit to having their genes altered and their lifespans and fertility reduced with the mRNA “vaccine”.

Again, I think it’s important to give full credit to Karl Denninger and everyone else who repeatedly, and indefatigably, warned people against getting vaxxed and thereby saved tens of thousands, perhaps even hundreds of thousands, of lives. In a just world, St. Karl would be recognized as one of the great heroes of human history and Hollywood would make movies about him.


The Shadow Mocks

There is literally nothing the petty wicked of the world will not eventually seek to subvert, not even Handel’s Messiah:

Messiah Queered — that’s the title of a reimagining of Handel’s classic oratorio performed through an LGBTTQ+ lens.

The oratorio, a staple at Christmas time for many people, will be performed by the Rainbow Harmony Project choir, together with soloists and a 16-piece orchestra made up of professional and amateur players at Holy Trinity Anglican Church Friday at 7:30 p.m.

The idea for the performance came up during a conversation between Nathan Poole, a local violin and piano teacher, and Sandra Bender, music director at Holy Trinity Church. Bender, who is bisexual and the soprano soloist in the performance, thought it would be a great oratorio for LGBTTQ+ people.

“It’s the story of a transient who hung out with marginalized people, who offered love and self-sacrifice and who experienced rejection and betrayal — something LGBTTQ+ people understand in all too real a way,” she said.

Kathleen Murphy, a student and choir director for Rainbow Harmony Project and the mezzo-soprano in the performance, said doing the Messiah through an LGBTTQ+ lens is “a way to push back expectations.”

The Churchians who have reduced the image of Jesus Christ to a saccharine figure who is about nothing but love, tolerance, and acceptance not only have a lot for which to answer, they are going to be in for a tremendous surprise when the King of Kings returns, riding through the blood of the wicked on a white horse.

Christ on a White Horse

I saw heaven opened, and behold, a white horse. And He who sat on him was called Faithful and True, and in righteousness He judges and makes war. His eyes were like a flame of fire, and on His head were many crowns. He had a name written that no one knew except Himself. He was clothed with a robe dipped in blood, and His name is called The Word of God. And the armies in heaven, clothed in fine linen, white and clean, followed Him on white horses. Now out of His mouth goes a sharp sword, that with it He should strike the nations. And He Himself will rule them with a rod of iron. He Himself treads the winepress of the fierceness and wrath of Almighty God.

Usually, one prays for mercy. Sometimes, though, one really hopes for justice.


The World Has No Chance

Babymetal isn’t just back with a vengeance. I mean, yes, Moa has proven that she can hold her own in the absence of Yui, Momo has won over me and the rest of The One with her enthusiasm, Su’s voice is maturing beautifully, and Monochrome is a serious candidate for their best-ever song as well as one of the best compositions and productions I’ve ever heard by anyone, but now they’re multiplying.

I have to admit, my thoughts almost precisely echoed one commenter’s observation.

When the Metalverse girl started singing I was like, “wow, she’s good. Maybe even give Su a run for her money.” Then Su started singing and I was like, “nope, not even close.”

Su’s voice was always great, but the strength, the length, and most of all, the ease with which she holds that high note on the last “hajire” is simply breathtaking. Not that she ever lacked confidence on stage, but now she practically radiates it. And it’s fun to see how she still loves singing a relatively silly early song like Iine.

While I like the way they’re extending the instrumental breakdown here and increasing the contrast with the heavier parts, nothing will replace the way they got the whole audience involved on this one in some of the smaller venues back in their first European tour days.

As a bonus, check out what can only be described as their triumphant Road of Resistance performance at the same Japanese arena earlier this month.

UPDATE: Okay, now they’re just showing off. It’s a mirrored performance that comes out of nowhere. Wait until 2:22.


All Ur Yule Are Belong to Him

I always found the idea that Christian art was in any way inferior to secular art to be mysterious, the Boomer schlock of Christian Rock and the Amish romances of the Christian Bookstore Association notwithstanding. As much as I might like Silver Bells and White Christmas, they absolutely pale before the triumphant majesty of The Messiah and Adeste Fideles. And no one who has ever stood before a grand cathedral in Italy is likely to be impressed by the childish brutalism of modern block architecture today.

But forget the grand compendium of the art of Christendom, this pair of tweets prove that Christians can meme with the best of #GamerGate and even /pol/ itself.

“Easter was actually originally a pagan holiday!”

Keep complaining and we’ll take Toyotathon and make it a Christian holiday too.

“But we-“

You just lost Shark Week.

“That’s not-“



The Material Side of the Spiritual War

Boyzone singer Shane Lynch testifies to the way the pop music industry is as openly and knowingly Satanic as the 80’s metal hair bands aspired to be:

The [music] industry is destructive – let me take it straight to God and to the spiritual world. We have the Holy Spirit that guides us and protects us in the name of Christ, but the demonic side of the music industry is very real too. That’s how I came to God; through understanding the demonic side.

I was certainly interested in being mysterious; it gave me a character, it gave me some substance that I could hold on to. Why I portrayed myself in those ways I don’t know – maybe I was trying to prove something. But it intrigued me, the darker side of the world. Ouija boards, séances, tarot card reading, all that kind of spiritual stuff really got hold of me. That all came from our very first album launch; it was a Halloween party in a big mansion, but that was super demonic. We were just young kids, [and we thought]: It’s a bit of fun. All the record company and the journalists are there, and here we go. Not all music is bad, but the majority of it is [designed] to take you away from Christ, 100 per cent.

Do you mean in terms of the lyrics or the big players in the industry?

Both. Lyrically and big players. I’ve been in rooms – at the top of the top – where albums are prayed over demonically. Music is prayed over demonically that goes out to the radio stations, to the public. When you see that stuff, it’s frightening.

What do you mean by “prayed over demonically”?

Rituals, ceremonies, everything to give light to the devil, to Satan. It’s a satanic music industry.

Do you mean figuratively, or literally?

Literally. Yes.

The ticket takers don’t just have sympathy for the Devil. They know what they are doing and they are actively serving him. From Bob Dylan and Mick Jagger to Lady Gaga, Beyonce, and Doja Cat, they are literal servants of Satan.

That’s why the pop stars all hate, fear, and mock Christians.

It’s why I tend to prefer listening to classical music, much of which was written in the active service of Jesus Christ. There are few negative moods that a Bach concerto can’t cure.



Mick Jagger had sympathy for the Devil because he took the ticket.

Mick Jagger: My 8 kids ‘don’t need’ my $500 million fortune

In other words, Mr. Jagger’s success was manufactured, his money isn’t his, and now the time to pay the infernal piper is rapidly approaching, despite his best efforts. I wonder if he still thinks it was worth it, or if he now regrets the deal he made?

Never envy the rich and famous. Their money isn’t theirs and the fame rapidly fades away. And the ticket has been on offer for a long, long time. The picture below shows the Rolling Stones circa 1966.


Literally Taking the Ticket

ITEM: He is one of the most sought after artists in the agency world and now he finally has major a booking team behind him. Oliver Anthony has signed with UTA for exclusive worldwide representation in all areas.

ITEM: United Talent Agency is a global talent agency based in Beverly Hills, California. Established in 1991, it represents artists and other professionals across the entertainment industry. As of 2021, the company has more than 1,400 global employees.

Let’s see your shocked faces, everyone.