Some artists just know how to exit stage left.
A celebration of an artist’s life in the purest sense, Ryuichi Sakamoto | Opus is the definitive swan song of one of the world’s greatest musicians. In late 2022, as a parting gift, Ryuichi Sakamoto mustered all of his energy to leave us with one final performance: a concert film featuring just him and his piano. Curated and sequenced by Sakamoto himself, the twenty pieces featured in the film wordlessly narrate his life through his wide-ranging oeuvre. The selection spans his entire career, from his pop-star period with Yellow Magic Orchestra and his magnificent scores for filmmaker Bernardo Bertolucci to his meditative final album,12. Intimately filmed in a space he knew well and surrounded by his most trusted collaborators, including director Neo Sora, his son, Sakamoto bares his soul through his exquisitely haunting melodies, knowing this was the last time he would be able to present his art.
I’ve loved Sakamoto since he was teaming up with David Sylvian, who is probably my all-time favorite musician and singer. Not that I’m any expert on pianists, but he’s my second favorite after my friend Cornelius. I think this documentary will be a must-see.
Recorded and filmed as he was dying of cancer, Ryuichi Sakamoto’s “Opus” — the Japanese film composer’s posthumous album and documentary of the same name — is clearly meant to be his final farewell.
As an album, it is fitting that the 20-song, hour-and-a-half recording of sparse piano played by Sakamoto is a retrospective, taking the listener on a journey through his half-century career.
One standout is the first-ever recorded version of the playfully lyrical “Tong Poo” from his early days with techno-pop trio Yellow Magic Orchestra, also known as YMO. They were pioneers of 1970s electronic music and a Japanese act that landed on the global stage.
The album “Opus” is set to be released Friday from Milan Records. It showcases solo piano versions of the film scores that form the pillars of Sakamoto’s legacy, starting with the majestic theme for Bernardo Bertolucci’s “The Last Emperor,” a film set in the final days of imperial China leading into its communist rule.
It won an Academy Award for best original score, making Sakamoto the first Asian to win the honor. The 1987 film, starring John Lone, also won best picture. The score also won a Grammy.
Elsewhere, the track “BB” is Sakamoto’s homage to Bertolucci, a tender love poem for his brilliant collaborator.
“Opus” also features the forlornly pensive music Sakamoto did for Bertolucci’s 1990 “The Sheltering Sky,” which juxtaposed emotionally lost American travelers with the ruthless vastness of northern Africa.
And it includes the music for “Merry Christmas Mr. Lawrence,” a 1983 film about a World War II prisoner of war camp, directed by Nagisa Oshima, in which Sakamoto also acted. It has become his signature piece.
Sakamoto’s sound has an unmistakably Asian feel that’s challenging to define, but evident through the utilization of certain harmonies, pentatonic motifs or scales. His sound is also evocative of Debussy but, to be fair, this is all Sakamoto.
Minimalist is another way some have described his ability to speak in the silences between the notes.
All the songs on “Opus” were immaculately recorded in Tokyo’s NHK 509 Studio, performed without an audience in 2022. The piano pedal shift, and, at times, his breathing, are present.
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