Head’s up

If you’re in the UK, it’s time to contact your local comic store and ask them to:

  1. sign up with Ingram’s iPage.
  2. start carrying Arkhaven and Dark Legion comics

Needless to say, the Comics-SJWs are just thrilled to hear that we are doing exactly what we said we would be doing six months ago.

rosie knight@RosieMarx
Just a heads up that @IngramContent have picked up distribution for Arkhaven Comics (alt-hero etc) in the UK and are randomly sending their racist books to shops out there as an attempt to get them to order them.

After all, why would comic stores have any interest in carrying anything new, considering how well they’re doing with Marvel and DC products. From Comichron:

As noted here Friday, the comics shop market made up considerable ground in July comparison with a weak July 2017, thanks to the Batman wedding storyline and several high-profile launches. Retailers ordered $44.64 million worth of comic books, graphic novels, and magazines in the month; the year-to-date deficit, piled up in winter, was cut in half to less than 2{e1b6c4ee08d0f44a6a5b11eb06b9139d63cfe72acbaefd7257f78696d447c626}. Click to see the comics sales estimates from July 2017. Both Marvel and DC contributed, combining for a dual market share of 70.69{e1b6c4ee08d0f44a6a5b11eb06b9139d63cfe72acbaefd7257f78696d447c626}, the highest proportion of the market seen since October 2011.

Market share leader Marvel beat its July 2017 dollar sales by 16{e1b6c4ee08d0f44a6a5b11eb06b9139d63cfe72acbaefd7257f78696d447c626}, aided by Amazing Spider-Man #1 and Captain America #1, among other launches. DC’s dollar sales were up 29{e1b6c4ee08d0f44a6a5b11eb06b9139d63cfe72acbaefd7257f78696d447c626} year over year.

The SJWs have turned it around, right? Well, not so much. The following list of bestselling issues is why Marvel and DC managed a one-month positive blip on a weak annual comparable. The top four issues for the month:

  1. Batman #50, $4.99, DC
  2. Amazing Spider-Man #1, $5.99, Marvel
  3. Captain America #1, $4.99, Marvel
  4. Doomsday Clock #6, $4.99, DC

Look at those prices! That “increase” in sales is just a dollar spike from a few high-priced special issues, including two major relaunches and a fake wedding. Unit sales are still down 1.93 percent for the month and 7.02 percent for the year, and appear on track to confirm my prediction of another double-digit decline by the end of the year. For me, the most interesting thing to observe here is the way in which the major independent publishers have not been able to capitalize on the ongoing decline of the Big Two, most likely because they are SJW-converged as well. Marvel and DC are in decline, but IDW, Image, and Dark Horse appear to be collapsing even faster.

In the meantime, the Dark Legion marches relentlessly on with Gun Ghoul #3. August isn’t over yet, but it already marks a new high for us in terms of new comics published, digital editions sold, and total issues sold.

An insane Meta Prime is wreaking murderous havoc in Paris before being hired by a terrified crime lord to deal with the mysterious gunman who has been cutting a bloody swath through the criminal hierarchy of Chicago. But who is more powerful, the superhuman psychopath or the supernatural stranger? There is only one way to find out: a direct confrontation.

Gun Ghoul: Raising the Dead is a furiously action-packed graphic novel by military veteran Will Caligan.


Comicsgate is Sad Puppies

We don’t have a name. We don’t need a name. But it is eminently clear that the growing community around Arkhaven and Dark Legion are to Comicsgate what the Rabid Puppies were to the Sad Puppies. Comicsgate is the Tea Party to our Trumpslide. And you all know how those things turned out.

It is deeply amusing to see how the comics-SJWs are reacting in such an over-the-top manner to as harmless and inoffensive a group as Comicsgate, which is about as self-consciously centrist and politically correct and equalitarian as one can get. Just ask their defenders:

No one believes comics is a ‘boys club.’ Female creators have been a phenomenal core element of many celebrated characters and stories from across the medium. From Pia Guerra’s amazing art in Y: The Last Man, to June Brigman’s fan-favorite Power Pack, or even Hiromui Arakawa’s global sensation Full Metal Alchemist, women have long been celebrated and embraced by comic fans.

To call the movement racist is also in poor taste, as people of color are represented heavily in the movement. Race has also been a non-factor in comics for some time, with creators like Christopher Priest who is currently producing a fantastic run on DC’s Deathstroke, Image Co-Founder and current DC Comics Co-Publisher Jim Lee, and long-time The Amazing Spider-Man artist Humberto Ramos enjoying long and celebrated runs and careers. If the goal of the movement is as intolerant as Sienkiewicz believes, then creators such as the aforementioned would be denounced and lambasted by ComicsGate, rather than receiving the praise and support seen for these and many other non-white creators.

It’s just a matter of time before Comicsgate is bragging that they pick up their litter and denouncing DC as the Real Racists. Sooner or later, they will learn that Being the Good Guy and Moderation and Talking Sense to the Enemy are neither strategies nor tactics, get rabid, and begin to fall in with us. Because the comics-SJWs are NEVER going to stop attacking them and calling them names, no matter how much they cuck and appease and ritualistically denounce us.

“So stop being awful ambassadors for the worst of our natures. Stop being brownshirts. Stop being goddamned ugly dicks. And to re-jigger an ugly phrase you sling at women, I’m instead going to channel it here in the spirit of my Aussie friends: Stop being such insufferable clueless cunts.

The medium didn’t call on you to be the best version of assholes you could be. Neither did we.

Knock it off.

Either step up. Or step off.

We, Comics, and The Audience- will be absolutley fine without you.

And you won’t be missed one damned bit.”

Absolutely fine? Perhaps, if an annual 10 percent decline in sales can be redefined as “fine”. Eight more years of that and we’ll have the comics industry to ourselves. But to be clear, I’m not at all against Comicsgate, I’m just amused by it. It’s harmless and largely irrelevant, but if it keeps the SJWs occupied while we overrun their flanks and baggage train, that suits me just fine.

That being said, after the Alt-Hero: Q campaign begins and the incendiary Alt-Hero #4: The War in Paris is published, I don’t know how much longer the SJWs will be able to restrain themselves from going openly after us. Not once they see how we are finding success in directly assaulting their assumptions about Diversity and their sanctimonious equalitarian pieties, while Marvel and DC proceed headlong down the road to oblivion.

On Monday, Marvel announced that Riri Williams, the teenage super hero who took over the mantle of Iron Man in the wake of Civil War II, will debut in her own solo book this November. Riri Williams: Ironheart will feature several developments for the fledgling super hero: her first solo title, a brand new suit designed by Kevin Libranda, and the comic book debut of her writer Eve Ewing, whose announcement was met with a wave of backlash from the comic community.

Despite her lack of comic book writing history, one may ask how she came to be hired by Marvel. The answer is one that has appalled fans and caused further criticism of Marvel’s editorial board: she was hired because she looked like Riri and started a petition. The currently supported reason Ewing’s name was put forth to write Ironheart is because of Ewing’s supportive fans began spreading a petition to hire her based on a series of tweets in which she expressed the desire to write the book. These tweets were also supported by “evidence” provided by Ewing, which included the fact that she looked like Riri and had a small collection of various graphic novels on her bookshelf.

And yes, the Dark Lord laughed. You know, this just might be the right time to introduce a series about a billionaire in a high-tech suit with a pretty blonde consort.


Response and Reprisal

I was asked to give a statement about the attack on Alt-Hero by Dynamite Comics’s Atari’s Centipede #4 by Bounding Into Comics:

Vox Day and Arkhaven Comics, who were insulted in Dynamite Comics and Atari’s Centipede #4 by writer Max Bemis, artist Eion Marron, and letterer Taylor Esposito has issued an exclusive response.

The comic insulted Day and Arkhaven Comics’ ongoing series Alt Hero by calling it “a joke” in an alien language.

Vox Day issued a statement regarding the insult in Centipede #4:

“We’re not even remotely surprised to see that our lesser competitors are frightened of what Arkhaven, Dark Legion, and Alt-Hero represent. Radical change is coming to the comics industry, and it is coming faster than they believe possible.”

He also wanted to share the cover for Alt-Hero #3, which is expected to be released this upcoming Monday, August 6th.

Have a look at it there. Warning, some may find it… triggering. But the attack on Alt-Hero was pretty mild compared to the very nasty, and personal, attack on Arkhaven and Castalia House author Jon Del Arroz.


Attack on Alt-Hero

Or could it be secret support?

Max Bemis, Eoin Marron, and letterer Taylor Esposito referenced your Alt-Hero Comic in Centipede #4 from Dynamite Comics. Using an alien language, they wrote “Alt-Hero is a joke.” You can see it in the third panel. It’s easier to read if it’s inverted.

It’s ironic that all of the comics pros are afraid to criticize it for fear of making it more popular, and to support it for fear of coming under SJW attack.


Superconverged

DC is racing Marvel in a contest of who can completely converge their film and TV properties first. I’d say DC has taken the lead at the moment. The bad news is that they actually added a white character to Supergirl. The good news is that she is a he.

The panel named transgender activist Nicole Maines (Royal Pains, The Trans List, Becoming Nicole book) joining the show in the series regular role of Nia Nal, aka Dreamer. The newest addition to the CatCo reporting team, she is described as a soulful young transgender woman with a fierce drive to protect others, Nia’s journey this season means fulfilling her destiny as the superhero Dreamer (much like Kara came into her own as Supergirl).

In addition,  the series will be joined by series regular April Parker Jones (Jericho, The Last Ship) as Colonel Haley, a hardline career military woman who lives and dies by the orders of her commanding officers. Dedicated to her country, she always acts in its best interest — even if it’s not her own.

And David Ajala (Doctor Who, Nightflyers, The Dark Knight), who will recur as Manchester Black, based on the DC character created by Joe Kelly, described as the type of guy who brings a knife to a gunfight and still walks away the winner. With a dark past, he easily deflects the brutality of his mission with his charm and sense of humor.

More negroes! More wimmins! More trannies! Hurrah! But where are the gay Jewish pedos in wheelchairs? It’s not true diversity without gay Jewish pedos in wheelchairs! Progress is love is love on wheels!


A passion for social justice

Batwoman, queer and converged:

The CW has put in development a Batwoman series for 2019 consideration. It hails from former The Vampire Diaries executive producer Caroline Dries and the architect of the CW Arrowverse, Greg Berlanti.

In Batwoman, written by Dries based on the DC characters, armed with a passion for social justice and a flair for speaking her mind, Kate Kane soars onto the streets of Gotham as Batwoman, an out lesbian and highly trained street fighter primed to snuff out the failing city’s criminal resurgence. But don’t call her a hero yet. In a city desperate for a savior, Kate must overcome her own demons before embracing the call to be Gotham’s symbol of hope.

Batwoman already has been a trailblazer for LGBTQ+ representation in comics. After a long hiatus, she was reintroduced to the DC comic universe in 2006 when she was established as a Jewish lesbian, becoming the first-ever lesbian superhero title DC character. Now Batwoman would become the first gay lead character — male or female — of a live-action superhero series.

A passion for social justice! A flair for speaking her mind! Kee-rikey. At this point, all we are going to have to do is show up. And while I can’t share any details of Castalia’s coming foray into movies AND television yet, things are looking increasingly optimistic. We’re also going to hold a Brainstorm about the comic store campaign next week.


An SJW swings and strikes out

It’s going to be amusing to see this idiot SJW start trying to deny my heritage. Because, after all, it doesn’t fit the narrative!

Children’s book creator Jed Alexander, who wrote and drew (Mostly) Wordless and Red went after a number of comic book professionals and called them “white supremacists.”

Alexander targeted writer Chuck Dixon, artist Dave Dorman, and creator Ethan Van Sciver on a public Facebook post by Howard Chaykin. Chaykin merely posted the cover to his Image Comics series The Divided States of Hysteria and commented, “I told you last year, but did you listen?”

This post provoked Alexander to label Dixon, Dorman, and Van Sciver “white supremacists.”

He would write:

“There are white supremacists in your industry. They are your peers. I’m talking about: Chuck Dixon, Dave Dorman and Ethan Van Sciver just for starters. Dixon who collaborates with Vox Day, a known white supremacist, on a comic called Alt Hero, an Alt Right superhero. Dorman, who will soon be collaborating with Dixon, and is a supporter of “Comicsgate.” Ethan Van Sciver who has put himself at the center of “comicsgate” a movement that actively harasses and threatens women, people of color and trans people in or related to the comics industry.

It’s easy to say this is none of your business, you know nothing about these people, this has nothing to do with you. But this is your industry. You are known for being outspoken about what matters to you. About racism, about anti-semitism, about right wing extremism. This is your industry and publishers have become quiet enablers. You don’t have to be.

Right now you’re writing a comic about the comics industry. Whether you like it or not, this is a part of that story. You have a voice.“

My response to Jed Alexander on Facebook:

I’m an American Indian, you moron. You could call me a Red Reservationist, but you cannot legitimately call me a white supremacist any more than you can call me the Chief Rabbi of Israel, the President of Nigeria, or the Pope.

I also sent John Trent of Bounding Into Comics a note to clarify my position on these matters and they posted my response as a separate article there.

I read with interest Mr. Alexander’s defamatory statements about me. I hope you will allow me to set the record straight.

  1. I am not a “white supremacist”. To the contrary, as an American Indian, I wholeheartedly support both the right of free association as well as the right of the American Indian to our segregated, white-free reservations.
  2. I do not believe in “white nationalism” or “black nationalism” or “yellow nationalism”. To confuse broad racial categories with nations is a serious category error.
  3. I oppose “white nationalism”, “civic nationalism”, and globalism as forms of imperialism that inevitably lead over time to civil strife and ethnic war.

I do not know Mr. Alexander’s heritage, but the irony of him labeling an American Indian who happens to be the great-grandson of a Mexican revolutionary “a white supremacist” is substantial indeed.

I’m not the only one whose background Alexander obviously did not know. Timothy Lim, as it happens, is of Chinese and Filipino descent. As an astonishingly insightful and good-looking Native American once wrote, SJWs always project.


Bring back the Blasphemy Laws

They were considerably more sensible and eucivic than the present global justice Badthink Laws:

Dr David Mackereth’s 26-year medical career hasn’t been jeopardised by endless, gruelling, night shifts.

Nor have the life and death decisions he has made on NHS emergency wards for decades put him off his profession.

It was, in the end, his response to an instruction in a nondescript training room that has left his future hanging in the balance.

After being offered a job as a medical assessor for the Department for Work and Pensions (DWP), David was told to refer to those seeking disability allowance as whatever gender they requested. So, should a man have walked into his office claiming he was a woman, he would need to be treated as such, and described in any correspondence with the pronoun ‘she’ not ‘he’.

In an age in which the Government and the NHS are subjecting transgender issues to ever greater scrutiny, it was an edict that David had been dreading — and one the 55-year-old was unwilling to obey.

‘As a Christian, I believe gender is determined biologically and genetically,’ he says.

He was also very aware that expressing such a belief would be likely to end his career.

‘I was scared, really frightened,’ he admits. ‘I knew it could be the end of my work as a doctor, but I could not live with myself if I didn’t speak up. It would be dishonest — and I didn’t want to live a lie.’

Sure enough, his contract with the DWP was swiftly terminated on the grounds that his refusal to use the preferred pronouns of people who identify as the opposite gender could be considered harassment as defined by the 2010 Equality Act.Three weeks on, he is in little doubt that his career is over.

If people can be disemployed for refusing to believe that gender is self-determined or that one group of people murdered a specific number of a different group of people in the 20th century, then they can certainly be disemployed, or even deported, for refusing to believe that God exists and Jesus Christ is Lord.

The fraudulent nature of the Enlightenment has been revealed. Freedom of speech and expression was always just an excuse to try to dislodge Christianity from its dominant position in the West and thereby destroy Western Civilization.

A DWP spokesperson told the Mail Mr Mackereth made it clear in training that he would refuse to use pronouns which did not match his own view of a person’s biological gender and that the Equality Act made it unlawful to discriminate on the grounds of a ‘protected characteristic’ such as gender reassignment. She added: ‘We expect all assessors to handle assessments sensitively and adhere to the Equality Act 2010.’

Observe that, as usual, equality is the intellectual justification for evil. Equality is evil and Thomas Jefferson’s flights of rhetorical fancy notwithstanding, all men are most certainly not created equal in any way, legal, material, or spiritual. Equality is the retarded version of “ye shall be as gods” and nothing good ever comes of it.


SJW professionalism

Or, as you might suspect, the lack thereof. So, back in February, before we found our current colorist, I was contacting different colorists to see what our options are. Ethan van Sciver recommended a gentleman by the name of Bill Baumann, and I quite liked his approach to coloring so I contacted him. For some inexplicable reason, that email was posted on Twitter today.

I contacted Mr. Baumann to ask how this extraordinarily unprofessional publication of my email to him had come to be in the possession of Corey Hodgdon, and he didn’t see fit to explain himself. But Spacebunny did bring the following Facebook post to my attention; it appears that Mr. Baumann is foolishly attempting to ingratiate himself with the SJWs in the comics industry. Who knows, perhaps they will even reward him for behaving in this manner.

Of course, like all SJWs, Baumann is lying. I never said anything about being in the forefront of either Gamergate or Comicsgate; I never mentioned anything about Comicsgate and I’m not involved in it anyhow. And while I am, of course, the Leader of GamerGate, I did not see fit to mention that. I didn’t brag about anything, but I did give Mr. Baumann an accurate idea of who I am and Arkhaven stands for. The pretense that he didn’t know anything about me until he Googled it after our conversation is entirely false. I warned him that both the project and I were considered to be controversial by some in the comics industry and even told him that we had no problem with him using a pen name; he assured me that he had no problem working with us at all.

As for his over-inflated rates, he must be quite a bit cheaper these days, because the rates he quoted me didn’t seem unreasonable at all for a top-flight colorist. In fact, I was planning to take him up on coloring some covers until discovering how hopelessly unprofessional he is today. So, in order to set the record straight, here is the complete email exchange between Mr. Baumann and me, redacting only his telephone number and email address.

On 2/9/2018 5:39 AM, Bill Baumann wrote:

Heya Vox,

Thanks for the kind words. We’re going to get along a whole lot better if you call me Moose!

My dance card is pretty full these days, but I could probably fit in some covers, depending on what kind of deadlines we’re looking at. I’m in Iowa, I think seven hours behind you. You can usually catch me before I go into the office at 730am, or after 5pm local time. And I’m almost always free on the weekend. Feel free to give me a shout whenever it’s convenient for you. [telephone # redacted]

Moose-

On Feb 9, 2018, at 8:08 AM, Vox wrote:

Hey Moose,

Great talking to you this morning! I’m delighted to hear you may have some interest in working with us. Here are some examples of Cliff Cosmic’s work – we encourage the use of pen names – as well as what the colorists have done with it. This is his first pro work, so he’s very inexperienced, but I tend to like his style. I’ll be curious to know what you make of his potential and if you’d be willing to work with him.

As I mentioned in our conversation, I’d like to know your page rates for interiors and covers, as well as what interior scenario is of the most interest to you.

Best regards,

Vox

On 2/9/2018 6:45 PM, Bill Baumann wrote:

Hey Vox, I really enjoyed our talk this morning. You’ve got some exciting things going on, and I look forward to being a part of it all.

I definitely like Cliff’s work. It’s a little rough here and there, but he really has potential. The animation style coloring on the first piece is the type of look that I’d go for, more hard-edged coloring on the figures, which a painted style/look for the backgrounds. I did something similar in the past, and it turned out really sweet.

I’ll quote you my DC page rates, which is $250 for a cover, $150 for an interior page. I think I’d rather just stick with a flat rate, if that’s okay with you. I think it would be less hassle for everyone. 

Would this be a monthly book? The standard 22 pages? 

Moose-

On Feb 9, 2018, at 11:51 AM, Vox wrote:

Hey Moose,

I’m glad to hear you think Cliff’s work is sound. It will be a more or less monthly book, assuming Cliff can maintain his pace. We usually do 23 pages.

We don’t have the budget yet to meet those rates on the interiors, but I will definitely want to buy a cover or two from you. And that’s good to know for when we plan our summer Kickstarter. Given that we haven’t gone to print yet and we don’t know what our sales range will be yet, it’s probably too soon for us to be working with top notch guys like you and Ethan.

But we’ll get there soon, I think.

Thanks very much,

Vox

On 2/9/2018 7:16 PM, Bill Baumann wrote:

Sounds good. I’ll be here when you need me.

M-


You knew Marvel would make me a villain

Sooner or later. It was inevitable.

The Kree’s homeworld of Hala is in ruin, but the alien empire has sounded the call to war and directed it at the Inhumans. They have sent Black Bolt a direct message, “Join or Die.” But this is no ordinary message. It’s written in blood. The blood of Inhumans. The blood of 11,038 Inhumans. That’s right. The Kree Empire butchered 11,038 Inhumans to send Black Bolt a message that he will join the Kree Empire or die.

These 11,038 Inhumans wouldn’t be the only casualties. Four Inhuman queens would also perish at the hands of the Kree.

And they would be joined by some of Black Bolt’s closest allies. Triton falls to the Kree when he is unable to escape the blast radius of a bomb left as a trap for Black Bolt and his Royal Family.

Triton wouldn’t be the only one close to Black Bolt to perish. He would be joined by Lockjaw and Maximus who fell to the ferocious power of a brand new villain and the first of a brand new race to the Marvel Universe. This villain is a Super-Inhuman known as Vox. This new villain, Vox, is described as the “voice and the wrath of the gods. He is the full-throated scream of the Kree Empire.”

Except the real Vox doesn’t want the subhumans – as the SJWs at Marvel are more properly known – to join the Evil Legion of Evil. What are the odds that Vox’s evil minions are both vile and faceless?

He cannot be swayed or tricked or bought, for he wants nothing but his enemies’ hearts to stop beating.

See, now that does sound familiar…. As does the New Arkhaven… I mean, Arctilan. And they did get the scythe right too. But where is Spacebunny?