Tag: Hellmouth

Always Fake, Usually Gay

Lo and behold, but it turns out that the Real Men who are turning out for Kamala Harris in her television ads are just the usual theater kids pretending to be men they are not and could never be.

As many of you know, Jimmy Kimmel’s writer, Jacob Reed, directed an ad for the campaign titled Men for Kamala. The ad features what are presented as everyday male voters explaining why supporting Kamala Harris is the masculine thing to do. However, none of the men in the ad are actually regular voters—they are paid actors.

Moreover, their real-life circumstances differ significantly from the individuals they portray in the ad. Here are their stories:

  • Wayland McQueen is a far-left, pro-Antifa comedian and actor who has, until now, found limited success. He does improv gigs at the Upright Citizens Brigade in Los Angeles. In a Twitter post from 2022, he explains what white privilege is and tells you why you need to acknowledge your white privilege. As of 2024 he is single.
  • Lanre Idewu is an immigrant from Nigeria. He is also an actor who works at the D.C.-based OCTET Productions. He has many intimate pictures with the Obamas and the Bidens. Idewu, who is bisexual, has done gay-for-pay movies and nude solo shoots. In the Men for Kamala ad, he says he is “man enough to braid his daughter’s hair,” but the only problem is that he doesn’t have a daughter. Idewu isn’t braiding anyone’s hair.
  • Mike Leffingwell, a gay man, also works at the Upright Citizens Brigade, where McQueen works. He is an acting coach, cartoon writer for Netflix and DreamWorks, and an actor in TV commercials. On his public Instagram page, he showcases his participation in his latest project—the Men for Kamala ad.
  • Winston Carter, the heavyset fellow in the ad who claims to be a mechanic and rancher, lives in Los Angeles signed with Taft Broadcasting Company. He has found limited success in the acting world, mainly as an extra in films and as a character in the low-budget superhero film Spaghettiman.
  • Tony Ketcham, the tough, rugged, bearded grandpa in his garage in the Men for Kamala ad, is also an actor. He now mainly does low-budget independent films like Car Botz, where he played the role of PePaw. Tony is unmarried in real life. In 2001, he played the extra role of “alcoholic consumer” in the movie Ghost World.

Well, I know I am just shocked to discover that these actors on television aren’t genuine. I definitely won’t be voting for Kamala now! What’s next, we’ll learn that the guys who were on The Big Bang Theory don’t actually do science?

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Satanists Confirmed

The evils of the Hellmouth are no secret to anyone who reads this site. But it’s remarkable to see individuals with direct and extensive experience of Hollywood confirming what everyone here already knows.

Hercules actor Kevin Sorbo dropped a massive bombshell Tuesday, claiming he left the entertainment industry because of a proliferation of pedophilia.

I didn’t get “blacklisted” from Hollywood, I left because they’re all pedos.
— Kevin Sorbo (@ksorbs) October 1, 2024

It was previously believed the Hercules: The Legendary Journeys actor had left or was pushed out of Hollywood over his conservative views and Christian beliefs; however, his new commentary sheds light on the real reasons he left the industry.

The Satanists of the Hellmouth hide behind the protection provided to them by Holocaustianity. They are not evil because they are of any particular genetic heritage – to the best of our current understanding, anyhow – they are evil because they quite literally worship Satan and are consciously at war with God Almighty, our Lord and Savior Jesus Christ of Nazareth, and heritage America. Deviant sexual practices are a significant element of their wicked rites, which includes the systematic sexual abuse of children.

Ben Hirsch, the cofounder of Survivors for Justice, an organization that advocates for victims of sexual abuse in Orthodox communities, suggested that the rate of abuse could exceed 50 percent for boys within Hasidic enclaves.

As the growing P. Diddy scandal shows, it’s not about race or nationality, but religion. Specifically, about the secret satanic religion behind Clown World that promises earthly success in lieu of eternal salvation. While the authorities are no doubt doing their utmost to contain the damage being caused by the Sean Combs revelations, the truth is gradually being exposed, drop by drop. And it is good, in fact, it is declared, that we will hate the wicked, just as they hate us. We are fortunate that they make it so very easy for us to do so by their abominable practices. The only “god” by whom they are chosen is the god of this world.

The just abhor the wicked man: and the wicked loathe them that are in the right way.
— Proverbs 29:27

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The Pain Remains

It’s not over until Jeff Bezos says it’s over. The Dark Herald manfully continues to suffer through the relentless water torture that can’t even rise to the level of a generic and mediocre High Fantasy pastiche:

The series is unsalvageable, everyone involved knows it. You don’t have an exodus of on-camera talent unless they are trying to avoid the taint of association. The Tolkien fans are long gone. Even Hollywood has been forced swallow the bitter pill that the Woke audience they want doesn’t exist. By no possible measure is The Rings of Power a success yet they have to keep doing this. The makers are now going with the minimum risk of remaking Jackson’s Lord of the Rings without knowing how to do that. Whatever financial sleight of hand that was used to finance this has clearly locked Amazon into a multi-season commitment.

Every episode of this show is bad, no getting around that, but one of them had to be the worst. This one was it. They will have to build a high mountain indeed to top this heap of shit. This is the stupidest, most incompetent episode of the entire series so far.

The Legendarium. The Cinematography. The Spacial Awareness. The Basic Physics. The Narrative comprehension. The Avoiding gross demi-incest stuff. This one got every single thing wrong.

Except the title. That was picture perfect.

“Doomed to Die.”

I have to admit, I wasn’t even remotely tempted to watch Dem Rangz last season. And now, well, I just feel bad for Dark Herald and all of the poor actors and actresses are involved. And, of course, for Tolkien’s heirs, who are receiving an object lesson in why Christopher Tolkien was always such a stickler for respecting his father’s legendary work.

“What could possibly go wrong?” You know someone, probably a lawyer, said somewhere along the path that led to Amazon acquiring the rights to ruthlessly and relentlessly rape the literature.

And now we know.

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3 Strikes, He’s Out

In the aftermath of multiple accusations of sexual assault directed at showrunner Neil Gaiman, the Amazon show Good Omens has been effectively cancelled as its Season 3 was “paused”:

Production has been paused on the third and final season of fantasy drama Good Omens, the Neil Gaiman drama for Amazon that’s shooting in Scotland.

Deadline is hearing there are discussions about possible production changes. A spokesperson would not comment.

News about the future of Good Omen comes less than a week after Disney put a planned feature adaptation of Gaiman’s 2008 YA title The Graveyard Book on pause amid a series of sexual assault allegations against the award-winning author.

While the mainstream media’s wall of silence about the accusations is still mostly holding firm – none of the major newspapers that have regularly published puff pieces on Gaiman for years have published an investigative article – the third cancellation in series of a Gaiman-related show isn’t something that can be reasonably ignored.

And yes, in this context, “paused” likely means “cancelled”.

Didn’t want to comment on this before the official drop, but I heard this yesterday from various pals who worked on the previous series. From what those crew are saying, it’s less “paused” and more “cancelled”.

Impressive, very nice. Now do Sandman.

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He Jumped on the Grenade

Greater love for his fellows hath no man than the Dark Herald, who is suffering through the second season of The Rings of Power on our behalf:

It’s been two years since the first season of Amazon’s The Lord of the Rings: The Rings of Power was unleashed on a helpless and unsuspecting world. Seven hundred and thirty days has not been enough to dull the pain of the horrors it inflicted on the genre of high fantasy.

J.R.R. Tolkien was without question the greatest and most influential fantasy writer of the 20th century. Every writer that followed him had to consciously either embrace or reject Middle Earth. The Lord of the Rings was the story of a struggle of good against absolute evil. A story where the protagonist succeeds in his quest to take the One Ring to Mount Doom but ultimately fails in his mission to destroy it. He is saved by Providence and the self-destructive nature of evil.

In the 21st century, there has been a race on to turn as much of the fantasy genre as possible into a pastiche and palimpsest of Professor Tolkien’s life’s work, or perhaps a better term would be a mockery. This production is certainly the pinnacle of that school of thought. There is no ultimate good or absolute evil there are simply shades of grey and at the end of the day everyone is the same and we are all equal. No one has the right to judge anyone for anything unless they are a white male, in which case they bear the sins of all the world and must constantly perform acts of contrition from morning to sunset.

Nowhere is this school of fiction more pervasive than in Lord of the Rings: The Rings of Power.

throws back a quick shot of Four Roses

Let’s get after it.

The show starts with a recap of the first season. This is probably a sad necessity for its audience. I know that I personally had to (pauses to shudder) rewatch the entire first season because the brain cells that had been assigned to remember it had died of embarrassment. I’m not the only one, everyone who has to review this has been groaning about having to wallow through the acre of rotting of pig dump that is 2022’s Rings of Power.

Within minutes of starting this new season, you know that Amazon has outdone the last one in terms of sheer incompetence.

It’s impressive that Amazon actually managed to lower the bar. But, as we know, the real purpose of these abominations is to destroy the affection for the source material. Fortunately, the joke’s on them, because we can read old books!

Which is vastly more entertaining than thinly-disguised lectures on girl power and how orcs are people too and they just want a better life for their children, and anyone who doesn’t open the gates of Gondor to them are racists for whom there is no place in Gondorian society.

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Then They Came for Rohan

John Trent reports that Warner is following Amazon’s lead in purposefully destroying the value of its Tolkien IP with its forthcoming animated film.

Some new information has come our way regarding the upcoming animated film Lord of the Rings: War of the Rohirrim. There’s an alleged marketing document detailing how the company Warner Bros. is going to market this movie, and it also provides some new information regarding relationships between the characters and how it is radically different from JRR Tolkien’s original short story that you can find
in Appendix A in the back of The Return of the King.

The document that his Source gave him says this: “finding herself in an increasingly desperate situation the daughter of Helm must summon the will to lead the resistance against a deadly enemy intent on their total destruction.” It also adds this: “This all-new stand-alone cinematic adventure forges the legend of Hera, the rebellious daughter of Helm Hammerhand, as she answers the call to protect her people in a battle for their survival that shapes the destiny of Middle Earth.”

Another rebellious girl-boss self-insert Mary Sue! Another violent rape-and-pillaging of a well-loved story! Will the wonders vomited out of the Hellmouth ever cease?

At this point, if you’re a Tolkien fan, it’s really time to turn to ARTS OF DARK AND LIGHT. It’s not Tolkien, nothing is, but it’s considerably closer to Tolkien than anything you’re going to get out of the Hellmouth or the converged publishing houses anymore. And, in fact, the first non-book spinoff from AODAL has been officially produced, and I will play the unofficial Kingsguard anthem on Arkhaven Nights next week. Songs from Selenoth!

In the meantime, if you haven’t picked up A THRONE OF BONES or A SEA OF SKULLS yet, they’re both on Amazon and at NDM Express now.

The Kingsguard ain’t like t’other dwarves…

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A Beast Exposed

It’s been a busy July for exposing big-time Clown World ticket-takers. First Mr. Tubcuddle gets outed as a creepy serial bathtub enthusiast, then Alice Munro’s reputation is demolished by her daughter, and now it looks as if another ticket-taker is going down in an even more spectacular manner.

A former employee of MrBeast came forward and released a shocking video, wherein he claims that MrBeast is “done” if the truth of the Chris Tyson (aka Ava Kris Tyson) controversy is exposed in its entirety, implying there’s far more to the story than we’ve seen so far regarding the transgender activist’s attempts to get close with underage boys.

In the video, the former employee says, “I’m outside Mr Beast’s studio right now, here’s a cornfield, I’ll explain that tomorrow. I’ve just been driving by looking to to see you know is there an FBI raid going on, what’s happening. My name is Dawson I worked at Mr Beast from February to May of this year 2024. Kris is the the tip of the iceberg and when Jake the Viking says Mr Beast knew, yeah Mr Beast knew. I Heard many times that Ava Kris Tyson is a major liability but they can’t get rid of her because she’s already threaten legal action and she knows too much. And when all this information comes out about everything that she knew, everything other people know, I promise you on everything Mr Beast is done.”

Mr. Beast being outed as a seriously predatory ticket-taker or something even worse would be about the least shocking news about the Hellmouth since we learned Rickey Martin was gay. Anonymous Conservative would have a field day analyzing that face; forget the deeply suspicious stage name, just look at those deeply traumatized eyes and that painful forced smile that doesn’t even begin to touch them. Whatever he had to do to reach the pinnacle of YouTube appears to have eaten away at him to the point that he looks more like someone sharing the story of his multiple suicide attempts in a mental health facility than a successful man at the top of his game.

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You Thought Disney Killed Star Wars

At this point, Devil Mouse executives are going to find themselves facing criminal charges in Florida under Title XLVI, Chapter 872, Section 6. They’re not content with destroying the canon, degrading the characters, and demolishing any modicum of competent storytelling, they’ve now Marion Zimmer Bradleed the Force itself:

This episode was comically bad. It functions as Star Wars answer to the Timeless Child in that it is a major canonical retcon. And given that this is Disney, the retcon will remain in place as part of the lore until Disney collapses and the IPs are auctioned off. Once again because: No. One. At. Disney. Can. Admit. To. Making. A. Mistake.

The episode opens on the Planet of the Space Lesbian Witches. How do I know they are witches because they explicitly state they are witches. The protagonist and antagonist are introduced as a set of young identical twins (girls naturally because there are no men at all on this idyllic world). The Space Lesbians have secret knowledge of the Force. The Force is actually, quite literally, female. The twins have two mothers, one who was their birth mother and the one that knocked her up using the Force. I should point out that the birth mother is from Darth Maul’s race but the twins look like black humans. Indicating their birth mother had no genetic input.

There is a lecture held on the womanly power of the Force. It’s not a “force” at all as that is far too masculine of a concept, it is in fact a thread that sews the cosmos together and it can be tugged upon to accomplish certain… This is all Wicca stuff, if you’ve ever become acquainted with that neopagan Marxist bullshit of a “religion” you’ll recognize the concepts pretty quickly. Space Lesbian Witches are the true and uncorrupted Force users.

There is a constant motif throughout this episode. “The power of one. The power of two. The power of many.”

The corporate cancer of convergence is considerably worse than you ever imagine it’s going to be. It’s reliably worse than you are even capable of imagining. And there is no way back from it, ever.

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You Get What You’ll Pay For

Now, I’ve never paid any attention to either the Kardashians or Kanye West, and wouldn’t grieve in the slightest if the entire Hellmouth vanished in a nuclear tidal wave triggered by a Russian super-torpedo. But that being said, people complaining about nepo babies being given opportunities that are denied to less-talented nonentities is an illogical appeal to a nonexistent meritocracy which never really existed and very much does not exist today.

The reason the third-generation Kardashian daughter was gifted the coveted role in The Lion King is entirely obvious:

Earlier this month, it was announced that North was cast in the live-to-film concert event which ran for two nights on May 24 and May 25. The Hollywood Bowl can notably hold up to 17,500 people and tickets for the concert began at $60.

She was given the role for one of three reasons, and it may very well be that all of them apply:

  • Her parents helped fund the event.
  • Her parents’ fame helped sell tickets for the event.
  • The event organizers are either seeking or repaying a favor done to the parents or one of the various organizations to which the parents are connected.

If you don’t like nepotism, stop supporting the parents. The individual who decries North West being handed a celebrity career on a silver platter but watches the Kardashians or listens to Kanye is literally responsible for the very thing she – and it’s usually going to be a she in this specific case – is decrying.

Furthermore, the idea that there is any meritocracy in the world of entertainment in general, or the Hellmouth in particular, is totally absurd. The Big Bear has to hold his comedy events in a barn or an aircraft hanger since he’s not allowed to perform in comedy clubs. I have to publish my own books since I’m not allowed to publish them through mainstream book publishers. We both have to stream on alternative channels and our access to marketing is limited since we’re banned from YouTube and X, among other places.

They metaphorically have to line us up 20 meters behind the starting blocks and weigh us down with weights just to be able to compete with us! How is that a “meritocracy” of any kind?

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Sad News for Predator Fans

If the rumors are to be believed, Tom Holland is attempting to get out of the much-anticipated next movie in the great Predator film series.

Suddenly, the foreign born superhero doesn’t want to play opposite his new co-star. He is trying to get out of his gig.

I don’t see why. She’s downright perfect for the part!

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