Why They Take the Ticket

And all you have to give them is your soul.

Daily Wire CEO Jeremy Boreing published a video Thursday disclosing and discussing a binding contract the company offered to podcast host Steven Crowder. The contract reveals that Daily Wire offered Crowder $50 million over four years. The deal included a two-year company option that, if exercised, would continue to pay Crowder $12.5 million a year.

Boreing expressed this was DW’s opening bid. The company was likely to bid — much — higher during negotiations, he states. Boreing posted the video in response to comments Crowder made on Tuesday about an unnamed conservative media company offering him a contract that contained, what he described as, penalties if Big Tech were to demonetize his content.

Crowder accused the company of enabling censorship with the following terms:

“If any of the major platforms (e.g. YouTube, Facebook, Apple Podcasts, Spotify) issues a content strike (other than a “companywide” content strike) such that Crowder content cannot be monetized on such platform, and the company is not able to resolve the issue within 90 days, then the fee will be reduced by 25% from that point forward.”

Precisely, the contract would allow the company to reduce Crowder’s salary if a content strike were to decrease the revenues the brand could generate from his program. For background, Crowder boasts nearly 6 million subscribers on YouTube. He has notoriously feuded with the video service over demonetization, censorship, and suspensions.

This makes it clear why YouTube banishes people like Owen Benjamin. He was over 300k subscribers when he was banned, and he probably would have been well over 1 million subscribers by now, which would have been worth about $2 million annually from a ticket-distributor like Daily Wire.

Of course, the money isn’t actually real, as evidenced by the fact that it has to be returned to sender upon the relocation of the ticket taker to Hell. Make no mistake. This isn’t genuine success. This is the satanic illusion of success that is on offer as bait.

That is why I always find it mystifying when people claim that I am jealous of the likes of John Scalzi, Jordan Peterson, Ben Shapiro, or Steven Crowder. Because you literally could not pay me to take their place.

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The Subversion of the Hero

And the intrinsic immorality of the Marvel hero. One thing you’ll notice about Arkhaven heroes compared to Marvel and DC heroes: they are absolutely willing to kill the wicked without hesitation or remorse. This is an excellent piece on the insidious modern subversion of the Western hero:

Classical heroes kill their enemies. This is really their most essential job. The role of the hero archetype is to slay dragons and evil kings. Their purpose is to root out evil. They may show mercy on occasion, but this is not their primary role. Mercy-giver is the role of the king. The Folk Hero’s job is a violent one for the sake of good.

However, your typical modern era hero story almost always includes a moment where the villain must be offered a chance for “rehabilitation”, or must stand trial, or where the hero does everything in his power to avoid using deadly force out of some moral reluctance. The modern hero is suspiciously full of reluctance to stamp out evil.

This “Marvel morality” is everywhere.

Try paying attention to this next time you watch a modern action movie. There is almost universally a moment in every film where the main character will show some reluctance to kill a truly evil villain (never mind the countless nameless villains the hero kills- this sentiment is reserved only for the main antagonist). This is a truly inexplicable trope. What is reveals is a reluctance on the part of modern Western culture to define actual evil. Everything must be nuanced. When we knew what evil was, heroes did not have to waste time on these silly moral dilemmas. There was no question on whether the heroes dead wife and children “would have wanted” him to take revenge on their killer, no question on whether the tyrant should be violently thrown down from the slain king’s throne. Questions like these would not have even been asked a couple generations ago, but in modern media a hero that kills evil without hesitation is unheard of. It would offend our modern sensibilities.

Think of Superman, or Batman. One of their defining traits is an unwillingness to kill. Even to kill evil, heinous villains. Its fine for Superman to destroy an entire city and likely countless civilians, but not to actually kill the main antagonist. Why? It is because they are products of a Neo-liberal marvel morality.

You could look to The Chronicles of Narnia as an example. In Prince Caspian, Peter duels the tyrannical king Miraz in a single combat. During the duel Miraz is traitorously slain by his own nobles, but there is never any question that King Peter is absolutely trying to kill Miraz. There is never any discussion between Peter and Caspian about sparing Miraz’s life- why would they?

However, the movie version of the story completely changes the this into a scene that could only have been written in the 21st century. No, Peter is not too “cowardly to take life”. This is a ridiculous question.

Peter saying Mira’s life is “not mine to take”. This is ridiculous. They are in a single combat to the death for the rule of Peter’s kingdom. Of course it is his to take. It is in fact his duty to do so.

Ok, he hands the sword to Caspian. This is fine I guess. Peter is not abandoning his duty, but letting the exiled prince avenge his father. Maybe the scene will turn out ok?

Nope.

Miraz then implies that Caspian killing him means “he has the makings of a Telmarine King”. This is ridiculous. Only a Telmarine King would slay a traitorous, fratricidal tryant? What?

Caspian says “not one like you”. As if avenging his father is comparable to his uncle’s crime of regicide and fratricide? This is ridiculous.

Then, Caspian inexplicably, ridiculously, spares his traitorous uncle in what appears to be some demonstration of high moral character.

Why even write this scene at all? Why show both Peter and Caspian spare Miraz when neither of them do in the book? Why not just have Mira’s nobles murder him during the duel?

Because in the eyes of the writers of this science, this makes them noble. For some reason, the hero must be shown being merciful to the main antagonist. Because in our modern eyes, for them to single-mindedly seek his destruction would be apprehensible. Note that both Peter and Caspian kill numerous other Telmarines in this movie with no moral qualms, Telmarine soldiers that have all wronged them less than their Lord Miraz did. This scene is in the movie for no reason other than to shove 21st century Neo-Liberal values down the audience’s throats.

This scene is awful.

Mercy is not a bad thing. But it is almost always used inappropriately in modern media like this. It is used not as true mercy, but as nauseating moralizing.

As a result of this inability to define true evil and treat it as such, our heroes must also become less heroic. Our popular media is filled to the brim with antiheroes.

A real folk hero suffers none of these delusions. If Superman were a real hero, he would kill evil men, not let them live to murder another day.

Indeed. Even as a child, I found it infuriating how Hollywood never permitted a hero to take decisive action, but only allowed him to use lethal force after first defeating, then mercifully sparing, the villain, who would then inexplicably attempt, and fail, to kill the hero, leaving the latter no choice but to finally finish off the villain. The first Lethal Weapon is a particularly egregious example of this cinematic trope.

In fact, at this point Batman should really be regarded as an accomplice and an enabler of the Joker, given how many times he has spared him and thereby permitted him to murder again and again and again. One might not unreasonably suspect of Batman of harboring secret sympathies for the Joker’s attitude toward the human race.

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The Null Factory

The Dark Herald explains why Dem Rangz was always going to be a creative catastrophe:

Amazon just released a making of documentary about Lord of the Rings: The Rings of Power like they were proud of it and everything.

I steadfastly maintain that without Tolkien doing the acutal writing, it was never going to be anything other than second rate pastiche. It just isn’t possible to produce anything of similiar quality to the work of J.R.R. Tolkien. If nothing else the modern education system isn’t remotely up to producing a writer with the erudition of the creator of Middle-Earth.

While it was never going to measure up, it didn’t have to be the incompetent parody of Lord of the Rings. It comes across as a TV show that was trying to play Harvard Lampoon’s Bored of Rings straight.

How did it get so bad is the question everyone who isn’t lying about how good it is, keeps asking.

This show was the end product of a process dedicated to failure.

You know they’ve failed when all of the Tolkien fans are not only refusing to watch the television series, but ignoring it to the point that they’re pretending it simply doesn’t exist.

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Amazon Doubles Down

It appears that Amazon Studios has decided that the fundamental problem underlying the comprehensive failure of Dem Rangz o’ Powah was an insufficiency of strong woman power storytelling.

The Lord Of The Rings fans got a glimpse of what to expect with the upcoming second season of the prequel series The Rings Of Power on Wednesday. Amazon Studios announced that the next season will feature a striking all-female directing team, according to Deadline. Among the women helming the season will be Charlotte Brändström, who previously directed two episodes of the fantasy show’s debut season.

Hamri, who hails from Morocco, got her start directing music videos for Mariah Carey, Destiny’s Child and Prince, among others, before directing the Sanaa Lathan film Something New in 2006. She later directed The Sisterhood Of The Traveling Pants 2 and Just Wright, but she has mostly worked in television in recent years, including producing and directing for another Amazon fantasy series, The Wheel Of Time.

Hooper has worked in British television for decades, though she recently scored high-profile directing gigs on episodes of The Sandman and The Witcher.

After all, who better to visually interpret the vision of a white male Oxford don than a bunch of women who have failed, failed, and failed again? You just know the great debate in the writer’s room is if it’s enough to hint that Galadrial just might be attracted to another woman or if they should throw caution to the winds, shave her head, and have her form a lifelong romantic attachment to a female orc.

I expect that the great majority of Tolkien fans who successfully ignored the first season will ignore the second one even harder.

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A List of Demons

What’s remarkable is how many of the names on this alleged list of visitors to Jeffrey Epstein’s wicked island are exactly those you’d expect to be involved in awful things based on unrelated reports and rumors. So much so, in fact, that it almost makes one suspect it might be fake. There are a few disappointing surprises, but regardless, all of these people should be viewed with extreme skepticism, unless and until proven otherwise.

UPDATE: While some of these people are known to have visited the island, I’m pretty sure it’s a fake. I very much doubt Arsenal’s Spanish manager ever visited there, or even met Epstein.

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Diversity Fails the Hellmouth

Hollywood is discovering that diversity is not a strength:

“For three years, we hired nothing but women and people of color,” said a senior film executive, who like many leaders in the industry is a white male. He added that he did not think some of them were able to do the jobs they got.

In hushed conversations over lunch at Toscana Brentwood and cocktails at the San Vicente Bungalows, some powerful producers and agents have started to question the commercial viability of inclusion-minded films and shows.

They point to terrible ticket sales for films like “Bros,” the first gay rom-com from a major studio, and “Easter Sunday” a comedy positioned as a watershed moment for Filipino representation. “Ms. Marvel,” a critically adored Disney+ series about a teenage Muslim superhero, was lightly viewed, according to Nielsen’s measurements.

They weren’t able to do their jobs for obvious reasons related to IQ, ideology, and solipsism. Now imagine how badly that same diversity is going to fail the US military when it finds itself going up against the non-diverse Russian and Chinese militaries in the next decade.

Anyhow, the Hellmouth’s struggles are our opportunity, as I expect to be able to demonstrate soon.

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Satire or SJW?

It’s getting harder and harder to tell the difference:

Economic experts are sounding the alarm: if the most important product of the world’s most important company fails, it could trigger a major economic meltdown.

Amazon Studio’s $1 billion Lord of the Rings: The Rings of Power bet is universally praised by critics as a sprawling ode to diversity. Yet BusinessInsider reports that the TV series that could determine the future of streaming is “falling flat with initial audiences, posing risks for Amazon and the company’s Prime membership program.”

And now economic experts are sounding the alarm. They’re warning that if Rings proves a flop, it risks slamming the brakes on a record-setting global economic expansion. The argument goes that if the most important product of the world’s most important company fails, in this current climate that could be the trigger for a major economic meltdown with far reaching consequences.

Hundreds of millions would starve. Millions more would perish of otherwise preventable or avoidable disease. World War III and even nuclear war could finally be here as nations desperate for resources renege on the traditional rules-based world order.

And indeed, the hopes and dreams of women and People of Color who wanted a place in European folkloral history will be dashed against the rocks forever.

I’m confident this is satire. I’m entirely certain this is satire. But the reality is that these days, Clown World often manages to exceed the imagination of even the most skilled satirist.


How Did THAT Ever Happen

At first glance, you’d assume it would be totally absurd to suggest that Jennifer Newsome, the pretty blonde who is the current First Lady of California, could ever have had a consensual affair with Harvey Weinstein. At first….

UPDATE: Rose McGowan has publicly stated that Gavin Newsom’s wife Jennifer called her on behalf of Harvey Weinstein’s lawyer six months before the Weinstein scandal broke to make the story go away.

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Hollywood is Never an Option

We didn’t actually need to see Amazon Studios folding, spindling, and mutilating the appendices of The Simarillion to know the Hellmouth is totally incapable of producing anything worthwhile from the literary medium.

Legendary comic book creator Alan Moore was disgusted by the woke adaptation of his comic Watchmen by HBO and told the showrunner never to contact him while it was being filmed.

The showrunner reached out to Moore and admitted that the show was a disaster. They sent a letter to Moore, saying: “Dear Mr. Moore, I am one of the bastards currently destroying ‘Watchmen.’” Moore did not appreciate the correspondence.

“That wasn’t the best opener,” Moore said regarding the showrunner letter. “It went on through a lot of, what seemed to me to be, neurotic rambling. ‘Can you at least tell us how to pronounce “Ozymandias”? I got back with a very abrupt and probably hostile reply telling him that I’d thought that Warner Bros. were aware that they, nor any of their employees, shouldn’t contact me again for any reason.”

THE BOYS would be the singular exception that proves the rule, but that’s only because the wildly over-the-top nature of the comics actually forced the producers to tone things down. A lot.

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She’s Not Wrong

She may be fake-dating a little gay British man and have stumpy little legs, but Olivia Wilde is clearly brighter than the average Hellmouth whore. Jordan Peterson cried in public because Wilde correctly identified him as “an insane pseudo-intellectual”.

Jordan Peterson had tears in his eyes as he said he was not ‘bothered’ by the movie star calling him an ‘insane pseudo-intellectual hero’ to the ‘incel’ community as she revealed he was her inspiration for a character played by Chris Pine in Don’t Worry Darling.

‘We based that character on this insane man, Jordan Peterson, who is this pseudo-intellectual hero to the incel community,’ Wilde said, adding that incels are a community of ‘disenfranchised, mostly white men, who believe they are entitled to sex from women.’

When asked whether he agrees with Wilde’s assessment that he is an ‘intellectual hero’ to incel men, Peterson became emotional and had tears in his eyes, before insisting that her comments ‘really didn’t bother me’.

Peterson said that he was a ‘hero’ to incels or ‘involuntary celibates’ – a mostly online group of young men who believe society unjustly denies them sexual or romantic attention. Speaking on Piers Morgan Uncensored, Peterson said: ‘Sure, why not. People have been after me for a long time because I’ve been speaking to disaffected men – and what a terrible thing to do that is.’

Peterson then paused as he became emotional and tried to fight back tears, before adding: ‘I thought the marginalized were supposed to have a voice.’ Speaking about how Wilde branded him ‘this insane man’ and a ‘pseudo-intellectual’ who appealed to an ‘incel community’, Peterson said: ‘You know, as far as critique goes, that was kind of low level.’

Yeah, because he handled the high-level criticism that was directed at him in Jordanetics so very well. At least this time he didn’t go off on a Definitely Not Meth binge that landed him in a coma in Russia.

People aren’t after you because you speak to disaffected men, Jordan. They’re after you because you are a dishonest pseudo-intellectual with a Christ complex who delves into the occult, passes off faux Jungian bafflegarble as philosophy, and offers terrible advice to people who need much better role models than you can provide.

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