We have temporarily removed our ebooks from Amazon KDP. We expect to have them back up again in November. This has nothing to do with Amazon, it’s merely a strategic restructuring.
In the meantime, you can now buy the ebooks for THE SIEGE OF THE BLACK CITADEL and CARAVAN OF THE DAMNED directly from Castalia in DRM-free epub format. However, you may wish to keep in mind that the ebooks also come included with the paperback editions when the paperback is bought from the Arkhaven store.
The aforementioned paperback editions are being printed and will go out to our shipping facility next week.
We expect THE ALTAR OF HATE by Vox Day to be available in hardcover and ebook editions next week. It will include the new short story “Shinjuku Satan” but it will not include any AI-illustrated artwork since the art did not meet our quality standards and Amazon is showing signs of eventually planning to ban AI-generated and AI-assisted content.
The title pages for THE CAMBRIDGE MEDIEVAL HISTORY Vols. I and II, books 2 and 3 in the Castalia History subscription, are now complete. The leathers have been ordered and we’re hoping to ship both books to subscribers before the end of the year, but that will depend upon the US bindery’s schedule.
THE CASTALIA JUNIOR CLASSICS Vols. 7 and 8 should go to print this week. They will ship to backers and be available for non-backers before the end of the year.
“THE LESSER EVIL” from THE ALTAR OF HATE
UPDATE: Jon Paul posts “The Stages of Reading Vox Day” on Gab.
what an evil piece of shit, im not reading that
well, ok, you don’t have to be so forward and blunt about it tho, and im not reading your other crap
Christ is King
please include less sophisticatedly hilarious burns of all the retards you footnote and reference in your books so i can read them while eating.
At first glance, Amazon’s Kindle Unlimited looks like a great deal to serious readers. For only $9.99 per month, you can read whatever you want from a catalog of more than 2.5 million books. And it is a great deal, for now. The downside is that it has had terrible consequences for authors and publishers alike, consequences that will only continue to get worse over time. Here is the fundamental problem with the KU program from a book industry professional’s point of view.
The proper price range for an ebook, as defined by Amazon, is $2.99 to $9.99. Outside that range, the 70 percent royalty is halved, so those are the relevant price boundaries. While the Big 4 publishers price their new ebook releases at $9.99, Castalia generally prices its ebooks at $4.99, so we’ll use that for the purposes of analysis.
Using a hypothetical 300-page book as an example, an ebook sale generates around $3.49 in royalties for the publisher after Amazon deducts its delivery fee and infrastructure charges. A full Kindle read of the same ebook generates around $1.20 per finished book, the precise amount depending upon the monthly KENP royalty, which has recently averaged around .0040 per page read.
So, on it’s face, KU means reducing the payout to the author by about $2.29, or 52 percent. That’s bad, but superficially survivable for a successful writer.
However, the reality is considerably worse. Think about what percentage of the books you read that you actually finish. I read 4.5x faster than the average reader, I consciously try to finish every book I read on principle, and I would still estimate that my book-completion rate is only around 90 percent. Sometimes a book just isn’t that interesting, sometimes a better book comes along, and sometimes you only want a specific piece of information contained in a particular book that is otherwise of no interest to you.
And consider the fact that Amazon literally markets KU as a means of “trying out new authors”, which tends to increase the number of books that the average individual samples, but doesn’t finish, as he tries, and discards, new authors he doesn’t like.
“I would never be able to afford reading so many books if not for KU. It also allows trying new authors and series. Since I don’t need to pay extra, I’m willing to try books/authors I would normally hesitate to spend money on.”
For the sake of argument, let’s assume that KU readers finish one out of every 3 books they download onto their Kindles. That estimate is probably on the high side, given the way there is a strong correlation between readers and collectors, but it will serve to illustrate the point. This means that while an author gets paid for every ebook sold, whether it is read or not, he’s only going to get paid for the partial percentage of his KU books that were actually read.
(This is probably why KU only reports normalized pages read, not book downloads. It would likely be depressing to a lot of authors to realize how few of their books downloaded are actually read at all, let alone in full.)
Multiplying the difference between a sale and a book read (0.48) by the percentage of completed books (0.33) suggests that on average, authors are making about 15.84 percent of what they were making prior to Kindle Unlimited being introduced. It also means we can estimate the amount of ebook sales revenues that has been eliminated by Kindle Unlimited by multiplying the monthly KDP Select Global Fund for Kindle Unlimited by 6.3131, which is the inverse of that 15.84 percent.
Since the September 2023 KDP Select Global Fund was $49.6 million, this suggests that Amazon is now destroying about $313 million in potential ebook sales every single month. And this doesn’t even get into the fact that because Amazon controls the sales across its site with its A9-A11 algorithms, as well as secret algorithms like Project Nessie, to influence prices and pick winners and losers on a monthly basis.
People familiar with the FTC’s allegations in the complaint told the Journal that it all started when Amazon developed an algorithm code-named “Project Nessie.” It allegedly works by manipulating rivals’ weaker pricing algorithms and locking competitors into higher prices. The controversial algorithm was allegedly used for years and helped Amazon to “improve its profits on items across shopping categories” and “led competitors to raise their prices and charge customers more,” the WSJ reported.
So, if you want to know why so many great little independent publishers have disappeared, why independent authors are struggling, and why genre publishing houses like Tor and Baen Books are teetering on the edge of failure, and why the comics publishers like Marvel, DC, Dark Horse, and IDW are facing the prospect of looming shutdowns, you’ve got your answer: Amazon ebook sales hurt the print market, and Kindle Unlimited is killing the ebook sales market.
Now, you don’t need to worry about Castalia. Even though we’ve seen the same cataclysmic decline in ebook sales that other publishers and authors have, starting in October, you’re going to see us publishing more hardcovers, paperbacks, and ebooks than you’ve seen us publish in the last three years. We just published CARAVAN OF THE DAMNED by Chuck Dixon, and next week we’ll be publishing THE ALTAR OF HATE by yours truly and QUANTUM MORTIS: A MIND PROGRAMMED & OTHER STORIES as soon as the cover art is ready. And a whole host of books that haven’t appeared in print before, including THE CASTALIA JUNIOR CLASSICS Volumes 7 and 8, are in production. We’re also going to systematically expand the number of ebooks and print editions available on the Arkhaven Store over the next year.
CHUCK DIXON’S CONAN #2: CARAVAN OF THE DAMNED
But while we probably deserve some credit for anticipating the negative consequences of KU and taking steps to avoid them, it’s your support of Library, History, and our various crowdfunding projects, and your willingness to buy books directly from us, that is the main reason Castalia is healthy while publishers who relied upon bookstores, comic stores, and Amazon to keep them afloat are rapidly circling the dustbin of history.
Exclusive: Get An In-Depth Look At Chuck Dixon’s Second Conan Novel ‘Caravan Of The Damned’
Publisher Castalia House and Bounding Into Comics are happy to share with you an in-depth look at Chuck Dixon’s newly released second Conan novel, Caravan of the Damned.
Caravan of the Damned sees Conan lead his band of merciless desert raiders across the Zuagir, where he doesn’t hesitate to attack even the most well-guarded caravans.
However, after a successful raid on a rich caravan from Khwarazm intended for the King of Zamora, Conan and his company come into possession of a beautiful and priceless treasure. The House of Yildiz and the King’s Own guards set out to reclaim this treasure and put an end to Conan and his group of raiders.
As Conan is pursued through the wastelands of the Zuagir he not only has to contend with the King’s Own guards, but discovers there are horrors in the desert too dreadful for even the most fearless barbarian to imagine.
The first novel, The Siege of the Black Citadel, currently has a 4.7 out of 5 rating on Amazon with many readers giving the book high praise in their reviews.
RC Scott hailed, “This story hacks, and slashes across the battlefield, and then down to the subterranean depths where nameless monstrosities await. Author, Chuck Dixon, takes readers back to the Hyborian Age with a bloody vengeance. An awesome action adventure that’s loaded with great fight scenes, excellent pacing, fun dialogue, and a savagely satisfactory conclusion. I highly recommend this to fans of the original tales, and I’m eagerly awaiting the next installment.”
You’ll want to read the whole thing there, as it includes an exclusive excerpt about Conan doing some very Conan things in the desert as well as the back of the book and some of its excellent illustrations by Arkhaven artist Ademir Leal.
And don’t forget that if you pick up the paperback at Arkhaven, you’ll get the ebook for free.
Brad Torgersen and the Baen Anklebiter’s Brigade are STILL going on about Jon Del Arroz for no reason that anyone outside of their little Real Conservatives Club can discern.
This is a desperate and unconvincing attempt to reverse-DARVO. Remember, this was posted after Torgersen went out of his way to point out that JDA is divorced and even posted a link to the public record of the divorce filing.. Now, Torgersen was never a rocket scientist, but yes, if you’re publicly attacking someone over the state of their marriage, they are indeed the party who is being wronged.
It should be noted that JDA’s wife filed for divorce in November 2022. – Brad Torgersen, Oct 1, 2023
Duly noted, Torgersen. Duly noted. Just remember, you’re the one who established that marriages are fair game.
Now, regular readers already know what writers active in the community have to say about JDA. Supporting that is this email I received yesterday:
I thought I’d add my two cents regarding the character of Jon Del Arroz — when I reached out to him on Gab as a complete nobody writer in 2017, he gave me an excellent blurb for my book in a couple of weeks despite his presumably busy schedule. Afterwards, he took the time to follow up on the release and when he found out that I hadn’t sold any copies yet, he posted in a bunch of private groups to try and drum up some sales for me. Great guy and I’ll never forget his help.
It’s going to be hilarious when Baen finally shuts down and all these wannabes and never-weres finally stop pretending that they’re the only real professional writers because someone once offered them a book contract for $5,000. What’s so amusing about their bizarre pretensions is that real writers with the talent to get signed by the major houses and the literary houses – which is to say, writers like me – have always scorned the talentless genre writers signed to specialty imprints like Baen.
Note: I said writers like me. Not me personally. I’ve never scorned independent or genre writers and after repeatedly getting paid to not write books from the major houses, the only reason I talk to Random House and Simon & Schuster these days is to acquire rights from them.
But perhaps the funniest thing about this Baen Books professional in the business is that he has all of 3,087 Twitter followers.
Authors Larry Correia and Brad Torgosen have been attacking their fellow author Jon Del Arroz, I think because he uses internet controversy as a marketing strategy. Apparently that’s a no-no? And they’ve attempted to use personal family troubles of Del Arroz as a weapon in their campaign, which is despicable. So I thought I should add my voice to the character witnesses for Del Arroz.
I started writing a story for the forthcoming cyberpunk issue of Stupefying Stories, but it turned out to be unneeded, so I initially abandoned it. Then I recalled that we’re going to release the print edition of The Altar of Hate, my collection of non-Selenoth, non-Quantum Mortis short stories, as soon as we get the second Chuck Dixon’s Conan out the door.
So, here’s a preview of “Shinjuku Satan”:
They call me doctor. Partly because I have a doctorate in neuropsychology from Nanyang Technopolitan, but mostly because doctor is what you call the man in the white coat when you, or your kid, or your cat, isn’t feeling well. Most of the time, the doctor can fix what’s wrong with you, the kid, or the cat. And when he can’t, then the doctor is the guy who gets called in to put them down. I have an office on the 40th floor of the Tanjong Pagar Center, but it’s not your normal doctor’s office. It’s just one room, with a desk, three chairs, a coffee table, and a couch that looks exactly like what it is, a deluxe set ordered from the Professional Office section of the Japandi-Ikea site. The 96-inch flat-screen is above the couch and across from my desk, which permits me to maintain the illusion that I’m on top of things. Of course, I’m not, because no one who has to sleep more than fifteen minutes a day can possibly keep up with global events without round-the-clock digital assistance. The gentle sigh of a wind chime announces something new has happened somewhere, something algorithmically deemed worthy of my attention. “What’cha got, Suzie?” I address the empty room and the screen wakes up. A platinum blonde 80’s-era cybergirl appears, with Barbie-pink lips, a wicked smile, and eyes like silver mirrors. Suzie Shades. She’s my main girl, my colleague, my librarian, and my confessor all rolled into one. Some might say she’s not real, but she’s as real as anything else is to me. And if her intelligence is artificial, she’s got considerably more of it than your average man on the street. “A request for a meeting from the Archbishop of Chengdu.” “Archbishop?” “In this specific case, the title refers to a priest in service to The Most Holy and Apostolic Catholic Church with Chinese Characteristics. Address him as Eminence.” “Put him through.” She coughs, delicately. It’s her way of informing me that I’m being obtuse. “He’s here, in the protein.” “Very cute. Where?” “The elevator. Just hitting the thirteenth floor now.” I stand up and glance around the office space to make sure there is nothing exposed that might offend an Archbishop with Chinese Characteristics, whatever that might be. Then Suzie vanishes from the screen and is replaced by a live image of the corridor outside my office, in which stands nothing but a single potted plant until a man who definitely has Chinese characteristics, but is wearing a well-cut black suit with a red collar in the place of a necktie, strides past it. “The Archbishop Zhang Wenlan,” Suzie intones a moment before the door opens itself before my unscheduled visitor. I rise to my feet. I’m not sure what the protocol for greeting an archbishop of any sort might be, much less one with Chinese Characteristics but civility is my compass where potential clients are concerned. “Anata no sonzai wa kōeidesu, Archbishop.” I bow as deeply as I can without cracking my forehead on the desk. “Dono yo ni o yakunitate reba yoideshou ka?” “Doctor Sagamihara,” he says, with a barely perceptible inclination of his head. Status superior, but he’s willing to speak on neutral ground. So we’ve got that established. English it is. Good to know where I stand vis-a-vis His Eminence. His Eminence is younger than I would have imagined, or perhaps just better enhanced. My best guess is sixty going on forty. He looks standard, but then, so do I. And I am, as they say, a very technical boy. “We are informed that you are the world’s foremost digital neuropsychologist, specializing in the neurotherapeutic treatment, and if necessary, euthanasia, of disordered machine intelligences. Would you say that is a fair characterization?” “Fair enough. It might be more succinct to call me a Rogue AI Hunter, but then I’d have to cut my rates in half, and in half again.” “And your rates are?” “Ten thousand gonghui per day, plus expenses.” “We prefer to pay a flat fee. Five hundred thousand gonghui on acceptance and five million upon completion of the project to our satisfaction. Plus approved expenses, said approval not to be unreasonably withheld. Are those terms acceptable?” I do a little math in my head. That’s fifty days at a full rate up front. It tells me that either The Most Holy and Apostolic Catholic Church with Chinese Characteristics doesn’t have an abacus or this job is going to be a definite bitch-and-a-half. Regardless, the offer is much too good to refuse. “The terms are acceptable,” I graciously allow. “So spill, comrade padre. What’s the job? And don’t leave out all the little devils in the details.” “It’s not a question of devils,” the archbishop says with a smile that never comes close to reaching his black eyes. “But rather gods, I’m afraid.”
The brilliant Hans Schantz tells of his differing experiences with Jon Del Arroz and the big-name authors who are presently engaged in a series of unprofessional and inappropriate attacks on the Arkhaven author:
As my fans and Wise of Heart subscribers are well aware, I run periodic “Based Book Sales” where indie and small press authors join together to offer some of their books at $0.99 or free. I compile them in a couple of big blog posts and we all use our social media reach and email lists to promote the sale. We introduce our readers to other authors whose works they might find interesting. And those other authors introduce their readers to our books. It’s a win-win.
Lately, sales have been moving about a thousand books in each outing. The all-time record was about five thousand. Each sale connects several dozen authors to hundreds of new readers. And Jon del Arroz has been there since the beginning, participating and helping out fellow authors, most of whom have no where near his social media reach.
The big-name authors are well aware of the sale. We even include their books, since our readers may not be familiar with some of them and might appreciate being introduced to a new author. But with few exceptions, they prefer to whine about how they are being ignored by influencers with greater reach than theirs, while at the same time refusing to lend a hand to the “parasites” trying to “ride on their coat tails”…
The “Sad Puppies” saga is not my story to tell. I was merely one of thousands of backers and supporters of the movement. From my in-the-trenches perspective, though, it was an effort to carve out a niche for non-woke fiction from the Skittle-hair people in the publishing industry who sought to ignore and suppress not only dissenting views, but also any fiction that failed to properly kow-tow to their diversity quotas and social justice diktats. Great progress was made… until big-name authors and their big-name publishers decided enough controversy was enough, their point had been made and they were going to take their flags and go home, abandoning the rest of us on the field of battle.
Painful as that betrayal was at the time, it was probably for the best, because it gave rise to a more decentralized and less cancellable movement. Individual creators carved out their own independent pieces of a based literature movement, call it “Iron Age,” or “Comicsgate,” or “Superversive.” Based creators making based fiction and graphic novels serving their fans and defying their would-be gatekeepers.
And the legacy big-name authors and some of their fans are clueless and fail to understand what Jon means when he says “I am the leader of Sad Puppies,” for he omits the rest of the Gamergate-inspired mantra: “and so can you.”
L’Affaire del Arroz, 2 October 2023
As it happens, the Sad Puppies saga and the Comicsgate kerfluffle are my stories to tell, and I will tell them when I appear on Jon Del Arroz’s stream on Thursday night for an interview with him. It’s not my intention to criticize anyone, victimize anyone, or air any dirty laundry – and there isn’t any to air anyhow, Sad Puppies really was just a fundamental difference of opinions – but I will ensure that everyone knows exactly what happened and why it happened for future reference.
We’ll also have a new announcement to make concerning Alt-Hero.
In the interest of full disclosure, I note that Hans Schantz is an Arktoons contributor and I have occasionally supported his Based Book Sales marketing efforts.
Jon is a sociopathic grifter who goes through life trying to insert himself into other peoples’ troubles to try and score clout for himself. He starts shit for others and then cries how he’s a victim. When you take exception to him fucking people over for clout he will say everybody but him is a secret leftist sell out and you just hate him because he’s “Christian”. Do not trust him. He’s fucking cancer. Seriously. I can’t accentuate this enough. Trust him at your own peril. That dude is the proverbial wolf in sheep’s clothing.
Larry Correia, 25 September 2023
I have zero interest in saying anything negative about Larry Correia or contributing to the never-ending stream of Baen-related drama. I’ve never had any problem with him, personal or professional. He’s a significant figure of the right-wing cultural scene and I like both his Monster Hunter and Grimoire novels. Quantum Mortis: A Man Disrupted was a conscious attempt to out gun-porn Larry in a science fiction setting. And even our disagreement about the ideal way to handle the Hugo Awards led directly to my favorite experience of my entire literary career, the epic two-year Rabid Puppies rampage, for which I will always be grateful.
However, given the public nature of these accusations about a valued contributor to both Arktoons and Unauthorized, I would be remiss if I did not clearly state for the record that Larry Correia is flat-out wrong about Jon Del Arroz. Larry is flat-out and provably wrong. I can testify, from personal experience, that Jon is neither “fucking cancer” nor a “vile fucker”, and that it’s both unprofessional and incorrect for any established writer to assert that he is.
Unauthorized subscribers who wish to hear Jon’s take can watch his UATV-exclusive video on the subject.
And since we’re speaking of Jon Del Arroz, I’m pleased to observe that his novel JUSTIFIED, the first in The Saga of the Nano Templar, launched in episodic format on Arktoons today.
We’re going to print with THE LANDMARK THUCYDIDES. The title page created for the Castalia Library edition is below.
The second and third books in the series are already printed, and the fourth book is presently being scanned in preparation for going to print. We’re waiting on the leathers, which should arrive sometime in October, and then we’ll be going into production.
If you haven’t subscribed yet to Castalia History, or to Castalia Library, this is a very good time to do so, as we expect to be hitting on all cylinders by the end of the year. Below is an image of the first custom stamp die created for the bindery; initial tests of the bottom jig have been good, although it appears we’re going to have to add a top jig as well in order to ensure properly distributed pressure across the cover. You can see the screwholes that we’ve added which will allow us to fix the stamps into an exact position; a system that is a considerable improvement on the two-sided tape customarily used to fix the stamps into position that we regarded as too haphazard and prone to operator error.
And finally, as you have probably already seen on SocialGalactic, both The Promethean and The Lawdog Files are now being spotted in the wild.
You can put this one squarely in my list of failures. This morning, I relinquished all of the development and publication rights to the excellent fantasy wargame Divine Right, nine months before our rights to it expired, due to my inability to get Divine Right reprinted or get the computer game developed. The project wasn’t a complete failure, as we did manage to get Minarian Legends published, but I didn’t have the bandwidth to oversee the other aspects of the project and the volunteer project leaders didn’t have the ability to complete either the boardgame or the computer wargame.
Anyhow, as a fan of the game and its creator, I wish the next group of developers great success with the updated Divine Right, and eventually, one hopes, Scarlet Empire. Sadly, it will not be featuring this excellent cover, based on the original artwork, that we had produced for our now-cancelled edition.
For some reason, it appears that gaming volunteers are reliably less able to get a job done than those who volunteer in various other areas of development, from print books to open source office projects. I was very briefly involved in what was supposed to be a Linux distro dedicated to games, and I have never, ever, observed a more useless horde of worthless gammas, all of whom had multiple, often contradictory, opinions, and none of whom were willing to lift a finger to actually do anything at all. I quit the project three weeks after being given responsibility for overseeing the development of the first demo game for the distro.
Despite being 21 years old, The Battle for Wesnoth is still the flagship for open source game development.
My theory is that those who are actually willing and able to successfully develop games are mostly already doing it on their own, as the thriving independent game scene demonstrates. That leaves a lot of people who very much like the idea of game development, but are more interested in the trappings than in actually dealing with the decidedly less-romantic reality of it. The same is true of those who want to be a writer more than they want to write anything; it was surprising to observe how many of the members of a much-accomplished Minnesota writers’ group of which I briefly was a guest never actually wrote anything at all. However, it’s important to keep in mind that one can’t actually know if one has the ability to do something new until one tries; volunteers must always be respected for being willing to try rather than criticized for an inability to do.
That being said, it’s still rather remarkable that the Arkhaven, SocialGalactic, and UATV teams have been able to accomplish bigger and more difficult tasks in less time than the various groups of game volunteers have. I have some ideas as to why, but nothing concrete enough to state an opinion on them.
So, if you want to know why we’re not planning to pursue anything in the game space beyond finishing the ALT-HERO RPG for the backers and possibly licensing various properties to other game companies, now you know why. I’m not blaming anyone but myself here; that experience with the Linux project was 14 years ago, and I should have reached the correct conclusions at the time.
This doesn’t mean I won’t do any game design, but in the future, I’ll do the development myself or we’ll hire a proven professional team to do it. And let’s face it, it’s not the worst thing to give up the Divine Right license, as this means we’ll own all the rights to whatever fantasy wargame I end up designing in the future.
Bounding Into Comics has an exclusive first look at the second Chuck Dixon’s Conan novel, CARAVAN OF THE DAMNED, including several illustrations and a draft of the paperback cover, which is not the image below.
In my opinion, both Dixon’s text and Ademir’s artwork are even better than in the first paperback. Note that the current paperback editions of THE SIEGE OF THE BLACK CITADEL now include Ademir’s illustrations and incorporate the typo-fixes identified in the first edition.
