A Fascinating Observation

How much literary “assistance” was being provided to GRR Martin by his assistants?

One of the assistants to George R. Martin left him to write the sci-fi series The Expanse. When he left was when George R Martin began spinning his wheels in terms of getting stuff done and/or quality. Is there a connection? I don’t know. I do like how in this interview, the assistant says Martin was a great mentor not in writing but in getting deals with Hollywood and other studios.

It wouldn’t be a massive surprise to learn that Martin, rather like FW Dixon and JK Rowling, eventually turns out to have been a committee effort. Although it must be admitted that his complete inability to finish his once-popular series tends to support the idea that it was solely his own work.

Then again, the fact that he has multiple “assistants” raises the question of what, precisely, those assistants were doing? While there’s nothing wrong with having co-writers and collaborators, a dependence on them tends to significantly reduce an author’s ability to write on his own.

DISCUSS ON SG


The Four Eras of Villainy

Alexander Macris provides a typically astute analysis of the evolution of the concept of the villain from ancient to postmodern:

In the introduction to his magisterial opus After Virtue, Alasdair Macintyre describes postmodern society as having fallen into a dark age, a post-apocalyptic state. But this is not the apocalypse of Mad Max. The apocalypse has destroyed, not our technology, but our morality: “We possess simulacra of morality, we continue to use many of the key expressions. But we have… lost our comprehension of morality,” he explains. Postmodern society does not know what good is.

Being unable to understand good leaves society unable to understand evil; and so instead society pathologizes it. Evil becomes a psychological state that results from personal trauma, from some crucial moment when the world failed to show someone compassion, empathy, or trust, or left them exposed to the world’s cruelty. Every postmodern villain is a victim. Behind every figure of terror we find a terrorized figure.

Darth Vader appears as a towering tyrant in Star Wars IV. But the prequels reveal that Anakin Skywalker was a victim: enslaved as a child, separated from his mother, forbidden to marry the woman he loved, rejected in his aspirations by the Jedi council, dismembered by his former mentor, and then involuntarily made into a cyborg by his new one.

Hannibal Lechter appears in Silence of the Lambs as the quintessence of villainy, brilliant, cold, manipulative, remorseless. In the sequel Hannibal, we learn that he’s a victim: During World War II, the kind and gentle young Hannibal was forced to eat his sister by cannibal soldiers.

Lord Voldemort appears in Harry Potter & the Sorcerer’s Stone as the most powerful and evil sorcerer in the Wizarding World. But later we learn Tom Riddle was a victim, the product of abandonment by his mother. J.K. Rowling even says “everything would have changed if Merope [his mother] had survived and raised him herself and loved him.”

Kylo Ren enters Star Wars VII as a dark Jedi so powerful that he can halt a blaster bolt in mid-air. But Star Wars VIII reveals Ben Solo was a victim who felt abandoned by his father and betrayed by the paranoia of his mentor, Jake Skywalker.

The Joker, most infamous and vile of all of Batman’s foes, is revealed in his eponymous 2019 movie to have been a victim, too. Arthur Fleck is a mentally ill bastard rejected by his birth-father and humiliated by his coworkers.

Postmodern culture stops at nothing in its relentless transformation of villain into victim. Cruella de Vil is the most recent example. She appears in One Hundred and One Dalmations as a wealthy socialite whose life goal is to murder puppies so she can wear their skins. But the 2021 movie Cruella reveals that she, too, is a victim: Her birth-mother abandoned her and her adopted mother was killed by a pack of vicious dalmations. (I’m not making this up.)

The postmodern villain, then, is just a moral cripple. Psychological trauma has ruined the villain’s ethical system just as spinal trauma might ruin a person’s nervous system. We are meant to feel bad that they do bad. It’s not their fault.

I have to admit, I’m naturally prone to writing medieval villains, although I tend to put a modern spin on their self-perception. Anyhow, read the whole thing, it’s an interesting piece that will provide you with a useful analytical reading tool.

DISCUSS ON SG


We Are Wizards

Or we might as well be, insofar as the denizens of the Hellmouth are concerned. Vox’s First Law meets Arthur C. Clark’s First Law on the chans.

Were Sherlock Holmes to kill a hotel room full of three people, he’d enter using a secret door in the hotel that he read about in a book ten years ago. He’d throw peanuts at one guy causing him to go into anaphylactic shock, as he had deduced from a dartboard with a picture of George Washington Carver on it pinned to the wall that the man had a severe peanut allergy. The second man would then kill himself just according to plan as Sherlock had earlier deduced that him and the first man were homosexual lovers who couldn’t live without each other due to a faint scent of penis on each man’s breath and a slight dilation of their pupils whenever they looked at each other.

As for the third man, why, Sherlock doesn’t kill him at all. The third man removes his sunglasses and wig to reveal he actually WAS Sherlock the entire time. But Sherlock just entered through the Secret door and killed two people, how can there be two of him? The first Sherlock removes his mask to reveal he’s actually Moriarty attempting to frame Sherlock for two murders. Sherlock, however, anticipated this, the two dead men stand up. They’re undercover police officers, it was all a ruse.

“But Sherlock!” Moriarty cries “That police officer blew his own head off. look at it. There’s skull fragments on the wall, how is he fine now? How did you fake that?”

Sherlock just winks at the screen, the end.

This is retarded because Sherlock is a smart person written by a stupid person to whom smart people are indistinguishable from wizards.

Any sufficiently advanced intelligence is indistinguishable from wizardry.

DISCUSS ON SG



The Revolution Eats Its Own

Norman Mailer has been posthumously cancelled:

Norman Mailer’s long-time publisher has recently informed the Mailer family that it has canceled plans to publish a collection of his political writings to mark the centennial of his birth in 2023, confirms the film producer Michael Mailer, the author’s oldest son. The back-door apologies at Random House include as the proximate cause — you hardly have to look hard in Mailer’s work to find offenses against contemporary doctrine and respectability — a junior staffer’s objection to the title of Mailer’s 1957 essay, “The White Negro”, a psycho-sexual-druggie precursor and model for much of the psycho-sexual-druggie literature that became popular in the 1960s.

Mailer’s work will not be any great loss; he is part of the Boomer-era literary decline that saw the elevation of mediocre writers like Bellow, Kerouac, Roth, and Mailer himself at the expense of people who could a) actually write and b) had something to say about the human condition that didn’t revolve around narcissism and sex with mediocre women. But his cancellation is not without significance, as it demonstrates that evil will always cast even its most celebrated servants aside as soon as they cease to be useful.

DISCUSS ON SG


Honest Liberal, Successful Gamma

I have long believed that Garrison Keillor was one of the greatest writers of the Boomer generation, both in terms of style and substance. One of the reasons for my belief is that as a native-born Minnesotan raised in a deeply Christian family, he is too honest and accurate an observer to fail to report even that which directly contradicts his personal preferences, which, as a Scots-Scandinavian hybrid, are unfailingly progressive and liberal. And Keillor himself is refreshingly aware of the contradictions that complete him.

I am all in favor of diversity and inclusivity in theory, but when the pilot comes on the horn and welcomes us from the cockpit, I want to feel that he or she is a Republican. I want to hear authority in the voice, a growliness that comes from having shouted orders at people. I do not want my pilot to come on singing “Off we go into the wild blue yonder” and if he does, I’m off the plane. If it’s a woman pilot, I want her to be crisp and chill, not warm and caring. If she mentions turbulent conditions ahead, I don’t want to hear concern in her voice. I do not want her to thank us for flying — that’s for the flight attendants. I prefer my pilot to be a Republican with military service, preferably at the rank of captain or higher, preferably as an aviator, not in the Quartermaster Corps. I’m a Democrat and I’d be leery of a progressive Democrat pilot whose concern about air pollution might make him reluctant to use full power on takeoff. I don’t want anyone like me up front. No deep thinkers. A high-flier, please.

You might ask, not unreasonably, how a man raised in a good Christian home, with a strong inclination toward honesty and a deep familiarity with Scripture, could fall so completely into error. Part of the answer is his genetics; the Scandinavians are the innocent lambs of the world, psychologically shaped by their need for mutual cooperation to survive in the icy North, as evidenced by his grandmother’s belief in the native superiority of the coloreds, a belief of the sort that can only be formed in perfect ignorance of the subject.

Grandma whistles under her breath, a tuneless music. She cuts me a slice of warm yeasty bread and pours me a cup of Salada tea. Her fingers are knotted at the knuckles. She is a woman of firm beliefs. If you leave your windows open at night, you won’t get sick. Chew your food thirty times before you swallow. There’s no need for herbs if the ingredients are good. You catch more flies with honey than with vinegar. And once I heard her say, “The colored are better looking, more intelligent, more talented, harder working, more honest, and more loving toward their families than Caucasians.” I was impressed. Her grandfather had been a federal administrator in the South after the Civil War, during Reconstruction, and she got her ideas about people of color from him.

That Time of Year: A Minnesota Life, Garrison Keillor

You could still hear Minnesotans say things like that in the early 1980s. I rather doubt they are so inclined to do so any more, now that they have actual experience living in the vicinity of those hypothetical paragons of intelligence, honesty, and hard work. Now they blame LBJ and the Federal government for ruining them with welfare. They’re still entirely ignorant of the history of Africa and its various peoples, but they are a little less clueless about color now.

The other reason is that he was doomed by nurture as well as nature to gamma status that no amount of height, money, or worldly success could ever balance. His 2018 firing by Minnesota Public Radio for purported “sexually inappropriate incidents” is only remarkable in how long it took for his SSH rank to catch up to him; it was all but inevitable from the start.

  • I took an eye test and had to get glasses, and after that I stayed clear of organized sports and stuck to the disorganized; instead of the respect of my peers, I sought the approval of teachers and aunts.
  • I didn’t shine in high school. I was a B-minus student, thanks to my perfect pitch on multiple choice tests. The correct answer tended to be C. If you went with C, you could probably get a B and B was good enough. And I found a path in life there. I shied away from competition—speech contests, sports, honor roll—I didn’t care if I were 3.0 or 3.6—I wanted to be unique and so turned to writing.
  • I became Garrison. Eventually it wound up on my driver’s license and tax return— my girlfriend Mary married me as Garrison. In my heart, however, I still am Gary: Garrison feels like a fake mustache.
  • I started out playing with ambiguity, a fine way to disguise ignorance. “To be great is to be misunderstood,” said Emerson, so, in search of greatness, I wrote poems that couldn’t be understood because they made no sense.
  • I trace my heterosexuality to the offer of a seat on the bus at the age of thirteen. Boys defended territory. Girls were civilized and shared.

And yet, it is through the ruthless exploitation and chronicling of Gary’s weaknesses, failures, and secret shames that Garrison Keillor became a legitimate and substantial success as a writer. He even, after several failed attempts, managed to establish a lasting marriage with an attractive woman. And there is a lesson in that for the gamma, which is that relentless honesty and systematic perseverance can provide even the deepest double-dyed gamma a means of surmounting his natural patterns of behavior.

DISCUSS ON SG


It’s not exactly plagiarism

But it’s hardly indicative of one a brilliant creative mind either. When I read The Sandman in preparation for writing comics, I occasionally had the strange feeling that I’d read it before, and not simply because Gaiman was mining a lot of stories and characters with which I was familiar from ancient mythology. I’ve been on a Tanith Lee kick of late, and it suddenly occurred to me why the Endless, and Delirium in particular, were so familiar:

Delirium: The youngest of the Endless, Delirium appears as a young girl whose form changes the most frequently of any of the Endless, based on the random fluctuations of her temperament. She has wild multicolored hair and eccentric, mismatched clothes. Her only permanent physical characteristic is that one of her eyes is emerald green (usually the right side) and the other pale blue with silver flecks (usually the left side), but even those sometimes switch between left and right. Her sigil is an abstract, shapeless blob of colors. Her speech is portrayed in standard graphic novel block-caps, characterized by wavy, unpredictable orientation and a multi-colored gradient background. She was once known as Delight, but some traumatic event (of which even Destiny does not know the particulars) caused her to change into her current role. Her sigil as Delight was a flower.

Note that The Sandman ran for 75 issues from January 1989 to March 1996.

The main character of The Sandman is Dream, also known as Morpheus and other names, who is one of the seven Endless. The other Endless are Destiny, Death, Desire, Despair, Delirium (formerly Delight), and Destruction (also known as ‘The Prodigal’). The series is famous for Gaiman’s trademark use of anthropomorphic personification of various metaphysical entities, while also blending mythology and history in its horror setting within the DC Universe.

Now consider this passage from Delirium’s Master, the third of Tanith Lee’s Flat Earth series, which was published in 1981. I’ve actually quoted from it here before; it’s the novel that contains her excellent tale of how the Snake became the Cat and thereby fooled Man.

There were then five Lords of Darkness. Uhlume, Lord Death, was one, whose citadel stood at the Earth’s core, but who came and went in the world at random. Another was Wickedness, in the person of the Prince of Demons, Azhrarn the Beautiful, whose city of Druhim Vanashta lay also underground, and who came and went in the world only by night, since demonkind abjured the sun (wisely, for it could burn them to smoke or cinders). The earth was flat, and marvelous, and had room then for such beings. But it is not remembered where a certain third Lord of Darkness made his abode, nor perhaps had he much space for private life, for he must be always everywhere.

His name was Chuz, Prince Chuz, and he was this way. To come on him from his right side, he was a handsome man in the splendor of his youth. His hair was a blond mane couthly combed to silk, his eye, being lowered, had long gilded lashes, his lip was chiseled, his tanned skin burnished. On his hand he wore a glove of fine white leather, and on his foot a shoe of the same, and on his tall and slender body the belted robe was rich and purple-dark. “Beauteous noble young man,” said those that came to his right side. But those who approached him from the left side, shrank and hesitated to speak at all. From the left side, Chuz was a male hag on whom age had scratched his boldest signatures, still peculiarly handsome it was true, but gaunt and terrible, a snarling lip, a hollowed cheek, if anything more foul because he was fair. The skin of this man was corpse gray, and the matted hair the shade of drying blood, and his scaly eyelid, being lowered, had lashes of the same color. The left hand lay naked on the damson robe, which this side was tattered and stained, and the left foot poked naked from under it. When Chuz took a step, you saw the sole of that gray-white foot was black, and when he lifted that gray-white hand, the palm was black, and the nails were long and hooked, and red as if painted from a woman’s lacquer-pot. Then again, if Chuz raised his eyes on either side, you saw the balls of them were black, the irises red, the pupils tarnished, like old brass. And if Chuz laughed, which now and then he did, his teeth were made of bronze.

Worst of all, was to come on Chuz from the front and see both aspects of him at once, still worse if then he raised his eyes and opened his mouth. (Though it is believed that all men, at one time or another, had glimpsed Chuz from behind.) And who was Chuz? His other name was Madness.

It’s not plagiarism, but it does tend to lend credence to my opinion that Gaiman is overrated as a writer. He certainly doesn’t compare to the late Ms Lee.


The scholar of Middle Earth

Christopher Tolkien, the great champion of his father’s literary estate, has died at 95:

It is with great sadness that we can confirm that Tolkien’s son and literary executor Christopher Tolkien has died aged 95.

Christopher was born in Leeds, United Kingdom, on 21 November 1924. After a childhood in Oxford, he joined the RAF during the Second World War and was stationed to South Africa. After the war, he finished his studies and became a lecturer in Old and Middle English as well as Old Icelandic at the University of Oxford. After his father’s death in 1973, he became the literary executor of the Tolkien Estate and went on to edit and publish his father’s unpublished material starting with The Silmarillion in 1977 and ending with The Fall of Gondolin in 2018.

Upon hearing the news, Tolkien Society Chair, Shaun Gunner, said:

All of us in the Tolkien Society will share in the sadness at the news of Christopher Tolkien’s death, and we send our condolences to Baillie, Simon, Adam, Rachel and the whole Tolkien family at this difficult time. Christopher’s commitment to his father’s works have seen dozens of publications released, and his own work as an academic in Oxford demonstrates his ability and skill as a scholar. Millions of people around the world will be forever grateful to Christopher for bringing us The Silmarillion, The Children of Húrin, The History of Middle-earth series and many others. We have lost a titan and he will be sorely missed.

Tolkien scholar Dr Dimitra Fimi reflected on Christopher’s academic contribution:

Tolkien studies would never be what it is today without Christopher Tolkien’s contribution. From editing The Silmarillion to the mammoth task of giving us the History of Middle-earth series, he revealed his father’s grand vision of a rich and complex mythology. He gave us a window into Tolkien’s creative process, and he provided scholarly commentary that enriched our understanding of Middle-earth. He was Middle-earth’s cartographer and first scholar.

The Tolkien Society sends its deepest condolences to the Tolkien family.

Christopher Tolkien was the very model of the ideal literary executor. He not only protected his father’s legacy, but substantially added to it through his editing and publishing of the source material that were the foundation for his father’s landmark books. He was a good and faithful servant to his father and Middle Earth fandom, and both Christians and Tolkien fans can rejoice at the thought of the proud approbation with which his father will have welcomed him to his reward.

Very few sons of great men are worthy of them; as the son of a very successful man myself, I can testify to the soul-crushing burden paternal success tends to impose upon a young man, especially a young man of ambition. But through his embrace of a difficult role to which he was literally born, Christopher Tolkien undoubtedly proved himself worthy of his great father.

The Grey Havens

The next book

So, here’s a question. It’s not a poll, because who knows what I’ll actually do, but I am interested in knowing what book the readers here would prefer to see published next by me in 2020:

  1. A Sea of Skulls extended edition
  2. The first SSH book, Alpha.
  3. Insert your pet project, which will almost certainly be ignored, here.
  4. Surprise me.

I take no offense at anyone who doubts that (1) will ever happen, because RR etc. I’m just curious to know what people actually think they want. And please keep in mind that what you think is more or less popular is not necessarily so. For example, SJWAL outsold ATOB 3:2 in 2019, while both outsold the much more recently published Jordanetics.

None of this has anything to do with Castalia Deluxe or any of our other projects. It’s just about how I spend my limited writing time. And sometimes Calliope simply doesn’t permit one to proceed in the direction one intends.


At blog’s end

A 13-year blogger who is retiring his blog explains a few things to the trolls and critics. I think everyone who has run a blog for even a few months understands exactly where he is coming from:

Contribute or Shut the Heck Up
If you nitpick the mistakes of others but are unwilling to show your own work, even crappy phone photos, you are nothing. You can say you’re a professional woodworker who builds high-end pieces for clients with 40+ years of experience. But if you don’t have a website, blog or even an Instagram account, you’re just a pimply 30-year-old man-child living in your momma’s basement – until proven otherwise. Show your work – a lot – or shut up.

No One Asked for Your Advice
If you begin any comment with “You should…” you’re a blowhard. If your comment is longer than my blog entry, get your own blog. If you haven’t tried the operation/joint shown in the blog entry, your opinion is just noise.

And Stop Mansplaining
I have to add a special section on this bad habit. When a woman posts something, don’t tell her how to do it better. Don’t tell her she’s doing it wrong. Don’t offer advice or tips from your special Y-chromosome perspective. There’s a reason you don’t have many close friends who are women, and this is it.

Reading is Not Knowledge
About 23 percent of the stuff written about woodworking is untested, untrue or just misleading. So there’s a 1-in-4 chance that if you repeat something you have read but have not tried, then you are the problem. Even if you begin your sentence with “I read that….” you are not helping anything except your ego.

Look it Up
Don’t ask for information that you can find via Google. Want to know where to buy a Tite-Mark? Try typing “buy Tite-Mark” into your browser. I recommend trying at least 20 searches before leaving a question on a blog.

I Know You’re in Pain
Woodworking commenters aren’t good at masking their IP addresses. It’s easy to learn the identities of anonymous wanks with a little sleuthing. I tracked down a few of the most vile commenters on my blog and (with some additional reporting using public records) learned something interesting. Most of these people were suffering from some serious physical ailment. Many were taking painkillers and dealing with a level of pain that will make any human angry and bitter.

One thing he doesn’t mention is the idiot platform-hijackers whose comments are not welcome, but simply will not stay away because they are so desperate to try to make use of someone else’s platform rather than build their own.  I’m now utilizing a new tactic of deleting their comment but leaving it up for future reference, so that I will preserve a public record of their repeated cyberstalking for use in criminal complaints. It also has the useful feature of showing other commenters just how persistent the platform-hijackers are.

But despite the various irritants, I’ve never seriously thought about shutting down this blog, to be honest. The comments, yes, many times, but not the blog itself. That being said, it’s astonishing to me that after 15 years, the people at Blogger still have not provided a simple system for blocking specified names and text strings, and that none of the other comment systems really have either.