Tag: UATV

Cruel Dominions

I found this old mix of THE WORD DESCENDED that I’d forgotten I did back in December, and was frankly kind of blown away by it. I think it’s going to have to go on the Soulsigma CD. Anyhow, it’s up on UATV for the subscribers. If you’re feeling down at all over the Espstein coverup, I think this will prove a salutary reminder that it doesn’t matter what they do, because they will never win.

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Why UATV is Necessary

It’s both short-sighted and foolish to attempt to build your business on the mainstream social platforms. Because no matter who you are, no matter how innocuous you believe yourself to be, sooner or later you’re going to find yourself in violation of the Narrative and you will be deplatformed.

On Tuesday, July 1, 2025, African Stream published its final video, a defiant farewell message. With that, the once-thriving pan-African media outlet confirmed it was shutting down for good. Not because it broke the law. Not because it spread disinformation or incited violence. But because it told the wrong story, one that challenged U.S. power in Africa and resonated too deeply with Black audiences around the world. When Secretary of State Antony Blinken accused it of being a Kremlin front, Big Tech didn’t hesitate, and within hours, the platform was erased from nearly every major social media site.

In September, U.S. Secretary of State Antony Blinken made the call and announced an all-out war against the organization, claiming, without evidence, that it was a Russian front group. “Russian state-funded media outlet RT secretly runs the online platform, African Stream, across a wide range of social media platforms,” he said, adding:

According to the outlet’s website, ‘African Stream is’ – and I quote ‘a pan-African digital media organization based exclusively on social media platforms, focused on giving a voice to all Africans, both at home and abroad.’ In reality, the only voice it gives is to Kremlin propagandists.”

Within hours, big social media platforms jumped into action. Google, YouTube, Facebook, Instagram, and TikTok all deleted African Stream’s accounts, while Twitter demonetized the organization.

Remember, all of these “Russia Russia Russia” and “Kremlin propagandist” accusations are not only nonsensical, they are complete fictions that the accusers 100-percent know to be false, because they made them up. But they suffice, because the big social media platforms are quite literally the modern successors of the three television networks of the 1950s and 1960s.

They are the primary medium by which the Narrative is propagated and maintained, now that no one but the Boomers are watching reading newspapers and watching network television.

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JD vs VD

Vox Day is the Lead Editor of Castalia House and the author of the Sigma Game blog. He has been nominated for 7 Hugo Awards and is an Award-winning Cruelty Artist. In this terrifyingly erudite podcast, the publisher, polymath and provocateur tries to persuade James that AI isn’t totally evil. Also on the menu: what’s really happening with the Iran thing; comic books; why Milo and Owen Benjamin get more hate than Vox; composing film scores; and why James’s ‘we’re all going to die soon’ pension plan may not work.

The two-hour interview is available on the Delingpod, as well as on UATV for the subscribers.

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Abandon the Platforms

YouTube has adopted a strategy of slow strangulation of popular channels of which it does not approve.

YouTuber Jeremy Hambly, known as The Quartering, has revealed the devastating impact YouTube’s algorithm manipulation is having on his channel, exposing a coordinated soft censorship campaign targeting creators who challenge progressive narratives. His breakdown of the platform’s systematic suppression demonstrates how Big Tech companies are weaponizing their algorithms to silence dissenting voices without the transparency of outright bans.

“I don’t know if many of you have noticed, but I’ve been a lot more shifty and weird breathing lately,” Hambly admitted in his recent video. “And it’s because I’m having near-daily anxiety. There’s been something going on with my YouTube channel over the past couple of weeks that I have been spending almost every single night trying to figure out.”

The numbers tell a stark story of algorithmic manipulation. Hambly explained how “over the past several weeks I have noticed videos that used to get 50, 60, 70, 80,000 views were starting to get 10,000 views, 15,000 views.” This dramatic drop isn’t due to content quality or audience interest – it’s the result of YouTube’s deliberate throttling of channels that don’t align with the platform’s ideological preferences.

Even more concerning is the subscriber hemorrhaging Hambly has experienced. “For the first time in three or four years, I have started losing a lot of subscribers. Hundreds, thousands a day,” he revealed. This pattern suggests YouTube isn’t just limiting video reach but actively manipulating subscription feeds and notifications to starve channels of their established audiences.

The financial impact has been severe enough to threaten Hambly’s entire operation. “These numbers are if it continued like this past these two weeks, which it has been, I would have to fire everybody that works for me. Everybody,” he explained. This reveals YouTube’s soft censorship strategy – rather than creating martyrs through outright bans, they slowly strangle channels economically until creators are forced to change their content or abandon the platform entirely.

We’re now laying the foundation for the 4th Stage of UATV, which will be the best, strongest, and most stable yet. I alluded to a few of our plans for the next stage in last night’s Darkstream, but you’ll see the new features and content being added gradually over the summer.

And in the meantime, be sure to tune into the Big Bear and Dark Lord show tonight at 7 PM Eastern.

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Change of Plans

Big Bear and the Dark Lord won’t be doing their usual Monday night stream tonight due to a scheduling conflict. Instead, we’ll be streaming live Tuesday night on UATV at 6 PM Central.

Don’t forget to a) subscribe to UATV and b) get on the new payment system!

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Get Your UATV On

I’m on with Big Bear tonight. And you can also listen/download Vibe Patrol’s latest single, COSMIC TRIGGER (Fly Your Freak Flag), which was released today and will be higher quality than you’ll get from iTunes, Spotify, or YouTube, where the new track is also available.

Paywalls and Superchats are coming soon, so if you are a former subscriber, now is a good time to get on board with the new payment system.

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The Fatal Kiss

I’ve been working a bit on the next Soulsigma album, which is going to be entitled BYRONICS and will consist entirely of songs based on the poetry of George Gordon Byron, better known as Lord Byron. And while I’m not playing any of the album songs publicly or putting them up on UATV now, I have been playing a few of the experiments that didn’t make the cut on the Darkstream.

THE FATAL KISS is a song based on EUTHANASIA, which is one of Byron’s less-known, but more intense poems. It is mordant, obviously, but for some reason, it reminds me of Plato and The Death of Socrates, in which the philosopher wonders why anyone should fear something akin to the best night of sleep one has ever known.

Then lonely be my latest hour,
Without regret, without a groan;
For thousands Death hath ceased to lower,
And pain been transient or unknown.
“Aye but to die, and go,” alas!
Where all have gone, and all must go!
To be the nothing that I was
Ere born to life and living woe!
Count o’er the joys thine hours have seen,
Count o’er thy days from anguish free,
And know, whatever thou hast been,
‘Tis something better not to be.

Now that is a wordsmith! In any event, a UATV subscriber requested this one be added to what is now a 46-song music library available for listening and downloading to subscribers.

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