Tag: SJW

The Dark Herald explains why converged organizations are incapable of performing their core functions at Arkhaven.

There is an old adage in business; talent goes where the money is.

There will shortly be a new adage; talent avoids where the Woke is.

Google and Amazon became the powerhouses they are today because a generation ago (ouch) they were willing to spend big to get talent. And they got it. It says something about the level of people they were getting that one of the questions on Google’s employment application was, how many books have you written?  This was before internet publishing was a thing.

Unlike the Dickensian workhouse conditions for the Microserfs up north at Redmond, the googlers were treated like princes.  One of the big winners when the company finally went public was the company chef, not food service’s director you understand, but chef as in actual chef.  

Google was also very tolerant of their employee’s eccentricities, believing (not without reason) that a happy employee was a creative employee.  However, this opened the door to a certain kind of eccentricity; political activism.  Since Silicon Valley has its roots in Berkley’s Home Brew Computer Club, Leftism was built into their culture from the start. * Consequently, Google and Amazon were both happy to indulge these little hobbies of their junior employees.  

But then these corporate activists started making hiring decisions.  I remember a story one veteran told, when he applied, the interviewer sneeringly asked him, (citing the company’s Don’t be Evil mantra) how many innocent people had he killed?

The Woke will always find a reason to hire other Wokelings.  Diversity is usually a good excuse but there is always a way to justify hiring someone who is utterly unqualified for her job.  And those that are actually good at their jobs have to take up the slack for the useless dead weight. It used to be a “blonde with a great rack.” Now it’s a “three-hundred-pound, hippo with a purple mental-illness haircut.”  

The thing is the blonde was always cheerful, nice to everyone and pleasant to look at.  She at least made the work environment more enjoyable.  On the other hand, the whale with the purple hair is constantly shrieking and demanding submission to the SJW narrative from everyone that she comes in contact with. During working hours instead of doing her job, she is organizing witch hunts to get people fired. She and her comrades make life miserable at that company.

Here’s my big point:  Every top tier worker in that field will know about this and avoid that company like the plague in the future.  

If the Arkhaven blog isn’t on your list of day trips yet, it should be. 

In case you weren’t already convinced that the big social media companies knowingly serve Satan:

Twitter temporarily suspended Georgia GOP Rep. Marjorie Taylor Greene’s account on Sunday after she tweeted an Easter message.

Rep. Greene tweeted a message on Easter morning: “He is Risen – Death could not hold him. Rejoice in the resurrection of Jesus Christ.”

Twitter suspended Greene shortly after she tweeted her Easter message.

No specific reason was given for the suspension.

“We have determined that you have violated the Twitter rules, so we’ve temporarily limited some of your account features,” Twitter said.

The name of Jesus Christ and the Good News of his resurrection is literally painful to them because they serve demons. This is why they seek to destroy the Good, the Beautiful, and the True in all things, because the mere reflection of God and His Creation in them causes them pain.

The eternal spiral of racism and anti-racism consumes everyone in time:

The creator and executive producer of the CBS drama All Rise once promised his show would combat racism in the justice system. Now, he’s been fired for ignoring cries of racism in the workplace.

“Warner Bros. Television has relieved ‘All Rise’ executive producer Greg Spottiswood of his duties, effective immediately,” the studio said in a statement to Deadline.

Spottiswood allegedly ignored complaints about racial insensitivity, with most of those complaints reportedly being filed from the show’s writers room.

Writers had become critical of Spotiswood for what they deemed to be stereotypical dialogue and plots centered on lead character Judge Lola Carmichael, played by Simone Missick, and other minority characters.

“We had to do so much behind the scenes to keep these scripts from being racist and offensive,” writer Shernold Edwards told The New York Times.

It’s probably safest to do all-Asian shows these days. For now. This won’t stop until the woketroopers are shooting everyone with glasses for racism and the survivors beg for the ultras to stop them.

The Devil Mouse is now practicing Zero History on its own intellectual property. It’s a bold move, Cotton.

Now Aladdin is racist. So much so that Disney+ added a warning label before the film starts.

“This program includes negative depictions and/or mistreatment of people or cultures. These stereotypes were wrong then and are wrong now. Rather than remove this content, we want to acknowledge its harmful impact, learn from it and spark conversations to create a more inclusive future together.”

And here’s where it gets funny.

“Disney is committed to creating stories with inspirational and aspirational themes that reflect the rich diversity of the human experience around the globe. To learn more about how stories have impacted society visit Disney.com/storiesmatter”

When did Disney become educational?

First off, when did Disney suddenly become a Civil Rights movement? We coulda sworn we went to Disneyland and waited in line for two hours to be entertained–not for an “education.”

But maybe that’s the issue that Disney and other major corporations can’t seem to understand. They’re suddenly switching lanes (without putting on their signal, I should add) and trying to educate when they should just be creating a fun environment. Disney+ wants to say they’re focused on inspirational themes while half the children in Disney films have dead parents.

It’s not a question of the converged corpocracy not understanding anything. Converged organizations simply have very different goals than outsiders who don’t understand the concept of corporate cancer grasp. A converged organization always sacrifices its ability to perform its primary objective, so it should come as no surprise that a converged entertainment company like the Devil Mouse is increasingly losing its ability to entertain anyone. 

Apparently the concept of “take pictures of pretty women in swimsuits” is now beyond the ability of the converged Sports Illustrated organization:

Sports Illustrated has revealed the first ever black and Asian transgender model to grace the pages of its annual Swimsuit Issue.

Though the iconic magazine doesn’t launch until July, the Sports Illustrated Swimsuit Issue Instagram account has been unveiling one model a day throughout the month of March — and this morning, they made waves with the announcement that Chicago-born model, dancer, actor, and activist Leyna Bloom, 27, is joining the likes of Lais Ribeiro and Josephine Skriver in the 2021 edition.

Leyna, who is the second trans model to pose for SI Swim, opened up to Good Morning America about her boundary-breaking accomplishment, gushing: ‘I never imagined that I would be born in a time when something like this would happen for someone with my skin tone and for someone with my background.’

Meanwhile, at even-more-converged Marvel, it’s not enough for Captain America to be black. Now he’s also a twinkie:

Marvel Comics Introduces A Gay Captain America For June 2021

Announced last week, Marvel Comics will celebrate the 80th anniversary of Captain America with a brand-new limited series this June titled The United States Of Captain America. Written by Christopher Cantwell with art by Dale Eaglesham, this series will see Steve Rogers teaming up with Captain Americas of the past—Bucky Barnes, Sam Wilson, and John Walker—on a road trip across America to find his stolen shield. Throughout the group’s journey, they’ll discover everyday people from all walks of life who’ve taken up the mantle of Captain America to defend their communities, beginning with Marvel’s newest hero, Aaron Fischer.

Aaron Fischer is described as “the Captain America of the Railways – a fearless teen who stepped up to protect fellow runaways and the unhoused” and that “Marvel Comics is proud to honor Pride Month with the rise of this new LGBTQ+ hero.”  

DC, meanwhile, is determined to keep up with the Devil Mouse-owned competition:

DC has announced that they will be launching an initiative this June to celebrate and promote LGBTQ+ Pride, which will consist of variant covers, new releases, and an 80-page anthology tome. Detailed in a recent blog post on the publisher’s website, the “DC Pride” anthology series will include profiles and appearances by some of DC’s most well-known LGBTQ+ characters and the actors who play them in other media. 

The most famous Fake Southern Baptist has declared what every genuine Southern Baptist already knew: she is no longer a Southern Baptist:

For nearly three decades, Beth Moore has been the very model of a modern Southern Baptist.

She loves Jesus and the Bible and has dedicated her life to teaching others why they need both of them in their lives. Millions of evangelical Christian women have read her Bible studies and flocked to hear her speak at stadium-style events where Moore delves deeply into biblical passages.

Moore’s outsize influence and role in teaching the Bible have always made some evangelical power brokers uneasy, because of their belief only men should be allowed to preach…. Because of her opposition to Trump and her outspokenness in confronting sexism and nationalism in the evangelical world, Moore has been labeled as “liberal” and “woke” and even as being a heretic for daring to give a message during a Sunday morning church service.

Finally, Moore had had enough. She told Religion News Service in an interview Friday (March 5) that she is “no longer a Southern Baptist.”

Forget Southern Baptist. The woman was clearly never even a Christian. You don’t “love Jesus and the Bible” and then dedicate your life to systematically perverting their teachings. The fact that a woman is talking incessantly about the Bible doesn’t mean that she actually believes a word of it; even the Devil can quote Scripture. 

Both Beth and Russell Moore are textbook evil infiltrators, invading a church and seeking leadership positions in order to subvert and converge it.

The freaks now have Pepe le Pew in their evil little sights:

NYT columnist Charles Blow and his critics are trading rhetorical blows after the writer made Looney Tunes character Pepe Le Pew the latest target of the cancel mob, arguing that the skunk “normalized rape culture.”

“Right-wing blogs are mad because I said Pepe Le Pew added to rape culture,” Blow wrote Saturday, tweeting a scene from the Warner Bros. classic cartoon series. “Let’s see, he grabs/kisses a girl/stranger repeatedly, without consent and against her will. She struggles mightily to get away from him, but he won’t release her. He locks a door to prevent her from escaping.”

Blow added that Pepe Le Pew “helped teach boys that ‘no’ didn’t really mean no” and that overcoming a woman’s strenuous or even physical resistance was “normal, adorable, funny. They didn’t even give the woman the ability to speak.”

He is a skunk. She is a cat. Has anyone tried explaining this to the low-IQ gentleman? After all, it is possible that he genuinely believes the cartoons are a documentary series about Paris. 

Ebay is banning accounts that sell Dr. Seuss books:

Dr. Seuss is still getting canceled. In addition to far-Left schools, a useless learning organization, President Joe Biden, and a to-be-determined verdict from Universal Orlando, eBay has set aim toward the — as of last week racist — author.

eBay is going to work overtime to take down all current listings and is “monitoring” anyone who tries to list one of the six racist books in the future. (By the way, what a gig that would be to have.)

“eBay is currently sweeping our marketplace to remove these items,” an eBay spokeswoman said.

“We had to remove your listing because it didn’t follow our Offensive material policy,” one seller was told for listing a Dr. Seuss book. “Listings that promote or glorify hatred, violence, or discrimination aren’t allowed.”

It isn’t ever going to end until it is stopped. 

This is a good example of why authors need to be much more careful about those to whom they trust their literary legacies:

Six popular Dr. Seuss books — including And to Think That I Saw It on Mulberry Street and If I Ran the Zoo — “will stop being published because of racist and insensitive imagery, the business that preserves and protects the author’s legacy said Tuesday,” The Associated Press reported.

“These books portray people in ways that are hurtful and wrong,” Dr. Seuss Enterprises told The Associated Press in a statement marking the late author and illustrator’s birthday.

“Ceasing sales of these books is only part of our commitment and our broader plan to ensure Dr. Seuss Enterprises’ catalog represents and supports all communities and families,” Dr. Seuss Enterprises said. The Associated Press reported that the “racist and insensitive” depictions played a part in their removal.

The other books affected are McElligot’s Pool, On Beyond Zebra!, Scrambled Eggs Super!, and The Cat’s Quizzer.

This appears to be classic convergence in action. Remember, convergence prevents an organization from performing its core function, which in this case is selling Dr. Seuss books. Although I can’t help but notice none of these are among the bestsellers….

You may recall that I addressed the convergence of British department store John Lewis in Corporate Cancer.

John Lewis is the king of the Christmas commercial. Its famous 2010 Red Dress advert featured the life of one woman from birth to old age as she goes through all of the stages of life while wearing a red dress. It’s a touching little piece, a brilliant advertisement that is well worth seeing, and it boosted Christmas sales at John Lewis by 39.7 percent that year.

The 2017 ad, which featured an oversized Muppet called Moz and a little mixed-race boy was equally well-received, but only by the marketing experts. They were particularly excited by the diversity and the interracial aspects of the ad.

Hurray for seeing some diversity on such an epic advertising moment—my surprise at the mixed-race parents shows how rarely we see it in the advertising world.

—Zoe Harris, group marketing director and head of invention, Trinity Mirror

How rarely indeed! However, the 2017 Christmas season was marked by an unusual series of identical rarities. It wasn’t merely John Lewis, but also Marks & Spencer, Debenhams and Sainsbury’s, who each independently decided to feature mixed-race couples celebrating Christmas together in their big holiday advertisement. Even more remarkably, every single one of them just happened to feature a black man with a white woman, which, given the present UK demographics, can only be described as extraordinarily improbable.

After all, there are more Indians, Pakistanis, Chinese, and other Asians in the UK than there are blacks. Where were they?

Unlike the USA, the United Kingdom tracks ethnicity rather closely, so we can accurately determine exactly how statistically improbable these expensive Christmas advertisements were. As it turns out, there is only a one-in-327 chance that such a couple would be randomly selected. And the chance of all five commercials just happening to feature that particular pairing is one in 3,738,856,210,407.

That is one in 3.7 trillion, more or less. So, it wasn’t just a series of coincidences. It was evidence of convergence in the British advertising industry.

You will probably not be surprised to learn that these converged commercials did not prove to be very popular with the British public over the 2017 Christmas season. As a result, John Lewis was forced to cut its prices to prevent its year-on-year sales from falling and stated that its holiday sales “will negatively affect full-year financial results”.

Corporate Cancer was published in 2019. Two years later, the business news about the outlook for John Lewis will not surprise anyone who read the book.

John Lewis could close eight more of its remaining branches, with larger older shops most likely to close for good, it is claimed. The department store could shut a fifth of its 42 remaining stores, as negotiations with landlords continue and hundreds of jobs are put at risk, The Sunday Times reports. 

Any announcement of closures is expected to take place alongside the company’s annual results on March 11. John Lewis Partnership’s chairwoman Dame Sharon White has reportedly put forward eight shops for closure in an effort to further cut costs after the company suffered a £635m loss last September, The Sunday Times reports. 

The news follows the closure of eight John Lewis stores, including John Lewis’ flagship Birmingham store, and the loss of 1,300 jobs in July last year – which was followed by a further 1,500 jobs axed from head office in November.