A Tale of Two Remembrances

Castalia House’s Morgan recalls his friendship with the late author, Howard Andrew Jones:

It was late 1997 or early 1998 that Howard Jones had contacted me. I was the Official Editor of the Robert E. Howard United Press Association at the time. Periodically someone would contact me on how to get their pastiche Conan novel sold or how to get on the syndicated Conan T. V. show which was showing at the time. I never saw that show.

I received an e-mail from Howard who introduced himself and told me that he wanted to be to Harold Lamb what Glenn Lord was to Robert E. Howard. Glenn Lord was the agent for the Robert E. Howard copyright holders for around 28 years. Those Zebra and Ace non-Conan Robert E. Howard paperback collections. Glenn Lord was the agent who made the deals. He was a breath of fresh air.

Thus began a decades long friendship with Howard. We discussed fantasy fiction and historical novels we liked. We discovered new authors through each other. He seemed to like Fritz Leiber more than Robert E. Howard when I first knew him. We both tracked down old obscure hardbacks of historical fiction from the pulps. I seemed to like Arthur D. Howden Smith more than he did. Despite that, he had a copy of the first Grey Maiden story by Smith and sent me a photocopy of it. He also lent me a bound set of pulp stories including Arthur Gilchrist Brodeur’s “He Rules Who Can,” Joseph Ivers Lawrence “Swords on the Northern Sea,” and a Sargasso Sea story by F. van Wyck Mason.

He got Harold Lamb’s fiction back into print with University of Nebraska’s Bison Books. Before this, there were two collections of Harold Lamb’s cossack stories from the 1960s. Bison Books produced eight large volumes of Harold Lamb’s fiction from both the pulp and slick magazines. Howard organized them in a logical manner. We had discussed at one time of co-editing a volume of sword & sorcery fiction covering the early and middle years as an introductory volume to new readers.

At the same time, he was the fiction editor for Black Gate magazine. He championed getting new sword & sorcery fiction published. Sword & sorcery had been banished by the big publishers (for probably ideological reasons) but Howard knew there was a desire for it.

John O’Neill of the late and much-lamented Black Gate magazine also paid tribute to his former editor:

Howard has been a huge part of my personal and professional life since 2002, when I opened a submission to Black Gate magazine and found a long, rambling, and extremely enthusiastic cover letter from him, expressing his delight at finding a quality magazine devoted to heroic fantasy. The letter ended with “I want in, bad,” and was attached to a terrific tale featuring two adventurers named Dabir and Asim.

We eventually published three Dabir and Asim tales in Black Gate, and within a few years Howard’s editorial contributions had become so essential to the magazine that we named him our first Managing Editor. He ran our non-fiction department, single-handedly recruiting and managing over a dozen contributors to fill some 80 pages every issue with thoughtful essays, book reviews, gaming coverage, and much more.

In November 2008 Howard told me he wanted to remake our website, and post new articles every single day, instead of a few times a month. I told him he was crazy. How in the world could we produce that much content, especially without a budget?

Undaunted, Howard put together a top-notch team of writers, and committed to putting daily content on the Black Gate blog. It was his vision, and he executed it magnificently, with a little help from Bill Ward, David Soyka, Scott Oden, James Enge, EE Knight, Ryan Harvey, and others. Eight years later, the website won a World Fantasy Award — an honor that I still believe should have been presented to Howard.

Before long Howard’s own writing career had taken off with such magnitude that he had to step back from day-to-day duties at the magazine. Over the next fifteen years he released fifteen books, including three featuring Dabir and Asim, four novels in the Pathfinder universe, the Ring-Sworn Trilogy, three volumes in The Chronicles of Hanuvar, and the Harold Lamb collections Swords from the East and Swords from the West.

Howard was a wonderful writer. He believed in heroes, and that steadfast conviction informed all of his writing. But despite all his success Howard never lost touch with his other major talent — finding and nurturing new writers. Howard was an enormously gifted editor, and a tireless champion of underappreciated writers.

Many men have lived much longer, and left behind legacies that will not be remembered nearly as long, than Howard Andrew Jones.

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RIP Ben

America’s dog, Ben, who travelled the country as an officially accredited regular on College GameDay, died on Thursday of cancer at the age of 10. He was a very good dog.

And speaking of dogs and cancer, one thing we’ve learned is that the combination of radiation, Ivermectin, and an all-meat diet can be extremely effective. If you’ve got a dog who has been diagnosed with cancer, it’s definitely worth trying the latter two at the very least, in combination with whatever standard vet-recommended treatments are prescribed. Or, in lieu of them if you can’t afford the vet’s recommendations. However, don’t expect your vet to endorse the alternative treatments; it’s best to keep quiet about them.

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RIP James Earl Jones

The man truly was a legend. In addition to all of his acting accomplishments, he was a lieutenant in the US Army. 93 is a very respectable run, and it’s not as if they’ll be needing him for Star Wars anymore. To cap it all off, that appearance on The Big Bang Theory was an incredibly funny take on celebrity and fandom. Even if you don’t like the show, you really have to see that episode.

Right across the border from my favorite city on Earth…

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An Elegaic Opus

Some artists just know how to exit stage left.

A celebration of an artist’s life in the purest sense, Ryuichi Sakamoto | Opus is the definitive swan song of one of the world’s greatest musicians. In late 2022, as a parting gift, Ryuichi Sakamoto mustered all of his energy to leave us with one final performance: a concert film featuring just him and his piano. Curated and sequenced by Sakamoto himself, the twenty pieces featured in the film wordlessly narrate his life through his wide-ranging oeuvre. The selection spans his entire career, from his pop-star period with Yellow Magic Orchestra and his magnificent scores for filmmaker Bernardo Bertolucci to his meditative final album,12. Intimately filmed in a space he knew well and surrounded by his most trusted collaborators, including director Neo Sora, his son, Sakamoto bares his soul through his exquisitely haunting melodies, knowing this was the last time he would be able to present his art.

I’ve loved Sakamoto since he was teaming up with David Sylvian, who is probably my all-time favorite musician and singer. Not that I’m any expert on pianists, but he’s my second favorite after my friend Cornelius. I think this documentary will be a must-see.

Recorded and filmed as he was dying of cancer, Ryuichi Sakamoto’s “Opus” — the Japanese film composer’s posthumous album and documentary of the same name — is clearly meant to be his final farewell.

As an album, it is fitting that the 20-song, hour-and-a-half recording of sparse piano played by Sakamoto is a retrospective, taking the listener on a journey through his half-century career.

One standout is the first-ever recorded version of the playfully lyrical “Tong Poo” from his early days with techno-pop trio Yellow Magic Orchestra, also known as YMO. They were pioneers of 1970s electronic music and a Japanese act that landed on the global stage.

The album “Opus” is set to be released Friday from Milan Records. It showcases solo piano versions of the film scores that form the pillars of Sakamoto’s legacy, starting with the majestic theme for Bernardo Bertolucci’s “The Last Emperor,” a film set in the final days of imperial China leading into its communist rule.

It won an Academy Award for best original score, making Sakamoto the first Asian to win the honor. The 1987 film, starring John Lone, also won best picture. The score also won a Grammy.

Elsewhere, the track “BB” is Sakamoto’s homage to Bertolucci, a tender love poem for his brilliant collaborator.

“Opus” also features the forlornly pensive music Sakamoto did for Bertolucci’s 1990 “The Sheltering Sky,” which juxtaposed emotionally lost American travelers with the ruthless vastness of northern Africa.

And it includes the music for “Merry Christmas Mr. Lawrence,” a 1983 film about a World War II prisoner of war camp, directed by Nagisa Oshima, in which Sakamoto also acted. It has become his signature piece.

Sakamoto’s sound has an unmistakably Asian feel that’s challenging to define, but evident through the utilization of certain harmonies, pentatonic motifs or scales. His sound is also evocative of Debussy but, to be fair, this is all Sakamoto.

Minimalist is another way some have described his ability to speak in the silences between the notes.

All the songs on “Opus” were immaculately recorded in Tokyo’s NHK 509 Studio, performed without an audience in 2022. The piano pedal shift, and, at times, his breathing, are present.

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Adieu, Old Friends

This one stabs the heart a little bit. Paul was my best friend’s younger brother’s best friend, so I’d known him since I was around 13 or so. Andy, I met through Paul not long after GI got rolling. We played games with them many times, both in the Digital Ghetto and at their offices; I saw Andy’s band play his fantastic THREE-CHORD SONG at the Fine Line, and they both came to our epic Christmas parties back in the day.

Paul’s been gone for a long time and now his legacy is at an end too. Then again, at 33 years it was the longest-running game publication and it lasted a lot longer than our game company did, so I guess you’d have to say the Pro Player won one last game.

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RIP Bob Newhart

The Dark Herald provides the eulogy:

It was easily the greatest ending to a television comedy in history. I never even heard the lines I was laughing so hard. It was without question a “you had to be there” to understand moment. There had been all kinds of rumors going around about how Newhart would end. Mostly they’d promised something really intolerable. That Bob, who had been a fixture in our lives throughout the 1980s was going to be killed by a golfball in the series finale.

That final scene transporting Bob Newhart back to his bedroom and wife from his previous TV series left the country howling.

It was the perfect way to end a TV show that had been in the background of our lives for eight years. It kind of understated but it was always reliable for a good laugh. You could say the exact same thing about the Bob Newhart show (1972-1978), for that matter you could say the same thing about Bob Newhart himself.



RIP Willie Mays

Willie Mays was a genus of one. He was a bolt of lightning, a game-changing force of athleticism and beauty on the diamond that snapped you to attention. There is no second strike of his kind of lightning. The likes of Willie Mays were seen never before and will never be seen again. Mays passed away at age 93 Tuesday, just two days before he and his fellow Negro Leaguers are to be honored at a game between the San Francisco Giants and St. Louis Cardinals at Rickwood Field. Opened Aug. 18, 1910, Rickwood is the oldest ballpark in America. It is the Mother Church of baseball. It is the cradle of the career of the greatest all-around player who ever lived. And now it is where we say goodbye.

Willie Mays haunted my teen years. Not because I watched baseball, but because my younger brother loved a song called “Say Hey Willie” that was sung by some little kid. No sooner did we get into our Oldsmobile station wagon – the white one with the fake wood panels – than he would start calling “Willie, Willie!” And so we’d have to listen to it three or four times every time we got in the car to go anywhere.

Total nightmare. But I did read up on Willie Mays as a result of wondering why there was this song about a baseball player, so it wasn’t a total loss. Requiescat in pace Willie.

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RIP The Logo

Jerry West, one of the most important figures in the history of the NBA, has passed away at the age of 86. West, the inspiration for the silhouette of the league’s logo, was a 14-time All-Star during his playing career with the Los Angeles Lakers.

🔸1972 NBA champion
🔸1969 NBA Finals MVP
🔸14x All-Star
🔸12x All-NBA Team
🔸5x All-Defensive Team
🔸8x NBA champion as executive

Jerry West was so well-respected by his opponents that his longtime rival Bill Russell of the Celtics paid his own way to attend West’s memorial game in LA before his retirement.

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