No one foresaw it

It’s no wonder the SF-SJWs are always a few steps behind.

It had been believed that the slaters would lose interest if they couldn’t sweep entire categories, since it that would mean that they could neither get awards for their own favorites (since fans would No Award them) nor “burn down” the awards, since fans would have at least a couple of organic works to give awards to. No one foresaw the “griefing” strategy of nominating works whose mere presence on the finalist list would cast the awards into disrepute.
– Greg Hullender at File 770

They still don’t quite get it, do they? Rabid Puppies didn’t nominate “If You Were a Dinosaur My Love” or “Shadow War of the Night Dragons: Book One: The Dead City: Prologue” for the Hugo Award. We didn’t give a Best Novel Nebula to The Quantum Rose (Book 6 in the Saga of the Skolian Empire) or a Best Novel Hugo to Redshirts.

We’re not casting the awards into disrepute, we are highlighting the fact that the SJWs in science fiction have already made them disreputable. I wonder what they will fail to foresee next? That’s a rhetorical question, of course. I already know.

As an aside, I continue to find it funny that the SF-SJWs get so furiously upset about my dismissing so much of their concept of science fiction without the science as mere romance in space. I mean, everyone else clearly gets it, including the publisher.

Ascendant Sun is the direct sequel to The Last Hawk, in which Kelric, heir to the Skolian Empire, crash-landed his fighter on the Restricted planet of Coba. He was imprisoned by the powerful mistresses of the great estates–women who, over time, fell in love with him. After 18 years of living in their gilded cage, Kelric finally made his escape.


In Ascendant Sun, Kelric returns to Skolian space, only to find the Empire in control of the Allied forces of Earth. With little more than the clothes on his back, Kelric is forced to take work on a merchant vessel. But when that vessel enters Euban space, Kelric finds his worst nightmare realized: he becomes a slave to the cruel Aristos–humans who use torture and sex as the ultimate aphrodesiac.

Robert Heinlein, Isaac Asimov, eat your heart out! Remember, Ascendant Sun, Book 5 of 14 in the Saga of the Skolian Empire, is the immediate predecessor to what the SJWs informed us was the very Best Novel in science fiction that year.


Hugo 2016 Rabid Puppies ballot

This is how I will be voting for the 2016 Hugos. As MidAmericaCon2 has noted, there are less than two weeks to vote, so if you’re already registered, don’t neglect to send in your ballot.

BEST NOVEL

  1. Uprooted by Naomi Novik (Del Rey)
  2. Seveneves: A Novel by Neal Stephenson (William Morrow)
  3. The Cinder Spires: The Aeronaut’s Windlass by Jim Butcher (Roc)
  4. No Award

BEST NOVELLA

  1. Penric’s Demon by Lois McMaster Bujold (Spectrum)
  2. Perfect State by Brandon Sanderson (Dragonsteel Entertainment)
  3. Slow Bullets by Alastair Reynolds (Tachyon)
  4. Binti by Nnedi Okorafor (Tor.com)
  5. The Builders by Daniel Polansky (Tor.com)

BEST NOVELETTE

  1. “Obits” by Stephen King (The Bazaar of Bad Dreams, Scribner)
  2. “What Price Humanity?” by David VanDyke (There Will Be War Volume X, Castalia House)
  3. “Flashpoint: Titan” by Cheah Kai Wai (There Will Be War Volume X, Castalia House)
  4. “Folding Beijing” by Hao Jingfang, trans. Ken Liu (Uncanny Magazine, Jan-Feb 2015)
  5.  No Award

BEST SHORT STORY

  1. “Space Raptor Butt Invasion” by Chuck Tingle (Amazon Digital Services)
  2. “Seven Kill Tiger” by Charles Shao (There Will Be War Volume X, Castalia House)
  3. “If You Were an Award, My Love” by Juan Tabo and S. Harris (voxday.blogspot.com, Jun 2015)
  4. “Asymmetrical Warfare” by S. R. Algernon (Nature, Mar 2015)
  5. “Cat Pictures Please” by Naomi Kritzer (Clarkesworld, January 2015)

BEST RELATED WORK (2080 ballots)

  1. Between Light and Shadow: An Exploration of the Fiction of Gene Wolfe, 1951 to 1986 by Marc Aramini (Castalia House)
  2. “The Story of Moira Greyland” by Moira Greyland (askthebigot.com)
  3. “Safe Space as Rape Room” by Daniel Eness (castaliahouse.com)
  4. “The First Draft of My Appendix N Book” by Jeffro Johnson (jeffro.wordpress.com)
  5. SJWs Always Lie: Taking Down the Thought Police by Vox Day (Castalia House)

BEST GRAPHIC STORY

  1. The Sandman: Overture written by Neil Gaiman, art by J.H. Williams III (Vertigo)
  2. No Award

BEST DRAMATIC PRESENTATION (LONG FORM)

  1. The Martian screenplay by Drew Goddard, directed by Ridley Scott (Scott Free Productions; Kinberg Genre; TSG Entertainment; 20th Century Fox)
  2. Avengers: Age of Ultron written and directed by Joss Whedon (Marvel Studios; Walt Disney Studios Motion Pictures)
  3. Ex Machina written and directed by Alex Garland (Film4; DNA Films; Universal Pictures)
  4. Mad Max: Fury Road written by George Miller, Brendan McCarthy, and Nico Lathouris, directed by George Miller (Village Roadshow Pictures; Kennedy Miller Mitchell; RatPac-Dune Entertainment; Warner Bros. Pictures)
  5. Star Wars: The Force Awakens written by Lawrence Kasdan, J. J. Abrams, and Michael Arndt, directed by J.J. Abrams (Lucasfilm Ltd.; Bad Robot Productions; Walt Disney Studios Motion Pictures)

BEST DRAMATIC PRESENTATION (SHORT FORM)

  1. My Little Pony: Friendship Is Magic: “The Cutie Map” Parts 1 and 2 written by Scott Sonneborn, M.A. Larson, and Meghan McCarthy, directed by Jayson Thiessen and Jim Miller (DHX Media/Vancouver; Hasbro Studios)
  2. Supernatural: “Just My Imagination” written by Jenny Klein, directed by Richard Speight Jr. (Kripke Enterprises; Wonderland Sound and Vision; Warner Bros. Television)
  3. Grimm: “Headache” written by Jim Kouf and David Greenwalt, directed by Jim Kouf(Universal Television; GK Productions; Hazy Mills Productions; Open 4 Business Productions; NBCUniversal Television Distribution)
  4. Jessica Jones: “AKA Smile” written by Scott Reynolds, Melissa Rosenberg, and Jamie King, directed by Michael Rymer (Marvel Television; ABC Studios; Tall Girls Productions;Netflix)
  5. Doctor Who: “Heaven Sent” written by Steven Moffat, directed by Rachel Talalay (BBC Television)

BEST EDITOR – SHORT FORM

  1. Jerry Pournelle
  2. No Award

BEST EDITOR – LONG FORM

  1. Vox Day
  2. Toni Weisskopf
  3. Jim Minz
  4. No Award

BEST PROFESSIONAL ARTIST

  1. Larry Elmore
  2. Lars Braad Andersen
  3. Michal Karcz
  4. Larry Rostant
  5. Abigail Larson

BEST SEMIPROZINE

  1. No Award

BEST FANZINE

  1. File 770 edited by Mike Glyer
  2. Castalia House Blog edited by Jeffro Johnson
  3. Tangent Online edited by Dave Truesdale
  4. Superversive SF edited by Jason Rennie

BEST FANCAST

  1. The Rageaholic, RazörFist
  2. 8-4 Play, Mark MacDonald, John Ricciardi, Hiroko Minamoto, and Justin Epperson
  3. Cane and Rinse, Cane and Rinse
  4. HelloGreedo, HelloGreedo
  5. Tales to Terrify, Stephen Kilpatrick

BEST FAN WRITER

  1. Jeffro Johnson
  2. Morgan Holmes
  3. Mike Glyer
  4. Shamus Young
  5. Douglas Ernst

BEST FAN ARTIST

  1. Christian Quinot
  2. Kukuruyo
  3. disse86
  4. Matthew Callahan
  5. Steve Stiles

JOHN W. CAMPBELL AWARD FOR BEST NEW WRITER

  1. Andy Weir *
  2. Pierce Brown *
  3. Sebastien de Castell *
  4. Alyssa Wong *
  5. Brian Niemeier

Pink SF will ban itself

MidAmericaCon II refuses to include a Hugo-nominated work in the Hugo Packet:

As the World Science Fiction Convention, MidAmeriCon II has members from 35 countries. Safe Space as Rape Room quotes extensively from a written work containing explicit descriptions of children engaged in sexual activities. This material may be illegal in some home countries of  members. MidAmeriCon II does not wish to put any member at risk of inadvertently violating the law in their country of residence by downloading it in the packet without intent. As such, under legal advice, we are not  hosting or distributing this material directly. 

The “written work” referred to in the above is the novel Hogg, by the SFWA’s Damon Knight Memorial Grand Master Samuel R. Delany.

The WorldCon convention has also issued at least two other “warning labels” to two other Hugo-nominated works in the packet, one a Best Related Work by Moira Greyland, the other a Best Short Story by Chuck Tingle.

Speaking of Pink SF, now that John Scalzi’s new book has been announced, it’s time to congratulate everyone who had “Isaac Asimov”. I’m sure we all look forward to reading the adventures of Eli Seldom and her psychic predictions of how the Galactic Empire would collapse as a result of interplanetary menstrual synchronization.


Who is Chuck Tingle?

The Guardian tackles the most important questions of today:

For the second year running, campaign group Rabid Puppies has dominated the Hugo shortlists, encouraging its supporters to block-vote for specific titles and authors that they believe have been overlooked because of leftwing bias in science fiction publishing. The vast majority of the “slate” recommended by blogger Vox Day ended up with a Hugo nomination – including, on the best short story ballot, Space Raptor Butt Invasion by one Chuck Tingle.

Tingle’s presence shifted the dynamic of the post-Hugo discussions. Wasn’t his placing on the best of the best of science fiction list indicative of the Rabid Puppies’ true motivations, people asked: not to reward “better” writing, but to simply destroy the Hugos’ reputation? The presence of the author behind titles such as Helicopter Man Pounds Dinosaur Billionaire Ass and My Ass Is Haunted By the Gay Unicorn Colonel does somewhat detract from the grand stature of the Hugos. It’s easy to see why the Rabid Puppies would nominate Tingle; when a tingler appeared on the ballot, they must have had conniptions.

Day initially presented Tingle’s nomination as a way of combating homophobia in science fiction. (“The decades of discrimination against gay dinosaur love in space by the science fiction community stops now, and it stops here!”) but later admitted it was a joke. “I don’t give a quantum of a damn what my critics thought about it. Some things are worth doing simply because they are amusing,” he wrote, following it up with: “Chuck Tingle’s nomination is not a joke. Well, all right, it is.”

So who is he? The easiest answer would be the Rabid Puppies leader himself, Vox Day. But no. “I am not Chuck Tingle,” Day says. “I have my suspicions, but I do not actually know [who it is].” Nora Jemison, nominated for best novel for The Fifth Season, doesn’t know either, or “even if they’re only one person”.

I am flattered that there are those who believe that my writing is good enough for me to secretly be the Hugo-nominated Shakespeare of our time. But alas, that is not the case.


SJWs never learn

This brilliant and totally new idea that has never been thought before by anyone in the science fiction world amused me when it was broached on Rape Rape’s blog:

mrjoshuaspeaks
Is it not time for a simple “Bannishment” of the Pet Leech? I realize that nobody wants to open up a “BlackList” situation but why not just say “you are done” to V.D. and his publishing house and obvious cohort saboteurs. If that is to much at least cut out V.D..

As a diverse and open fanbase it is completely justified and to our collective benefit to say you are a problem and we do not acknowledge you. Let him prove his point on the web by spewing hate speech and gibberish, nobody but his little niche of followers would care. It may leave out a small sum of quality works that sadly will not be recognized but that is a small price to pay for the quality we lose with his contributors sweeping the votes.

Simply saying we do not want V.D. and his views and actions as a representation of fandom as a whole sounds “great” does it not? Let him slaver and spew from afar.

Duly noted. I acknowledge SF fandom’s refusal to acknowledge me, accept it at face value, and for my part, promise to continue to ignore their opinions, feelings, and perspectives. As for “bannishment” that is a tactic that has clearly worked out very well for Teresa Nielsen Hayden, Patrick Nielsen Hayden, SFWA, and others. I would absolutely welcome another banishment, not because I am a gamma male engaging in the customary public posturing, but because the most recent one resulted in a one-million monthly increase in my average pageviews. I expect a Martin-inspired Worldcon banishment could prove even more productive in this regard than the Scalzi-driven SFWA “expulsion” was.

  1. Nielsen Haydens condemn VD’s presence on a Nebula jury 
    • Nebula juries canceled
  2. SF SJWs proclaim VD will never be published by mainstream SF publishing houses
    • Castalia House launched.
    • Multiple bestselling authors join Castalia House.
    • VD writes and publishes four category bestsellers in nine months (with assistance from John Red Eagle, Dr. James Miller, and Dominic Saltarelli.)
  3. SFWA Board votes to expel VD from SFWA
    • John Wright joins Castalia House
    • VD’s average monthly pageviews grow from 1.2 million to 2.2 million.
    • VD collects first Hugo nomination
  4. SF fandom votes to No Award “Opera Vita Aeterna” in 2014.
    • Sad Puppies and Rabid Puppies take 57 nominations.
    • VD collects second and third Hugo nominations
  5. SF fandom No Awards the Puppies in 2015
    • Rabid Puppies take 69 nominations (5 games DQ’d)
    • VD collects fourth and fifth Hugo nominations
    • Hugo rules changed: EPH and 4 of 6 pass.
    • “Space Raptor Butt Invasion”

Apparently SJWs aren’t gifted when it comes to pattern recognition. By all means, open up your hate and let it flow into me. Who could possibly doubt if they redouble their efforts one more time, just this one more time, their exclude-and-disapprove-and-refuse-to-acknowledge tactics will finally succeed!

Meanwhile, Yagathai not only confirms that Larry Correia was correct all along, but justifies the ongoing campaign against Tor Books:

yagathai
I have not read Between Light and Shadow. I do not plan to. I will nevertheless vote against it. Castalia House is the propaganda organ of an odious white supremacist and obscene misogynist, and I will fight to deny it even a breath of legitimacy.

That may not be all Castalia is. It may also publish serious works of scholarship, but that’s immaterial — lay down with puppies and you get fleas. Any work published by CH is tainted.

You can call this a “political reason” if you like. I don’t. I see it as a matter of common decency.

He has a right to his opinion, as silly as it may be. As do we. Tor Books is the SJW-converged propaganda organ of an unreconstructed Stalinist, feminist, and dyscivilizationist, Patrick Nielsen Hayden, and while it may publish a few works that are not Pink SF, that is immaterial. Any work published by Tor Books is tainted.

It is a matter of common decency. Boycott Tor Books. Tor delenda est.

And finally, one of the authors of EPH shows his true colors. Remember, Worldcon kept going on and on about how impartial their very professional statisticians were, right up until those statisticians discovered that the Puppies were not the only slates in play and promptly buried the evidence by refusing to disclose the information they’d previously promised to disclose.

jamesonquinn
I’m the person who put together the ideas for EPH in the first place; a co-author of the analysis that prompted this post; and the person who first suggested a strengthened version of EPH (being called “EPH+” on File 770) for 2018. Clearly I’m not unbiased, but I am an expert on voting systems….

(VD is currently crowing about how GRRM is not a real hard science fiction writer like Piers Anthony was or else he would have realized that EPH wasn’t a panacea, and about how he will always have another plan and thus can never be foiled. As a voting theorist, I can say to him: I may also be no golden age SF author, but I do know how to shut you, and your innumerable plans, down. And what it looks like is exactly like what you’re seeing: an inexorable reduction of your ability to create the chaos you desire, step by carefully-considered consensus step.)

All things are possible, Mr. Quinn. I will certainly welcome adding the scalp of a Harvard statistician to my growing collection. I note there is already one strike against you; I knew, as you did not, that EPH would fail from the start. And I take no small pleasure in being the first to inform you that EPH+ will as well, as you quite clearly do not understand its inevitable consequences.


Wrath of the Rabid

Hugos Vs Puppies IV: Wrath of the Rabid

Mere minutes after the nominations were announced, John Scalzi said that the Puppies were attempting to lead a parade that was already in motion, by nominating works of obvious quality that probably would have been nominated anyway.  George R. R. Martin made a similar observation:

    The Rabids used a new tactic this year. They nominated legitimate, quality works in addition to the dross. Works by writers like Stephen King, Neil Gaiman, Neal Stephenson, Alastair Reynolds,…Andy Weir, and several others. Some of these writers are apolitical (like Weir) while others are known to oppose everything that VD stands for (Gaiman, Stephenson, King).

This is a tacit admission that the Puppies are doing exactly what they claim to be doing–nominating “legitimate, quality works” based on “excellence in actual science fiction and fantasy,” regardless of the political stance of the nominated writer.

And while the bulk of the nominations are obviously for deserving works–Stephen King received his first nomination for over thirty years–several of them are…unique.

Two
Best Related Work nominations, however, are generally being overlooked
in the furor over My Little Ponies (and Chuck Tingle’s gay dinosaur
erotica in space), and those are much more problematic.  “The Story of
Moira Greyland” outs fantasy writer Marion Zimmer Bradley for abuse and
molestation, and “Safe Space as Rape Room” by Daniel Eness raises some
very uncomfortable questions about science fiction fandom.

Uncomfortable questions indeed. Questions which pedophandom is desperate to avoid asking, or being answered.


And still they doubt me

I find it fascinating that every single step along the way, SF-SJWs are always convinced that this time, surely this one more time, they will be able to stop me from pursuing my objectives. The Reverend 3.0 considers the growing movement to permaban the Puppies from participation in the Hugo Awards.

In a way, the Puppy Revolt could end up making things easier on the Controllers, because it gives them an excuse to seize control under the cover of protecting everyone from the Puppies. Not that this will stop the slow death of traditional publishing, but whatever.

Now, Vox wants us to believe he can use the proposed PermaBan rule against the Kickers. That remains to be seen, but the man has an excellent track record on these things.

I’m torn on whether or not Vox can pull that off. My gut tells me that this is at least partially a bluff, but I have no evidence and it runs counter to Vox’s pattern of saying what he will do and then doing it. But the gut will say what it says, regardless of reason.

Predictions Time:

-The Powers That Be will move forward with PermaBanning, and will implement it if they think they can get away with it.

-If PermaBanning is implemented, the Hugo base will go along with it.

-If Vox can flip PermaBanning on the PTB, I will give my gut a very stern talking-to.

These people must spend all their time posing, posturing, and bluffing, because every time I do what I tell them I am going to do, they’re astonished. Although it is amusing that they’re already abandoning hope in EPH, which they were certain was the answer last year.

Of course, I told them as much, in fact, I made it clear that I welcome the passage of EPH, as its implementation will mark the start of the second stage of the Pink SF-Blue SF cultural war. But an open ban would take us to the third stage even faster.

That being said, one has to credit Rev 3.0 for being correct in the essentials:

First, we can all appreciate how much of a brilliant predictor I am. Second, we can examine that perennial question: is Vox Day a legitimate threat or a paper tiger? I have said (over and over again) that he is a legitimate threat. The Establishment has said (over and over again) that he is a “toddler.” You be the judge.

Betting against the SJW Narrative is usually the safe bet. And then, of course, there is this:

If the 2016 Hugos are the Year of the Gay Space Raptor (ie, the
biggest talking point and what people remember it for), Vox knows what
he’s doing.


Because it’s worked so well so far

The Secret Masters of Fandom are retreating to what appears to be the science fiction community’s one and only tactic even before they see the effects of their first round of rules changes. From a Facebook discussion:

Kevin Standlee
A factor regarding invoking the convention Code of Conduct against Griefers (I’m looking at Christopher J Garcia and Sean Wallace in particular) and disqualifying their ballots and revoking their memberships that only came to me this morning:

The current Worldcon in Kansas City does have the right to regulate its own membership. They could, if they so choose, decide to revoke the memberships of individuals for just about any reasons unless it was prohibited by law. So in theory they could revoke the memberships of individual members who they believed were violating their Code of Conduct by the way they cast their Hugo Award nominating ballots.

However, what about the members of the Spokane and Helsinki Worldcons? All of their members as of January 31, 2016 were also eligible to nominate. Kansas City is obliged to honor those nominations as part of the WSFS Constitution, which is the “contract” under which MidAmeriCon II was granted the right to hold the 2016 Worldcon. MAC2 does not have jurisdiction over the memberships of the 2015 and 2017 Worldcons. They don’t have the right to revoke the memberships of members of either of those two conventions. If, as seems likely to me, most of the Griefers are coasting along on the memberships they bought to Sasquan, MAC2 doesn’t seem to me to have the right to ignore those persons’ votes — not unless they could somehow get the legal remnant of the 2015 Worldcon committee to revoke those persons’ memberships.

Yes, I know I’m being legalistic. That’s what I do. Throwing out the rule of law just because you don’t like how some people voted is IMO giving the Griefers exactly what they want — a plausible legal excuse to hammer the Hugo Awards and Worldcon with. They’re trying to goad us into an extra-legal response.

David Dyer-Bennet
Lacking the Arisians to identify and certify a reliable supply of “philosopher kings”, I think rule of law is our best choice, however annoying some of the intermediate steps may be.

Christopher J Garcia
It’s not about the votes – it’s about the use of the Hugos as a platform for a hate group..

Kevin Standlee
You’d need to withdraw the nominating rights from the previous/subsequent years’ members in order to give a single legal entity (the current Worldcon) the right to revoke the memberships (and thus not count the ballots) of the people you consider unworthy of voting, for whatever reason, including being part of what you’ve decided is a hate group.

Christopher J Garcia
It’s not about the voting. It’s allowing members of a hate group (and the Rabid Puppies qualify as such under the SPLC, ADL, and FBI definitions) to opperate within the awards. We are implicitly accepting their presence by not acting to remove them.

Kevin Standlee
No. You are only a member of WSFS for the current “Worldcon Year,” which runs from end of Worldcon to end of Worldcon. There are, however, residual rights that attach to past and future Worldcons of which you may be a member.

Kevin Standlee
I don’t dispute that there is a de facto hate group acting here. What I’m saying is that while an individual Worldcon may choose to revoke the memberships of its members for any non-prohibited-by-law reason, they cannot IMO legally revoke. Incidentally, one of the “residual rights” is to inspect the accounts of the Worldcon of which you were a member. The “sunshine clause” is rarely invoked, but it is in there.

Christopher Carson
It’s not about the votes, it’s not about the nominations — so you’re mad at an abstract concept?

Michael Lee
I could make the case that the code of conduct applies to all participants in an activity of a particular convention, and that the nomination phase is an activity not of three conventions, but of one particular convention, so that individual convention’s code of conduct would apply. And it is the responsibility of an individual convention to administer the Hugo Awards.

Kevin Standlee
Michael Lee I can see your point; however, I can also see that if I were a member of the previous Worldcon who had my vote tossed by the current Worldcon, I would have standing to sue to the current Worldcon for failing to abide by the terms of their contract (the WSFS Constitution).

Kevin Standlee
Codes of conduct aren’t mentioned in the WSFS Constitution, so it’s unclear just how much any one convention’s CoC can have jurisdiction over another convention’s members. In particular, look at this section of the WSFS Constitution:

Section 1.6: Authority. Authority and responsibility for all matters concerning the Worldcon, except those reserved herein to WSFS, shall rest with the Worldcon Committee, which shall act in its own name and not in that of WSFS. And that seems to me to give a Worldcon to regulate its own members, but not any other convention’s members.

Linda Deneroff
I thought well prior to 2012 the WSFS Constitution permitted the prior year’s worldcon members to nominate, but back before computers it was nearly impossible to make it practical or viable.

Kevin Standlee
Prior years’ members have been eligible to nominate since 1989. The subsequent year’s members were only extended the nominating privilege effective in 2012 (ratified in 2011).

Christopher Hensley
Which is why I am a little miffed at Sasquan. They actually had the power to do it, but they did not.

Linda Deneroff
20-20 hindsight is wonderful.

Christopher Hensley
To be fair, they are doing exactly what they said they would do since the nominating period opened last year.

Aaron Kashtan
Wouldn’t it be better to create a rule that the current Worldcon can, at its discretion, reject any Hugo nominee that threatens to bring the Hugos or Worldcon into disrepute? Like the rule that caused the rejection of the name Boaty McBoatface? I’m sure this idea has been suggested before.

Kevin Standlee
Such a rule would be legal, but it does not currently exist. And beware of rules that can be turned against you. However, if you want help crafting such a rule, contact me directly and I’ll help you write it. Convincing two consecutive WSFS Business Meetings to vote for it would be your problem.

Richard Man
 I think any NEW rule, would not help for 2016 (and of course not 2015) due to the ratification requirements. I think the WSFS charter founders are pretty crafty in makes things fairly democratic, within the limits of the charters. They just never expected influential arseholes.

Christopher Carson
Pretty sure fandom has never been short of “influential arseholes”.

Richard Man
… but ones that screw up the Hugos two years in a year ;-P?

Kevin Standlee
WSFS rules are designed with an assumption that people will act in good faith.

I’ve repeatedly said that WSFS operates much like the USA did for the first twenty years after it declared independence. The manifest flaws of the Articles of Confederation led to the adoption of the current much-stronger Constitution of 1787. But it took several years for that to happen, too, and the challenges facing the young USA were a lot worse than a bunch of bad actors trolling a literary award.

Dave O’Neill
I don’t think anybody expected any of the individual arseholes to actually have followers.

Kevin Standlee
True. And most of the individuals within Worldcon-attending fandom have been prepared to play within the _spirit_ of the rules as well as its letter. Heck, there were a couple of “puppy” sympathizers at the 2015 WSFS Business Meeting.

Dave O’Neill
I can assure you that his motion would have failed. There was no way it was going through. But yes, I recall him well. I also recall all the people of the opinion that this was a ‘one off’ and we shouldn’t do anything as they’ll get bored.

Kevin Standlee
That was only the second time that I’ve seen Adjourn moved in its debatable form in any situation other than routinely at the end of a day or of the session. The first time was when I made it myself many years ago (L.A. con III, as I recall) because I thought the people present didn’t want to go in to the nitty-gritty of a complex report I was presenting and wanted to put it off until the next day. I was wrong.

Mike Glyer
This kind of tortured logic undermines the much needed benefits of Codes of Conduct. Beware.

Christopher Hensley
The move away from a pure legalistic approach represents a major shift in the community over the last few years.

Kevin Standlee
Understood about the beware. Any committee wanting to invoke their Code of Conduct in this situation would have to consider balancing the harm done to itself by Griefers against the potential harm of dealing with a lawsuit from them.

Christopher Hensley
I also worry about the opposite. That they will try to nominate a work that while protected by the absolute speech protections inherent in US will run afoul libel or hate crime laws outside of it. If nothing else it would kill the packet, or require saying “we refuse to distribute this”. Possibly even cause problems with advertising the finalists. A certain title which make accusations about John Scalzi come to mind.

Kevin Standlee
Funny thing, that. Imagine such a case next year, in which Finnish and EU law applies. IMO, the committee would be totally justified in disqualifying such a work, because local law always trumps the WSFS Constitution.

Mike Glyer
It’s reasonable to anticipate that they will keep moving down the continuum, finding more transgressive works to nominate. They would do it anyway, and if EPH is effective in limiting their impact, would want to devote the slots they get to items that …

Kevin Standlee
Me, too, and it was one of the reasons I didn’t like trying to invoke it as a legitimate reason to disqualify nominations, members, or finalists.

Christopher Hensley
There are two questions in my mind. One are their actions, which are clearly an ongoing campaign of harassment. The other is the works themselves. It should be a much higher bar on that but not an impossible one. What happens when they nominate non-fiction works which promote violence against LGBT persons, racial minorities or Muslims?

Dave O’Neill
Surely the administrators have some wiggle room in those situations? If not then there does need to be a disrepute clause brought in.

Kevin Standlee
I don’t really see much room for maneuver by the Administrators. Every individual natural person is eligible to become a member by existing rules.

Dave O’Neill
I was thinking more if somebody nominated a hardcore porn SF parody or similar? Rather than dealing with members – I was under the impression the administrators had the final word in eligibility?

Christopher Hensley
Tingle’s stuff is more performance art then porn parody. He has a following that loves his over the top antics and hopelessly positive message. But yes, Tingle is absolutely backfiring on Day. He’ll say it was his plan all along but it is stealing his spotlight.

Dave O’Neill
well, I wasn’t actually thinking of Tingle then as, yes, it’s part of a gag. I was thinking more of a “Game of Boners” type stuff.

Mem Morman
What’s a “Griefer”?

Kevin Standlee
The people wanting to destroy the Hugo Awards by nominating a slate that includes a fair number of obviously awful things. In effect, the Rabid Puppies.

Dave O’Neill
Somebody who deliberately tries to spoil things for other players.

Dave O’Neill
Although I really think the Chuck Tingle thing is going to backfire spectacularly on Ted.

Christopher Hensley
“Griefing” originally a video gaming term referring to players who kill their own teammates in multiplayer.

Kevin Standlee
I like how it can be easily mistaken as Grifters, which seems appropriate to me given their Sooper Genius Evil Overlord.

Alfred Kruse
“And so it begins…”

Covert J Beach
I would consider canceling memberships based on nominations for the Hugo to be the Nuclear Option. I think this becomes a slippery slope to the point where the Cure will be worse than the Disease. This idea is another version of Strong Administrator, and should be invoked as a last resort and only in desperation. In theory bad ideas should be trampled in the free marketplace of ideas. The Griefers as you refer to them have found a mechanical way to make the marketplace less free (by packing the limited number of nominations.) Even if we can agree that this group needs to be dealt with, there comes the future time where someone with a hot button gets to make a well intentioned call that blows up in the convention’s face. The solution is to free up the marketplace of ideas. EPH+6/4 or Semi-final voting do this.

What I find so interesting about the SJW-SF reaction is that they simply never stop to question their basic assumptions or the effectiveness of their tactics. This all started when Patrick Nielsen Hayden and Teresa Nielsen Hayden, appropos of a single syndicated op/ed column about Susan Estrich’s attack on Michael Kinsley, broached the possibility excluding me from the Nebula jury back in 2005. Then Patrick Nielsen Hayden and John Scalzi joined forces to force the SFWA Board to exclude me in 2013 by threatening to quit, after which the Hugo voters did their best to exclude me in 2014.

How has that worked out for them?

The SJWs in science fiction couldn’t imagine that we would take over the 2015 nominations. They were highly confident that we couldn’t dominate the nominations this year. And I have no doubt that they are absolutely certain we can’t possibly take over the Business Meeting.

Want to bet the Hugo Awards on that?

Go ahead, Secret Masters, make a special rule aimed at me and the Rabid Puppies a legitimate tactic at my disposal if you dare. This is your fair warning.


Chuck Tingle contemplates Hugo withdrawl

 After NK Jemisin demanded Chuck Tingle withdraw his nomination for the Hugo Award for “Space Raptor Butt Invasion”, Dr. Tingle gave the matter some serious consideration.

Chuck Tingle ‏@ChuckTingle
cant sleep. lots of thoughts i will be addressing tommorow morning. i will be very forward on where i stand and make important annoucement

Chuck Tingle ‏@ChuckTingle
i am very sorry sometimes things just have to come to an end. this has to be done and i will be as upfront as i can

Chuck Tingle ‏@ChuckTinglestill not sure if im ready for all of this to end still sorting though feelings about this annoucement. more very soon

Chuck Tingle ‏@ChuckTingle
in five minutes official announcement of withdrawl and difficult ending

Chuck Tingle ‏@ChuckTingle
PLEASE UNDERSTAND i have decided to WITHDRAW my support of taylor swifts and unfollow her. I now follow KATYS PERRY

LOVE IS REAL! Chuck Tingle’s nomination is not a joke. Well, all right, it is. But it’s arguably less of a joke than N.K. Jemisin’s affirmative-action reward for hating the “beardy old middle-class middle-American guys” who created the field.


Slate is furious about the “virulent” Rabid Puppies

Oh No, the Puppies Are Back for the 2016 Hugo Awards—and As Angry As Ever

The puppies have returned. How could that sentence portend anything foul or wicked? And yet it does—science-fiction writer and publisher Vox Day’s followers are the least cute puppies that ever puppied. You may remember them from 2015, when they hijacked the nominations for that year’s Hugo Awards, the closest thing the sci-fi and fantasy community has to the Oscars. Convinced that the genre had eschewed swashbuckling space opera in favor of politically correct, scoldy garbage, these “activists” proposed a slate of “corrective” titles and whipped up enough support among a conservative niche of Hugo voters to get them on the ballot (pushing more “literary” and more “progressive” nominees off).

Campaigns for individual books or authors at the Hugos are nothing new. Yet the puppies’ ideologically driven movement, which drew on the tactics and talking points of Gamergaters, struck a lot of people as unprecedented. When the pups positioned their nominees as a rebuke to the women, people of color, and LBGTQ folks seeking a place in the science-fiction/fantasy world, that coalition struck back. Voters opted to give “no award” in the five categories wholly overtaken by puppy nominees.

Unlike men, not all puppies are created equal. The especially virulent Rabid Puppies, led by unsavory bigot Vox Day, who is extremely paranoid about Aztecs, have made it their mission to boot SJWs (“social justice warriors”) out of science fiction and fantasy….

So now it is 2016, and the saga continues. This time, in an effort to distance themselves from last year’s bad press, the Sad Puppies have published a list of “recommendations” rather than flogging their own ballot. But the Rabid Puppies are madder than ever. Their campaign has resulted in 64 out of the 81 titles they put forward being shortlisted. One of these books is called “Space Raptor Butt Invasion,” by erotica scribe Chuck Tingle, author of such science fiction pearls as “Taken by the Gay Unicorn Biker” and, most recently, “Slammed in the Butt by My Hugo Award Nomination.” (Audible narration is available for all three. For the more politically-minded, Tingle also offers “Feeling the Bern in My Butt.”) Writes Day on his blog: “Let’s face it, there are just three words to describe the only event that might happen in 2016 that I can imagine would be more spectacularly awesome than ‘Space Raptor Butt Invasion’ winning a Hugo Award this year, and those three words are ‘President-elect Donald Trump.’”

As Michael Schaub observes in the Los Angeles Times, the Puppies’ self-mythology here as Hugo provocateurs doesn’t totally hold up. “Tingle is a popular figure among a wide range of readers,” he notes, “not just Puppy-affiliated ones.” A fair number of science fiction and fantasy folks seem delighted, not offended, by the Butt bard’s success.

Awesome. Let’s see them prove it by voting “Space Raptor Butt Invasion” Best Story. But I suspect this is just hapless SJWs attempting to get on top of the Narrative with their conventional “the joke is really on you” tactic. Key word: “seem”. If they were genuinely delighted, NK Jemisin wouldn’t be making a complete ass of herself by trying to get Chuck Tingle to withdraw his nomination.

From Tingle’s reaction, she’d have better luck convincing me to withdraw. It cracks me up that more articles about the 2016 Hugos point out that Jemisin is an ignorant half-savage than mention her own nomination for Best Novel. I’d almost feel bad for her, if she wasn’t such a horrendously unpleasant affirmative-action monster. But SJWs will sacrifice anyone to maintain the Narrative, even their own pets.

It’s more than a little amusing that Slate claims I am paranoid about Aztecs, when I am part-Aztec myself. But you can always count on an SJW to stick with the Narrative, no matter how observably stupid it is.

It’s also interesting that referring to an idiot black woman as “an ignorant half-savage” three years ago is presently deemed more newsworthy than writing the best-selling political philosophy work of 2015, or than publishing four different #1 bestsellers in the Politics, Atheism, Philosophy, and Economic Theory categories in nine months.

No wonder the media is dying. Being converged, they’re much more interested in playing speech police than in simply doing their one job.