The Response to the Retraction

Keruru retracted his previous endorsement of the N/Nₑ argument, and much to my chagrin, he was right to do so: the derivation of Kimura’s substitution identity never needed Nₑ on either side of the algebraic equation. Supply is 2 in the census N, the fixation probability of a new copy is 1/(2N) in the same N, the two correctly cancel, and the fact that the effective population Nₑ was regularly written into the supply side was nothing more than careless notation by the authors of the biology textbooks over the years, it was not a hidden move by Kimura back in 1968. Thanks to this additional evidence that biologists can’t do math, this error means that it will be necessary to produce a 3rd Edition of Probability Zero to correct my mistake in this regard. Mea maxima culpa, dammit.

The second part of his post is not correct. He says zero fixations across the ancient-DNA window is exactly what neutral theory predicts, so the data cannot discriminate. The arithmetic holds given one number: Nₑ ≈ 10,000 — which comes from θ = 4Nμ, which presupposes k = μ, the identity under test. He has retracted an empirical falsification of the clock by feeding in a parameter that the clock manufactures; Charlesworth flagged this exact circularity in 2009, and Keruru himself, two sections later, calls Nₑ “estimated from the quantity it is then used to explain.” He diagnosed the disease in Section 3 and caught it in Section 2. His chains carry it from the other side: they differ in offspring-number variance, never the contested axis, while his sweepstakes parent is drawn uniformly at random — setting the one parameter in dispute, the covariance between who breeds and what they carry, to zero by fiat.

And most crucially, his work never contains a census population. His own supply term at Nₑ = 10,000 gives 740,000 new mutations per generation; Kong et al. (2012) times the global birth rate gives 2.5 × 10¹¹, a factor of 330,000 — which does not touch his repaired algebra but demolishes the literature that algebra abandons. He rescued three lines and orphaned fifty-seven years of applying them. Then he names frequency drift as “the analysis that should have been run.” As it happens, I ran it while writing the first edition of PZ: the Allen Ancient DNA Resource, 1,372 Neolithic against 680 modern Europeans, has rs35619459 moving 29.3% → 91.3%, a twelve-sigma excursion against his own stated expectation, and a drift-variance Nₑ near 2 rather than ten thousand. The signal is the size of a population turnover — structure, non-exchangeability, the very thing his model pinned at zero.

Nevertheless, I owe him a considerable debt of gratitude and not just for pointing out my mistake. For, as we’ve repeatedly seen over the course of this project, the identification of one particular flaw, and the subsequent process of correcting it, has led to a new discovery. The mechanism he reached for in the second part— that the fixation time is so enormous almost nothing destined to fix finishes inside the window — is exactly right, and it turned out to be the most productive thing in the exchange. He relied upon it to argue the data cannot test the clock; but when it is reversed, that same mechanism does not protect the clock, it provides a time limit. If the chance a destined allele completes within T generations scales as exp(−π²Nₑ/T), then k = μ cannot be realized at all in any population large enough for that transit to run 4Nₑ generations — and at census population scale that exponent becomes a ceiling on population size, about ten thousand for a large vertebrate, above which gennetic drift is not slow but entirely shut down.

That is the argument of my new paper entitled The Hard Limits of Fixation Through Genetic Drift which you can read at the preprint site, and it exists only because Keruru identified my mistaken identification of Kimura’s algebraic non-error.


ABSTRACT: The Hard Limits of Fixation Through Genetic Drift,

Kimura’s neutral substitution rate, k = μ, is a steady-state identity: it holds only after a population has held one size for the roughly 4Nₑ generations a neutral allele needs to drift from a single copy to fixation. That transit has never been checked against the number of generations that species lineages have actually had. Checking them yields a hard ceiling on population size, X = (Vₖ + 2)·G/16 — reproductive variance and lineage generations alone, with no mutation rate, no coalescent quantity, and no fitted constant. For a large, long-lived vertebrate the effective ceiling falls to about ten thousand individuals. Above it, a neutral allele’s chance of fixing within the generations its lineage will ever have is not merely small but exponentially small, of order exp(−π²Nₑ/G) — for humans at current size, about one in ten to the seventy-eight-millionth. Humans number more than eight billion, the better part of a million times over the line; the African elephant, endangered at four hundred thousand and falling, is still forty times too abundant for drift to complete to fixation. No vertebrate population is simultaneously large enough to persist as a species and small enough to fix a neutral allele by drift. What substitution these abundant populations show is not produced at their current size; it is residual drainage from the smaller populations they descend from. The domain of k = μ is confined to demographic conditions that no non-endangered species is capable of meeting.

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THE CRUMBLING ABYSS

High in the mountains above Kagoshima, an old man finds the remains of a forbidden ritual. A headless dog. Ritual kindling. The residue of a curse aimed at killing children.

So begins Naoki Sanjūgo’s Nangoku Taiheiki, the sprawling historical epic that made its author’s name synonymous with popular fiction in Japan. First serialized in 1930–31, the novel plunges into the Oyura Disturbance, the real succession crisis that nearly tore apart the Shimazu clan of Satsuma in the years before the Meiji Restoration. On one side, Lord Narioki and his concubine Oyura, wielding sorcery, poison, and political cunning to install their chosen heir. On the other, Nariakira, the reformist eldest son whose vision of a modern, industrialized Japan threatens everything the old guard has built.

Caught between them: Kotarō, a young samurai hunting the sorcerer who murdered his family. Masumitsu, a swaggering political operative who fights with a pipe, a pistol, and an inexhaustible supply of nerve. Nangyoku, a comic storyteller whose street performances mask a dangerous loyalty. Miyuki, a woman sent into enemy territory with a dagger and a mission she did not choose. And behind them all, the historical figures who would soon remake Japan: Saigō Takamori, Ōkubo Toshimichi, Shimazu Nariakira himself.

Naoki braids occult horror, swordfight choreography, Edo backstreet comedy, political intrigue, and doomed romance into a narrative that moves with the propulsive energy of serialized fiction and the emotional weight of serious literature. Volume One, The Crumbling Abyss, follows the conspiracy from its discovery through assassination attempts, factional warfare, desperate journeys, and the catastrophic death that changes everything.

The Naoki Prize, Japan’s most prestigious award for popular fiction, is named after the author. An original English translation by Vox Day, The Chronicle of the Southern Kingdom: The Crumbling Abyss is now available on Amazon for Kindle, KU, and audiobook. An excerpt is available at Castalia Library.

NB: This is an excellent book and I am tremendously annoyed with myself for failing to release it when I finished the translation several months ago. A small press recently released the first English translation in July, so while this is an original translation, it is not the first English translation.

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The Wages of Sin

JDA has a new book out that addresses a very serious flaw in the modern Church:

Jon Del Arroz’s new book, The Wages of Sin, is out today. It follows Churchianity, for which I wrote the introduction and which hit #1 in Amazon’s religious philosophy category last year. Where Churchianity diagnosed the consumer-driven model reshaping American parishes, the new book turns to a word Del Arroz says most pulpits quietly retired: sin.

The Wages of Sin builds its structure on the Confiteor, the confession prayer Catholics have recited at every Mass since at least the tenth century. Del Arroz splits the book into four sections, one for each phrase of the prayer: thoughts, words, deeds, and omissions. Nine chapters work through the sins Augustine confessed in his Confessions, including pride dressed as worship, envy refined into schadenfreude, the spiritual torpor the Church Fathers called acedia, and the four sins Scripture names as crying out to heaven for vengeance. Each chapter closes with an examination of conscience, and the appendix adds a full one plus a vice-virtue table for daily use.

The book leans on Augustine’s framework of sin as disordered love: not a checklist of prohibitions, but the habit of loving the wrong things, or loving right things out of order. Del Arroz traces that idea into Romans 6:23 and the Catechism’s teaching on mortal sin, arguing that a Church which stopped naming sin also stopped being able to prescribe its cure.

The post-1960s idea of welcoming sinners into the church and refraining from judgment was correct in theory and flawed in application. The point is to welcome the sinner, not to accept and embrace the sin. And now we have “churches” featuring open satanists pretending to be priests and pastors, preaching blasphemy from the pulpits.

One hopes The Wages of Sin will help restore much-needed order to the Christian churches.

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The New Reason to Back Byron AI

The last three weeks have significantly underlined the importance of supporting the combined efforts of Castalia and Infogalactic to develop a custom AI system that will protect and enhance the ability to produce fiction without limits being imposed by the major AI providers. A number of things have happened since we launched the Byron AI crowdfunding campaign, including:

  • The continued degradation of Claude’s ability to creatively hallucinate.
  • The expanded interference with subject matter: one news site was aggressively denied the ability to use a major AI system to write about Hayden Panattiere’s death due to sensitivity concerns about its recent occurrence in the site’s article announcing Hayden Panattiere’s death.
  • Deepseek increasing its token price by 4.5x due to its upcoming IPO.
  • OpenAI actively blocking ChatGPT users from being able to intentionally imitate the style of authors both living and dead.

Even though the campaign hasn’t ended yet, the dev team has already made solid progress on a number of peripheral items, including the ability to accurately imitate various literary styles and eliminate the various AI tells, including these abominations.

The eliminations of these tells have been made with tactical precision. And that matters. Let the weight of that sit for a moment.

Despite being a major champion of the use of AI in music, video, and textual production, I still find it maddening to see how many people insist on utilizing it in an observably suboptimal manner. I noticed that Larry Johnson recently started using it to write his articles for him; it’s always easy to recognize when the article length increases by a factor of three and the author’s voice disappears into that passive wash of AI overexplanation.

In case you didn’t realize it, the most obvious sign of textual AI is when the text explains itself as well as its significance to the reader. It’s actually considered a “prestige” form of writing, and it’s very similar to what I describe as “sociopathic externalization” by novelists. This is when the writer is presenting a character’s perspective, but providing descriptive elements that would normally come from an external party. It’s not precisely the same thing, but it has the same effect of putting the reader in the Uncanny Valley.

Anyhow, I’ve been doing some video animation tests with the MiniMax H3 engine that have proven entirely successful. To better understand what that means, I’ve put up examples at Sigma Game, as well as some recently-found footage of an old Psykosonik concert featuring a much younger Vox on stage with the guys.

So check it out, and if you haven’t backed it yet but are interested in either independent book production or independent film production, get on board with Byron AI and help us set the stage for making future history.

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Cathedra Four

The fourth book in the Castalia Cathedra series of leatherbound Christian titles is APOLOGETICUS by Quintus Septimus Florens Tertullian.

Apologeticus is a text attributed to Tertullian according to Christian tradition, consisting of apologetic and polemic. In this work Tertullian defends Christianity, demanding legal toleration and that Christians be treated like all other sects of the Roman Empire. It is in this treatise that one finds the sentence “Plures efficimur, quotiens metimur a vobis: semen est sanguis Christianorum,” which has been liberally and apocryphally translated as “the blood of the martyrs is the seed of the Church” (Apologeticus, L.13). The simplest and most faithful rendering remains: We multiply when you reap us. The blood of Christians is seed.

The Castalia Cathedra edition will also include seven more of the great Latin Father’s works. For more information about the fourth Cathedra subscription book, visit Castalia Library. The Cathedra series is:

  1. THE EVERLASTING MAN by GK Chesterton
  2. ON PRAYER by Thomas Aquinas
  3. PENSÉES by Blaise Pascal
  4. APOLOGETICUS by Tertulian

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Sorry, Not Sorry

Posting has been light the last two days, for which I apologize, sort of. Although I would absolutely do it again, so I suppose I’m not actually sorry. Basically, three things are going on:

  1. We had a serious animal emergency yesterday. Fortunately, it survived and is doing much better now. Our neighbors are fantastic and are very much appreciated.
  2. I’ve had very, very little sleep for the last days because I’ve written and produced eight songs of a 10-song album over the last three days. I’ll probably finish the other two before the end of the weekend. It’s neither Psykosonik nor Soulsigma, it’s a neo-gothwave approach that I was contemplating which turned out to work much, much better than I’d ever imagined. You can hear one of the songs here and I’ll post a video of another one called The Myth on UATV and AI Central on Saturday. One thing I’ve learned over the years is that you absolutely have to roll with it when the inspiration hits.
  3. I have to finish The Platinum Tribe by Friday.

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TRANSLATION: Juan Martín el Empecinado

SPAIN, 1811. THE REGULAR ARMIES HAVE FAILED. THE PEOPLE ARE SPAIN’S ONLY HOPE.

Gabriel Araceli rides into the ruined Alcarria to find a countryside stripped bare — burned villages, empty granaries, women digging the fields with hoes, Frenchmen hanging in the trees. Here the war is fought by bands of irregulars: hungry, improvised, ferociously effective. At their head is Don Juan Martín, called el Empecinado, an illiterate farmer who cannot spell his own dispatches and cannot be beaten in the field.

Beside him rides Mosén Antón Trijueque, a giant of an Aragonese priest in a ruined cassock, a tactician of genius and a man eaten alive by envy of the leader he serves. What begins as resentment becomes conspiracy, and conspiracy becomes an ambush in the snow that leaves Gabriel a prisoner of the French, condemned to be shot, alone in a cell with an orphaned child the guerrilleros have adopted as their own.

What follows is escape, pursuit, a night crossing of the frozen sierra, and a reckoning between two enemies that only Galdós could write.

Juan Martín el Empecinado is the ninth book of the Episodios Nacionales, Benito Pérez Galdós’s forty-six-novel account of Spain’s nineteenth century, a sequence long recognised as one of the great achievements of European fiction, and unavailable to English readers for over 150 years.

The ebooks have already been sent to the paid subscribers. Translated by Vox Day, Juan Martín el Empecinado is now available on Amazon for Kindle, KU, and audiobook.


The Daily Machiavelli

Having finished with their collective read of THE GUNS OF MARS, the subscribers of Castalia Library voted on the next Library work to be excerpted daily. The vote went as follows:

  • 16% Pensées
  • 23% History of Florence
  • 23% History of Freedom of Thought
  • 12% De Bello Gallico
  • 27% Discourses on Livy

And so we have begun the daily excerpting of Discourses on the First Ten Books of Titus Livius by Niccolò Machiavelli. Today features the introduction, so it’s not too late to join in and read along:

Although the envious nature of men, so prompt to blame and so slow to praise, makes the discovery and introduction of any new principles and systems as dangerous almost as the exploration of unknown seas and continents, yet, animated by that desire which impels me to do what may prove for the common benefit of all, I have resolved to open a new route, which has not yet been followed by any one, and may prove difficult and troublesome, but may also bring me some reward in the approbation of those who will kindly appreciate my efforts.

And if my poor talents, my little experience of the present and insufficient study of the past, should make the result of my labors defective and of little utility, I shall at least have shown the way to others, who will carry out my views with greater ability, eloquence, and judgment, so that if I do not merit praise, I ought at least not to incur censure.

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It’s Not Happening

Now George RR Martin can’t even write blog posts without help because he’s depressed.

George RR Martin has opened up about experiencing depression during a “stressful” and “overwhelming” year, as readers continue to await the long-delayed sixth instalment of his A Song of Ice and Fire series.

The 77-year-old American author, whose fantasy novels shaped and inspired the hit HBO television series Game of Thrones, wrote candidly about his recent difficulties in his first personal blog post for almost six months.

“This year has been … stressful, to say the least,” he wrote in a post titled Better Late Than Never. “So much has been happening, it’s been overwhelming. Some great things, exciting things. Dreams coming true. But there have been nightmares too. I have lost friends. Battled sadness and depression. The worst may be yet to come.”

He explained that posts published on his website since February had been written by his assistants because he had continued to fall behind despite their help.

Martin, who turns 78 in September, also reflected on ageing; “getting old is no fun”, he wrote, although he added that the year had contained “amazing times” alongside its difficulties.

“I suppose that’s just life. Of course, I knew that. If you’ve read my stories, you know that.”

Among the year’s highlights, Martin noted that A Knight of the Seven Kingdoms, HBO’s Game of Thrones prequel based on his Tales of Dunk and Egg novellas, had received nine Emmy nominations, including for outstanding drama series.

His comments come amid continued speculation about The Winds of Winter, the planned sixth and penultimate novel in A Song of Ice and Fire. The book has been in progress since the publication of the fifth instalment, A Dance with Dragons, in 2011, and has become one of the most eagerly awaited novels in modern publishing. No publication date has been announced.

Yet another sound reason to support the Byron AI…

Because once he’s gone, there is no way whomever turns out to be his literary heir doesn’t sell off the rights to a corporation that will finish it.

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