The last three weeks have significantly underlined the importance of supporting the combined efforts of Castalia and Infogalactic to develop a custom AI system that will protect and enhance the ability to produce fiction without limits being imposed by the major AI providers. A number of things have happened since we launched the Byron AI crowdfunding campaign, including:
- The continued degradation of Claude’s ability to creatively hallucinate.
- The expanded interference with subject matter: one news site was aggressively denied the ability to use a major AI system to write about Hayden Panattiere’s death due to sensitivity concerns about its recent occurrence in the site’s article announcing Hayden Panattiere’s death.
- Deepseek increasing its token price by 4.5x due to its upcoming IPO.
- OpenAI actively blocking ChatGPT users from being able to intentionally imitate the style of authors both living and dead.
Even though the campaign hasn’t ended yet, the dev team has already made solid progress on a number of peripheral items, including the ability to accurately imitate various literary styles and eliminate the various AI tells, including these abominations.
The eliminations of these tells have been made with tactical precision. And that matters. Let the weight of that sit for a moment.
Despite being a major champion of the use of AI in music, video, and textual production, I still find it maddening to see how many people insist on utilizing it in an observably suboptimal manner. I noticed that Larry Johnson recently started using it to write his articles for him; it’s always easy to recognize when the article length increases by a factor of three and the author’s voice disappears into that passive wash of AI overexplanation.
In case you didn’t realize it, the most obvious sign of textual AI is when the text explains itself as well as its significance to the reader. It’s actually considered a “prestige” form of writing, and it’s very similar to what I describe as “sociopathic externalization” by novelists. This is when the writer is presenting a character’s perspective, but providing descriptive elements that would normally come from an external party. It’s not precisely the same thing, but it has the same effect of putting the reader in the Uncanny Valley.
Anyhow, I’ve been doing some video animation tests with the MiniMax H3 engine that have proven entirely successful. To better understand what that means, I’ve put up examples at Sigma Game, as well as some recently-found footage of an old Psykosonik concert featuring a much younger Vox on stage with the guys.
So check it out, and if you haven’t backed it yet but are interested in either independent book production or independent film production, get on board with Byron AI and help us set the stage for making future history.
