#Arkhaven INFOGALACTIC #Castalia House
This theme song for the upcoming BLACK WARRANT crowdfund, FADE TO BLACK has proved popular on both AI Central and Sigma Game, so I put it up on UATV for the subscribers. The comic is already done, the novel is done, and the script for the film is two-thirds done. This is going to be big.
If he shows up at your door, you’re the one who brought him there…
The crazy thing is that this isn’t even the hardest-hitting song on the soundtrack.
This was going to be the final track for the SOULSIGMA CD, until I received permission from the original songwriter to include a cover of one of his songs on it as well. However, this is not the Rock Stars mix that will appear on the CD, this is the original Still in School mix. UATV subscribers, please remember that the paywall goes up in one week.
I found this old mix of THE WORD DESCENDED that I’d forgotten I did back in December, and was frankly kind of blown away by it. I think it’s going to have to go on the Soulsigma CD. Anyhow, it’s up on UATV for the subscribers. If you’re feeling down at all over the Espstein coverup, I think this will prove a salutary reminder that it doesn’t matter what they do, because they will never win.
I’ve been working a bit on the next Soulsigma album, which is going to be entitled BYRONICS and will consist entirely of songs based on the poetry of George Gordon Byron, better known as Lord Byron. And while I’m not playing any of the album songs publicly or putting them up on UATV now, I have been playing a few of the experiments that didn’t make the cut on the Darkstream.
THE FATAL KISS is a song based on EUTHANASIA, which is one of Byron’s less-known, but more intense poems. It is mordant, obviously, but for some reason, it reminds me of Plato and The Death of Socrates, in which the philosopher wonders why anyone should fear something akin to the best night of sleep one has ever known.
Then lonely be my latest hour,
Without regret, without a groan;
For thousands Death hath ceased to lower,
And pain been transient or unknown.
“Aye but to die, and go,” alas!
Where all have gone, and all must go!
To be the nothing that I was
Ere born to life and living woe!
Count o’er the joys thine hours have seen,
Count o’er thy days from anguish free,
And know, whatever thou hast been,
‘Tis something better not to be.
Now that is a wordsmith! In any event, a UATV subscriber requested this one be added to what is now a 46-song music library available for listening and downloading to subscribers.
The second bonus track for THE ONLY SKULL album was released today, courtesy of the Soulsigma backers. A MERCILESS NIGHT was mastered by the same audio engineer who mastered the previous 12 tracks, so the heavy guitars are even crisper now. It’s available on UATV, on all the usual music platforms, and on YouTube.
The first bonus track from THE ONLY SKULL campaign has been released as a single. You can hear it on Unauthorized, on the various mainstream music platforms, and on YouTube. The second bonus track will be released as a single next Monday, and I have no idea when the third bonus track, being the organic one, will even be recorded, so that one will be a while.
In other news on the creative front, a new chapter has begun in the serialization of TEMPUS OCCULTUM on Arktoons, chapter four, entitled Deceptus Eclipsus.
The abbot’s study was illuminated by tall windows that admitted thin blades of afternoon light, slicing through dust motes that danced in their path. As I entered, I sensed the weight of authority in the room—not just ecclesiastical, but something older, more primal. Father Umbertus stood by the abbot’s desk, his expression tense. Abbot Gerhardt sat behind it, fingers steepled, his face an impenetrable mask. And there, by the window, stood the stranger I had observed in the courtyard, now examining a celestial globe with affected interest.
“Brother Lukas,” the abbot intoned, “may I present Doctor Alessandro Visconti, Chief Archivist of the Vatican Apostolic Library.”
Visconti turned at the mention of his name, fixing me with eyes so dark they appeared almost black in the shadowed room. The ring with the quartered circle gleamed on his right hand as he offered a slight bow.
“Brother Lukas,” he said, his Italian accent precise yet subtle. “I have heard much about your… scholarly endeavors.”
“You honor our humble abbey with your presence, Doctor Visconti,” I replied, bowing in return. “Though I confess I am surprised that my humble work cataloging manuscripts would attract the attention of the Vatican’s Chief Archivist.”
A smile flickered across his face, cold as winter sunlight. “The Church takes a keen interest in all scholarly pursuits, particularly those concerning the correct interpretation of historical documents.”
Nothing dramatic, actually. But tonight’s Darkstream will be a listening party for the new SOULSIGMA album release, so if you are interested, please stop by. And if you’re not interested, then please don’t because we will not be discussing JD Vance, Russia, the release of the Epstein Files, or anything even remotely related to current events.
My first complete solo music project, The Only Skull, was released this morning on YouTube, iTunes, and Spotify, as well as a number of other music platforms of varying degrees of obscurity. It’s not entirely solo, as I collaborated with one celebrity corpse and an AI system in composing and recording everything, and all ten songs were mastered by an excellent audio engineer whose primary clients are heading one of the world’s most iconic music festivals this summer.
A link containing the appropriate download will be sent out to the backers later today, and for those who are interested, we’ll hold a listening party on the Friday Darkstream. I have not selected the two bonus tracks yet from the five that have been recorded, and the engineer and I are still working out how we want to approach the promised organic track, which is likely to be a really good new song that does not appear on the album but will be provided later to the relevant backers. It may be that this song will be provided only to the backers, because there is a reasonable chance that it will be released by another artist who is interested in recording and releasing it himself.
Anyhow, I am well aware that this is not an area that most of the readers here are much interested in, but I would encourage you to check it out if you are curious about the current state of the art of music technology at the moment.
In light of The Only Skull campaign hitting its goals – thanks to the backers, of course – I’ve gone ahead and had the ten songs professionally mastered, so they’re going to sound even better than they do on the sampler video which John Bradley of Booster Patrol graciously prepared for me, and which we put together to demonstrate the audio quality.
This required changing the first stretch goal, which now, in response to some requests, will be a fully human-performed song that will be professionally mixed and mastered, a song that is not one of the ten that are already on the album. So, if you’d like to see how far we can push this thing into the organic realm, consider backing the campaign.
And if you missed it, you can also watch the video for A Merciless Night.