Tag: SOULSIGMA

The Fatal Kiss

I’ve been working a bit on the next Soulsigma album, which is going to be entitled BYRONICS and will consist entirely of songs based on the poetry of George Gordon Byron, better known as Lord Byron. And while I’m not playing any of the album songs publicly or putting them up on UATV now, I have been playing a few of the experiments that didn’t make the cut on the Darkstream.

THE FATAL KISS is a song based on EUTHANASIA, which is one of Byron’s less-known, but more intense poems. It is mordant, obviously, but for some reason, it reminds me of Plato and The Death of Socrates, in which the philosopher wonders why anyone should fear something akin to the best night of sleep one has ever known.

Then lonely be my latest hour,
Without regret, without a groan;
For thousands Death hath ceased to lower,
And pain been transient or unknown.
“Aye but to die, and go,” alas!
Where all have gone, and all must go!
To be the nothing that I was
Ere born to life and living woe!
Count o’er the joys thine hours have seen,
Count o’er thy days from anguish free,
And know, whatever thou hast been,
‘Tis something better not to be.

Now that is a wordsmith! In any event, a UATV subscriber requested this one be added to what is now a 46-song music library available for listening and downloading to subscribers.

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IF YOU HAD A TIME MACHINE

The first bonus track from THE ONLY SKULL campaign has been released as a single. You can hear it on Unauthorized, on the various mainstream music platforms, and on YouTube. The second bonus track will be released as a single next Monday, and I have no idea when the third bonus track, being the organic one, will even be recorded, so that one will be a while.

In other news on the creative front, a new chapter has begun in the serialization of TEMPUS OCCULTUM on Arktoons, chapter four, entitled Deceptus Eclipsus.

The abbot’s study was illuminated by tall windows that admitted thin blades of afternoon light, slicing through dust motes that danced in their path. As I entered, I sensed the weight of authority in the room—not just ecclesiastical, but something older, more primal. Father Umbertus stood by the abbot’s desk, his expression tense. Abbot Gerhardt sat behind it, fingers steepled, his face an impenetrable mask. And there, by the window, stood the stranger I had observed in the courtyard, now examining a celestial globe with affected interest.

“Brother Lukas,” the abbot intoned, “may I present Doctor Alessandro Visconti, Chief Archivist of the Vatican Apostolic Library.”

Visconti turned at the mention of his name, fixing me with eyes so dark they appeared almost black in the shadowed room. The ring with the quartered circle gleamed on his right hand as he offered a slight bow.

“Brother Lukas,” he said, his Italian accent precise yet subtle. “I have heard much about your… scholarly endeavors.”

“You honor our humble abbey with your presence, Doctor Visconti,” I replied, bowing in return. “Though I confess I am surprised that my humble work cataloging manuscripts would attract the attention of the Vatican’s Chief Archivist.”

A smile flickered across his face, cold as winter sunlight. “The Church takes a keen interest in all scholarly pursuits, particularly those concerning the correct interpretation of historical documents.”

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Spring Break Extended

  • The two bonus tracks promised to Gold Skull and White Leather Skull backers have been sent out. Both A MERCILESS NIGHT and IF YOU HAD A TIME MACHINE were professionally mastered by the same professional engineer who mastered the 10 album tracks. They’ll go up on UATV after the rest of the album is uploaded there. They may be released as singles or b-sides later. We’re now working on the organic bonus track, which is an entirely new song that is arguably the best yet.
  • Vibe Patrol released the Spring Break Extended mix of A DRINK WITH A COCONUT today. It’s on iTunes, Spotify, and YouTube. You can always keep up with new releases by using the links on the left sidebar.

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The Only Darkstream

Nothing dramatic, actually. But tonight’s Darkstream will be a listening party for the new SOULSIGMA album release, so if you are interested, please stop by. And if you’re not interested, then please don’t because we will not be discussing JD Vance, Russia, the release of the Epstein Files, or anything even remotely related to current events.

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THE ONLY SKULL is out

My first complete solo music project, The Only Skull, was released this morning on YouTube, iTunes, and Spotify, as well as a number of other music platforms of varying degrees of obscurity. It’s not entirely solo, as I collaborated with one celebrity corpse and an AI system in composing and recording everything, and all ten songs were mastered by an excellent audio engineer whose primary clients are heading one of the world’s most iconic music festivals this summer.

A link containing the appropriate download will be sent out to the backers later today, and for those who are interested, we’ll hold a listening party on the Friday Darkstream. I have not selected the two bonus tracks yet from the five that have been recorded, and the engineer and I are still working out how we want to approach the promised organic track, which is likely to be a really good new song that does not appear on the album but will be provided later to the relevant backers. It may be that this song will be provided only to the backers, because there is a reasonable chance that it will be released by another artist who is interested in recording and releasing it himself.

    1. Ride and Die
    2. The Only Skull
    3. Angel in Flight
    4. Seasons
    5. Neptune Grieves
    6. My Secret Sin
    7. The Shining Wire
    8. The Word Descended
    9. Once There Was Sorrow
    10. The Ride Never Ends

    Anyhow, I am well aware that this is not an area that most of the readers here are much interested in, but I would encourage you to check it out if you are curious about the current state of the art of music technology at the moment.

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    SOULSIGMA Update

    In light of The Only Skull campaign hitting its goals – thanks to the backers, of course – I’ve gone ahead and had the ten songs professionally mastered, so they’re going to sound even better than they do on the sampler video which John Bradley of Booster Patrol graciously prepared for me, and which we put together to demonstrate the audio quality.

    This required changing the first stretch goal, which now, in response to some requests, will be a fully human-performed song that will be professionally mixed and mastered, a song that is not one of the ten that are already on the album. So, if you’d like to see how far we can push this thing into the organic realm, consider backing the campaign.

    And if you missed it, you can also watch the video for A Merciless Night.

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    Project SOULSIGMA

    SOULSIGMA represents the current cutting edge of music and technology, with the combination of man and machine intelligence. All ten songs are entirely produced with AI music technology, then edited and mastered with digital audio tools to produce a very high-quality alternative rock sound that is original without feeling lifeless or uninspired.

    The ten songs on the album entitled, THE ONLY SKULL, are:

    3:35  RIDE AND DIE
    4:17  THE ONLY SKULL
    5:03  ANGEL IN FLIGHT
    4:16  SEASONS
    3:58  NEPTUNE GRIEVES
    3:28  MY SECRET SIN
    3:27  THE SHINING WIRE
    3:15  THE WORD DESCENDED
    5:29  ONCE THERE WAS SORROW
    3:53  THE RIDE NEVER ENDS

    All ten songs were written by your favorite dark lord, with the exception of The Only Skull and Once There Was Sorrow, which were co-written with George Gordon Byron. If you’d like a taste of what the songs sound like, Booster Patrol have helpfully created a showcase video for one of the songs that isn’t on the album, A Merciless Night. UATV viewers will probably recognize it as the English version of 悲しみの影 as a reverse-Murakami approach was effectively utilized.

    If you’d like to back the album, you can do so via the two-week campaign on Fund My Comic. As I mentioned before, this isn’t a priority project like the campaign at the end of March will be. The final mastered versions will be made available on UATV and Spotify after the campaign, so you’ll be able to hear them whether you choose to support it directly or not.

    UPDATE: Thanks to the four backers, the project is officially funded already!

    UPDATE: Fandom Pulse very kindly covered the project’s announcement.

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