The gradations of convergence

Cataline helpfully defines them for us:

Cataline’s completely arbitrary list of SJW Invasive Destructiveness.

SJW Fortified: Organizations that were built with resisting SJW entryism as one their deck planks.  SJWs will try anyway because they are parasites and parasites must feed.
Example: Castalia House

SJW Resistant:  Organizations whose internal culture is resistant to entryism by it’s nature.  Any place where everyone has to start at the bottom and work like hell just to get a foot in the door.  Lower level corporate culture provides considerable protection.
(*Surprise*) Example: Disney Parks, “Yeah I know it’s 94 degrees and you are wearing a forty pound bear suit.  NOW DANCE MORE SPRITELY YOU FAGGOT!”  Entryism in these cases are the result of top down pressure, when it can be managed at all.

SJW Neutral: Organizations that are under the impression that  they can stay open minded even with a few SJWs on payroll.  Entryism and eventual Convergence are guaranteed.
Example: the 2010 version of Cracked.com.

SJW Compliant:  Organizations that bow to external SJW pressure despite the damage this causes.
Example: Target.

SJW Friendly: Organizations that invite SJW guidance and follow SJW politics but are still (temporarily) functional.
Example: Google.

SJW Converged: The target organization of Entryism has been killed and the SJWs are now “parading around in it’s skin.  Demanding respect.”
Example: Take your pick.

Now Converged is as low as Vox Day has gone so far but I have a level beneath Converged.

SJW Cancerous:  Organization is so diseased it is destroying everything it touches.  One that is so converged it is completely dysfunctional and is only still surviving due to it’s ability to parasitize a host.
Example: Marvel Comics.

On a not entirely unrelated note, I’m pleased to be able to say that the entire first 48-page volume of Avalon #1 has been written, and the first 24-page Alt★Hero comic has been both written and illustrated. We are making rapid progress and we are on track to get the first digital comics and the first 24-page print editions out in February. We are also establishing a second imprint for publishing content that we have not created ourselves, for which we have already agreed to sign three unrelated graphic novels produced by outside parties.

The 24-page editions will NOT be delivered to backers except for the two #1 versions which will be included as bonus rewards to everyone who will receive either HC#1 and/or PB#1. They are post-campaign creations that are going to be used to provide us with a presence in the comics stores. They are inexpensive and you will be able to obtain them from the stores.


Twitter’s new policy

A blue check now indicates formal endorsement by Twitter:

Twitter Inc. updated its policies for removing the verification of a user’s identity, saying it can pull the blue check mark at any time without notice for behavior including promoting hate or inciting harassment of others.

While “verification has long been perceived as an endorsement,” Twitter’s support account wrote Wednesday in a tweet, “this perception became worse when we opened up verification for public submissions and verified people who we in no way endorse.”

Twitter users are already broadcasting their loss of verification status. Tommy Robinson, the former leader of the far-right English Defence League, tweeted a screen shot of a note he received from Twitter, saying that his verified badge will be permanently removed “after determining that your account does not comply with Twitter’s guidelines.” The company has also removed the blue check mark from conservative commentator Laura Loomer and Richard Spencer, a white supremacist and co-editor of AltRight.com.

I’ll admit it. I am just sadistic enough to enjoy the thrashings-about of an SJW-converged company attempting to reconcile its self-contradictions.

What I don’t understand is why anyone ever cared about the stupid blue checkmarks in the first place. Prior to my most recent suspension, which now appears to be a permanent ban-equivalent, people used to ask me on a regular basis why I wasn’t verified. The answer, of course, is because I didn’t, and don’t, see any value in approval, recognition, endorsement, or verification from SJWs.

I’ve been banned by Goodreads, banned by Twitter, suspended and weirdly locked down by Facebook, which has a Real Name policy that prevents me from using “Vox Day” but insists that I remain “Charles Tingle”, and none of it has harmed my blog traffic or my book sales in the least. In fact, I’ve noticed one unexpected consequence, which is that the blog traffic tends to increase slightly whenever I’m not on Twitter for an extended period, because some who were content with reading my Twitter account show up here when that’s not an option.


Mailvox: still not getting it

I’m getting very, very tired of this tedious line of woefully uninformed thought. This is neither the first time nor the one hundredth time I’ve heard the same clueless sentiment expressed:

Linguistic Kill Shots aka a New Lexicon

It strikes me that our language to describe the malice and evil the Marxist Left perpetrates is weak. For example, Social Justice Warrior actually sounds kind of cool and virtue signaling is vaguely academic.

While the language is accurate, none of it is persuasive. As part of meme war, I’d like to propose the re-branding of leftist actions to better convey the harm they cause, much like the left re-branded tea partiers “tea baggers.”

To get the ball rolling (although not that well. this begs to be crowd sourced):

Social Justice Warrior —>  Social Justice Parasite

Virtue Signaling —> Virtue Implants (as in fake, like breasts)

Scott Adams owes all of us an apology for convincing people that because they’ve read his blog and his book, they are suddenly masters of strategic persuasivery. Yes, let’s “rebrand” one of the most effective pejoratives coined in recent years and replace it with something obvious and utterly harmless that no one will ever use. All because conservatives are uptight about words and prone to sperging about dialectic. FFS, read the Social Justice series already!

From SJWAL:

The correct strategy is to fight dialectic with dialectic, expose pseudo-dialectic with dialectic, and fight rhetoric with rhetoric. And the most important thing about implementing that strategy is to understand that with rhetoric, the actual information content is largely irrelevant.

Rhetoric is all about what emotions you trigger in the other person; when SJWs talk to each other, they try to inflate themselves at the other’s expense in order to sort out their position in the SJW hierarchy. Of course, SJW metrics are all but unintelligible to normal, sane human beings, so it can be amusing as well as educational to watch them attempt to simultaneously exaggerate both their importance and their victimhood. The perfect Queen of the SJWs – and she would be a queen, never a king – would be a mixed-race lesbian Swedish immigrant who was abused as a child by a conservative white Republican politician and kept as a sex slave by neo-Nazis with Confederate-flag tattoos prior to writing a bestselling novel about a fictionalized version of her terrible experiences, appearing on Oprah, and starring on a science fiction TV show popular with white nerds.

The basic idea is that if you can make the other person feel small or angry, you are winning at SJW rhetoric. This is why SJWs are constantly accusing other people of being mad or upset; it’s just another way of them claiming to be winning the conversation. If you can make the other person submit, run away, or fall silent, then you have won the conversation, and you are higher in the SJW hierarchy than he is. So it doesn’t matter what you actually say, and in fact, resorting to straight-up namecalling, the more ridiculous the better, is often the fastest and most efficient way to get through the conversational process with an SJW. If he launches the usual “sexist, racist, homophobic, Nazi” line, don’t blink and don’t defend yourself. Just hit him right back with “racist, child molester, pedophile, monster” and watch him run. If you’re of a more delicate constitution and are not willing to go that far even when attacked unprovoked, try “creepy” and “stalker” on the men and “psycho” or “ugly” on the women. This will usually have much the same effect.

You will know your rhetoric is effective when they block you online, or in person if their eyes widen with shock and their jaw drops. And you have mastered the art of rhetoric when you can make an SJW retreat in tears or cause a room full of people to gasp in disbelief before bursting out laughing at the SJW.

Again, you must keep in mind that the actual information content is irrelevant. SJWs communicate in competitive emotion. If you’re not doing the same, then you’re not communicating with them, you’re doing little more than serving as a punching bag for their verbal strikes. I realize this probably doesn’t make sense, but that is because you are a normal, sane individual who thinks rather than feels. But keep in mind that just as their argument “X is Not X because feelbad” makes no sense to you, your argument that “X cannot be Not X due to the law of non-contradiction” makes no sense to an SJW.

Don’t try to work through the logic of it all. Just try it. It works. Chances are that you’ll be as surprised as I was to discover how effective it can be to speak in rhetoric to the rhetoric-speakers. When Milo Yiannopoulos destroyed a feminist on live television during a public debate concerning modern Britain’s hostility to men, it wasn’t his smooth recitation of relevant facts that left her reeling in shock and disarray; she blithely ignored all of that. It was his dismissive use of the word “darling” that literally muted her. Her wide, staring eyes and gaping mouth made it very clear how powerful a well-placed, well-timed rhetorical bomb can be.

Calling an SJW a “social justice parasite” or a “social justice whiner” doesn’t work. It will NEVER work. They know they are parasites and whiners. That doesn’t burn. But they WANT to think of themselves as warriors, and they know they are not. So, when they hear you calling them a “warrior”, they hear the sarcasm and contempt in your voice, and it burns.

Rhetoric follows a different logic than dialectic.

And before any self-appointed champions of Gab jump in to push their false narrative that I am being hypocritical due to my advice about ways to effectively respond to a verbal rhetorical attack, please trouble to note that context always matters, especially when it comes to the law. You will note that I have not changed the text of SJWAL in light of the subsequent situation nor do I have any need or reason to do so. SJWAL addresses the verities of rhetoric, not the vagaries of the law.


Happy Diversmas!

What puts the English into a better holiday spirit than a swarm of mudsharks on the TV? And what are the odds that the big UK retailers would just happen to feature exactly the same interracial combination? What, there are no Pakistanis in the UK? No Chinese? No French, Germans, or Romanians? No Swedes, Russians, or Belgians? Given the SJW convergence of the advertising industry there, it would appear that 100 percent was the correct answer. White Englishmen should simply refuse to do any holiday shopping at these stores, and make themselves as scarce there as they are in the commercials.

This is pure cultural war propaganda. As I’ve commented before, there are more married BM-WF interracial couples in British ads than actually exist in the British Isles. Seriously, if you believed the ads, at least 50 percent of all couples in Britain are African men with British women. And apparently for maximum diversity, almost every mixed-race kid sports the same sort of huge freaking afro that you never actually see in real life.


Problem or opportunity?

Allum Bokhari contemplates the corporate culture wars:

From coffee machine manufacturers to social media giants to the NFL, progressive virtue-signalling has infected every inch of global corporate culture. It is now the most dangerous opponent of freedom in the west, threatening both the Trump agenda and freedom of speech. How did it start? How can it end?

This week, the story is coffee machine maker Keurig, which pulled ads from Sean Hannity’s show at the prompting of Media Matters, and is now facing a conservative backlash of NFL-size proportions. But it isn’t just one or two companies engaging in virtue-signalling, it’s practically all of them. It’s Pepsi, which panders to antifa in its ads. Its Heineken, which salutes open borders in their adverts. It’s Twitter. It’s Starbucks. It’s KLM airlines. Despite vast differences in their products, services, and consumers, every industry seems to have the same virtue-signallers.

From the moment of Trump’s inauguration, corporations have been engaged in a frantic struggle to block his agenda. White House globalist-in-chief Gary Cohn, along with the now-disbanded CEO council, did everything they could to blunt the President’s trade policies and prevent him from exiting the Paris Climate Agreement. The same CEO council, along with Cohn, sought to pressure Trump with a series of resignations following his response to a combination of racist white nationalist and Antifa violence in Charlottesville.

And that’s corporations playing nice. When their values are threatened by people who do not sit in the Oval Office, they do far more than simply resign. Earlier this year, after being spooked by mainstream news articles claiming YouTube was a cesspit of terrorism and hate speech, corporations promptly yanked their ads from the platform en masse.

Revenues plummeted overnight, and YouTube quickly added stringent new systems that prevent even remotely controversial content from receiving ad revenue. Once, the platform was a place where bold, independent commentators could develop healthy incomes without answering to any old media gatekeeper. Now, even YouTube’s politest fast food reviewer is having trouble keeping his ad revenue, as the platform introduces ever-stricter language codes. One tantrum from corporations was all it took for free speech on one of the web’s most promising platforms to be all but snuffed out.

What this is doing is creating tremendous opportunities as big corporations intentionally cut themselves off from significant portions of their markets. We’re seeing it play out with Marvel/DC right now! This is not something to mourn, complain about, or fight, this is something to exploit.


More convergence in comics

G.I. JOE IS BACK! In the wake of IDW’s Revolution crossover event, G.I. JOE’s mission has become a global one–they aren’t just Real American Heroes, they’re Real Earth Heroes.

I know the physical standards for the U.S. military have been relaxed, but that’s just ridiculous. GI Joe is now selling less than 5k copies per month. Quelle surprise. And on a not entirely related note:

Yesterday, Bleeding Cool reported that the DC Rebirth ongoing titles would be moving to a plot-art-script production system rather than the more common plot-script-art system, in order to give the lead artists on titles a greater control over storytelling. It is often known as the “Marvel Method” after its adoption by Stan Lee to speed his work in the sixties, even though it is hardly used at Marvel Comics anymore. A Marvel insider tells Bleeding Cool.

The Marvel method can actually be more time-consuming if you are not used to it. And given DC’s penchant for editorial input, makes changes harder as they will be caught later in the pencils.

It means there must be a level of trust between writer, artist and editor. Everyone needs to be on the same page going in. Lots of discussion beforehand. And once you commit to a plot, the editor knows that the artist will, of course, add their own interpretation to things. The editor has to be a little more free-wheeling, knowing there will be less time for corrections.

This was used in the 70s to push through stories they knew would be controversial. Turn it in at the last minute and no one has time to make corrections. They’ll have to publish as it is or miss shipping.

So, DC has not only hired Marvel’s leading SJW, but has switched to a system that is known for its utility in pushing through stories they know will be controversial. This disruption is not only going to be glorious, it is going to be at least an order of magnitude bigger than anyone is currently anticipating.

UPDATE: DC is in disarray and it promises to get worse:

In the wake of the Batman group not having had a group editor for some time now, the DC New Age Of Heroes line being significantly delayed, the Superman group losing its head with no obvious replacement, and the holidays upon us, something at DC Comics is going to give. I am told to expect delays, cancellations, postponements in waves.

I get reports of increased stress, arguments, and an impending sense of doom within the company — tempered somewhat by the belief that DC did the right thing. There was plenty of objection towards Eddie internally within the company, as much as there were people who considered him a friend.

However, it may also be an opportunity for those who can to step up and prove themselves. Rebecca Taylor is now editing Metal rather than co-editing with Berganza, and no one doubts her ability to keep that event on the tracks. Others may seize upon the chance to show exactly what they can do, unburdened with the knowledge that certain creators won’t refuse to work for them.

Of course, if they were capable, they wouldn’t have needed old grabby hands to do the work for them in the first place.


DC spirals deeper into SJW Hell

DC Comics has been run by a serial sexual harasser for over a decade:

Liz Gehrlein Marsham had been working at DC Comics for less than three weeks when she said a veteran editor named Eddie Berganza cornered her, stuck his tongue in her mouth, and attempted to grope her.

For Marsham, who was 29 at the time, a foot in the door of DC had been a dream come true. “I was so excited,” she told BuzzFeed News. “I ran around the office the first week taking pictures of things and sending them to my parents.”

But the six years after that 2006 encounter were a “period of slow heartbreak,” Marsham said. Berganza’s actions and DC’s response would change the course of her career — and become fodder for the rumor mill surrounding Berganza and the increasingly open secret of his misconduct. Marsham would be forced to choose between working under Berganza, who she said made her feel profoundly unsafe, or avoiding him at the cost of advancing the career she’d been so proud to start at DC.

“By the time I left,” Marsham said, “I was really demoralized. I was physically ill from being stressed all the time and trying to hide it. I just felt like I needed to get out, however I could.”

Within an industry that has created some of the most influential American fiction serving as the basis for blockbuster films, TV shows, and video games, Berganza has become notorious for the contrast between his personal conduct and professional success. Professionally, he’s moved through the ranks at DC from group editor to executive editor and back again, shepherding properties like Superman and Wonder Woman — properties that grow more valuable by the day as superhero movies dominate box offices and define pop culture. Berganza has become a quintessential company man at a big company inside an even bigger company; DC Comics is part of DC Entertainment, which is owned by Warner Bros., part of Time Warner Inc.

While Berganza’s misconduct is alleged to have occurred years ago, with no fresh accusations suggesting he continues this behavior, the recent reckonings of powerful Hollywood figures like Harvey Weinstein and Kevin Spacey have emboldened more victims across more industries to tell their stories. Now, for the first time, three women who say Berganza targeted them in the past have come forward to BuzzFeed News. Five people, including two of those women, confirmed that they spoke to higher-ups at DC about Berganza’s behavior.

Among the women who reported Berganza to human resources, none still work for DC. None are even working at mainstream comics publishers anymore; they’ve largely put superheroes behind them.

DC released a statement last night:

DC Entertainment has immediately suspended Mr. Berganza and has removed him from performing his duties as Group Editor at DC Comics. There will be a prompt and yet careful review into next steps as it relates to the allegations against him, and the concerns our talent, employees and fans have shared. DC continues to be extremely committed to creating a safe and secure working environment for our employees and everyone involved in the creation of our comic books.

I have to say, I knew that Alt★Hero was going to shake up the comics industry. But I had no idea that SJWs were going to practically lay down the red carpet for us to do so before we even introduce our first books. Between Marvel’s collapsing sales, the SJW-convergence spreading into the movies and TV shows, Berganza’s forthcoming exit, and the metastasizing of the Bendis cancer to DC, the stars could hardly be aligning more flawlessly for the dramatic entrance of a new breed of hero.

And yes, SJWs really do always project. Courtesy of Silly But True, one guess who edited and published the following genuine panel from an actual Wonder Woman comic by DC.

UPDATE: It appears Mr. Berganza is no longer employed by DC Comics:

Bleeding Cool has received word from multiple senior figures in the comic book industry that, as of today, DC Group Editor Eddie Berganza will not be returning to the comic book publisher.

Live by social justice, die by social justice.



SJW will not protect you

Not even relentless virtue-signaling is proving sufficient to save the alleged sexual harassers in comics:

I understand that Group Editor of the Superman comics Eddie Berganza has informed staffers at the DC offices that Buzzfeed is about to publish an expose feature all about him and allegations that have been made against him regarding sexual harassment.

In 2012, Bleeding Cool reported the story that such an incident was alleged to have taken place in a hotel lobby at WonderCon in Anaheim.

I received multiple reports that the subject of the original post was DC Comics then-Executive Editor Eddie Berganza and the woman was a comic book creator in her own right, a partner of a regular DC writer, and an occasional convention reporter for Bleeding Cool.

She did not want to be named back then – she was afraid it might damage her work prospects and wanted to move on, and we respected that. But a few weeks later Bleeding Cool was able to name Eddie Berganza as the man allegedly responsible.

We later learnt that a number of complaints against Berganza had been made over previous years, including this one. During this period, he was demoted from Executive Editor to Group Editor, and reportedly banned from attending comic conventions for DC.

Between the Marvel-destroying SJW Brian Bendis moving to DC and Berganza’s slow-motion departure, this is really shaping up to be a tremendous vacuum for Alt★Hero to begin filling next spring.

And whether the accusations are true or not, this insidious environment is merely one of the many reasons you are very unlikely to ever see me at a comic convention. Can you even imagine how many female SJWs would be lining up to go public with their claims that I killed them, dismembered them, and raped them with their own severed limbs if I was foolish enough to so much as let them shake my hand?

Meanwhile, SJW convergence continues to kill the comics.

Sales of comics and graphic novels to comic stores declined 11.12{666e5e86189a1fe5e2247551e7a4443f43206d2d8b82140cfc9efd38c8e16ed5} in October in comparison to the year ago period, according to information released by Diamond Comic Distributors.  Comic sales were the entire source of the decline; comic sales declined 15.74{666e5e86189a1fe5e2247551e7a4443f43206d2d8b82140cfc9efd38c8e16ed5}, while graphic novel sales were up 2.37{666e5e86189a1fe5e2247551e7a4443f43206d2d8b82140cfc9efd38c8e16ed5}. Year-to-date sales are down 10.12{666e5e86189a1fe5e2247551e7a4443f43206d2d8b82140cfc9efd38c8e16ed5}, overall, with comic sales down 9.93{666e5e86189a1fe5e2247551e7a4443f43206d2d8b82140cfc9efd38c8e16ed5} and graphic novel sales down 10.55{666e5e86189a1fe5e2247551e7a4443f43206d2d8b82140cfc9efd38c8e16ed5}.

Even more interesting, unit sales were down 20.27 percent year-on-year.