“Only Tolkien is Better”

A very positive review of A SEA OF SKULLS by a reader well-read in epic fantasy.

This was an absolutely PHENOMENAL book from start to finish! Better than the first in the series! The depth of worldbuilding found in here is rivaled only by Greenwood’s Forgotten Realms, Martin’s A Song of Ice and Fire, and Tolkien’s Middle-Earth. Nobody has yet beaten Tolkien. And in my opinion, nobody ever will. But Day has certainly surpassed Forgotten Realms in depth and has, after this book, surpassed Martin’s work in quality and scope (Even if we’re only considering the first 3 since the last 2 books in ASOIAF are simply nowhere near as good).

To illustrate the caliber of Day’s worldbuilding, I was reading through Brandon Sanderson’s Mistborn concurrently, which is praised as having some of the greatest worldbuilding of all time! And while Mistborn is justly praised for its really strong worldbuilding, it’s simply nowhere near as good as the Arts of Dark and Light, which has entire cultures, races, religions, even languages fleshed out. “A Sea of Skulls” operates on an entirely different level of depth and complexity. This comparison, though perhaps unfair given the differences in subgenre, highlights the exceptional quality of Day’s work in this regard…

Bottom line: Objectively, this series is already better than “A Song of Ice and Fire” and it will remain that way assuming it doesn’t deviate in quality in a similar manner as Martin’s series did. It’s better than Sanderson’s Stormlight Archive, better than Erikson’s Malazan, and somehow even better than Abercrombie’s First Law. The only series better than AODAL is Lord of the Rings, and Vox Day WILL NOT beat Tolkien. It’s not going to happen, BUT… if he keeps this up, he might just find himself moving from “pretty good author” to “one of the greats” territory, alongside writers like Mieville, Stephenson, and Weir.

My chief takeaway from this? We’d better do yet another round of proofreading before we print the interiors of the leather editions. Any volunteers who HAVE NOT proofread it already? It’s always amazing how two different proofreaders can each come up with a list of 100 typos, and only about 20 of them are in common.

However, I will assure the reviewer and anyone else who is interested that all of the major threads can and will be wrapped up in A GRAVE OF GODS. When I was contemplating the possibility of five books, I was not counting Summa Elvetica and I wasn’t sure about how big I was going to make the scope of the series. But after seeing how Martin fell apart and hasn’t been able to complete his, I decided to further discipline my focus and keep the primary series to three books.

In related news, we’ve settled on the names for the four German editions, and Summa Elvetica will be an official part of the series. Two of the translations are already completed and will be released sometime this winter.

  1. Die Seelenlosen
  2. Der Knochenthron
  3. Das Schädelmeer
  4. Das Göttergrab

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Mailvox: An Unhappy Reader

I think it is safe to assume that the emailer was very, very far from what Umberto Eco would describe as my ideal reader.

I was waiting for YEARS to read the next piece of the arts of dark and light series just for it to start with a bloody rape scene. A truly dark and horrific scenario with no heroism or morals what so ever. In true George Rape Rape Martin fashion.

It just disgusts me and It ruined the series for me.

Of course this dark stuff was never left out in your series, but this sledgehammer version of it with no real context, in such a lazy fashion with no true fight and such lame plot justification to force a naked rape to happen.

I stopped as soon as I realised what you were doing and I won’t read it anymore. I waited so long in anticipation and was looking forward for the continuation of one of the only epic fantasy stories I was into.

Fuck you Vox

Sometimes readers understand what an author is doing. Sometimes they don’t. Obviously, this reader’s opinion is as valid as that of any other reader and I don’t take any offense at his reaction, but I will point out that he quite clearly did not realize what I was doing there on any level. Nor is it even remotely correct to characterize the ASOS prologue as having been written without context, in a “lazy fashion”, or with “lame plot justification”. To the contrary, it is there for several very good reasons, among which is the stakes involved. It’s the precise opposite of what George RR Martin does.

If you don’t understand that foreign invasions are horrific things, with catastrophic consequences for women and children as well as for the brave soldiers on the front lines, or if you simply prefer your heroic tales to be a bit more delicate and antiseptic, that’s perfectly fine. But then, I’m not the writer for you. Unlike both Tolkien and Martin, I paint with a full palette of colors, and that palette includes black.

I don’t wallow in it, but neither do I shy away from it, as anyone who has read either Midnight’s War or The Last Closet will know.

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Based Book Sale 2024

The Based Book Sale is live. There are a lot of very good authors participating, including the great John C. Wright as well as yours truly, so be sure to peruse the lists!

Bypass the cultural gatekeeping, support non-woke authors, and get yourself some great based books from both established and emerging talent for only $0.99 – many titles free – but only for one week! The sale starts today, and it runs through Tuesday September 10, 2024 to celebrate BasedCon a gathering for authors and fans of science fiction and fantasy who are tired of woke propaganda.

What is a “based” book?

based [ beyst ] / beɪst / adjective

1. Well-grounded, resting upon a firm foundation.
2. Principled, devoted to fixed standards, especially in defiance of conventional wisdom.
3. Rejecting politically correct attitudes and celebrating nonconformity with woke opinion.
4. Committed to upholding and advancing the good, the beautiful, and the true.
antonyms: debased, cringe, woke
.

Don’t forget to post a review after you read them!

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Then They Came for Rohan

John Trent reports that Warner is following Amazon’s lead in purposefully destroying the value of its Tolkien IP with its forthcoming animated film.

Some new information has come our way regarding the upcoming animated film Lord of the Rings: War of the Rohirrim. There’s an alleged marketing document detailing how the company Warner Bros. is going to market this movie, and it also provides some new information regarding relationships between the characters and how it is radically different from JRR Tolkien’s original short story that you can find
in Appendix A in the back of The Return of the King.

The document that his Source gave him says this: “finding herself in an increasingly desperate situation the daughter of Helm must summon the will to lead the resistance against a deadly enemy intent on their total destruction.” It also adds this: “This all-new stand-alone cinematic adventure forges the legend of Hera, the rebellious daughter of Helm Hammerhand, as she answers the call to protect her people in a battle for their survival that shapes the destiny of Middle Earth.”

Another rebellious girl-boss self-insert Mary Sue! Another violent rape-and-pillaging of a well-loved story! Will the wonders vomited out of the Hellmouth ever cease?

At this point, if you’re a Tolkien fan, it’s really time to turn to ARTS OF DARK AND LIGHT. It’s not Tolkien, nothing is, but it’s considerably closer to Tolkien than anything you’re going to get out of the Hellmouth or the converged publishing houses anymore. And, in fact, the first non-book spinoff from AODAL has been officially produced, and I will play the unofficial Kingsguard anthem on Arkhaven Nights next week. Songs from Selenoth!

In the meantime, if you haven’t picked up A THRONE OF BONES or A SEA OF SKULLS yet, they’re both on Amazon and at NDM Express now.

The Kingsguard ain’t like t’other dwarves…

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An Outdated Review

Didact’s Mind wrote a very favorable review of the preliminary edition of A SEA OF SKULLS back in 2017. It would be interesting to know if he feels the completed work holds up to his initial perspective on it.

Vox Day has not merely matched George R. R. Martin’s fantasy writing skills and output. He has exceeded him, by miles, leaving old Rape Rape wheezing and panting in the dust.

In fact, I am willing to go so far as to argue that, with this book, Vox Day has catapulted himself into the storied and rarefied rank of writers that sits just below The Master himself.

That’s right, I went there. I just said that Vox Day has written a book that is nearly as good as J. R. R. Tolkien’s work.

Not as good. But not terribly far off, either.

From one fantasy fan to another, praise simply does not come any higher than that.

Vox’s accomplishment is made all the more astonishing by the fact that this isn’t even the completed book yet. It’s less than half of the full work. This book is already far more complex, more layered, and simply bigger in scale and scope than its predecessor. There are far more point-of-view characters, the battle sequences are way bigger, the size of the world that Vox Day is playing with is far greater…

The result is so good that it deserves to be called the finest high-fantasy book of its time.

Make no mistake: this now puts Vox Day right below The Master himself in terms of writing- right up there with C. S. Lewis, John C. Wright, and maybe two or three others. And that is an astonishing achievement, given that neither Tolkien nor Vox can rightly be considered first-rate fantasy writers.

One of the interesting things about the comparison between Tolkien and Day is that neither of them are really writers to begin with. Vox Day started out as a musician and a game designer. Vox himself will readily admit that his writing is not as good as Tolkien’s- because it isn’t. Yet Tolkien was a linguist, whose strong Christian faith and interest in Scandinavian mythology helped him create a fantasy world. The reason both Tolkien and Day succeeded, where so many dedicated professional authors would have failed, is because they focused on their respective strengths and wrote works of epic fantasy that played to them…

This book is, quite simply, an extraordinary achievement. With it, Vox has separated himself from all of his contemporary rivals and has clearly laid down a marker for everyone else to match- and I personally don’t think anyone will be able to do so for years, maybe decades, to come.

It’s entirely up to the reader to see if the most recent volume in ARTS OF DARK AND LIGHT holds up to the promise of its earlier and abbreviated release. But for my part, what I will say is that one reason it took me so long to complete the book and get it out is that I was determined to at least try to deliver something that was consistently at the same level as A THRONE OF BONES. I took PG Wodehouse as my inspiration here, as his work is remarkably consistent throughout a novel; he was quite purposeful in attempting to ensure that every scene and every page stood up well on its own. This required a significant amount of discipline in not permitting the story to expand willy-nilly in any direction that happened to capture my attention at the time.

As we’ve seen from George Martin’s failure to finish his epic fantasy, while it’s much easier to churn out words by following one’s momentary whims and exploring whatever tangent happens to strike one’s fancy, this inevitably leads to a wider scope and excessive perspective characters that will, sooner or later, render the story too large to write. One of the many geniuses of JRR Tolkien was his ability to keep his epic story tied very tightly to a fairly small number of key characters, keeping them in physical proximity to each other, and thereby preventing the story from continually expanding to the point that it escaped his ability to reasonably describe it.

Only time will tell, but in A SEA OF SKULLS, I believe that I successfully conquered the challenge of the middle book, which in any trilogy is always the hardest book to write because it has to expand upon the first book without exploding in a manner that renders closure in the third book impossible. It’s interesting that one seldom hears writers discussing these technical matters, but this is probably because the sort of writers who attend workshops mostly write short stories, while the writers who teach them are either self-promoters like John Scalzi or successful mediocrities cruising for starstruck young women like Neil Gaiman, neither one of whom could write epic fantasy if they tried.

Anyhow, for better or for worse, it’s done now and I’m on to the final volume in the series. If Didact’s Mind updates his review, I’ll be sure to post a link to it here.

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A Late Arrival

So this just showed up in the post today. We’ll go over it, fix any apparent infelicities, and then turn on distribution this weekend. It should be on Amazon and Barnes & Noble, etc. by late next week. You can already order it at NDM Express, though, just click on the image.

It’s only 750 pages even though it’s slightly longer than ATOB and the text is exactly the same size. This is because we’ve gotten much better at optimizing our line spaces and margins. So, we will be modifying ATOB to match at some point soon, for those who are obsessive about these things. But the three books all look great together on the shelf regardless.

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The Sound of a Sea

Hark! What’s that you hear? We submitted the hardcover edition of A SEA OF SKULLS to the printer last night. I’ll review them next week, and assuming they pass muster, we’ll release it into the distribution system. You’ll be able to purchase them from directly NDM Express, of course, as well as from Amazon, Barnes & Noble, and your local bookseller. At 299,434 words, it’s a slightly longer book than ATOB in terms of word count, although with the much more efficient layout program we have now, it only clocks in at 760 pages. We do plan to do a revised version of ATOB so that the interior styles will match more precisely, but probably not for a month or two.

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FJOTRA

Fjotra did not object, in principle, to learning about the gods of her new people. She had known from the time her father, the Skullbreaker, sent her to marry the heir to the southern kingdom, that she would have to learn many different new ways. The language was different, but she was young enough to learn it without difficulty. The food was considerably more abundant and flavorful, and her palate did not take long to adapt to the various meats and breads and sauces that were much to be preferred to the salted fish and charred game of her home islands. The clothing was lighter and more comfortable, and she adored wearing silk and cotton dresses in the place of the crude leather and canvas clothes that had been worn by Dalarn women since the coming of the Aalvarg had made raising sheep for wool and growing flax for linen impossible. Even the weather was much more gentle than it customarily was in the windswept Wolf Isles.

But despite the best efforts of Father Francois, who took great pains to talk her through the nonsense, she could make neither heads nor tails about the gods of the southerners. They worshipped a god who was both dead and alive, who was both father to himself and son to himself, and also took on a third form that was nevertheless the same as the other two. It wasn’t that the idea a god had different forms was foreign to her; the Aldaföðr had a hundred names, from Arnhöfði to Völundrómu, and each name represented a different aspect of her people’s greatest god. But despite his many aspects, he was merely the first among a host of gods, and Fjotra particularly venerated Valfreyja, the beautiful goddess who was queen of the Choosers of the Slain.

Continue reading “The Sound of a Sea”

Mailvox: a brief review of ASOS

AD writes the first review of the complete A SEA OF SKULLS.

I’ve finished A Sea of Skulls. Bought it, set out to read a chapter a night…which became two, and then three, and by the time I reached about the 1/3 point, I put the whole world on hold and finished it in two days.

As usual, your writing skill and style are impeccable–entertaining and engaging. For every plot thread closed you’ve managed to dangle three more…though, I think the next book will have to crack the planet and drain an ocean to top this ending.

Thoroughly enjoyable. I appreciated how the races have their own issues that so perfectly mirror modern ones, and enjoyed working out the foreign words from context. And I remain impressed by your skills–you managed to take a thoroughly repulsive Orc, turn him into a viewpoint character, and make him understandable, if not necessarily empathetic. I was convinced he was going to join Skuli any minute when he was ordered to throw himself onto the shield wall.

And, speaking of Skuli, his last quest was excellent. Here’s to the next book–unless, of course, you retire to the tropics and dump the whole thing into the lap of Brandon Sanderson.

I think Brandon Sanderson is too busy counting his crowdfunding money these days to be available to finish off anyone else’s epic fantasy series. So, I’ll just have to finish it myself.

UPDATE: The Didact graciously named A SEA OF SKULLS one of his best books of 2023:

Has he stuck the landing with the full version of Book 2?

Mostly, yes, he has.

ASOS has a few flaws to it, most of which relate to the difficulties in keeping the various plot-lines straight. You may have to go back and read the first book again to understand all the machinations behind the Amorran side of things – it has, after all, been eleven years since the first book saw the light of day, and quite a lot has happened since then.

The biggest flaw with the book has to be the ending, which definitely feels rushed and more than a little forced. I get the distinct impression that OBADSDL(PBUH) found himself getting lost in the details and realised this giant door-stopper of a book was getting really crazy – the full book will probably clock in at around 914 (!!!!!) pages, and that is a monumental text by any measure.

None of this changes a fundamental fact:

This is one of the best high fantasy books ever written.

High praise indeed. And while I never object to any reader’s impressions – they are simply what they are – in the interests of accuracy I will point out that the endings were neither rushed nor forced from my perspective, as they were always bound to take the various shapes they did by virtue of the character perspective limits. Remember, I’m not George Martin, and while I don’t do outlines, I do strictly limit how many characters get their own perspective and how many sections they get apiece. So, I always know roughly how much space I have with which to work in order to get to the close I have in mind.

You may notice that the word and page counts are almost identical to ATOB. That’s not an accident. And AGOG will be the same.

This isn’t to say one can’t reasonably criticize the particular sections of the story on which I choose to concentrate the detail. Perhaps it would be better if the middles were shorter and the ends longer. My choices are almost certainly suboptimal in some senses, and some characters get less “camera time” while others get more than various readers would prefer.

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Orcs in the Korokhurmagh

This is a previously unreleased excerpt from the newly released full edition of A SEA OF SKULLS, which is now available in an ebook edition at the Arkhaven store.

Lugbol growled and slapped at one of the forest’s infernal insects that was busily engaged in biting his left bicep. He crushed it under his horny palm, felt a pop, and looked down to see he’d smeared his own dark green blood along with the remnants of the bug that had bitten him across his upper arm. He shook his head, knowing that the bite was going to start itching momentarily, then slapped fruitlessly at another one that had just bitten his calf.
“I don’t remember them being this bad before,” he complained.
“They had all the dead to feed on then,” Ghurash replied. Even though it had been less than three weeks since they’d fled the dark shadows of the Korokhurmagh, already the denizens of the forest had all but picked the thousands of dead bodies clean of flesh. They were rapidly approaching the western edge of the great wood and soon they would be encroaching on the true Man lands, not merely the pillaging the small villages and hamlets that had been carved out of the trees by the lesser tribes and clans.
The Hagahorn’ugh had been cocky and full of contempt for the martial abilities of the Szavon’agh as they passed through the burned-out remains of the villages overrun by Zlatagh’s army, but they gradually fell silent and their mood turned grim as they began to come across one large-skulled, thick-boned skeleton after another. There were few Man skeletons, and the bones of those they encountered were eagerly snatched up and divided among sqwaaks and younger kors seeking clubs or remains to decorate their armor.
More than a dozen fights broke out over the Man bones, the worst of which began when a boar rider commandeered a large thigh bone another kor had intended for a club, then cracked it open and sucked out the marrow. By the time Lugbol and Karnuhg, one of the cavalry grun-kors, managed to put a stop to the fracas, four mountain orcs and two Black Fists were dead, and another Hagahornu was so badly wounded that he ended up in the cookpot that evening.
The kral chewed him out for the needless death of his orcs, of course, but Lugbol had the sneaking suspicion that the older orc was secretly impressed at how Lugbol’s veteran kors managed to more than hold their own against the bigger mountain orcs. In fact, knowing that Lugbol, being Goghu and half the size of his Hagahornu officers, could never pose a threat to his rule, Nekheru had proven increasingly inclined to give his new hadvezer more responsibilities as they marched through the forest toward the Man lands. In addition to commanding the light infantry and the goblin cavalry, Lugbol was now serving as the liason between the farkh’agh and the various shugaba’ugh and grun-kors whose kors had the annoying habit of feasting upon their fellow marching companions whenever they couldn’t find adequate meat to sate their appetites.
Two large goblins, wearing the ornate headgear favored by their shugaba’agh, approached him now, escorted by a nervous-looking bodyguard of twelve lightly-armored yellowskins carrying pikes. Lugbol groaned. Given the angry expressions on their hook-chinned, hook-nosed faces, he had a pretty good idea of why they were coming to see him, even though they were attached to units outside his command.

Continue reading “Orcs in the Korokhurmagh”

Word Counts

It’s not a competition; some of the best books ever written are not particularly long. The one that surprised me most is WATERSHIP DOWN, as that has always struck me as a massive and epic tale. But it does put things in perspective, sizewise.

The Hobbit – 95,022
The Fellowship of the Ring – 187,790
The Two Towers – 156,198
The Return of the King – 137,115
THE LORD OF THE RINGS – 573,125 total

Summa Elvetica & Other Stories – 173,493
A Throne of Bones – 297,500
A Sea of Skulls – 299,320
ARTS OF DARK AND LIGHT – 717,313 and counting

Philosopher’s Stone – 77,325
Chamber of Secrets – 84,799
Prisoner of Azkaban – 106,821
Goblet of Fire – 190,858
Order of the Phoenix – 257,154
Half Blood Prince – 169,441
Deathly Hallows – 198,227
HARRY POTTER SERIES – 1,084,675 total

A Game of Thrones – 296,901
A Clash of Kings – 321,676
A Storm of Swords – 414,792
A Feast for Crows – 296,989
A Dance with Dragons – 413,202
A SONG OF ICE AND FIRE – 1,746,560 total (assuming the reports that he’s laid down the pen are true)

Gardens of the Moon – 242,265
Deadhouse Gates – 316,975
Memories of Ice – 408,425
House of Chains – 326,275
Midnight Tides – 288,920
The Bonehunters – 390,755
Reaper’s Gale – 382,000
Toll the Hounds – 409,355
Dust of Dreams – 402,070
The Crippled God – 421,755
MALAZAN BOOK OF THE FALLEN – 3,255,546 total

Dune – 187,240
Dune Messiah – 75,127
Children of Dune – 148,381
God Emperor of Dune – 138,167
Heretics of Dune – 165,131
Chapterhouse Dune – 143,435
DUNE SAGA – 857,481 total

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Continue reading “Word Counts”