Tag: Castalia House

Brings the Lightning now in hardcover

For those of you who prefer your books in print, I’m pleased to be able to let you know that Peter Grant’s new and very well-regarded Western novel, Brings the Lightning, is now available in hardcover. Book One of The Ames Archives is 272 pages and retails for $19.99.

The production team is working hard at bringing all of our 40+ full-length ebooks into print; our current goal is to publish two ebooks and four print books per month. The next books to go into print will be John C. Wright’s Iron Chamber of Memory and the omnibus hardcover of There Will Be War Vols IX and X. We also intend to re-release A Throne of Bones in a new, royal octavo editions in July, case-bound hardcover and paperback.

From the reviews:

  • Lean and taut. A tale told well. Grant has written an old fashioned western, and the subject fits his writing style well. His prose is spare and straightforward, without any extraneous elements, flowery descriptions, or narrative asides. The plot is straightforward, yet interesting. And, best of all, he’s easy to read.
  • I’m primarily a science fiction,
    fantasy, and self help reader, but found this book very enjoyable. It
    was thoughtful and steady, some twists, with good solid characters and
    believable action. Usually westerns just don’t ring true like this one
    does. I’ve recently read The Heart of Everything That Is and Empire of
    the Summer Moon    , both non-fiction, and both fully supportive background
    for the story in Brings the Lightning. I’m hoping that there is another
    one in the works.
  • Wonderful! I am thrilled that a real western has been written once more. This book rings true to me having grown up amongst the last remnants of the world Grant writes about. 
  • Zane Grey has a peer! Mr. Grant, author of several other novels, brings his expertise to bear on this authentic Western. The characters are genuine, and the writing is true to life, with historically accurate details. You’ll like the characters, you’ll like the writing, and you’ll like the story. I can’t help but compare Brings the Lightning to Zane Grey’s novels, because that’s the only other author whose writings are comparable. HIGHLY recommended!
  • Author Peter Grant has done his homework, and it shows. Before the main journey even begins Ames has to deal with bushwhackers, Union occupation, and the aftermath of the Missouri guerrila war and Bleeding Kansas. The collection of colorful characters are entertaining too, including cheating gamblers, corrupt army officer, and the lecherous husband of a schoolmarm. Grant’s descriptions really add a “you are there” feel to the book. As someone who grew up on the plains, his descriptions of the terrain and dangers were spot-on. Grant also provides great how-to details, such as moving and defending a wagon train on open ground. Gun buffs will love the trip to the Nashville gunsmith early in the book.

Arabic and Greek wanted

2016 Hugo nominee Kai Wai Cheah is nearly done with his first Castalia novel, No Gods, Only Daimons, and he’d like to know if there is anyone who speaks Arabic and/or Greek among the Ilk. He says it would be best if you are familiar with Classical
Arabic or Biblical Koine.

Only contact me if you are fluent, or very nearly so, please.

Also, if you are an EXISTING volunteer proofreader, please confirm that you are still interested in more proofreading. I don’t want to burn anyone out.

A pair of reviews

Josh Young, who very recently turned in his long-awaited debut novel, Do Buddhas Dream of Enlightened Sheep?, wrote a detailed review of Rod Walker’s Mutiny in Space at Castalia House:

One of the things that I’m grateful to my parents for is that they made sure I knew the value of media from by gone decades. I grew up watching Arsenic and Old Lace, Charade, and North by Northwest. When I watched This Island Earth it was with wonder and without the ironic overlay of MST3K. And as much as I enjoyed Encyclopedia Brown and Choose Your Own Adventure books, I spent way more time reading things like Lucky Starr and the Oceans of Venus, Have Spacesuit, Will Travel, and Andre Norton’s Star Rangers. I say all this because I want you to understand that when I say Rod Walker’s Mutiny in Space is the product of a by-gone age, I’m giving it the highest praise I can.

I’m not sure that Mutiny in Space would be considered a
juvenile, but it’s clearly got that adventure in its DNA and an
old-timey vibe. Even though Nikolai’s world has things I never remember
seeing in the juveniles– video games, artificial gravity, quantum
entanglement– there’s plenty in it that conjures up the memories of all
those old adventures I used to read. The heroes are bold and heroic, the
villains villainous and craven. And looking at that sentence, it seems
ridiculous that I’d have to type “the heroes are heroes and the villains
are villains,” but I think we all know the world well enough to
understand why that’s refreshing. I mean, heck. I intentionally
use a grey morality in my own writing, and I’m part of a group or
writers that are theoretically not fond of those things.

If you enjoy old school Blue SF and you haven’t picked this one up yet, you really should. I mean, I’m the editor and I can’t wait to see what Mr. Walker has up his sleeve next.

On the fantasy side, the Hugo-nominated Appendix N author Jeffro Johnson demonstrated the superlative nature of John C. Wright’s excellent Iron Chamber of Memory by selecting a series of choice quotes from the book.

The book that all of these passages are taken from is Iron Chamber of Memory by John C. Wright. And while you’ll see contemporary authors ranging from Saladin Ahmad to Terry Brooks, N. K. Jemisin, George R. R. Martin, and Patrick Rothfuss incorporated into the latest iteration of D&D’s “inspirational reading list”, I’m doubt any of those additions are going to be anything like this. Fantasy role-playing and the genre of fantasy in general have just changed too much over the years.

Speaking for myself, reading this book… it was as if someone had read everything I liked about Appendix N books and everything I disliked about post-1977 science fiction and fantasy… and then made a novel that addressed every single point I’d made about them. It’s astonishing, really, but this is the book that has forced me to retire my “they don’t make ’em like this anymore” spiel. Today’s fandom may be divorced from its roots for the most part, but I think it’s fair to say that the depth and breadth of classic science fiction and fantasy informs nearly every paragraph of Wright’s stories.

Speaking of book reviews, I just finished reading Roosh’s new book, Free Speech Isn’t Free. I’ll write a full review soon, but suffice it to say that it is very detailed, very good, and very useful in the manner of SJWAL. I think I must have highlighted 12 or 15 quotes for future reference.

There Will Be War vol. V

Castalia House is pleased to announce the publication of THERE WILL BE WAR Volume V. THERE WILL BE WAR is a landmark science fiction anthology series that combines top-notch military science fiction with factual essays by various generals and military experts on everything from High Frontier and the Strategic Defense Initiative to the aftermath of the Vietnam War. It featured some of the greatest military science fiction ever published, such Orson Scott Card’s “Ender’s Game” in Volume I, Joel Rosenberg’s “Cincinnatus” in Volume II, and Arthur C. Clarke’s “Hide and Seek” in Volume III . Many science fiction greats were featured in the original nine-volume series, which ran from 1982 to 1990, including Robert Heinlein, Arthur C. Clarke, Philip K. Dick, Gordon Dickson, Poul Anderson, John Brunner, Gregory Benford, Robert Silverberg, Harry Turtledove, and Ben Bova.

34 years later, Castalia House has joined with Dr. Jerry Pournelle to revive this classic science fiction series and make the previous volumes available to the public again. THERE WILL BE WAR is a treasure trove of science fiction and history that will educate and amaze new readers while reminding old ones how much the world has changed over the last three decades. Most of the stories, like war itself, remain entirely relevant today.

THERE WILL BE WAR Volume V is edited by Jerry Pournelle and features 21 stories, articles, and poems. Of particular note are “He Fell Into a Dark Hole” by Jerry Pournelle, “The Interrogation Team” by David Drake, “The Road Not Taken” by Harry Turtledove, “Masterplay” by William F. Wu, and “House of Weapons” by Gordon Dickson. It retails for $4.99.

In my opinion, Volume V is one of the stronger volumes in the series. I particularly like Wu’s “Masterplay”, which was influential in my subsequent decision to become a game designer. We have now published 7 of the 10 volumes in the anthology series, and expect to complete the series this year. Every fan of military science fiction will want to read all of them; for the serious collectors, Vols I and II are now available in a 700-page hardcover omnibus.

New Release subscribers, check your email, as you won’t want to miss the bonus book.

Not the book of the week

But I thought some of you might like to know, as it turns out that Amazon is considerably faster about getting our print books out than it used to be. I didn’t think 4th Generation Warfare Handbook, by William S. Lind and LtCol Gregory Thiele, would be out for another week. The handbook is paperback and $9.99; I would highly recommend this along with a copy of Grow or Die for your Survival Starter library.

For only $20, you can significantly improve your chances in the post-Apocalypse.

Book of the Week

I am very pleased to announce that Equality: The Impossible Quest, by Martin van Creveld, is now available in case bound hardcover for $24.99 on Amazon. Along with his friend William S. Lind, Martin is Castalia’s most important non-fiction author and he is one of the foremost military minds living today. Jerry Pournelle himself has observed that van Creveld is a necessary addendum to Clausewitz; one simply cannot hope to begin understanding modern war without becoming familiar with his distinction between trinitarian and nontrinitarian warfare.

Equality is Martin’s attempt to examine and understand the ill-defined and nebulous idea that has somehow become the ruling political metric of our times. From the reviews:

  • A work of amazing breadth, Martin van Creveld also explores the depth of the history of equality, while striking a healthy tone between conversational and scholarly. Reading through the book ends up being rather easy, as the writing is engaging, yet a plethora of footnotes intersperse the text for those who wish to either fact-check or read further. 
  • I’ve not read van Creveld’s work
    before, though I am familiar with his reputation and his theories in a
    secondhand way, but this book has definitely sold me on reading the rest
    of his work.
  • A must-have for every student of Western philosophy. 
  • If there was more justice in the
    world, this would be assigned to young students as a primer — or
    rather, as an inoculation against — this seductive political idea which
    has become so debased over the last 200 years. 

This is a hardcover for which I have personally been eagerly awaiting. Castalia will be releasing more print books, in paperback and hardcover, in the near future. The next three will be 4GW Handbook (paperback), Cuckservative, (paperback), and Brings the Lightning, (hardcover, paperback).

And speaking of Martin van Creveld, if you haven’t been periodically checking out his blog, you really should. He doesn’t post often, nor does he usually post original work, but he always selects very interesting and informative guest articles. (I have myself once had the honor of having one of my posts selected for a guest article, a distinction I would not trade for a dozen Hugos.) The latest, “Sarejevo on the Baltic?” by Karsten Riise, merits a read simply on the off-chance that it might correctly read the possibility that Russia’s unexpectedly successful Syrian adventure was a practice run for Ukraine and the Baltics.

Baltic Membership in NATO is Destabilizing

When both sides have good reason to feel insecure, the relationship between them becomes unstable and something dramatic may well happen. This is currently the case in the Baltic where Russia may feel an understandable need to take action to remove the future military threat from the three Baltic countries before proceeding to liquidate its unfinished business in the Ukraine.

Any Russian operation in the Baltic will have to take place before NATO’s growing presence there makes it too dangerous. By NATO Treaty, such an operation will be considered an attack on all NATO countries, the US included. But honestly: In such a case, will the US and Europe risk a nuclear war? Probably not. Thus Russia may bet on a limited conventional war; one which would lead to the end of NATO.

On 17 May 2016 one of Denmark’s largest newspapers, Berlingske Tidende, published an article by a retired NATO brigadier general. The article was written with some typical NATO rhetoric. But under the rhetoric the Danish brigadier general seemed to be genuinely scared. He fears that something violent may take place in connection with NATO’s maneuver, BALTOPS 2016, schedules to take place in the Baltic Sea from 3- to 19 June, as Russia’s window for action in that region may become smaller in the future. As I just explained, his worries are in line with own my analysis.

Russian Interest in (Temporary) Stabilization in Syria

The Russian operations in Syria bear strong similarities to those of the German “Legion Condor” during the 1930s Spanish Civil War. They enabled the Kremlin to test and train its most advanced weapons—and watch them working perfectly well. The lesson to NATO? Beware!

For a conflict in the Baltic, Russia will prefer to have all of its air force back after its success in Syria. Land operations in the Ukraine are better undertaken in the summer time, and a Baltic operation will have to take place before NATO builds up too many forces in the Baltic. Therefore Russia has an interest in reaching a settlement (at least temporary) with the West on Syria; one that may allow it to bring the rest of its military aircraft home. As NATO’s build up in the Baltic accelerates, Russia may only have short time left to act

On the book front

Peter Grant discusses Brings the Lightning and the challenges of publishing a Western at Sarah’s place:

The third element in my interest in the Western genre was moving to the USA in the 1990’s, and being able to see many of the places mentioned in the books for the first time. Frontier towns such as Dodge City and Abilene were no longer just names, but places I could actually visit. Exotic-sounding locales like Tucumcari (used to good effect by Sergio Leone in his ‘spaghetti Western’ movies) and Taos (infamous for its eponymous bootleg alcohol) were no longer all that exotic, but every bit as dusty and beat-down as the histories described them. I renewed my acquaintance with Westerns from the benefit of that new perspective, and enjoyed them all the more.

The big question for a writer (and, in the case of my new book, the small press that’s published it) is: how does one reach readers in a genre where one hasn’t previously written? I note from initial sales that the book is popular with readers of my blog, and the shared Mad Genius Club writers’ blog, and other books from my publisher. However, despite using categories and keywords typical of the genre, it doesn’t seem to be attracting much attention – yet – from ‘regular’ Western aficionados. That’s not surprising, given that most of them don’t know it exists yet; but what channels should be used to inform them? The genre’s been moribund for so long that it’s hard to think of a commercial outlet that will reach them.

Rawle Nyanze reviews God, Robot, and finds it to be unexpectedly interesting:

I did not expect a book about Bible-believing robots to be this good.

The premise of God, Robot seems very silly at first: a corporation builds robots that worship the Christian God. However, what lies within is a story of how these artificial beings come to understand their place in God’s order as they grapple with their own programming, with human society, and with whether or not they have souls. The result is a wide-ranging tale of great depth that anyone could read and enjoy, whether or not they believe in God.

The book opens with an interstellar criminal named Locke, who is cornered in a monastery by a policeman. Before the policeman arrests him, though, he tells stories about theological robots, or “theobots” to explain why he did what he did. The stories cover the entire range of theobot history, from their creation in 21st-century California to their journey into deep space, along with all the ways they, and human society, changed throughout the centuries. Each story is written by a different author, but they all move the larger history forward and keep the theme unified.

 And finally, Marina reviewed On the Existence of Gods:

It is true that the impasse between those of us who believe in Higher Power of some kind and those commonly identified as non-believers will not be resolved through conversation and argument. Anyone who doubts me is welcome to pick a current hot-topic political issue and try to bring an opponent over to their side. (Don’t do it now. I want you to keep reading, not to start a flame war on social media or  tick off family members. But if you haven’t tried it yet and are up for a challenge, just see how it goes for you.)

However, just because we can’t talk each other into or out of faith, does not mean that one of the central questions of human existence cannot be examined in a proper manner. Dominic Saltarelli, an atheist, and Vox Day, a Christian, took up the challenge (originally presented by PZ Meyers, who declared it impossible to present a rational argument for the existence of gods, refusing Vox Day’s offer of debate back in 2008). Considering the current state of discourse in this country, you will be well advised to read Dominic’s Introduction chapter of OTEOG where he describes his decision process in taking his place opposite Vox in the debate. Suffice it to say that Dominic behaved as a proper intellectual in the matter and even called out those nominally on his side for often refusing to do so. Vox, in his own Introduction, similarly points out that many believers are just as guilty of repeating tired, flawed arguments without applying the proper intellectual rigor to the process.

Closed Brainstorm tomorrow night

This is just an FYI. We’re having the May Members Only Brainstorm event tomorrow night from 7 PM to 8:30 PM EST. This is going to be a general strategy session; there is a lot to discuss as we’re rapidly moving towards the next stage on one major front and poised for a lot of activity on another one. Bring your thinking cap and keep your mind open. I’ll also be providing information on Castalia’s upcoming releases, including at least one that will surprise you.

I’ll be sending out the invites later today, so keep an eye on your email if you’re a member. The Keen transcript is still being cleaned up, but I’m hoping to get the Cernovich one out with the invite. It’s remarkably good; practically a mini-mindset book in itself.

Book review: A Throne of Bones

Given that I’m plugging away at the sequel, it’s encouraging to see that people are still discovering, reading, and enjoying A Throne of Bones. A book review by the Witchfinder General:

‘A Throne of Bones’ is superior and intelligent fantasy. It is like a novelisation of ‘Julius Caesar’, with a serious tone and detailed exposition – then with the acid trip of high fantasy. Where it differs from the works of the bard to Vox’s detriment is that this is not tabloid entertainment. Shakespeare is remembered precisely because he was producing the tabloid mass market entertainment of his day. Being considered vulgar by the so-called great and good did not stop the masses flocking to his plays.

‘A Throne of Bones’ has the sophistication but not perhaps the populist appeal. Intelligent, educated people who enjoy fantasy may appreciate the detailed rendering of ancient pseudo-Rome and the classical references. That will certainly stand him in good stead in parts of the fantasy niche market but does not have the sales reach of Mills and Boon or Conan the Barbarian.

Even so the writing is clear and sharp. There is no problem here with quality, exposition or characterisation. A strength of Vox’s writing is to create a cast of believable characters each with their own strengths and flaws, goals, passions and fears.

Despite its intellectual depth Vox’s work certainly appeals more than the loathesome, deathly dull cookie-cutter work of his rivals in which historical accuracy and human nature are often cast aside to match the narrative. Many people would rather read ‘Summa Elvetica’ fifty times over than have to struggle through ‘The Subtle Knife’ by Philip Pullman.

Indeed, to some extent Vox appears to benefit from the relatively unique political and religious perspectives of his work. The historic depth and reach of fantasy unconstrained by the politics of identity is (as Vox himself has argued) a rarity amidst the modern staple of virtue signalling fantasy fiction.

It’s going to be interesting to see what the reaction to A Sea of Skulls will be later this year. I think I can safely say that the cultures are deeper, the action is more intense, and there is less coming-of-age and more philosophy. But then, the author is seldom a reliable judge of his own work.

What I can say is that there will be orc, elf, and dwarf perspective characters in addition to the human ones. And I will also note that I am very conscious of the problem George RR Martin created for himself by allowing his perspective characters to grow from 9 to 22.