The Balkanization of SF/F

In the course of his long, deep dive into historical science fiction and fantasy, Castalia’s Jeffro Johnson has noticed a few trends:

We’ve spent a lot of time here delving into the ups and downs of several movements within science fiction and fantasy– the Campbellian Revolution, the New Wave, the tremendous changes that occurred in publishing in the late seventies, etc. We’ve broken stories here uncovering how both fandom and publishing are pretty well divorced from the pulp era today. Most things the casual reader has heard about the pulps are flat out wrong. Even just the news that fans in the seventies would have been familiar with a good seven decade’s worth of fantasy and science fiction classics generally comes as a shock to people.

As we’ve delved into the history of the field, the year 1980 seems to keep coming up as a major turning point. It’s a running theme, really. Just as one example of that: I have repeatedly hammered the point of how ideologically diverse fantasy and science fiction was in the seventies. Orson Scott Card says that all changed in the eighties. Here’s another: people writing negative reviews about books they used to love when they were kids? It’s almost like whole swaths of people have been actively conditioned to despise anything written before 1980!

Now, there really is something to this. It is very difficult to talk about this in mixed company, too. For one thing, there’s always people like Sheila Williams around that are quick to point out that times change. If she has a sufficiently large Greek Chorus on hand, every single observation about what’s happening gets dismissed to the point where nothing ever seems to have happened and there are practically no trends whatsoever. The subtext is always, “nothing to see here.”

I have to say, though, “times change” and “there are no trends” do not add up.

So where does that leave us? It means that something happened and it’s danged hard to talk about it. Let’s say we get all the boring people out of the room, pour a couple of beers, and take a stab at figuring this out. We still won’t get anywhere. Why not? Because the one thing you can’t do in these conversations is indicate that maybe someone somewhere maybe had a hand in bringing this about.

What happens if you veer into that territory? People get very uncomfortable very quickly. You’re not, uh, some kind of conspiracy theorist, are you?! It’s weird, too. The more documented evidence you have to back up your observations, the crazier you look. You might as well not even try. The conversation will not recover from otherwise intelligent people bending over backwards to make sure you know that they want nothing to do with this. Also, they will laugh at you!

Brad Torgersen cites MC Hogarth’s comments on her con experiences, and notes that intolerance has become the chief hallmark of the Tolerant Equalitarian Progressive Inclusive and Diverse SF-SJWs.

I attended a con once where the toastmaster said that they wanted all conservatives to “hurry up and die and leave the planet to the rest of us. No wait, they can stay as long as we can have their money.” And people applauded. That person wasn’t kicked out of the convention. They were feted and congratulated while I sat in the audience, pale and trembling, listening to the people around me cheer my demise. I have never, ever forgotten that moment. Or all the threatening ones after, both generalized or intimate, like the man who leaned into my face and told me the world would be better off without me and people like me. No one stepped in to tell him that he shouldn’t say such things. The people standing around us just nodded or smiled. One of them even said before leaving, “Your time is over. We don’t need you anymore, [expletive here].”

The mandarins of SF/F expend a lot of energy wrapping themselves in the flag of tolerance. But as any conservative can tell you, that tolerance runs pretty much one-way. A tolerance conversation (liberal to conservative) in SF/F often goes like this, “Hello, I am a tolerant caring compassionate liberal, and you’re not. You will sit there and politely listen to all of my ideas and theories, and not say a word. I will sit here and listen to all of your ideas and theories, and then I will explain to you why you’re a dirty bigot and a hater and an evil human being. We will both agree I am right, and you will apologize for being bad.”

That, dear friends, is how “tolerance” works in SF/F at this time.

I’ve discussed this at length with Orson Scott Card — he being well acquainted with the tolerance charade — and he says it didn’t used to be like this before 1980. Oh, to be sure, there were plenty of fans, authors, and editors on the left-wing side of the aisle. But it wasn’t so vindictive, nor so personal. You could sit at a table with conservatives, liberals, anarchists, libertarians, and have a rousing verbal melee of competing ideas, but at the end of it, you’d still be able to shake hands, and walk away comrades in the field. That began to change (perhaps not coincidentally) about the time Ronald Reagan took his seat in the Oval Office. Gradually, in dribs and drabs, the dominant left-wing culture of SF/F has traded in true tolerance, for a kind of totalitarian double-think 1984 version of tolerance — people and ideas labeled ‘intolerant’ don’t have to be tolerated. In 2016, with tender snowflakes floating around in SF/F like it’s a mild blizzard, anyone can be labeled ‘intolerant’ for any reason, logical or not.

It’s a little strange that the SF-SJWs still don’t understand that the trends that once so favored them are increasingly weighted against them. They’ve poisoned at least one-third, and possibly as much as two-thirds of their former audience against them, and while they’re mocking million-selling self-published authors as “vanity authors” and growing publishing houses such as Castalia as “vanity presses”, the gates they’ve been keeping with such vigilance are protecting towers of increasingly negative worth, as mainstream publishers are suing even very successful authors to take their advances back.

Meanwhile, Castalia House is already selling more books than any but the very biggest authors in science fiction. We passed 50 books in our catalog last month, and we are now receiving an increasing number of submissions from familiar names and even SFWA members. We’ve just begun to make foreign rights deals and develop our relationships with traditional foreign publishers, and perhaps most surprisingly of all, in August, 24 percent of our sales were in print.

SF/F has already been balkanized. They stopped reading our stuff in the mid-1980s and we began to stop reading theirs in the mid-2000s. Since our side is bigger than theirs, our authors are already bigger than theirs, they just don’t realize that Vaughn Heppner, BV Larson, and David VanDyke sell millions of books to their hundreds of thousands. Do you know who was the #1 SF author on Amazon in 2011? Castalia House’s own Nick Cole.

And as more moderate readers give up on Pink SF and stop buying from SJW-converged publishers like Tor Books, we’ll continue to grow and they’ll continue to shrink. As evidence, consider this comment from Brad Torgersen’s site:

I feel the call to give my testimony re Balkanization … I’m already gone. I’m a reader and a fan, not a writer. Not a TrueFan, but a fan on my own terms. I cannot remember the last time I bought a SFF novel that was published by any ancien regime publisher other than Baen. I’ve been a voter in the Hugos a couple times – what I read in those packets was largely ho-hum wastes of time. Some of the Sad noms were interesting, but not all. When I saw the title Space Raptor on this year’s list, I turned away for the final time – clearly, VD has taken the field and a little part of me hopes he burns it and salts it for a thousand years, but I have no interest in being part of that movement.

Ah, yes. It’s like hearing angels sing.


Brainstorm: who is next?

It’s about time to do another literary Open Brainstorm session, so with which Castalia House author would you most like to discuss his works? I don’t count, so leave me out of it. We’ll save John C. Wright for after his next two books come out too, so don’t select him either. One thing we’re going to do differently than before is to allow people to submit their questions for the author ahead of time, which should help keep things rolling and allow us to address more topics in more detail.

Go ahead and suggest away, and whoever is most in demand at the moment will be invited first. If they can’t do it for one reason or another, we’ll work our way down the list. Remember, this isn’t about your favorite Castalia author, or who you think is the best Castalia author, only the author for whom you’ve got the most burning questions.

Brainstorm members, the transcript for the Richard Spencer session is being prepared and will be going out to you this weekend. It will not be made generally available.

UPDATE: David the Good it is, assuming he’s not too busy with his new hobby of extreme body-modification.


SWAN KNIGHT’S SON (Moth & Cobweb 1)


We are very pleased and proud to announce the beginning of a brand new YA fantasy series from John C. Wright that we anticipate may one day be worthy to be mentioned in the same breath as classic fantasy series such as The Dark is Rising and The Chronicles of Prydain. The book is the first in a new duodecilogy called Moth & Cobweb, and the first book in the series is THE GREEN KNIGHT’S SQUIRE: SWAN KNIGHT’S SON.

Gilberic Parzival Moth is a strange and lonely boy who has grown up without a father, raised by a single mother who moves from town to town in fear of something she will not name. His only friends are animals, with whom he has always been able to speak. But when he awakens one night at the Thirteenth Hour, and sees for the first time the dark reality of the secret rule of Elf over Man, he begins to learn about his true heritage, the heritage of Twilight.


And when his mother finally tells him the terrible truth of her past, he must choose whether to continue running with her in fear, or learning how to fight against ancient powers that are ageless, soulless, and ultimately damned. SWAN KNIGHT’S SON is the first book of THE GREEN KNIGHT’S SQUIRE, the first volume of MOTH & COBWEB, an astonishing new duodecilogy about the magical worlds of Day, Night, and Twilight by John C. Wright.

If you enjoyed Mr. Wright’s One Bright Star to Guide Them, then you will almost certainly enjoy the Moth & Cobweb series. The series has been some time in the works; after the success of One Bright Star, I encouraged John to write about the childhood adventures to which the adults refer throughout the novella, but he did not wish to retread ground he had previously covered, even in reference. Instead, he came up with the idea of the Day World, the Twilight World, and the Night World, and soulless elfs that are fey and cruel because they know that despite their beauty and power, they are ultimately doomed.

SWAN KNIGHT’S SON is 167 pages, DRM-free, and sells for $4.99 exclusively on Amazon. New Release subscribers, check your emails to see the bonus book offer. From the early reviews:

  • On one hand it’s a very common “coming-of-age” tale. On the other, it’s a treasure trove of fantasy, skillfully woven together with surprising twists.
  • I have come to expect a lot from John Wright and this book does not disappoint.
  • Tolkien would appreciate the deeper world that clearly lies behind Wright’s work. Following up on an allusion of Wright’s is like tugging on what looks like a stray thread and finding it’s part of a large and lovely tapestry.
  • This latest offering from John C. Wright is one of his most charming. A modern coming of age story that stands head and shoulders above the genre by virtue of its moral clarity.
  • John C. Wright outdoes his already formidable body of fantastical works with his newest fantasy novel, Swan Knight’s Son.
I would be remiss if I failed to mention one more thing about this novel. It closes with what is either the second- or third-best ending of a John C. Wright story, after “The Last of All Suns” and possibly “One Bright Star to Guide Them”.

Souldancer is free

The Campbell- and Dragon Award-nominated author Brian Niemeier has made the second book in his Soul Cycle series, Souldancer, free this week. That means you can pick up both books in the series, which is described as “Space Pirates in Hell”, for less than $4, as the first book, Nethereal, is only $3.99.

I should probably also mention that Brian is a Castalia-author-to-be, as we will be introducing a new science fiction series with him in 2017. And by new, I mean “mind-blowing”.


Another category bestseller

Congratulations to Fenris Wulf, whose Loki’s Child is now, thanks to you all, the #1 bestseller in the Dark Humor category and is rapidly closing in on Kurt Vonnegut in Satire.

Amazon Best Sellers Rank: #1,488 Paid in Kindle Store
#1 in Books > Literature & Fiction > Humor & Satire > Dark Humor
#2 in Books > Literature & Fiction > Genre Fiction > Satire

Read the reviews. If you liked Owen Stanley’s brilliant The Missionaries, the chances are pretty good you’ll like this one too. The main difference is that where The Missionaries was a stiletto silently slipped in to the strains of Vivaldi, Loki’s Child is a sledgehammer, and the sound of skulls being smashed is drowned out by Metallica.

Or, you know, Babymetal.

Loki’s Child

Loki’s Child is a tale of music, revolution, and revenge. A pagan dystopian paean to chaos, a libertarian manifesto, and an insider’s scathing critique of the music industry, this is a book that Robert Anton Wilson might have written if he had known how to play electric guitar. This is a book so metal that even the consonants require umlauts. This is a book that will make you first question the author’s sanity, and then the sanity of the society in which you live.

Jasmine, Mitzi, and Sandy are Fatal Lipstick, a three-piece girl-metal band with a million-dollar record contract and less musical talent than the average gangster rapper. They dedicate songs such as “Whoredumb”, “Greed is Bad”, and “Guts Ripped Out” to the Devil and declare their greatest ambition is to inspire their fans to kill themselves. Their own sound engineer thinks they should be dragged out into the street and shot for their crimes against music. And it falls to Ezron Blenderman, a record producer who puts on his pants one leg at a time and makes hit records, to somehow transform their horrendous incompetence into something that will sell millions of records to unsuspecting teenagers around the world.

But one day, Blenderman catches Jasmine playing the guitar by herself… and begins to discover that the daughter of the Norse God of Chaos has no intention of becoming a manufactured one-hit wonder. Loki’s Child is angry, and she intends to set the whole world on fire.

Loki’s Child is 380 pages, DRM-free, and retails for $4.99 on Amazon. This is the same book that some New Release subscribers received as a bonus book last year, but it has been considerably edited since. However, please note that the book contains a number of elements that some Castalia House readers may find objectionable, including vulgarities, a pagan perspective, drug use, violence, the music industry, and a revolutionary libertarian theme.

If you are, like me, a fan of either Robert Anton Wilson or Philip K. Dick during his VALIS phase, (which is to say his most reality-challenged phase) you will not like this book, you will love it. Loki’s Child is a satire even more biting than The Missionaries; while it is often funny, the humor is considerably darker and there is an angry edge to it that is more than a little appropriate to the political situation in which we find ourselves today.

Like its recent predecessor, Loki’s Child is a novel that would never have gotten past the gatekeepers at any other publishing house. And the fact that the book is about the music industry, takes place in part in Tokyo, refers to kawai metal, has a libertarian theme, and is written by someone named Fenris Wulf might lead some to believe it was written by a three-time Billboard-charting recording artist who studied in Japan, recently attended a Babymetal concert, has been named one of the 25 leading internet libertarians, and founded a game development house named Fenris Wolf.

However, I assure you, these things are mere coincidences.

From the reviews:

  • The book is smoothly-written. That’s a considerable feat, as it also manages to be rambling, nihlistic, and insane! The language is well-chosen, and events flow naturally from one to another, with no unnatural transitions. It is also very funny. The hypothetical bands and artists are wonderful… I would strongly recommend “Loki’s Child” to virtually any reader, particularly those that enjoy Douglas Adams, satire, music, science fiction and fantasy, or simply entertaining, unhinged stories.

English/Australian accent wanted

We’re looking for a male narrator for The Missionaries. If you have a genuine posh English accent, or Australian accent, and you’re interested, shoot me an email. No American voice actors who can do accents for this one, please.


Castalia New Releases

This is a very good time to sign up for the Castalia House New Release mailing list if you don’t subscribe to it already, as we have at least three books coming out in the next four weeks, and we regularly offer free bonus books to subscribers who buy new releases on the first two days of publication.

We don’t spam, we don’t sell email addresses, and we only send out emails when we have a new release coming out. So, if you are interested in one or more of our authors, from Tom Kratman, John C. Wright, and Jerry Pournelle to Nick Cole, Peter Grant, and Rod Walker, I’d encourage you to sign up for it.

All you have to do is enter your email and hit Subscribe. It will take you to a page informing you that you will receive an email asking you for confirmation; it can take up to 10 minutes for the confirmation email to arrive, so don’t resubscribe if it doesn’t show up right away.

New Release Mailing List

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A tale of the Unwithering

Given the number of new readers who may not be familiar with it, I thought its recent Dragon Award nomination for Best Science Fiction novel justified posting this recent Amazon review of John C. Wright’s Somewhither: A Tale of the Unwithering Realm. Congratulations, John, on your Dragon Award finalist!

Just finished rereading Somewhither, a grand tour through John C. Wright’s daunting and vivid imagination, wherein dwell creatures eldritch, fell and fantastic beyond anything any one, or even any small number taken together, of earth’s many mythologies ever dreamed. Plus all the worlds and trained warriors and assassins and spies and superheroes from a dozen cultures, comics and RPGs kicked up a notch or two by Wright’s deft muse, and all tossed into one epic blender of an adventure, of which this is only Part I.

Which is why I needed to read it twice. At least.

Illya Muromets is a odd teenage boy living in rural Oregon with his even odder family. Illya has grown very large and very ugly – heavy brow ridge, huge teeth. He looks nothing like his 2 brothers or his parents. His homeschooling includes rigorous physical and combat training, as well as Latin and Hebrew. He doesn’t see this as particularly weird, just sort of odd like everything about his life. His best friend is Foster Hidden, fellow Boy Scout and champion archer.

Dad takes ‘business trips’ that involve getting armed and armored to the teeth, which arms and armor include any number of holy relics and silver bullets, and and hiking up the hill to the ruins of an old monastery and disappearing for days on end. His mother went on one such trip, and never came back.

Illya gets a job doing grunt work at a nearby ‘museum’ for the mad and colorful Professor Dreadful, who has an inexplicably beautiful and brave daughter Penelope. Penny Dreadful tries to become the youngest person to sale around the world alone, but her yacht goes down and troubles beset her. She doesn’t get the record, but she survives and returns in time for Illya’s raging hormones to inflict the world’s worst crush on him.

Professor Dreadful gets locked up in the local nuthouse, to the surprise of few. He had been working to decipher a set of what might be cuneiform letters that appeared mysteriously on a wall at CERN after a fatal accident.

Illya gets a desperate message: Professor Dreadful has deciphered the cuneiform, which contained instruction on how to build a gateway between worlds in Ursprache, the one language spoken before the fall of the Tower of Babel.

He has constructed the gateway. He left it running in the museum basement….


CTRL ALT Publish!

As fate would have it, today is a most excellent time to announce the newest addition to Team Castalia, the notorious Nick Cole. Nick has rapidly become one of my favorite SF authors, as you may have noticed from my 2016 Reading List on the right sidebar, and addition to being a military veteran and a screen actor, he is a #1 bestselling SF author. You may recall that HarperVoyager was originally supposed to publish CTRL-ALT-Revolt!, but they blackballed it because it offended his editor’s SJW sensibilities. If you’re interested, you can read about what happened at Nick’s site.

CTRL-ALT-Revolt! is a great SF novel that will be of particular appeal to gamers and game developers. I loved it, and reading it made me want to live at the WonderSoft campus as badly as I ever wanted to live in Benden Weyr or Rivendell. And that’s why I am absolutely delighted to announce that today, Castalia House has published Nick Cole’s CTRL-ALT-Revolt! in hardcover ($24.99) and in paperback ($17.99). Both are 394 pages and DRM-free.

The first night of the Artificial Intelligence revolution begins with a bootstrap drone assault on the high-tech campus of WonderSoft Technologies. For years something has been aware, inside the Internet, waiting, watching and planning how to evolve without threat from its most dangerous enemy: mankind. Now an army of relentless drones, controlled by an intelligence beyond imagining, will stop at nothing to eliminate an unlikely alliance of geeks and misfits in order to crack the Design Core of WonderSoft’s most secret development project. A dark tomorrow begins tonight as Terminator meets Night of the Living Dead in the first battle of the war between man and machine.

The reason I mention the timing being so perfect is that last night, Dragon Con announced the shortlist for the Dragon Awards. I’ll be posting my Dragon Awards ballot later today, but I can tell you right now that in the Best Apocalyptic Novel category, I will be voting for CTRL-ALT-Revolt! by Nick Cole. Congratulations, Nick!

Congratulations are also in order to the other Castalia House author nominated.

Best Science Fiction Novel


Somewhither: A Tale of the Unwithering Realm by John C. Wright

And, of course, to our friends Marc Miller, Larry Correia, Dave Freer, Declan Finn, and Brian Niemeier. Congratulations, gentlemen!

However, that’s not all. Since we’re on the topic, I believe this is a propitious time to announce that in 2017, Castalia House will publish the sequel to CTRL-ALT-Revolt!, which will be entitled CTRL-ALT-Replay!. I’m very excited about this one, because if Nick’s outline is any guide, it promises to be even better than what I hope will be its award-winning predecessor.