Tag: Castalia House

The third volume of the Episodios Nacionales — the great historical novel cycle of Spain

The Nineteenth of March and the Second of May follows Gabriel Araceli from the tranquil gardens of the Royal Residence to the blood-soaked streets of Madrid in the spring of 1808, as Napoleon’s armies enter Spain and ordinary Spaniards rise up against them.

Gabriel is seventeen, working as a typesetter in Madrid and living for his weekend journeys to Aranjuez, where the orphan Inés lives with her uncle, the good-hearted Latinist Father Don Celestino. Their courtship unfolds in some of Galdós’s most beautiful prose. But this private idyll is shattered when Inés’s relations arrive to claim her, Don Mauro Requejo and his sister Doña Restituta, a pair of grotesques worthy of Dickens at his most savagely comic.

The Requejos carry Inés off to Madrid and imprison her in their shop, where she sews from five in the morning until eleven at night. Gabriel abandons his trade and infiltrates the household as a servant, only to discover that Don Mauro intends to marry Inés himself. Meanwhile, outside the shop walls, Spain is falling apart. The court at Aranjuez erupts; Godoy is dragged from hiding; Carlos IV abdicates and the French pour into Madrid. Gabriel witnesses the Aranjuez uprising from inside the mob, through streets lit by torches and filled with fury.

The novel’s climax is the Second of May, 1808, the day Goya painted, the day that began Spain’s war against Napoleon. Gabriel fights in the streets of Madrid against the Mameluke cavalry and French artillery, and the novel ends with one of the most extraordinary passages in nineteenth-century fiction, in which one man’s experience of dying is described in a sensational manner that anticipated literary modernism by more than half a century.

Pérez Galdós weaves domestic comedy, political upheaval, street-level violence, and desperate love into a novel that moves from the lyrical to the grotesque to the devastating. Of the ten novels in the First Series, The Nineteenth of March and the Second of May is the one in which the private life of Gabriel and the historic tragedy of Spain collide most unforgettably.

Available for Kindle, KU, and audiobook on Amazon. You can read an excerpt from the new translation at Castalia Library.

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Fandom Pulse is extremely enthusiastic about the Library’s foray into Spanish literature. One wonders why…

Castalia Library built its reputation translating Japanese literature into English. Natsume Soseki’s Sanshiro, Botchan, and Kokoro. Six volumes of Eiji Yoshikawa’s secret scroll cycle. Nine translations into a catalog that has established Castalia as the most serious independent literary translation operation in the English-speaking world.

Their tenth translation is not Japanese. It is Spanish. And it is one of the most overdue introductions in the history of European literature reaching English readers. The expansion into Spanish literature signals something about what Castalia is building. Their translation subscription has run on Japanese literature since launch. A single pivot to Pérez Galdós announces that the project is broader than a specialty press, that the mission is recovery of major world literature that English publishing has ignored rather than Japanese literature specifically. Forty-five more volumes of the Episodios Nacionales exist. If Castalia follows through, they will have done something no major publisher has attempted in the history of English-language literary translation.

Fandom Pulse reached out to Vox Day asking if they would be translating the entire series, and he told us, “Yes, we are translating the entire 46-volume series.”

I’m pleased to say that not only have more people joined to support Castalia’s translation efforts, but Trafalgar is already the #1 New Release in Spanish literature. One subscriber expressed his opinion after receiving this week’s book:

One of the best rewards on Substack is receiving copies of these historic treasures with new compelling translations, some never having been previously translated to English at all!

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TRAFALGAR is the first volume of the Episodios Nacionales — the great historical novel cycle of Spain

October 1805. Off the coast of Cádiz, the combined fleets of Spain and France sail out to meet the British under Nelson. By nightfall, the Spanish navy will have ceased to exist as a fighting force, and an empire that has ruled the seas for three centuries will have lost them forever.

Gabriel Araceli is fourteen years old. An orphan from the slums of Cádiz, he has been taken into the household of Don Alonso Gutiérrez de Cisniega, a retired naval officer who cannot bear to miss the coming battle. When Don Alonso slips away from his furious wife to join the fleet, Gabriel goes with him, and eventually finds himself aboard the Santísima Trinidad, the largest warship in the world, on the morning of the most catastrophic day in Spanish naval history.

What follows is one of the great battle sequences in European literature: the four-decker as living giant, the sand spread on the planks for the blood, the smoke that swallows the line, the slow agony of a ship that will not surrender and cannot be saved. Pérez Galdós, writing seventy years after the event with the aid of the testimony from the survivors of the battle, gives us a view of Trafalgar from the losing side, not as a British triumph but as a Spanish tragedy, narrated by an old man who was a boy in the rigging and has carried the day with him for the rest of his life.

Trafalgar is the first of forty-six novels in the Episodios Nacionales, Pérez Galdós’s vast fictional history of nineteenth-century Spain, a literary project on the scale of Balzac’s Comédie humaine, and one of the supreme achievements of European realism. Published in 1873, it has remained continuously in print in Spanish for over 150 years. Trafalgar is for readers of Patrick O’Brian, C.S. Forester, and Bernard Cornwell who are interested in seeing war in the age of sail from the other side of the line, and for readers of Tolstoy, Stendhal, and Hugo to encounter one of Spain’s greatest novelists for the first time.

Available for Kindle, KU, and audiobook on Amazon. The ebooks have already been sent out to the paid subscribers. The book is already #1 in the Spanish Literature category.

About the author. Benito Pérez Galdós (1843–1920) is regarded as the greatest Spanish novelist since Cervantes. Over four decades, he produced the Episodios Nacionales, one of the most incredible accomplishments of world literature ever written; only 8 of the 46 volumes have been translated into English. Pérez Galdós was nominated for the Nobel Prize in Literature five times but never won.

About the translation: This is the second English translation of Trafalgar. The first one was in 1884, by Clara Bell, and it is both outdated and a significant departure from Pérez Galdós’s literary style. For an excerpt, please visit Castalia Library. One reader notes: “These translated books have been absolutely amazing, some of the best work that has come out of Castalia House.”

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