March Brainstorm

It’s tomorrow night, 7 PM Eastern. We’ve got everything from Infogalactic news to a combat expert discussing the best way to deal with Black Bloc and other risks in an urban or suburban environment. Invites will be sent out tonight.

Also, we have an increasing number of ladies supporting Castalia House these days, which may be why we’ve had more than a few requests for a pink Castalia House v-neck. It’s available now, although the pink is not quite as hot as the picture tends to indicate.


Science fiction: genre or tag?

An excellent post on the creation of “science fiction” and it’s impact on Jeffro’s “pulp revolution” at Castalia House

This is where we start to really see science fiction emerge as a term for a distinct genre, not so much because of clear differences between these stories and the other material being produced at the time (planetary romances, weird tales, science and sorcery, space opera with the Flash Gordon vibe) but as a marketing category: it was now clear that there really was a market for stories that did what Gernsback (and Wilson) wanted, and the industry – newly expanding into the fresh sales categories of inexpensive pocket-sized paperbacks – was eager to supply.
You can even see the effect if you want: Google’s ngram viewer[6] shows the curve for the frequency of the use of “science fiction” in their database of digitized texts:
None of the common terms for genre are particularly common until science fiction starts to take off in the early 1940s – it sees healthy growth right up until 1960, and then – WHAM – it explodes![7] Is it a coincidence that this explosion of awareness of “science fiction” as a category coincides with the era in which publishing was consolidating, bookstore franchises were growing, and the value of systematizing the way books were marketed was understood, the approach applied? It’s certainly not a coincidence that it coincides with Donald Wollheim’s masterful application of new printing options to both revitalize old, beloved classics and discover a bevy of amazing new authors while editor for Avon and Ace, and later with his own imprint at DAW.

The bloggers at Castalia House have really picked up their game in an impressive fashion. In my opinion, they have made a very credible run at Black Gate for the title of Best SF/F Site on a daily basis, so credible that I think it would be virtually impossible to say which is the more can’t-miss site from one day to the next.

I’ll freely admit that last year, there were occasionally times that days would go by before I would visit Castalia House. But ever since Jeffro brought on the new bloggers and committed to ensuring multiple daily posts, I don’t think I’ve missed a day of reading it. And the discussions are every bit as lively as the discourse here, if considerably more esoteric.

Great job, gentlemen.


ROCKY MOUNTAIN RETRIBUTION

In the post-Civil War West, the railroads are expanding, the big money men are moving in, and the politicians they are buying make it difficult for a man to stand alone on his own. So, Walt Ames moves his wife, his home and his business from Denver to Pueblo. The railroads are bringing new opportunities to Colorado Territory, and he’s going to take full advantage of them.


Ambushed on their way south, Walt and his men uncover a web of corruption and crime to rival anything in the big city. And rough justice, Western-style, sparks a private war between Walt and some of the most dangerous killers he’s ever encountered, a deadly war in which neither friends nor family are spared.


Across the mountains and valleys of the southern Rocky Mountains, Walt and his men hunt for the ruthless man at the center of the web. Retribution won’t be long delayed… and it cannot be denied.

ROCKY MOUNTAIN RETRIBUTION is the second book in The Ames Archives, the classic Western series that began with BRINGS THE LIGHTNING. Author Peter Grant is a military veteran, a retired pastor, and the author of The Maxwell Saga and The Laredo Trilogy.

DRM-free. Also available in EPUB format from the Castalia House bookstore. From the reviews:

  • the story feels startlingly real. It’s crystal clear that the author knows what he is speaking of when he describes the joy of love, the pain of loss, and the sting of battle.
  • If you like Louis L’Amour or Zane Grey, you’ll enjoy these. Grant is one of the best story tellers I know, and I’ve enjoyed his westerns more than anything else he’s written. I definitely recommend Rocky Mountain Retribution to anyone who enjoys adventure, honor, and grit.
  • Peter Grant’s research is impeccable. His study of the weaponry, business, demographics, and customs of the Old West offer surprisingly insights and keeps his work from being just another paint-by-number spaghetti Western. I was especially impressed by the business analysis, showing how Walt makes his decisions to go and do what he does.

So laughing, so NOT AT ALL butthurt

One cannot help but reflect upon the truth of the Third Law of SJW when presented with this emotionally incontinent confessional that passes for a “book review” by one Jon Milne. Note that we are told this is not the first time Mr. Milne has felt the need to “review” a book by Castalia House, even though there are no other reviews listed by anyone of that name.

It’s fascinating to see that SJWs are so confident that the relevant authority will prove amenable, or at least indifferent, that they are willing to so openly admit their violations of the review guidelines as well as their intentions of attempting to manipulate Community Content.

A massive inferiority and insecurity complex dooms this book to failure from the start
By Jon Milne on March 28, 2017

Much like with my review for “SJWs Always Lie” – inexplicably not subtitled “My Inability To Somehow Not Notice Two Chapter 5s During My Awesome Editing Skills” – I am delighted to admit I did not read “The Corroding Empire”. I did not need to. It was not the cover itself that convinced me of giving it a 1 star review, but rather the attitude and motivations the publisher had in creating the cover that provides all the justification I need.

Consider an alternate scenario: Castalia House releases this book, with the real name of the author (Harry Seldon) on the cover, as well as not having the identical artwork, fonts, and positioning of the words as an other considerably higher selling book. In other words, the book by Mr Seldon would be allowed to stand on it’s own two feet and attract judgment purely for it’s literary merits, or lack thereof, and then attract those who want to read it into buying and scoring the publisher some bucks. It stands to reason that if the book was of high quality, then people would buy it, and the would not need to rely on any cheap publicity stunts based on trying to score political points.

And yet it is precisely this desperation on the part of Vox Day – a guy who seriously holds the hilariously stupid view of “White Genocide” that mixed race babies will totally cause the destruction of Earth – that leaves a permanent black mark on this book and completely strips it of whatever credibility it might have as a literary work. Because no matter what Mr Beale may insist about how totally awesome he thinks this book is, it’s quite evident that he was clearly not confident in the ability of this literary work to sell without saddling it with a spectacularly lame gimmick as part of a great big amount of bitterness he has in relation to the success of John Scalzi.

It’s truly amazing how much sour grapes old Theodore is full of that Mr Scalzi has a highly lucrative book deal worth millions of dollars, something which Beale is nowhere close to ever achieving. Other “highlights” of Beale’s obsession with Scalzi include the Hugo Awards of 2015 and 2016, wherein Beale thought-policed his mindless drones, uh, I mean, followers into voting specific works dictated by a slate onto the ballots, all for the self-entitled purpose of winning awards they somehow feel entitled to, and to stick it to the so-called “SJWs” and “CHORFs” who are totally working behind the scenes to steal the whole science fiction genre from “TrueFans(tm) like Voxy and his Dread Milk minions. I mean, they never exactly elaborate how this conspiracy actually works, but still…

This is the mindset behind the “Corroding Empire’s” publication. Not one motivated purely by a desire to please fans and for the love of writing, but by petty squabbles fuelled by inferiority and insecurity complexes on Theodore Beale’s part, as well as a ridiculous obsession with needing vindication from awards. Perhaps Beale should research some of the most highly regarded movies of all time, many of which did not ever win or even get nominated for Oscars, and do the same for music albums and TV shows and video games etc and their equivalent awards which they never won, and then he could maybe reach a much-needed epiphany about whatever “vindication” he so desperately craves.

In closing, I present a contrast of an author who used and still uses a pseudonym for her writing with far more dignity and grace, even if her real name ended up getting leaked. I talk of course of the highly successful J.K. Rowling, currently writing as Robert Galbraith for the Cormoron Strike series of crime novels, all of them highly rated and highly selling. And of course, one can’t forget that according to TheRabidPuppiesDotCom, Hugo Award Nominee and perhaps the world’s greatest author Chuck Tingle has a counter going for how each book is doing: Scalzi’s “Collapsing Empire” has an Amazon Best-seller’s Rank of #235, where as “Corroding Empire” by Harry Telson is ranked #1671. Add another notch of failure to Castalia House’s marketing strategy.

Now comes the part where I get an outraged phone call from Castalia House decrying me for my “WrongThink”. I could definitely use a laugh.

I’m sure Tor Books is ever so relieved that the first book in its big bet on John Scalzi has managed to outsell an ebook from an independent publisher. No doubt that was their metric for success. As for my supposed sour grapes, I note I signed my first million-dollar contract was when I was 27 and it was not the most recent one. I very much doubt that anyone who has read a reasonable portion of both our collected works would believe for a second that I would ever wish to trade my bibliography for his. And, quite to the contrary of SJW assumptions, I sincerely wish Scalzi’s contract had been ten times bigger in monetary terms; Tor delenda est is the point, after all, as Scalzi is little more than Patrick Nielsen Hayden’s creation. Even Scalzi’s first unprovoked attack on me in 2005 was inspired by PNH, the corrupt, beating heart of all that is wormwood and rotten in science fiction.

As for the “failure” of Corrosion, those reviewers who have, unlike Mr. Milne, troubled to actually read the novel, have almost uniformly been pleasantly surprised to discover that it is actually a solid science fiction novel in its own right. Castalia House does not publish Tor-like trash, not even when we are gleefully sowing chaos and havoc. From the latest reviews of the first book of The Corroding Empire:

  • Did not know what to expect. Was very pleasantly surprised to discover a first rate SciFy novel. An involved tale of what can go wrong when dimly understood digital algorithms developed by aware AI machine intelligences tightly control the galaxy. Until they don’t. Then, the fun starts.
  • I was reading very late at night. I finished an intense chapter detailing a farmer in a life and death fight with systemic wide algo-decay, and went to sleep.  A few hours later I was awakened by the sound of our electricity going off, I drowsily thought to myself, ‘oh, drat, more algo-decay.’ and then woke up more fully into my own world.  Kind of cool when a book does world building that well, isn’t it?
  • I read “Foundation” and it’s sequel 50+ years ago and remember them as about a 4 star duo. Enjoyed the Main character, a robot who goes through many changes. The idea of “corrosion” due to basic algorithms over centuries is good. The science ideas are fascinating,, so I enjoyed the book.
  • I remember Foundation as having a general optimistic tone, where the viewpoint characters overcome the challenges of their day guided by the all-knowing ghost of Hari Seldon. There was a sense of inevitability that was only punctured in later books. Corrosion takes an almost opposite track, illustrating a decaying galaxy where chaos reigns and even the far-sighted seer dedicated to restoration is stymied by events and very human reactions. Without going into spoilers, the world of the Corroding Empire is a darker place than the world of Foundation. Yet this darker world also makes the bright spots of the story all the more hopeful and rewarding.
  • I know this book is based on Asimov’s Foundation, which is a book I found amusing but not terribly compelling. I actually found this book to be much more interesting, not least because A) the premise was comparatively much more novel and B) it actually had characters I cared about. If you are too dim or humorless to get the obvious joke, this really says a lot more about you than the author or seller. I find it incredibly impressive that this was written essentially on a dare and turned out as well as it did.

The simple fact is that Book One of The Corroding Empire: Corrosion, by Johan Kalsi, was an absolutely smashing success in the eyes of everyone involved, as the fake review by Mr. Milne so beautifully demonstrates. It was a fantastic performance by the highly efficient Castalia House team, wonderfully supported by the ever-loyal Castalia House readers, and after a bit of confusion at the start, even our new friends at Amazon came through in the end.

Seriously, though, why do SJWs always pretend they are laughing, even when you can see they are shaking with rage?

They’re big science fiction fans too. In addition to not reading the books they review, SF-SJWs aren’t even familiar with the classic SF canon:

EDIT: My bad on the “Harry Seldon” thing. An honest mistake. I’ve never read any Asimov novels, the closest exposure I’ve had being the “I, Robot” movie released in the mid-2000s, which I remember liking. Nothing a trip to my local library can’t fix. Duly changed those references in my review anyway.

In fairness, I very much doubt John Scalzi has read very many Asimov novels either. I doubt he’s even finished the original Foundation trilogy.


Dear, oh dear

And you see, even if I wasn’t opposed to fake reviews, the following is why, in this case, they are not only wrong and deceptive, but redundant. There will be no shortage of legitimate one-star reviews by Scalzi fans who feel let down by his latest effort, particularly since it is the result of nearly two years of groundless hype.

Half a novel. Don’t bother.
March 25, 2017
Format: Kindle Edition|Verified Purchase

I’ve enjoyed Scalzi’s work enough that I pre-ordered this novel. Having read it (and enjoyed what there was of it) I feel profoundly cheated.

The problem has nothing to do with length — plenty of excellent complete novels have been written in fewer pages. Here though, critical elements of the story are left undeveloped at the end of the novel. I don’t want to spoil what there is of the plot, so suffice it to say that there are no meaningufl resolutions of conflicts facing any of the main characters except, I suppose, for the one who dies and another relatively minor villian. The resolution of the only interesting plot question that is revealed is blindingly obvious half way through the book. So no payoff there either.

I have no objection to setting a plot line that sets up a sequel. The series seems to be almost an imperative in sci-sfi publishing these days. But that’s quite different from a novel that basically ends with a “to be continued” on all fronts that anyone cares about.

As for the fake good reviews, why, the more the better! The more people who fall for the deception and buy the shlockfest, the more disgusted Scalzi-haters there will be. Remember, even I once fell for “the new Heinlein” hype too.

The problem Tor Books faces is simple. Sooner or later, the truth will out. And the truth is that John Scalzi is a mediocre and derivative midlister who has only reached “major” status in science fiction as a result of his own deceptive self-marketing combined with the extraordinary marketing efforts made on his behalf by Patrick Nielsen Hayden. Scalzi has a legitimate fan base, but it is much smaller than Larry Correia’s; imagine how many books Larry would sell if he was being featured in Audible advertising, having fake New York Times bestseller slots arranged for him, and talked up by Tor-published contributors at the Guardian, then featured in puff pieces in the New York Times, and NPR.

Pity poor Brandon Sanderson, who actually is a major SF author and outsells Scalzi by a significant margin, but doesn’t get one-tenth the attention or support from his publisher that Scalzi does. That’s the price of working with an SJW-converged publisher. They will always put their political agenda ahead of their professional responsibilities.

Anyhow, I’d assumed Scalzi would need to “restructure” his contract after delivering the fourth book. In light of this disaster, he’s probably going to have to do so after he fails to deliver the second book on time and Macmillan finally discovers that PNH has sold them a midlister in major’s clothing.

In any event, Johan Kalsi and I would like to thank you all for making his debut with Castalia House such an unforgettable one. ARE YOU NOT ENTERTAINED? Mr. Kalsi is already hard at work on the sequel to Corrosion, which will be entitled Corrosion and Empire, and eagerly awaits the announcement from Tor Books concerning the direction of his next new series. And I have to say, perhaps the most amusing thing in all this, to me, is the angry, upset SF-SJWs who are unaware that this little stunt is literally nothing new in the science fiction world; it should hardly surprise anyone that the current publisher of There Will Be War would be aware of the various, perfectly legitimate, marketing possibilities in this regard.

There is more at Castalia House. Including, but not limited, to this video commentary.

Portrait of the Dark Lord

Now, this is the exact opposite of the fake reviews with which SJWs are littering Amazon. Daniel F. reviews The Collected Columns Vol. 1, Innocence & Intellect, 2001-2005, now available in a 764-page hardcover edition.



PORTRAIT OF THE DARK LORD AS A YOUNG MAN

Vox Day is a prolific author who, over the course of two decades, has covered an impressive range of topics and genres. He has been a video game reviewer, a syndicated columnist, a science fiction and fantasy novelist, the author of major works on religious and economic matters, and of course, a prominent blogger.

Over the past two years, he has also firmly established himself as perhaps the most important analyst, taxonomist, synthesizer and theorist of political philosophy writing today. Consider: In the span of little more than a year, Vox wrote and published:

SJWs Always Lie”, an indispensable analysis of, and handbook for dealing with, the totalitarian thought-police who comprise the most dangerous current of Leftism today;

Cuckservative” (co-authored with John Red Eagle), an even more valuable polemical case against modern day American conservatism that exposed Conservative Inc. as feckless enablers of progressivism; and

The 16 Points of the Alternative Right”, a taxonomy and description of what is undoubtedly the most salient political current today, and the only movement that can resist the anti-civilizational tendencies and consequences of all mainstream political thought, left and “right”.

With all of these works, Vox was ahead of the curve, both anticipating and shaping many of the nascent trends playing out today. Vox coined, or gave greater currency to, a number of concepts and terms that are crucial for understanding and discussing contemporary politics: SJW, cuckservative, Alt Right, entryism, convergence, Magic Dirt, churchian.

With the collection under review, we are now asked to reflect upon Vox’s judgment and analysis in columns he penned a decade and a half ago. There are at least three reasons why someone would want to read this collection: (1) to understand the intellectual development and evolution of an important thinker; (2) to reflect on events starting from 9/11 and see how one writer’s contemporaneous reactions stand up over time; and (3) for the philosophical and literary value inherent in the writing itself.

(1) In one of the columns collected here, Vox described himself as “a radical pro-life Austrian-school neo-capitalist Jacksonian techno-libertarian Southern Baptist Christian”. It is against that definition that we can see how his thinking has evolved over the years. For this reader, the changes in Vox’s worldview make sense in light of events and the learning he has done. To quote one of Vox’s economic nemeses, John Maynard Keynes: “When the facts change, I change my mind. What do you do, sir?”

I was struck by how _little_ Vox has needed to change his mind: he remains consistent on a number of key issues, which prefigure his thinking in SJWAL, Cuckservative and the 16 Points:

On the thought police: “The solution for successfully defeating them is not to retreat and apologize, but to confront them and turn up the heat instead.”

On mainstream politics: “An analysis of the near-identical governing practices of the two parties in our two-party system would require a book—not a column—but it would show that the two are, for all practical purposes, effectively one.”

On mainstream conservatism: “Conservative proponents of government, unfortunately, have increasingly tended to mutate into the pale echoes of their socialist (liberal) counterparts.”

On globalism: “If humanity’s past record is a reasonable guide, globalism may represent the single deadliest threat to mankind in our long, murderous history.”

On Churchians: “Once a church makes the fatal decision to befriend the world and seek its approval instead of that of the God whom it is called to serve, its fate is sealed.”

In what ways, then, has Vox’s thought developed and changed? From the laundry list description of himself quoted above, the two major points of evolution relate to Austrian / capitalist economics and libertarian politics. Those philosophies are both elegant systems that value and, theoretically, promote human flourishing, and are seductive to many an intelligent, thoughtful person. Vox’s understanding of the political spectrum in these columns was based purely upon individualism versus collectivism. “There is the collective and the individual and there is totalitarianism and libertarianism—that is the true spectrum.” There are a number of interesting columns evaluating communism and Fascism and other political philosophies on these terms that are quite persuasive. His column illustrating that Nazism was essentially Communism plus anti-Semitism is both humorous and effective as political rhetoric. There are also a number of very stimulating columns on the compatibility of libertarian politics with Christianity that merit deep consideration.

Today, Vox no longer considers himself a libertarian. He grants greater weight to “irrational” phenomena and realities such as biological and tribal identity. I would argue that Carlyle’s view of Left and Right as being distinguished by chaos, leveling and egalitarianism versus order, hierarchy and anti-egalitarianism must be taken into account in understanding the political spectrum. Even if the _ideal_ society would be a libertarian or anarchist one, it may well be that the one most conducive to human flourishing, the one that best prevents conflict and war, is in fact one that values the collective, values the group and does not view the world solely in terms of atomized individuals. As Steve Sailer has written elsewhere “Libertarianism in one country!!”

On economics, the devastating effects of “free trade” agreements and Ricardian free trade theory generally have led Vox away from purely capitalist / Austrian economics. Even in these columns, he recognized that part of the problem with “free trade” is that it was anything but free: “The irony of mutations like phone book-sized tomes such as NAFTA is that a real free-trade agreement only has to be about a sentence long: Congress shall pass no laws with regards to trade with (fill in the blank here).” This was a trenchant critique of “free trade” from a libertarian perspective, although Vox today no longer defends free trade even in the abstract.

What led Vox’s thought to evolve on these points? The facts have changed, and he has had to adjust his thinking rather than deny reality. “ Let reason be silent where experience gainsays its conclusions.” Libertarianism and pure classical liberal economics are elegant and seductive systems; but they did not stand up to the test of empirical evidence. So Vox has changed his mind. Vox has always been a critic of Plato and a disciple of Aristotle, so it is unsurprising that the changes in his thought with regards to economics and politics over the past 15 years could be summarized as less Platonic, more Aristotelian.

(2) As far as the strength of his judgments of events at the time, these columns stand up very well. To take one example, from his very earliest columns following 9/11, Vox correctly identified both the major threat and the major error in our response to 9/11: The threat was the use of war to justify encroachment upon our domestic liberties: “War corrodes a society by allowing centralist forces within government to excuse actions they would never be allowed to take in more peaceful times.” The major error was to fail to name the enemy and, thus, to ignore the Huntingtonian, civilizational conflict that was at the root of the problem. “Terror is a tactic, not an enemy, and the current phraseology only serves to obscure the fact that America has real enemies committed to her destruction.”

(3) While it may be fun to look back at old columns as an exercise in evaluating and revisiting old issues and judgments, a book should be read on its own merits. Samuel Johnson memorably described the duties of an author as being “to instruct and to entertain.” (Although Samuel Johnson is not a name I have ever seen Vox Day refer to, there are more than a few parallels and similarities between these two fascinating and important figures.) So, how does Vox’s writing itself hold up as instruction and entertainment?

I came away from this collection with a renewed respect for the man as a writer. The tone is generally that of the Happy Warrior, with a somewhat ironically elevated and detached manner appropriate to the columnist. Vox’s intelligence, good judgment and analytical ability, along with humor and wit, shine through. There is a great deal of wisdom and good sense throughout his writing. “Bon mots” abound in these columns on a myriad of topics:

On globalism: “The U.N. is not a debating society, it is an embryotic world government.”

On hypergamy: “The root of the problem is that the kind of man she wants is precisely the man who is smart enough to stay away from her.”

On parenthood: “Life is not only about happiness, it is about many things, sacrifice being one of them. And being a parent requires the greatest sacrifice of all, to live one’s life for the love of another.”

On capitalism: “Global corporations and free-market capitalism have about as much to do with one another as chipmunks and integrated circuit design.”

On Hillary (back in the early 2000s): “She proved to be as painfully inadequate in exercising power as she is ruthless in pursuing it.”

On American Empire: “I enjoyed reading Gibbon’s Decline and Fall of the Roman Empire. I’m not, however, taking much pleasure in watching the sequel unfold before my eyes.”

On entryism: “The slippery slope is not a paranoid straw man, it is the primary way in which a weak, but determined minority exerts its will on a more powerful, but less disciplined majority.”

On government: “There is no criminal gang or collection of scam artists who perpetrate even a small fraction of the crimes that the federal government commits and abets.”

On atheism: “Without God, there is only the left-hand path of the philosopher. It leads invariably to Hell, by way of the guillotine, the gulag and the gas chamber. The atheist is irrational because he has no other choice—because the rational consequences of his non-belief are simply too terrible to bear.”

For those familiar only with Vox’s more recent work, there are a number of topics in these columns that will be new to you or that are expounded on at greater length. These include: morality vs. law; jury nullification; marital relations and parenting; critiques of pragmatism and utilitarianism; Christianity; straight-up economic analysis.

I will end this review with one more quote, taken from Vox’s column of October 27, 2003. The personal nature of the column was unusual for the collection as a whole. Yet I believe this excerpt provides an accurate glimpse into the heart and soul of the Dark Lord then, and the Dark Lord today:

“The shadow is an illusion. It is like the pleasure—it passes, it waxes and wanes with time. Only that which you consider to be fairytales is the reality, it is that hope that is the truth, and only through that blinding light can the shadow be entirely banished. And if you feel that you must give in, that you are no longer strong enough to stand on your own, then surrender to the light, not to the darkness.”


Quality customer service

Making a list, checking it twice… and then we send in our report to Amazon requesting a formal investigation of the concerted, ongoing, three-year attempt to manipulate reviews of books published by Castalia House. You see, getting Mr. Kalsi’s book back up repeatedly wasn’t the only thing I discussed with Amazon, as they are now increasingly aware that there are serious shenanigans concerning policy-violating attacks on Castalia House and other publishers.

We understand that you may have manipulated product reviews…. Amazon tries to maintain customer trust and provide the best possible shopping experience. For this reason, Amazon investigates if it learns that sellers, vendors, or others have attempted to manipulate reviews. 

We’ve compiled a comprehensive list of well over 250 accounts dating back to 2014, many complete with names and addresses. For example, 23 of the 28 one-star reviews of SJWAL are fakes. 5 of the 5 one-star reviews of Cuckservative are fakes. 5 of the 9 one-star reviews of ATOB are fakes. 2 of the 5 one-star reviews of Somewhither are fakes. There are already 14 fake reviews of Corrosion.

And this doesn’t even begin to get into the fake reviews on Goodreads, which Amazon owns. Anyhow, if you’d like to add your account to the list, please feel free to post a fake review on a Castalia House book today.

Interestingly enough, many of the recent fake reviewers are from Massachusetts. But we also have Urbana and Chicago, Arlington, and even London. And one from Ohio. Hmmmm.

This was amusing. From File 770:

rochrist on March 22, 2017 at 10:40 pm said:
I made the mistake of making a snarking comment in one of the fake reviews. The fellow immediately tracked me down in RL. He assures me though that it will be Vox himself I hear from. He is just a dutiful minion.

It’s just good customer service to get in touch with unhappy customers. We would be severely derelict in our duties were we to fail to get in touch with unsatisfied customers. Castalia House is committed to customer service, and those who have had trouble downloading or reading our books can testify that we always attempt to resolve their problems in a timely manner. I certainly appreciate the efforts of the public to help Castalia continue to provide such excellent customer service.

UPDATE: Strange. One of our dedicated, albeit self-appointed, customer service representatives called a dissatisfied customer this morning. He seemed very upset to be receiving such excellent customer service, claimed he was not a customer, and insisted that he had neither purchased nor read the book despite having posted a Customer Review. Sadly, he hung up before the helpful service representative could ascertain the precise nature of his dissatisfaction with our product.

It seems he was not happy about being recorded for quality control, particularly when he was informed that he was living in a one-party consent state in which his permission was not required.

UPDATE: Despite the best efforts of SJWs to inhibit sales by frantically posting fake reviews, the Amazon rank continues to climb. It’s like they’ve never heard of the Streisand Effect. Now it’s up to 666. How very, indeed.

UPDATE: Meanwhile, the fake reviewers should probably pace themselves. Corrosion will be available on iBooks, Barnes & Noble, and other platforms soon.


We. Are. Amused.

Meanwhile, The Collapsing Empire on Kindle is falling while Corrosion: The Corroding Empire is climbing. 194 to 918 830 748 683 666. Make it happen. You know you want to see it happen. It’s also telling that most of the 5-star reviews for Collapsing and all of the 1-star reviews for Corrosion are from people who haven’t even pretended to read the book “reviewed”. This is a good sign, as this kind of engagement is a certain sign that SF-SJWs have been successfully triggered.

Here is the thing: the more people that actually read Corrosion, the higher the good/bad review ratio will increase. The reverse is true for The Collapsing Empire. It’s terrible and word from inside Tor Books is that everyone involved with the book knew it even before it was released.

Meanwhile, Allan Davis proposes a solution to solve the terrible problem of racism and discrimination and excessive white maleness in science fiction:

I propose a tax on science fiction novels, to level the playing field in the same fashion that carbon taxes are designed to punish those who use more resources than their fair share.

Call it the “Bergeron Tax.”

Those authors writing for any mainstream international science fiction publishers have obviously been profiting from this industry-wide discrimination, so the structure of the Bergeron Tax should be arranged like this:

For each novel the author has previously published (with one of the big mainstream publishers), add 10% to the cost of the book.

Add on 5% for each Hugo or Nebula award the author has already won.

If the author is white, add an additional 10%.

If the author is male, add another 10%.

Finally, if the author has a beard, add on an additional 5%.

The windfall proceeds from this tax should then be shared among authors and publishers who have not been part of this industry-wide and genre-wide discrimination.

I don’t know. If you look at Tor’s prices, it looks like they’re already implementing this tax. $13 for a 300-page Kindle book would be a ripoff even if book was any good.

Also, on a completely unrelated subject, I’m delighted to announce that thanks to the Dread Ilk, we will have Dark Lords! Autaruch sent out the following notice to the backers of its latest kickstarter.

Thanks to all of our backers for the tremendous outpouring of support. Since we started we’ve seen huge contributions come in from our first Patron Diety-level backer, Jeff Binder, from five Emperor-level backers, and from a legion of backers that really, really want to see a a Dark Lord class (and, yes, it has been funded and will be added to the book).


Back with a vengeance

As we suspected, there appear to have been internal shenanigans taking place at Amazon, as one or more SJWs appear to have abused their positions to interfere with our ability to sell THE CORRODING EMPIRE.

We’re still working with Amazon to sort out exactly who was responsible for precisely what, and to establish what, if anything, legitimately needed to be changed according to their guidelines. This should all be nailed down by the end of the day, but in the meantime, you can now order the book and post reviews again.

Thank you for your support and for holding fire while we sorted out who was, and who was not, responsible for the removal of THE CORRODING EMPIRE. The very helpful KDP representative to whom I spoke said that he did not believe there was anything improper or misleading about the title, the name, or the cover, but we’re going to wait to get explicit permission on all three elements before settling on a final edition that will see print.

Mr. Amazon SJW just blocked it again. Unsigned, of course. SJWs always double down.


We’re writing to let you know that readers have reported a problem in your book. The error significantly impacts the readability of your book. We have temporarily removed it from sale so that more readers don’t experience the same problem in your book


Error Category: Wrong_Content; Comments: The content of your book is a different edition than what the detail page indicates. Because this could be a serious issue for many customers, we have had to temporarily block your book from sale. Please correct the image so that we can make it available for sale again.

UPDATE: Another phone call and we’re back up again.

UPDATE: And blocked again, albeit this time UNDER REVIEW, not memory-holed.

UPDATE: Finally got to speak to a supervisor. She’s not only escalated the matter to legal, but has assured me that the book will be unblocked, stay unblocked, and that the matter will be fully investigated. It’s not just the three blocks, the culprit(s) also put the book on the Excluded list for Amazon Associates, which prevents others from being paid when someone buys the book.

UPDATE: The book is live, and is now locked for a fourth time. SJWs really do double down.


THE CORRODING EMPIRE

Galactic society is ruled by algorithms. From interstellar travel and planetary terraforming to artificial intelligence and agriculture, every human endeavor has become completely dependent upon the hypercomplex equations that optimize the activities making life possible across hundreds of inhabited worlds. Throughout the galaxy, Man has become dependent upon the reliable operation of ten million different automated systems. 


 And when things begin to go wrong and mysterious accidents begin to happen no one has any idea what is happening, except for a sentient medical drone and the First Technocrat of Continox. But their ability to even begin to try fixing the unthinkably complicated problem of galaxy-wide algorithmic decay is made considerably more difficult by the fact the former is an outlaw and the latter is facing a death sentence. 


Johan Kalsi is Finland’s hottest science fiction author. An accomplished geneticist as well as a 6’3″ ex-Finnish Marine, in THE CORRODING EMPIRE, Kalsi shows himself to be more Asimovian than Asimov himself.

From the reviews:

  • This was a very surprising and compelling read. Clearly modeled on Asimov’s Foundation, this book does a much better and more interesting job of making that world seem real and possible. Part thriller, some hard-ish sci-fi, and part dystopian novel, The Corroding Empire was strikes a very resonant tone…. Growing up on Asimov and having a special place in my heart for Foundation, I found this to be a fantastic book and homage, of sorts, to Asimov. It’s well worth the time and a first-rate addition to the genre.
  • The Amazon blurb brags that, “Kalsi shows himself to be more Asimovian than Asimov himself.” I wouldn’t go quite that far. The Corroding Empire fails as an Asimov pastiche in a few ways. The characters aren’t wooden cutouts, they are real, sympathetic, and relatable. The underlying theme of this book isn’t that everything would be so much better if only the technocrats were in charge instead of those lousy politicians – technocrats like the author, you know? This book doesn’t possess a strong undercurrent of contempt for the common man and all his problems, it sympathizes with the little guys who suffer whenever the managerial class screw up their five-year plans, as they so often do…. And in that way, this isn’t Asimov. It’s something far better.
  • A truly thought-provoking book of where man’s hubris may take us. A new type of apocalypse book. Mr. Kalsi takes us through a detailed tale of how the arrogance of man, the religion of science, the infallibility of man and how the system can control and predict everything leads to disaster.
  • I thought it was going to be largely tongue-in-cheek humor. Instead it’s a pretty strong straight sci-fi story, told as a series of vignettes over an expansive period of time. The comparisons to Asimov’s Foundation are apt but I would say it nods in Asimov’s direction rather than ripping him off.
  • Surprisingly brilliant. A taut, imaginative, superbly crafted tale in the finest traditions of Isaac Asimov.
  • As a re-telling of Foundation, as out-Asimoving Asimov, it deserves five stars. Heck, for having a MUCH better protagonist in Servo than Asimov had in Hari Seldon, I’d assign seven stars if I could.
THE CORRODING EMPIRE is $4.99 and DRM-free. Also, if you bought it and you subscribe to the New Release newsletter, you will probably want to check your email in order to take advantage of the free ebook offer.