Tag: books

Vol. 9 Sport & Adventure

As previously promised, we’ve made it possible to order the two-volume set of Volumes 9 and 10 in order to complete your set of the Castalia Junior Classics 2020 edition if you happened to purchase the previous eight volumes over time. Original backers should note that they do not need to buy this set because both volumes are included with your backing of the original crowdfund.

We do not intend to make the full 10-volume set available for purchase until the annual Thanksgiving Sale next month because we do not wish to have anyone to pay the full retail price for a set and then be unpleasantly surprised when the sale price is offered a few weeks later. 

We will not be doing anything on the first leather edition until the new year. Also in the new year, we will make second leather edition sets available by sale and a new subscription starting January 1. We have not determined a price yet, but it will be similar to the price for the original backers of the first set. We do not have any extra complete first edition sets available.

To see the Volume 9 cover, more details about the book, and two example pages with illustrations, please visit Castalia Library.

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Six Years in the Making

The purpose of The Junior Classics is to provide, in ten volumes containing about five thousand pages, a classified collection of tales, stories, and poems, both ancient and modern, suitable for boys and girls of from six to sixteen years of age. The boy or girl who becomes familiar with the charming tales and poems in this collection will have gained a knowledge of literature and history that will be of high value in other school and home work. Here are the real elements of imaginative narration, poetry, and ethics, which should enter into the education of every child.

This collection, carefully used by parents and teachers with due reference to individual tastes and needs, will help many children enjoy good literature. It will inspire them with a love of good reading, which is the best possible result of any elementary education. The child himself should be encouraged to make his own selections from this large and varied collection, the child’s enjoyment being the object in view. A real and lasting interest in literature or in scholarship is only to be developed through the individual’s enjoyment of his mental occupations.

CHARLES ELIOT
PRESIDENT EMERITUS OF HARVARD UNIVERSITY
1918

We launched the Castalia Junior Classics on October 15, 2019. On October 26, 2025, we completed the interiors and the covers for Volumes 9 and 10. For more information, check out the Library substack.

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Immigration and Military Power

As we know, Martin van Creveld has demonstrated that immigration is simply another form of war, and an invasion is an invasion regardless of whether it is a peaceful, unarmed, and disorganized one that is welcomed by a governing elite or an armed and organized one that is resisted by the governing elite.

But one of the lessons demonstrated by Sir Charles Oman in his The Art of War in the Middle Ages is the way in which immigration and the reliance upon foreign troops is intrinsically deleterious to the nation’s military organization and will inevitably weaken even the most dominant military power. And this weakness is distinct from the separate problem of foreign military commanders whose loyalties tend to be outweighed by either their ethnic interests or their self-interests.

As he demonstrates in the first chapter of his excellent essay, now being serialized at Castalia Library, the Roman Empire suffered both of these negative effects.

The morale of the Roman army was no longer what it had once been: the corps were no longer homogeneous, and the insufficient supply of recruits was eked out by enlisting slaves and barbarians in the legions themselves, and not only among the auxiliary cohorts. Though seldom wanting in courage, the troops of the fourth century had lost the self-reliance and cohesion of the old Roman infantry, and required far more careful handling on the part of the general. Few facts show this more forcibly than the proposal of the tactician Urbicius to furnish the legionaries with a large supply of portable beams and stakes, to be carried by pack-mules attached to each cohort. These were to be planted on the flanks and in the front of the legion, when there was a probability of its being attacked by hostile cavalry: behind them the Romans were to await the enemy’s onset, without any attempt to assume the offensive.

This proposition marks a great decay in the efficiency of the imperial foot-soldier: the troops of a previous generation would have scorned such a device, accustomed as they were to drive back with ease the assaults of the Parthian and Sarmatian cataphracti.

It should not be a surprise that the US military is in observable decline, having lost its global superpower status and has been surpassed in several areas by the Russian and Chinese militaries, given the fact that the percentage of foreign-born U.S. veterans rose from 2 percent in 1990 to 4.5 percent in 2022. And, of course, this doesn’t even count the much larger number of foreigners who were second- or third-generation immigrants whose interests do not necessarily align with those of the native population.

History is an absolute necessity if one wishes to understand the probable consequences of current events. Even if you have relatively little interest in leatherbound books, or in the aesthetic aspects of the most beautiful books in the world, it will behoove you to consider signing up for a free subscription to the Castalia Library substack for the benefit of the daily serial alone. On a related note, I’m pleased to be able to announce that yesterday, Castalia Library reached 3,000 daily subscribers.

In other Castalia-related news, we have completed the interior layout for THE JUNIOR CLASSICS Volume Nine, Sport & Adventure. We anticipate shipping both volumes Nine and Ten to the backers in November, although demi-royal backers will probably need to wait until December to receive theirs. And for those who were not original backers, we anticipate making the regular editions available as part of the annual Thanksgiving sale.

And yes, we will be announcing a 2nd Edition of The Castalia Junior Classics in leather and making them available once the complete set of the Original Backer’s Leather Editions is in production at the US bindery. The difference will be that the 2nd Edition will be bound in pigskin at the Castalia Bindery.

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Baen is the New Tor

We’re seeing the old aphorism about conservatives being liberals from 20 years ago play out in the science fiction genre:

Earlier this year, Fandom Pulse reported how Larry Correia saw the writing on the wall at Baen Books, a company that’s struggled to retain its identity in science fiction ever since the Sad Puppies controversy of the Hugo Awards in the mid-2010s. While corporate wanted to distance themselves from the event as much as possible, the fanbase actually loved it.

A seminal event in Baen history was when Toni Weisskopf actually shut down the forum “Baen’s Bar” for a time after serial trolls from the mainstream publishing industry were talking about how they might have “liability” because of January 6th, a false flag operation where the left claimed Trump supporters were rioting, but as we now know was an FBI-coordinated psyop.

Since this point, the company seemed to lose its identity and what made it what it was. Baen Books was seen as the alternative to much of the Pink Sci-Fi of the mainstream industry being put out by Tor Books and others. However, their staple of male-driven military science fiction quickly got eaten up by the Amazon algorithm riders who topped charts with rapid-release books that an old publishing company couldn’t compete with.

The company didn’t really develop a next generation of stars to take over from their aging stable of John Ringo, David Weber, David Drake and others. While several of their authors sadly passed away, the company mostly milked their remaining living authors and attached younger co-writers to projects. These books invariably don’t sell as well as the main series, but they also didn’t really bring forth any stars who could sell on their own right.

The result was the state the company is now: their biggest star author flirting with other companies, while they’re trying their hardest to keep the co-written books going. Newer authors tend to be pushing toward the exact Pink SF that Baen Books used to be the alternative to, as increasingly the Baen catalog is publishing exactly that.

It doesn’t get much more turn-of-the-century Tor than publishing a) Catharine Asaro and b) Mercedes Lackey ruining an Ann McCaffrey franchise. At this rate, Baen will be publishing John Scalzi before 2030 rolls around.

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The Charlatan’s Veil

Another Gaiman fan realizes that his literary hero was never all that good in the first place.

Gaiman’s approach to fantasy is a bit shallow. What I’m trying to say here is that Gaiman has a talent for creating mood pieces, but beyond that, his work falls apart.

For example, his stories often unfold as tableaux of strange and evocative moments: a forgotten god hitchhiking through America, a girl wandering into a mirror-world, a dream king brooding over his endless domain. These scenes are drenched in mythic suggestion, as if each image wants to convey some timeless meaning. But if you step through it, you often find he idea of profundity rather than the thing itself. His imagination operates like a collage: history, folklore, and pop culture are cut and pasted together to form something instantly atmospheric, yet curiously weightless. You can clearly see this in many of this Sandman tales: they have a strong opening/hook, but the ending is like “wasn’t that totally random fantastic happenstance neat?” And that’s pretty much it.

Part of the issue is that Gaiman’s relationship to myth feels archival rather than interpretive. He borrows freely from Norse sagas, biblical apocrypha, and fairy tales, but mostly to signal that we are in the presence of something “meaningful.” Rarely does he twist those sources into new psychological or philosophical insight. For example, this can be clearly seen in Season of Mists: The gathering of gods from different cultures is amusing and humorous, but if you look back upon it, the only real depth the whole storyline had was allusiveness. The gods were nothing beyond amusing or humorous curiosities. He’s a curator of myths, not a renovator of them. His most powerful tool is the reader’s own cultural memory; he relies on our preexisting reverence for myth to supply the emotional depth his narratives often lack.

If you strip away the mythic coating and what remains is often a rather simple moral fable or an exercise in mood: a cliched story about the endurance of stories, or the melancholy of immortality, or the faint shimmer of magic behind the mundane. It’s not that these are unworthy themes, but that they are presented through affection rather than argument. It’s basically “style over substance”. The result is fiction that feels “trippy” and profound in the moment, but evaporates upon reflection, leaving behind little more than a pleasant aftertaste of mystery.

Of course, he has certain gifts as a writer. He has a very good ear for rhythm (his prose is a goldmine for making pleasant audiobooks), a flair for genuinely striking imagery, and a knack for making the strange feel intimate. But too often, his fantasy reads like a spell cast for its own beauty, a shimmer of enchantment that delights the senses while concealing the absence of real substance beneath. His worlds are wondrous, yes, but their wonder tends to circle back on itself, never quite touching the ground of genuine insight.

He’s absolutely right. Neil Gaiman isn’t, by any stretch of the imagination, a bad or untalented writer. But he’s barely a good writer and he isn’t anywhere close to the great one that his fans, his publishers, and his press once would have had everyone believe. He’s always been a 7/10 in my book, and I’d drop that a point to 6/10 in light of his shameless ripoffs of other, much better writers, by far the most egregious and disgusting being the short story “Snow, Glass, Apples” which doesn’t even attempt to hide its overt imitation of Tanith Lee’s much better “Red as Blood”.

Ironically, although “Snow, Glass, Apples” is supposedly significant enough to have its own Wikipedia page, that page rather gives away the game with its “See Also” reference to the page about Tanith Lee’s short story collection, of which “Red as Blood” is the titular story.

But as manufactured creatures go, at least Gaiman did possess an amount of talent which he utilized to reasonable effect before he devoted himself to playing the public part of an Important Author and what is alleged to be his tubcuddling hobby.

The amusing thing is the way in which the fans pretend that Gaiman being off wasn’t always obvious to the sufficiently observant.

It’s annoying how some act like they’re these know it all sages, like they were always a few steps ahead of everyone else. Saying they always knew he was a sicko in real life based on the topics he wrote about. If they really knew, why didn’t they say something sooner, instead of showing up after the damage is done?

They did. But they were shouted down by fans who refused to either listen or see the obvious for themselves.

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THE MEDITATIONS available

Castalia Library is making 140 copies of its Bindery Test edition of THE MEDITATIONS by Marcus Aurelius available to interested parties at a reduced price. Please note that this edition lacks both a) gilded page edges and b) spine hubs. It is further identified with a Chateau Castalia logo on the pre-title page and “A Test Run of 200” on the title page.

For more information about the Bindery Test edition, pictures, and a very cool video of our new laser in action, please visit the Castalia Library substack.

You can also purchase copies of THE MEDITATIONS (Bindery edition) from NDM Express.

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Superluminary Serial

Fandom Pulse has launched a new weekly serial with a serious bang.

John C. Wright is one of the greatest science fiction and fantasy writers of our time, with writing abilities that are of the level of a Grand Master. His Superluminary was designed as a serial, and, with his permission, we will reprinting it here on Sundays as a new feature. Enjoy great science fiction!

Episode 01: Assassin in Everest

Aeneas Tell of House of Tell, the youngest of the Lords of Creation, was twenty-one when he was assassinated for the first time.

His secondary brain came awake while his primary brain was still foggy with strange dreams. Alert to danger, the secondary brain stopped the nerve pulses from the primary brain which otherwise would have let him groan and open his eyes, which would have precipitated the nervous killer’s attack.

But his primary brain had been in the delta brainwave stage of sleep, a deep and dreamless slumber. There was no sound, no light, no disturbance. What had broken his sleep? A memory, like an echo, of terrible multiple toothaches left a metallic taste in his mouth.

He had been dreaming about his insane grandfather, the Emperor. The old man had been telling him about the secrets of the universe… then a stinging pain in his teeth had jarred him awake. But how could Aeneas remember a dream when he had not been in the desynchronous brainwave state in which dreaming was possible?

Aeneas, eyes still closed, not daring to move, increased the firing rate of his auditory nerves. He was laying on the nongravity cushion of his opulent four-poster bed. The neverending whisper of the high-altitude winds of Mount Everest beyond the bubble of weather-controlled air was now loud to him.

On these upper peaks his family had erected the proud imperial palace-city of Ultrapolis, whose towers and domes were impregnable behind concentric force-shells and thought-screens. None of the artificial or bio-modified races of the nine worlds, fifty worldlets, and one hundred eighty moons of the Solar System could bring any realistic threat to bear on these defenses, not while the twelve ranking members of the House of Tell, the so-called Lords of Creation, retained control of the stratonic supertechnology known only to them.

But betrayal from within was another matter.

An excellent choice, even if I say so myself as its erstwhile publisher. If you haven’t read it already, be sure to bookmark Fandom Pulse for Sunday readings.

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Baseless Con

Castalia doesn’t support any con that treats people this way, particularly not one of our authors:

For the last five years, Libertarian author Robert Kroese has been running an alternative convention to the mainstream industry-run cons such as WorldCon, with the intention of making it an alternative. Unfortunately, the convention has turned into much the same liberal gatekeeping as those conventions, as the convention banned me after Kroese could not handle my calling modern woke D&D “Satanic” (rightfully in my opinion), and proceeded to cancel me over my journalism calling out problems in the gaming industry.

There’s much more to the reason robkroese went full-cancel that has to do with his personal ego with the convention rather than anything I’ve done, which is why his continued actions have been beyond absurd, and it’s been a debate of whether Fandom Pulse should address this matter at all.

I’m chosing to for two reasons: 1. Fandom Pulse provides the best comprehensive coverage of conventions with bad behaviors, and this is no different despite my being the focus of the story, 2. because at the convention, Kroese is taking the stage dedicating an entire panel to personally attacking me, which I’ve never heard of a convention doing in the history of cons, making this an incredibly exceptional situation. Despite saying there’s no panel, what is giving a 20-minute talk from a stage of a convention if not a panel?

Below is the history of what transpired and why this is simply a mockery of the name “BasedCon.”

The cucks and cons who act as if they’re any sort of alternative to the SJWs in genre fiction, while attempting to police ideas, politics, and tone in exactly the same manner as those to whom they purport to be an alternative, are as useless and ultimately ephemeral as the Bush Republicans.

They’re just another form of gatekeeper, and they are always opposed to anything that isn’t more of the status quo, only with a conservative varnish. But they’ll cancel people over insufficient enthusiasm for the Gazacaust as readily as the SJWs will cancel someone for insufficient enthusiasm for transgender children.

Anyhow, this is why we don’t support BasedCon, although since we’re not into the business of socially policing anyone, we don’t have any problem with those who choose to attend it, or WorldCon, or ComicCon, or any of the various other events that we ignore as we continue to build infrastructure that will not only last generations, but hopefully, centuries.

Before the end of October, we’ll have the ability to produce mainstream-sized print runs, but in leather. It’s taken a very long time for all of the pieces to come together, but we’re finally getting to where we knew we needed to be. And there will very likely be some developments well beyond what anyone is imagining is possible in the next few years, as our strategic plan for the next stage will take most people by surprise.

Which is why I’m making it clear now that we will work with anyone who simply wishes to do business in a professional manner, regardless of whatever their past antics may have been. We are focused on producing the best and most beautiful books in the world, and while there is certain content we will not publish, we don’t concern ourselves with policing the opinions of our current or prospective partners.

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