ALT★HERO: Q Episode 72: Q Is Us
THE SWORD OF GOD Episode 68: (S2 Interlude) Interview with RazarKat!
WARDOGS INC. Episode 36: Forward Observations
TREASURY OF TALES Episode 33: King Winter
RIOT TOWN, USA Episode 42: They/Qui
#Arkhaven INFOGALACTIC #Castalia House
ALT★HERO: Q Episode 72: Q Is Us
THE SWORD OF GOD Episode 68: (S2 Interlude) Interview with RazarKat!
WARDOGS INC. Episode 36: Forward Observations
TREASURY OF TALES Episode 33: King Winter
RIOT TOWN, USA Episode 42: They/Qui
There is literally nothing the petty wicked of the world will not eventually seek to subvert, not even Handel’s Messiah:
Messiah Queered — that’s the title of a reimagining of Handel’s classic oratorio performed through an LGBTTQ+ lens.
The oratorio, a staple at Christmas time for many people, will be performed by the Rainbow Harmony Project choir, together with soloists and a 16-piece orchestra made up of professional and amateur players at Holy Trinity Anglican Church Friday at 7:30 p.m.
The idea for the performance came up during a conversation between Nathan Poole, a local violin and piano teacher, and Sandra Bender, music director at Holy Trinity Church. Bender, who is bisexual and the soprano soloist in the performance, thought it would be a great oratorio for LGBTTQ+ people.
“It’s the story of a transient who hung out with marginalized people, who offered love and self-sacrifice and who experienced rejection and betrayal — something LGBTTQ+ people understand in all too real a way,” she said.
Kathleen Murphy, a student and choir director for Rainbow Harmony Project and the mezzo-soprano in the performance, said doing the Messiah through an LGBTTQ+ lens is “a way to push back expectations.”
The Churchians who have reduced the image of Jesus Christ to a saccharine figure who is about nothing but love, tolerance, and acceptance not only have a lot for which to answer, they are going to be in for a tremendous surprise when the King of Kings returns, riding through the blood of the wicked on a white horse.
Christ on a White Horse
I saw heaven opened, and behold, a white horse. And He who sat on him was called Faithful and True, and in righteousness He judges and makes war. His eyes were like a flame of fire, and on His head were many crowns. He had a name written that no one knew except Himself. He was clothed with a robe dipped in blood, and His name is called The Word of God. And the armies in heaven, clothed in fine linen, white and clean, followed Him on white horses. Now out of His mouth goes a sharp sword, that with it He should strike the nations. And He Himself will rule them with a rod of iron. He Himself treads the winepress of the fierceness and wrath of Almighty God.
Usually, one prays for mercy. Sometimes, though, one really hopes for justice.
Babymetal isn’t just back with a vengeance. I mean, yes, Moa has proven that she can hold her own in the absence of Yui, Momo has won over me and the rest of The One with her enthusiasm, Su’s voice is maturing beautifully, and Monochrome is a serious candidate for their best-ever song as well as one of the best compositions and productions I’ve ever heard by anyone, but now they’re multiplying.
I have to admit, my thoughts almost precisely echoed one commenter’s observation.
When the Metalverse girl started singing I was like, “wow, she’s good. Maybe even give Su a run for her money.” Then Su started singing and I was like, “nope, not even close.”
Su’s voice was always great, but the strength, the length, and most of all, the ease with which she holds that high note on the last “hajire” is simply breathtaking. Not that she ever lacked confidence on stage, but now she practically radiates it. And it’s fun to see how she still loves singing a relatively silly early song like Iine.
While I like the way they’re extending the instrumental breakdown here and increasing the contrast with the heavier parts, nothing will replace the way they got the whole audience involved on this one in some of the smaller venues back in their first European tour days.
As a bonus, check out what can only be described as their triumphant Road of Resistance performance at the same Japanese arena earlier this month.
UPDATE: Okay, now they’re just showing off. It’s a mirrored performance that comes out of nowhere. Wait until 2:22.
STONETOSS Episode 252: Scrooge
BOB Episode 142: Sanguis Balneum (warning: dark and graphic)
THE GOLDEN AGE Episode 16: Avatar of the Earthmind
TREASURY OF TALES Episode 32: King Winter
BEN GARRISON Episode 125: Joe in the Box
It’s no wonder that NATO has been demolished in Ukraine with military leadership of this intellectual calibre and historical knowledge:
The Ukrainian government needs to look at what Germany did in WWII to stand a chance against Russia, according to Ben Hodges, former commander of US Army forces stationed in Europe. Hodges, who retired as a lieutenant-general in 2017, has long been an outspoken supporter of Ukraine. In an interview with the Australian YouTuber Perun, published over the weekend, he repeatedly cited examples from the Second World War to argue that Kiev can defeat Moscow on the battlefield. “They are gonna have to increase production of ammunition and weapons in Ukraine,” Hodges said. “Some of these things are already happening, but it is possible when you are at war to increase production, even with Russian missiles raining down on your cities.” “I mean, think about what Germany did in 1944. Aircraft production for the Luftwaffe peaked in 1944. That’s after more than two years of steady bombing by the Royal Air Force and the US Army Air Corps bombing the hell out of German cities. But yet German aircraft production increased. So I think Ukraine can do that with some improving efficiency. Some Western companies are already there helping,” he concluded.
On the one hand, he’s right. Germany did increase its aircraft production in 1944. And so did Japan, which not only increased its shipping tonnage produced in 1944, but even managed to build more aircraft in 1945 than it did in 1942.
On the other hand—–and I would argue this is the more salient point—–both Germany and Japan were not only defeated militarily, but were defeated so comprehensively that they were forced to surrender unconditionally and are still under military occupation nearly 80 years after their respective surrenders.
Forget the Kiev regime. Forget Ukraine. And forget NATO. Anyone who knows anything about military history recognizes that both of them are already finished, they simply haven’t stopped quivering yet. The USA is now facing global military defeat on every single front, even as it is prostrate before the biggest invasion in all of human history.
At this point there appears to be nothing that can stop the All Nations Alliance from defeating Clown World. And for those who would cite the US and Israeli nuclear arsenals as a possible emergency measure, I repeat: there is nothing. I didn’t understand it when I first read the book as a child, but in retrospect, Jeff Sutton was telling us what the programming was back in 1968.
Just to put it on the record, here is where I think Amazon is headed over the next three years, and the effect its actions will have on the publishing industry over the next decade. I could well be wrong. I very much hope that I will be wrong, but as it stands, please note that I wasn’t pessimistic enough about the long-term effects of Kindle Unlimited when it was introduced in 2014.
2024: Audible Unlimited. Like Kindle Unlimited, but for audio. Authors get paid by the listened hour from a collective pot that is funded by Amazon’s additional $7.99 charge on top of the $11.99 paid by KU subscribers.
2025: Paperbacks Unlimited. Subscribers can pay $19.99 per month and receive any three KDP paperbacks of their choice. Authors are paid $0.99 per paperback shipped. A hardcover option will follow the next year, which will be available at a lower price point, but the subscriber will only receive one book per month, with the ability to pay more to get two or three. Hardcover compensation pays authors $2 per book shipped. It’s essentially the old book club model, writ very, very large.
The introduction of Virtua Voice makes the former viable. The purchase of print-on-demand facilities in the USA and the UK make the latter viable. And most of the bestselling KAP Unlimited authors will either be a) AI-assisted independents cranking out a new series book every month or b) fake authors created by Amazon.
If you’re an author or a publisher, you had better prepare accordingly. Because these programs are coming, and they will have the same effect on audiobook and print sales as KU has had on ebook revenues. I estimate that KAP Unlimited will have the potential to shrink total US consumer books sales from $17.4 billion to under $5 billion by 2035.

UPDATE: Apparently Audible Unlimited already exists, in the form of Audible Plus. What has changed is the ability of Amazon to inexpensively convert all of its KDP ebooks to Audible Plus audiobooks using Virtua Voice.
THE SCREAMING VOID Episode 6: The Shropshire Drop
FAIRY DOOR Episode 60: Returning Home+Afterword
HAMMER OF FREEDOM 2 Episode 27: Night Terror
FRANKENSTEIN – THE RETURN Episode 18: The Tomb of Death
CHATEAU GRIEF Episode 324: Terrible Blonder
THE SIEGE OF THE BLACK CITADEL Episode 21: The Market of the Camp Followers
TREASURY OF TALES Episode 31: King Winter
Ahnaf Habib, writing at The Tree of Woe, implicitly contends that that my decades-old prediction of the collapse of the USA as a singular political entity in 2033 is too optimistic:
This is a Doom Loop. All signs presently indicate that The US has entered said Loop. The gravity of the moment we are in cannot be merely dismissed on a whim of ‘hope’.
There was a time when the United States and its peoples could safely hide behind two Oceans, a robust economy, a homogenous society (ethnic, cultural and religious), technological prowess, etc. However, none of those are extant today.
America had its chance. It had an opportunity to pursue Empire in some “benevolent” capacity. It had its shot at leading the rest of world in a manner that could have been dignified, measured and temperate. It had all of that and much more.
But that is all in the past. What remains today is nothing more than “inertia”.
Men; men more clever, wise, and capable than any of the sorry lot of soy-drinking fools who claim to be “men” today in CONUS and the European satrapies; such men have long passed on. With their passing, what they built can only endure for a bit more at most.
Make no mistake: The Empire of Lies will not go down without a fight.
There are however, too many “small brushfires” worldwide to extinguish. Ergo, “Death by a Thousand Cuts” is the name of the game. Defeat is only a matter of time.
Doubts have already arisen in the Empire’s ability to secure World Trade.
This is magnified by a loss of deterrence in West Asia, in spite of the multiple carrier battle groups sent to the region to dissuade regional players.
The de facto blockade of the Bab-el-Mandeb strait by Yemen’s Ansarallah is shaping up to be the “Suez Moment” of American Empire: If the Hegemon cannot lift said blockade and guarantee the safety of global shipping, it is no longer a “Superpower.”
The fate of America was sealed by two things. First, the Civil War that established the empire. Second, the notorious 1883 poem of Emma Lazarus, “The New Colossus”, that to all intents and purposes replaced the Constitution of the United States.
The Republic belonged to Americans. The Empire belonged to those who adopted the foreign “Melting Pot” ideology that was introduced to denationalize the new empire and sever it from its British roots. Everything that has happened since, including the largest invasion in human history and the concomitant takeover by the same ethnic elite that ruled the Soviet Union, was a direct result of those two fatal events.
This latest iteration of The Empire That Never Ended appears to be approaching its end. There is, I think, some comfort in the knowledge that there was essentially nothing that anyone living today could have done about the historical trajectory of the United States. But all empires inevitably come to an end, and it is eminently clear that the bells are tolling for the imperial USA. And while it may not seem to be the case, the collapse of the imperial USA may well turn out to be the best thing to happen for the American nation in decades, if not quite centuries.
A large tech organization explains why they left the Cloud, and how much they have benefited from doing so:
Just over a year ago, we announced our intention to leave the cloud. We then shared our complete $3.2 million cloud budget for 2022, and the fact that we were going to build our own tooling rather than pay for overpriced enterprise service contracts. The mission was set!
A month later, we placed an order for $600,000 worth of Dell servers to carry our exit, and did the math to conservatively estimate $7 million in savings over the next five years. We also detailed the larger values, beyond just cost, that was driving our cloud exit. Things like independence and loyalty to the original ethos of the internet.
Still in February, we announced the new tool I had bootstrapped in a few weeks to take us out of the cloud – without giving up on all the innovation in containers and operating principles from the cloud. This was the introduction of Kamal.
Shortly thereafter, all the hardware we needed for our cloud exit arrived on pallets in our two geographically-dispersed data centers. All 4,000 vCPUs, 7,680GB of RAM, and 384TB of NVMe storage of it!
And then, in June, it was done. We had left the cloud.
To say this journey was controversial is putting it mildly. Millions of people read the updates on LinkedIn, X, and by following this very mailing list. I got thousands of comments asking for clarification, providing feedback, and expressing incredulity over our nerve to zig when others were still busy catching up to the zag.
But the proof was in the pudding. Not only did we complete our cloud exit quickly, customers scarcely noticed anything, and soon the savings started to mount. Already in September, we’d secured a million dollars in savings on the cloud bill. And as the reserved instances (where you prepay for a whole year in advance to get better pricing) started to expire, the bill just kept collapsing:
I’ve never trusted the Cloud. And I’m very pleased to be able to say that as of last week, we no longer have a single project that is on the Cloud. While it may be useful in the initial stages of a project that isn’t capable of sustaining itself, the sooner one can move off the Cloud and onto one’s own servers, the better off one is likely to be.
And that doesn’t even begin to get into the peril of relying upon a corporation filled with SJWs who enjoy nothing more than playing thought police and denying corporate services to anyone they don’t like or of whom they don’t approve.
On a not-unrelated note, the Arktoons devs have successfully defeated a DDOS attack on the site. It’s good to be able to handle these things on our own, and not be dependent upon the security of the Cloud services company. If you were having problems accessing the site last night, it should be fine today.