UEFA Rejects Privatization

UEFA and its 55 member associations stand as one. We unanimously and unequivocally reject FIFA’s proposal to transfer ownership interests in the World Cup and other FIFA competitions to private investors.

The World Cup cannot be treated as an investment product. It is one of football’s greatest sporting legacies. It has been built over generations by players, national teams and supporters across every continent. No part of it should ever be surrendered to private investors. The World Cup is not for sale.

It is both irresponsible and indefensible that a proposal of such significance for football was conceived in secret and brought to the brink of approval without any meaningful consultation with those entrusted with stewarding the game. This is not merely a profound failure of leadership, but an abdication of FIFA’s duty as the custodian of world football.

National associations around the world are now presented with an ultimatum: accept the irreversible capture of football’s greatest competitions or bear the consequences. This is not a “democratic decision”, but governance by intimidation – an act of coercion unworthy of an institution entrusted with the stewardship of the global game.

Europe’s position is clear. We will never lend this model our legitimacy. No one has the moral authority to sell what they merely hold in trust for the next generation.

As a result of today’s discussion, no UEFA national teams will participate in any FIFA competition for so long as these proposals remain alive, unless this proposal has been abandoned in its entirety and binding assurances have been given that FIFA will never again open its governance or competitions to private ownership.

The proposal is absolutely absurd. FIFA is astonishingly corrupt, but this is hitting new heights of corruption. UEFA and the other Football Associations are correct to reject it completely.

In other international football news, the Milan family is in mourning. Riposa in pace.

The former Milan and Italy defender Franco Baresi, one of the most recognisable players of the ⁠golden era of Italian football in the 1980s and 1990s, has died at the age of 66. “The entire history of ⁠AC Milan is in ⁠tears following the ​passing of Franco Baresi,” his former club said on Friday. “His example and integrity will be forever etched into the club’s DNA.”

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Migration is Literally Invasion

For 50 years, the traitors in the West have insisted that immigration is not invasion. And now the inevitable has become undeniable:

Spain has deployed just 60 troops to its North African exclave of Ceuta after thousands of migrants overwhelmed security forces and stormed across the border from Morocco, with up to 30,000 more people reportedly swarming the frontier. The Spanish Interior Ministry said the military contingent consisted of three platoons of 20 soldiers each, sent to reinforce the Guardia Civil after officers admitted that the border had “totally collapsed.” Madrid also dispatched specialized police units, bringing their total number to around 200, as well as 30 additional Guardia Civil officers.

The small military deployment came after Ceuta’s regional government pleaded with Madrid to take “decisive” action, close the border and declare a national emergency, warning that local police, hospitals and migrant reception facilities had been overwhelmed.

Prime Minister Pedro Sanchez’s government rejected the emergency request, arguing that migration does not qualify under legislation covering natural disasters, major accidents and other national catastrophes.

Of course it doesn’t. It’s war. Migrants and refugees should be met with military force at the border, or they will wage war on the native population. This is a larger invasion than the original one from North Africa that led to 700 years of Muslim occupation.

UPDATE: the invading force is up to 49,000 strong and they’re pillaging the towns.

Terrifying footage showed scores of people seemingly breaking into homes across the city late at night. One clip appeared to show a man on top of a ladder, hitting a first-floor window with an object. After migrants flooded into the city, many local shops chose to close early. Enrique Serrano, who runs a women’s clothing store in central Ceuta, told Reuters business owners were organising self-defence because they believed police resources would be insufficient.

UPDATE: Finland has joined Italy and Denmark in calling for Spain to be removed from the Schengen agreement.

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A Reminder

For God hath not given us the spirit of fear; but of power, and of love, and of a sound mind.

Because sometimes even Christians need to be reminded that everywhere throughout this fallen world of clowns, demons, spirits, and cannibals, Jesus Christ is still King. And we’re told that the power of music can drive the demons away.

When you’re feeling oppressed, or depressed, or afraid, do three things.

  1. Pray.
  2. Read your Bible.
  3. Crank those two new mixes.

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A Return to Militarism

It was always inevitable, but now it’s real, if not yet official:

Recently, Japanese vessels and aircraft have provoked and harassed a Chinese naval formation carrying out routine training missions. The Global Times obtained an exclusive audio recording in which Japan’s Self-Defense Forces referred to itself as the “Japan Navy.” In response, the Chinese navy task group has taken firm stance and corrected Japan’s mistaken rhetoric.

“Chinese Navy task group, this is ‘Japan Navy’. We are conducting lawful activities in the international airspace in accordance with the international law. Out.” according to the audio.

In response, the Chinese side made correction: “Japanese aircraft, this is China Navy task group. Your so-called ‘Japan Navy’ has violated your constitution. You can only keep Self-Defense forces. Pay attention to your words. Over.”

However, the Japanese side refused to correct the mistake, and claimed that “China Navy task group, this is ‘Japan Navy’. We are keeping safe distance in accordance with international law and practice. Out.”

The Chinese side then responded that “Japanese aircraft, this is China Navy task group. Warning: in case of misunderstanding and miscalculation, stop your action and leave immediately. Over.”

We all know it’s “the Japanese Navy”. And it’s about time. Of course, the official change probably won’t come until just before the Japanese throw off Clown World control and switch sides to become allies with China.

Which, of course, sounds far-fetched, but it’s something that I nevertheless anticipate.

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Immigration and Economy

It’s been eleven years since Angela Merkel imported about a million young immigrants who were supposed to help the German economy and make up for the failure of Germans to have the children required to sustain the German social welfare system. And the verdict is not a positive one.

German auto giant BMW is planning to slash some 8,000 jobs globally by the end of 2027, according to several news media outlets, including Reuters and Bloomberg. German workers are expected to be particularly affected as the manufacturer is dealing with high production costs in Europe, as well as plunging sales in China, according to the reports.

The automaker employed 87,436 people in Germany as of late 2025, which accounted for more than a half of its global headcount. The company has already been making gradual reductions, with a reported decrease of 2.3% compared to 2024, according to Bloomberg.

It comes just a day after another German carmaker, Porsche, announced plans to eliminate another 5,000 jobs by 2035, bringing its total planned reduction to around 9,400 positions. Its parent company, Volkswagen, is considering slashing up to 100,000 jobs amid a protracted industrial slump caused by high energy prices. The Federation of German Industries (BDI) warned last week that the nation’s industrial sector was losing 15,000 jobs every month in what it described as a “critical” situation.

The “immigration is good for the economy” lie cannot be hammered hard enough. It was always false, but it was just barely possible to appeal to the abstract theory in the absence of any conclusive evidence refuting it. But, as with Darwin and DNA, the evidence is now available, and it conclusively and comprehensibly refutes the Post WWII-era justification.

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A Science Fiction Family

This sort of biographical article, like this one on Poul Anderson and his family, is one of my favorite sort of Fandom Pulse articles. It’s the kind of thing you quite literally can’t find anywhere else:

Poul William Anderson was born in Bristol, Pennsylvania, on November 25, 1926, to Scandinavian parents. His father died when Poul was young. His mother took the family to Denmark for a period before World War Two, then to a Minnesota farm when the war broke out. He grew up bilingual, deeply attached to Danish literature and culture, and this shows up throughout the fiction. His command of Scandinavian mythology and Old Norse poetry is one of the things that separates his fantasy work from every imitator who came after Tolkien.

He took his bachelor’s degree in physics from the University of Minnesota in 1948. He was already selling stories to Astounding by the time he graduated. His first novel, Vault of the Ages, appeared in 1952. The science background is not decorative. Anderson’s fiction is rigorously scientific in ways almost nobody else in the field managed. His hard SF is calculated. His fantasy is grounded in real historical detail. His alternate histories are worked out by a physicist.

In 1952 he met Karen Kruse. They married in 1953 in Berkeley, California, moved to the Bay Area, and stayed there. Their daughter Astrid was born in Berkeley. The Andersons lived in Orinda, in the East Bay hills, for the rest of Poul’s life. He became a Californian in a way that shaped the fiction, though he never lost the Minnesota-farm sensibility either.

His Wife Karen. Born June Millichamp Kruse in Erlanger, Kentucky, on September 16, 1932, she was already deep in SF fandom when she met Poul. She coined the term “filk music,” which is what SF fandom’s musical tradition has been called ever since. She coined the term “sophont” for a generic sentient being, a word every worldbuilder in the field has since used. She wrote the first published science fiction haiku, “Six Haiku,” in The Magazine of Fantasy & Science Fiction, July 1962. She was a founding member of the Society for Creative Anachronism, under the SCA name Karina of the Far West. She was inducted into the Baker Street Irregulars for her Sherlock Holmes scholarship.

She was also her husband’s collaborator across four decades. The King of Ys tetralogy, Roma Mater (1986), Gallicenae (1987), Dahut (1988), and The Dog and the Wolf (1988), was cowritten with Karen. She contributed anonymously to the Last Viking trilogy. The collaboration was real, not honorary. When Poul died in 2001, Karen continued as an editor and fan community figure until her own death on March 17, 2018.

Their daughter Astrid Anderson Bear married the science fiction novelist Greg Bear in 1975. Greg Bear was one of the leading hard SF writers of his generation, author of Blood Music, Eon, Darwin’s Radio, and Moving Mars. He died on November 19, 2022. Astrid remains active in the SF community and coauthored an authorized biography of her father, Starfarer, in 2024.

I personally consider Anderson to be in the second tier of the classic SF writers, but I’ve always enjoyed his stuff. I really liked his contribution to There Will Be War, for example, and he had a range that tended to exceed most of the writers of his day. He was able to blend fantasy and science fiction in a manner very different than urban fantasy or magical realism, and yet it always worked somehow.

Anyhow, if you’ve never read any Poul Anderson, I’d highly recommend that you do so. His son-in-law, Greg Bear, is a little more of a conventional SF writer and his work is a little more of an acquired taste. But it, too, is at the very least worth trying if you’re looking for a new author to read.

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Success is Fake

Believe it or not, this is one of Britain’s biggest media stars of the last decade:

Holly Willoughby’s new YouTube show brought in 41,000 views on its first day – after it was panned by critics and branded ‘dire’.

The former This Morning host, 45, launched her first episode of the show on Tuesday, with desperate attempts at relatability thanks to swearing and unsubtle innuendos with first guest, The Devil Wears Prada star Stanley Tucci, 65.

It failed to impress critics – with a one-star review comparing her show to Meghan Markle’s attempt to enter the lifestyle realm with her own show last year.

Last March, Meghan launched a Netflix lifestyle series, which was blasted, leading to The Guardian branding Holly’s show ‘a marginally less agonising With Love, Meghan’ while The Telegraph stated: ‘[Holly’s] dire show makes Meghan look good.’

And 24 hours after it was posted to her YouTube channel, it had received 41,000 views.

She now has 11,000 subscribers to the channel.

Everything in the media is propped up and fake. It’s easy to tell, because every single time “a big star” attempts to do something without the benefit of the mainstream machinery, they can’t even reach a level of modest success on their own. To put it in perspective, 41,000 views is less than this blog and Sigma Game combined.

No wonder they all have Imposter Syndrome.

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Why Castalia Library Matters

We can’t save all the books. But we can save some of them.

The driving force behind this destruction is what researchers call “model collapse.” When AI systems train on text generated by other AI systems, quality degrades with each generation, producing increasingly incoherent results. The internet has become so saturated with synthetic content that companies now actively seek pre-2022 printed books as the last uncontaminated reservoir of human-authored knowledge.

ISBNdb, a company that sources printed books for AI training data, advertises on its website that “the world’s best AI training data is sitting on a shelf.” The company describes printed books as “curated, peer-reviewed, domain-specific human knowledge, structured in a way no web crawl can replicate.” Pre-2022 publications are “structurally guaranteed to be free of this contamination,” the company states, referencing both AI-generated text and the growing practice of authors “poisoning” web content to sabotage scraping pipelines.

The industrial process of destruction

The mechanics of this operation are precise and troubling. Standard pallets of books hold 800 to 1,200 volumes. Buyers scale from pilot orders to 10,000 or more books per batch. Destructive scanners process 80 to 120 pages per minute after hydraulic cutting machines slice off book spines. The original books are then pulped and recycled.

According to court documents from the Anthropic case, the company’s “Project Panama” spent tens of millions of dollars on this exact pipeline, contracting with Datamation for scanning services. Booksellers have identified these bulk buyers through telltale signs: abnormal volume, subject-agnostic orders spanning history, botany, regional law, and German economics simultaneously, and total indifference to pricing. As one bookseller told 404 Media, “It’s not just the quantity, but the weirdness of the orders.”

Anthropic’s Tom Harvey, who previously helped create Google Books, oversaw the operation. One bookseller who has sold hundreds of books to suspected AI buyers expressed mixed feelings: “It benefits me financially… On the other hand, I don’t like the end-use, and I don’t like that uncommon books are being pulped.”

The vanishing heritage

The most troubling aspect of this practice is what it means for rare and out-of-print books. Foreign-language volumes, low-circulation academic works, and antique texts with limited surviving copies face potential extinction. When an AI company purchases the last known physical copy of a rare book, scans it, and destroys the original, that volume ceases to exist in the physical world. It becomes data locked inside corporate servers — inaccessible to future scholars, collectors, or the public.

ISBNdb acknowledges the “optics problem” on its website, noting that “‘AI company destroys two million books’ is not a headline that generates sympathy.” The company promises strict nondisclosure agreements on every engagement, stating that “your identity, strategy, and acquisition targets are never disclosed.” This secrecy means booksellers can only speculate about who is buying their inventory and for what purpose.

A legal framework that encourages destruction

Judge Alsup’s ruling explicitly validated the buy-scan-destroy pipeline, writing that “every purchased print copy was copied in order to save storage space and to enable searchability as a digital copy. The print original was destroyed. One replaced the other.” Because the digital copy was never shown, shared, or sold outside the company, the judge found this “clearly transformative” and therefore protected by fair use.

This reasoning effectively creates a legal incentive for destruction. If a company keeps the physical book, it must store it. By destroying the original, the company can argue it “replaced” the physical copy with a digital one. The ruling handed the entire AI industry a template, and companies now explicitly cite it.

Harvard University, partnering with Google and Microsoft, demonstrated that an alternative exists. The collaboration released nearly one million public-domain digitized books in 254 languages — no destruction required. Microsoft’s Burton Davis called starting with public-domain data “prudent,” noting that libraries hold “significant amounts of interesting cultural, historical and language data.” That alternative track makes clear that labs have cleaner options. They simply choose not to take them.

We’re going to come up with a program to save and bind some of these rare books. They don’t have to be destroyed. What I’m thinking of is an “adopt a book” program that will permit people to fund the rebinding of a rare book in leather, after which they will receive that book or be recognized as the sponsor of that book in Castalia’s library. If we can just convince the AI companies to send us the pages instead of pulping them, this should be something doable.

In the meantime, you can help us create books that are going to outlive the AI companies engaging in this destruction.

And be sure to take notice of how this is being caused as a downstream consequence of copyright law…

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Red on Red

The recent translator of The Odyssey takes the director of The Odyssey to task despite his claiming, apparently falsely, to have based his revisionist, anti-Homeric film on her revisionist post-Homeric translation.

Christopher Nolan built his entire Odyssey around Emily Wilson’s 2017 translation, crediting her famous opening line, “Tell me about a complicated man,” as one of his biggest points of inspiration going into the project. Wilson has now seen the finished film. Her review, a 4,000-word essay published this week in the London Review of Books under the title “An Uncomplicated Man,” is one of the harshest takedowns Nolan has received in his entire career, and it comes from the one scholar whose own work he explicitly built this movie on top of.

Wilson opens with something close to a compliment before the knife goes in. “I was humbled to learn that Nolan has read at least the first line of my translation,” she writes. “But I would be ashamed to have written any part of this script.” That single sentence has already become the pull quote defining coverage of the piece, and it earns that status. It’s not a critic taking a shot from a distance. It’s the translator whose language Nolan quoted in press interviews telling him, in print, that she wants no association with what he built from it.

She spends the next several thousand words explaining exactly why. Wilson describes the overall experience of watching the film as “family-friendly audiovisual spectacle, like an elaborate Fourth of July fireworks display, and with about the same level of narrative and emotional depth.” She connects it to a pattern she sees across Nolan’s career: “As in his previous films, Nolan is interested in the discontinuities of space and time, in magic, tricks, craft, technology, rivalry, substitution, masks, miscommunication, what we remember and what we choose to forget.” That’s not dismissive on its face, but the verdict that follows is blunt: “It lacks psychological, emotional, political and ethical depth. Its narrative structure is gimmicky. The writing is abysmal. None of the characters has convincing motivation for their actions or words. There are no sex scenes, and all the food looks horrible.”

She’s absolutely not wrong. And yet, as one of the most prolific translators of 2026, I don’t have to read Ms Wilson’s translation to have a pretty good idea about the nature of its flaws from that one single line alone. Translators have to make a lot of choices, and most translators tend to make what I believe to be distinctly suboptimal ones. Ironically, the current taste for revisionism to suit current preferences is very much in keeping with the translations of the late 19th century; the very accomplished and highly prolific Clara Bell, who translated Balzac, Casanova, Huysmans, Ibsen, and Maupassant, as well as by Louis Couperus, Georg Ebers, Benito Pérez Galdós, Ernst Haeckel, Pierre Loti, and Helmuth von Moltke, among others, became notorious in translation circles for making all of their books sound as if they were written by a late 19th Century Englishwoman.

In the 1950s, the academic craze for accuracy and literalism resulted in nearly all of the post-Waley translations being dry renditions that leave the English reader wondering how the foreign language novel ever became popular in the first place. The 1980s hit a high point with William Weaver’s translations of Umberto Eco’s novels, but since then, we’ve generally reverted to the older, more revisionist Bell-style standard.

My preference is to focus first on readability for the modern reader followed by non-literal accuracy. Which may explain why blind comparisons have regularly indicated that Castalia’s translations are preferred to the existing ones.

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