#Arkhaven INFOGALACTIC #Castalia House
There have been 13 senior financial services executives deaths around the world this year, but the most notable thing about the sad suicide of the 14th, a 52-year-old banker at France’s Bred-Banque-Populaire, is she is the first female. As Le Parisien reports, Lydia (no surname given) jumped from the bank’s Paris headquarter’s 14th floor shortly before 10am.
However, this one looks considerably less suspicious than some of the others.
As the Torlings double down to concede his point. Lest any of you Hugo voters feel any need to be objective, or to avoid downgrading authors for their political views or being published by Tor, consider the publicly expressed perspective of one of the larger Torlings, Tor editor Teresa Nielsen Hayden:
Here’s the deal for me:
Why should I vote to tell the rest of the world that SF is a place where the only difference between James White and Vox Day is their commercially published texts?
The awards we give out are are a giant signal saying “This is what we love, this is what we value, this is what we think is important.”
Why the hell am I supposed to lie about what those things are?
Why have I not been flaming hairless people who refer to the bizarre text-only voting protocol they’re trying to push on me as “honest”? It’s obvious they’re suggesting that doing anything else is dishonest.
The way they want me to vote is not honest. It’s not how I think. Nor is it how I’ve ever voted. Nor is it how most of fandom has thought, or how it’s voted, year after year, for many decades.
The Toad of Tor could not have underlined Larry’s point more clearly: the Hugo awards are nothing but a giant signal. Voting based on literary merit is not only unnecessary, it is entirely irrelevant. To even suggest people should vote based on literary merit is “not honest”. She openly claims “the artist’s work can’t be divided from the artist’s politics.”
How very Marxian of her. Forget the personal. The professional is the political.
Very well. So those are the rules. Now you have to ask yourself what is important to you? A lady astronaut on Mars? The truth of feelings? Or a work of eternal life? What do you value, courage and camaraderie and the triumph of well-armed good over evil, a vast and meandering morass of moral equivalency, or parasitism? What do you love, the humble faith of a beleaguered chaplain or ersatz horses or the feminist retellings of fairy tales?
You have Tor’s blessing to send them an unmistakable signal. If Tor publishes it, it goes below No Award.
RW provides a second review of WITCHFINDER, by Sarah Hoyt:
3 parts Fantasy
2 parts Fairy Tale
1 splash of Science Fiction
1 dash of Mythology
Mix ingredients thoroughly with magic. Garnish with a slice of Romance.
Sarah A. Hoyt has ambitiously attempted to tie together fantasy, fairy tale, and a bit of romance; and for the most part she pulls it off brilliantly. It is a difficult work to review without being a spoiler since part of the enjoyment of reading this book is watching how she develops the worlds in the multi-verse and how she incorporates many elements from well-known stories from fairy tales and mythology, with an occasional nod to religion, into a coherent whole.
CHARACTERS: Hoyt does an exceptional job bringing her characters to life. She uses a formulaic approach to how most of them are developed throughout the story, where she describes them in three stages of growth. The first stage is she portrays them as they seem to be to others or how they believe that they have to act. The second stage occurs as they interact with each other and start to learn each other’s secrets and true selves. For the final stage Hoyt shows the characters starting to understand what they really need to be in order to fulfill their destiny. In lesser hands this template approach would seem two-dimensional, but Hoyt uses this approach to good effect aligning the character development within the scope of the overall story. (8/10)
PROSE: Hoyt’s prose is hard to describe; in some places it is fluid and conversational, but in other places it borders on being poetic. Her ability to create word pictures aids in her development of new worlds as she masterfully describes exotic places, Fairyland in particular. She mentioned in her write-up that the story was written as blog postings over many months, and there is a slow evolution in the use of punctuation and grammar as the story progresses. Similarly, there were quite a few typos, but she has already claimed these too. (7/10)
PLOT: [Warning: this section contains a few spoilers, so if you plan on reading the book I suggest skipping down to the IDEAS paragraph.] The general structure holds nicely as she develops a modern-day fairy tale of a young lady coming to terms with the fact that she is a princess in another world. Simultaneously Hoyt creates a concurrent plot about a family of world-jumping witches, closer to the fantasy genre. The stories intertwine early, with heavy doses of mystery and suspense as the Duke of Darkwater realizes that he is being targeted; and all of the characters begin to question the motives of each other, even their closest family members.
However, there are a few items that weaken the story in my opinion. The first is relatively minor: the character of the matriarch, the dowager duchess Ainsling, is very interesting and plays a large role in the early part of the story, but then she disappears for most of the second half, making a brief cameo at the end. The second is that the novel’s climatic showdowns don’t quite live up to the promise of the escalation of the conflicts. The third issue might be related to Hoyt’s stated goal that she was writing more of a romantic work to lure female fantasy readers. The issue I had is that there are discussions of cross-species relationships, necrophilia, child prostitution, and a heavy dose of homosexuality. The cross-species relationships is understandable given that the book is somewhere between fantasy and fairytale, but the other items seemed somewhat forced. My reason for bringing this up is that with the exception of these items, along with maybe two or three unnecessary expletives, I would have liked to pass the book along to my young adolescent daughter to read, as I’m sure she would enjoy the story. If the author feels that the homosexual relationship is integral to the story, then I’d suggest that she continue to use vague references and hints, as she used earlier in the book where she was modeling it after Regency romances. (6/10)
IDEAS: I thought that the most creative aspect of Hoyt’s universe is that all of the worlds have their own versions of legends and fairytales based on actual happenings, mainly in either Avalon or Fairyland. As with any fairytale, there are a couple of morals to conclude the story: lead when called upon, and be a servant-leader, not a tyrant. (5/10)
TOTAL: (6.5/10) In truth I liked Witchfinder better than that score indicates, mainly because it equally weighs all four of the elements above. This book is the first of Hoyt’s works that I have read, and I found it enjoyable enough that I expect that I’ll soon be reading other books from her. Men concerned about the “romance” label need not be scared away since the love story is in the background through most of the book. If Hoyt were to address the issues mentioned above, then I would give this book a high recommendation to young readers as well.
It appears I unfairly lumped Alan Heuer in with the rest of the spineless Torlings yesterday. He commented:
I see that one of my Tor.com posts is quoted in this post. It seems that my post is being lumped in with the posts of people who are declaring that they will vote against certain works because of the political views of their authors. This is not my stance at all.
My post states that I will be voting “No Award” ahead of THE WHEEL OF TIME in the Best Novel category. I know nothing of what Robert Jordan’s politics were or what Brandon Sanderson’s politics are. I simply think it is ridiculous that a 14-book series published over the span of 23 years is being allowed to compete for a Hugo for best novel of the YEAR. I do not see it as a legitimate nominee.
This will be my 41st consecutive year of Hugo voting and, as always, I will judge the works, not the authors.
I don’t agree with Mr. Heuer’s perspective, since the fact that the rules may be ridiculous is not sufficient to make THE WHEEL OF TIME’s nomination illegitimate, but it is a perfectly reasonable and defensible one. Not that I will be voting for THE WHEEL OF TIME myself, as Rand al’Thor is the most loathsome protagonist I have ever encountered in fantasy, I lost interest in both the story and the characters, and I wound up failing to make it past the fifth or sixth book in the series.
I have removed Mr. Heuer’s comment from the post and I apologize to him for the erroneous implication that he lacks integrity in the manner of the other quoted individuals.
And speaking of the Hugos, at the Castalia blog Daniel Eness has a post comparing past Best Novel winners in which he shows that there is a long tradition of a) forgettable works beating out superior ones, and, b) ludicrous No Award votes.
I haven’t written much about the prospective war in Ukraine because it is mostly a military farce:
Standing on the hood of an armored personnel carrier as his ashen-faced
paratroopers slumped behind him, Col. Alexander Shvets of Ukraine’s
25th Airborne reported back to command on a cheap cell phone.“We’ve been taken captive. They used dirty tricks,” he said. The
hundreds of local residents and ragtag militiamen that had surrounded
his column of 13 APCs throughout Wednesday bayed. “Look,” he continued,
losing his patience. “I’ve been surrounded by a human shield of 500
people all day. You don’t know what you’re fucking talking about.”As the sun set, Shvets and his men — many of whom were reservists
called up to help Ukraine regain control of the eastern province of
Donetsk from anti-government rebel groups — were allowed to drive back
to their base in neighboring Dnipropetrovsk. The day they spent here
outside the small town of Kramatorsk, hemmed in by angry residents, was
emblematic of the Ukrainian central government’s withering attempt to
assert control in the East, now in tatters….Ukraine’s “anti-terrorist operation” against
anti-government rebels has proved a spectacular debacle. Soldiers
refused to move in on rebel-held positions. The rebels captured six
APCs, drove the soldiers into Slovyansk flying the Russian flag, and
sent them back on dingy buses, dejected, disarmed, and defeated.
Self-appointed “self-defense” commanders who couldn’t even agree on
which one of them was in charge disarmed and defeated Ukraine’s army.
This government ineptitude is a common theme of late. An elderly rancher forced hundreds of federal agents into retreat. A few hundred civilians captured multiple armored personal carriers. The USA has been pursuing an obviously futile occupation in Afghanistan for 13 years now to little purpose and no avail. Mexico is a failed state where cartels rule entire regions.
The central governments are exhausted and bankrupt. They’re turning up the tax and regulatory heat around the world even as their corruption becomes ever more apparent. Meanwhile, they are afraid to utilize their heavily militarized agencies because they fear the inevitable backlash that will threaten to destabilize their pretenses to legitimacy. The people over which they nominally rule are fat, decadent, weak, and fearful.
Fraud and empty gestures are the order of the day. A battalion of troops have been sent to Poland, of all places? A whole battalion to intimidate the Russians, who sent both Napoleon and Hitler running? This would be comical if it wasn’t an obvious harbinger of much more difficult times to come.
Brad Torgersen, 2x 2014 Hugo nominee for Best Novella and Best Novelette, weighs in on the Hugo kerfluffle:
As has often been the case when I observe these kinds of things, I remain puzzled that the group which dubs itself “fandom” (in the parlance of the original Worldcons of yore) and which is always self-analyzing so as to determine how it can bring in more young fans, more diverse fans, and more energetic fans, could react so poorly to Larry Correia bringing Monster Hunter Nation to the Hugo nominations — as if the state of New York were aghast that the state of Texas showed up for a national party caucus during the run-up to a major election.
Isn’t bringing new people into old-school fandom part of the point of Worldcon?
But it wasn’t just Monster Hunter Nation that had certain people in fandom riled up. Wheel of Time fans managed to get the entire series (Jordan/Sanderson) on the ballot too — for Best Novel Hugo. Which is not precisely against the rules of the nomination process, but Wheel of Time is a massive series that is almost 30 years old. Seeing it in the Best Novel category alongside the other books for 2014 is highly unusual to say the least. So unusual, in fact, that some people in fandom have chosen to get upset about it; to the same degree those individuals in fandom are upset about Monster Hunter Nation getting the third installment in Larry Correia’s Hard Magic series onto the ballot, with Warbound: Book III of the Grimnoir Chronicles.
My response to the plaintiffs is: why not?
As does Larry Correia, 2014 Hugo nominee for Best Novel:
Allow me to explain why the presence of my slate on the Hugo
nominations is so controversial. This is complicated and your time is
valuable, so short explanation first, longer explanation if you care
after.Short Version:
- I said a chunk of the Hugo voters are biased toward the left, and
put the author’s politics far ahead of the quality of the work. Those
openly on the right are sabotaged. This was denied.- So I got some right wingers on the ballot.
- The biased voters immediately got all outraged and mobilized to do exactly what I said they’d do.
- Point made.
I’ve said for a long time that the awards are biased against authors
because of their personal beliefs. Authors can either cheer lead for
left wing causes, or they can keep their mouth shut. Open disagreement
is not tolerated and will result in being sabotaged and slandered.
Message or identity politics has become far more important than
entertainment or quality. I was attacked for saying this. I knew that
when an admitted right winger got in they would be maligned and
politicked against, not for the quality of their art but rather for
their unacceptable beliefs.If one of us outspoken types got nominated, the inevitable backlash,
outrage, and plans for their sabotage would be very visible. So I
decided to prove this bias and launched a campaign I called Sad Puppies
(because boring message fiction is the leading cause of Puppy Related
Sadness).The Hugos are supposed to be about honoring the best works,
and many of the voters still take this responsibility very seriously. I
thank them for this. But basically the Hugos are a popularity contest
decided by the attendees of WorldCon. I am a popular writer, however my
fans aren’t typical WorldCon attendees. Anyone who pays to purchase a
WorldCon membership is allowed to vote. Other writers, bloggers, and
even publishing houses have encouraged their fans to get involved in the
nomination process before. I simply did the same thing. This
controversy arises only because my fans are the wrong kind of fans.
It’s interesting to see how much more sane and reasonable both men sound than the Torlings and the shrieking pinkshirts offended that their little SF/F sanctum has been invaded by the ideologically impure. In any event, there is considerably more to both posts than the small portions I posted here, so don’t hesitate to click through.
Ladies and gentlemen, Dread Ilk, casual fans, rubberneckers, anklebiters, and fellow Hugo Award nominees, I am very pleased indeed to announce to you that the Castalia House online store is now open for business.
Our selection is somewhat scanty at present, as the participation of certain books in Amazon’s Kindle Select program precludes them from being offered at the Castalia store for now. You will look in vain for Lt. Col Tom Kratman. You will offer no sacrifices on any Altars of Hate. Der Verstand werden Sie nicht finden. E li, i ragazzi piangono mai.
What you will find in the Fantasy section is four fine works of fiction, including AWAKE IN THE NIGHT LAND by John C. Wright. All of them are also DRM-free, in EPUB format. What you will find in the Science Fiction section are two tales of the future, both involving Chief Warrant Officer Graven Tower, MCID-XAR. And, most importantly, what you will find in the Homeschool section are the four books that make up the ASTRONOMY AND ASTROPHYSICS curriculum by Dr. Sarah Salviander. They are also DRM-free, but are in PDF format for easy printing.
While we have not yet officially announced the curriculum, as we are in the process of having the curriculum reviewed by a number of homeschool sites, I wanted to make it available to VP readers as soon as possible, as I know that there are many homeschoolers here who are presently preparing their coursework for the autumn. It has been declared to be “a top-notch astronomy
curriculum” by Laurie Bluedorn of Trivium Pursuit fame, and is literally serving as the model for other Castalia House curricula, including Physics, Economics, and Military History.
And don’t forget that the Castalia House blog is active too. Today Mascaro reviews Fearless, the second book in the Lost Fleet series.
So much for the idea of moving on. In the squalid semi-aquatic home of the Nielsen-Haydens, the Torlings have taken their cue from Mr. Scalzi and are planning their Hugo voting strategy accordingly:
TOR editor PNH: On stories from Tor.com making up over one-third of the short-fiction finalists: LOUD CRIES OF WOO HOO. And congratulations to Andy Duncan & Ellen Klages (“Wakulla Springs,” best novella), Charles Stross (“Equoid,” best novella), Mary Robinette Kowal (“The Lady Astronaut of Mars,” best novelette), Thomas Olde Heuvelt (“The Ink Readers of Doi Saket,” best short story), and Viable Paradise alumnus John Chu (“The Water That Falls on You from Nowhere,” best short story).
#25 ::: Andrew Plotkin ::: April 20, 2014, 05:43 PM:
You made this coy statement in the open thread as well, and I confess that I still don’t know whether you’re referring to the Jordan/Sanderson or the Correia. Or something in one of the other categories.
#27 ::: Xopher Halftongue ::: April 20, 2014, 06:25 PM:
Andrew, I was referring to the Novelette category, where one of the items is by someone who calls himself “Ibk Qnl” (rot13’d so his egoscan won’t find this thread so easily) (and yes, he means what that sounds like he means by it) aka Gurnqber Ornyr, also known as “the RSHD” (for Racist, Sexist, Homophobic Dipshit – not rot13’d because if he’s searching for himself by that name, well, haha, RSHD). I see no reason to read his work and judge it on its merits. He would not do that for my work, or for any work by a woman or person of color.
#59 ::: Alan Braggins ::: April 21, 2014, 10:22 AM:
Charlie Stross has said he will be ranking “No Award” above “Anthem” in the retro-Hugos. I suspect he will not be alone in that.
#175 ::: Xopher Halftongue ::: April 24, 2014, 02:47 AM:
As for Vox Day, I propose that the gang of idiots who do the bidding of that racist, sexist, homophobic dipshit be henceforth called “snotlings” (I got this from a card/board game I played years ago). They’re not even up to the level of trolls. They’re just little runny noses with legs, and they can be annoying to clean up after, but not seriously damaging, because they’re so pathetic.
Since the Torlings have decided to so thoroughly politicize the Hugo Awards vote this year, it seems to me that one would be absolutely remiss if one failed to follow their example by voting NO AWARD above every single work published by Tor and every nominated Tor editor this year. After all, since there are so few of us and we are not seriously damaging, it can’t possibly matter what we do. Just a thing for you to keep in mind when voting time rolls around, for no particular reason at all.
A few more examples of Torling strategery in action:
tnielsenhayden @tnielsenhayden
I look forward to record levels of “5. No Award. 6. Vox Day” in the Best Novelette category.John Scalzi on Whatever
Apropos of nothing in particular, however, I will note that in every category it is possible to rank a nominated work below “No Award” if, after reading the work in question and giving it fair and serious consideration, you decide that it doesn’t deserve to be on the ballot and, say, that its presence on the ballot is basically a stunt by a bunch of nominators who were more interested in trolling the awards than anything else. Just a thing for you to keep in mind when voting time rolls around.John Scalzi on Whatever
I’ve seen rumblings of people suggesting they’ll put everyone on the Correia/Day slate below “no award” no matter whatCharlie Stross @cstross Apr 19
I won’t comment on current nominees, but the dead are fair game: I’ll be ranking “no award” above “Anthem” in the retros.Charlie Stross @cstross Apr 19
No: it would be inappropriate for me, as a nominee, to attack other nominees. I shall reserve comment until after the award.Charlie Stross @cstross Apr 19
No, it means Vox Day’s troll posse esteem Vox Day more than you. I’d call that a badge of honor, if I were you.Charlie Stross @cstross Apr 19
I doubt VD can afford to buy the award vote. Buying nominations is a much, much cheaper kind of shit-stirring.Charlie Stross @cstross Apr 23
I
find no inaccuracies in this RationalWiki page except that it ranks the
subject with other, *real* pundits:
http://rationalwiki.org/wiki/Theodore_Beale …Ian Sales @ian_sales
@PrinceJvstin the reasonable response to the Hugo farrago is to put “no award” above the Axis of Evil worksDjibril al-Ayad @thefuturefire
I am looking forward to ranking “No Award” higher than Vox Day, Larry Correia, Brad Torgerson, Dan Wells, Steve Diamond, & Toni Weisskopf.XoScarab Halftongue @Halftongue
Well, look at this. A Hugo nom that ended up AFTER “No Award” on the final ballot. http://www.nesfa.org/data/LL/Hugos/hugos1987.htmlChristophe @Xof
@jacobian A quick moment to remind Hugo voters that ranking a particular work behind “No Award” is an option in the final voting.Just F-ing Keftastic @Keffy
A propos of y’know whatever, remember that the Hugo ballot has a lovely No Award option that you can place at any point in your ranking. 🙂Andrew Hickey @stealthmunchkin
Didn’t vote in Hugos last couple of years because Hugo Packet PDF rather than proper epub. May have to this year,to put “no award” above DayJames Davis Nicoll
Monday April 21, 2014 05:15pm EDT on Tor.com
Happily, the Hugos not only allow one to rate an undeserving work below all the others, it also allows one to rate said undeserving work below No Award.Kate Nepveu
I feel under no obligation to read Vox Day’s work, under the guise of fairness or anything else, and neither should you.
DB has a tough time maintaining an even keel when arguing with atheists:
How do you maintain your temper when arguing with atheists. I cannot. I find myself so angry that I cannot take anything they say at face value. God has spoken to me and told me to stop arguing with atheists. I can still witness but under no circumstances may I argue. I am directed to pity them and pray for their salvation.
Do you ever wonder if you are helping them or if you are getting through at all? I feel a visceral anger at them and the damage they have caused our society. I am no longer going to be arguing on the internet or in person. How can they be anything but enemies of all that is good?
Since good is defined by God and since atheists are, by definition, active disbelievers in God, logic dictates that atheists are enemies of God and all that is good. This logic is confirmed by observation; examine any evil and the chances are high that atheists are disproportionately caught up in it, or at the very least are overt advocates.
But that doesn’t mean you should get angry with them when they start arguing dishonestly, attempting to pass off rhetoric as dialectic, moving the goalposts, holding you to standards they don’t hold themselves, offering repeated bait-and-switches, and falling silent rather than admitting defeat. To the contrary, such behaviors indicate that they know they are losing the argument.
The reason I never get even a little upset by the atheist with whom I am debating is because I know they are not my intended audience. I don’t care if they cling stubbornly to their erroneous beliefs nor do I care what they do in order to preserve them. To me they are little more than a stage prop, a straight man, a feeder of lines. The worse my interlocutor’s behavior becomes, the more convincing my arguments are perceived by the audience. In fact, for me the difficulty is not maintaining my equanimity, but rather, avoiding the temptation to intentionally trigger the bad behavior and thereby winning a rhetorical battle rather than a comprehensive dialectical one.
(NB: this is precisely why atheists go out of their way to be so offensive and to upset the Christian. It is an attempt to win the rhetorical battle by making you lose your temper.)
So, if you are a Christian who finds that atheists tend to make your temperature rise, apologetic debate is probably not for you. Serve the Kingdom in another role; pray for them. Pick them up when they fall down. Help them when they need assistance. More souls have been won for Jesus Christ by kindness than by words.
But atheists are prouder, more intelligent, and less emotional than the norm, and are therefore less convinced by deeds than words. So, many of them require their pride in their intelligence to be broken before they can reach a state of mind that permits them to hear the Good News and contemplate it rationally. And this is where people like me can open up their minds, by forcing them to acknowledge the myriad flaws in their arguments and by making them question their previously unquestioned assumptions. I know that I am getting through to at least some of them, because they have let me know that has been the case.
It’s rewarding and inspiring to see atheists transform from bitter enemies of God to fearless servants of Jesus Christ. If you keep in mind that the next arrogant, irritating, and slippery-tongued atheist you meet may be the larval form of a John C. Wright or an Apostle Paul, I suspect you will be able to find some charity in your heart for them.
Oh my. Anyhow, I found the angst of a fellow Hugo nominee who professes to oppose “award campaigns” to be somewhat amusing:
Let me be clear: Vox Day is a despicable person whose repeated racist, sexist, and homophobic behavior towards specific members of the genre community as well as the community as a whole should make all decent human beings recoil from his presence. That I received my first Hugo nomination on the same ballot that bears his name leaves a vile taste in my mouth. That the rest of the fiction ballot feels, as several people have noted, as if it’s recapitulating the culture wars only makes this nomination worse, and confirms me in my feeling that the only people who benefit from award campaigns are those with large and devoted fanbases–whether those fanbases are motivated by love of a particular writer, or the desire to stick it to the lefties (or, as is most likely, both).
– Abigail Nussbaum, April 20
Or at least, she opposes them when she isn’t successfully running one of her own, or pimping out the “dozens” of others by various would-be nominees:
Even as the award eligibility phenomenon gains steam (and respectability), more and more people are also using the internet to create a more broadly informed voter base. Dozens of people are posting their Hugo ballots and recommendations (to take a by no means exhaustive sample: Nina Allan, Thea and Ana at The Book Smugglers, Liz Bourke (1, 2, 3, 4), the bloggers of LadyBusiness, Justin Landon, Martin Lewis, Jonathan McCalmont (1, 2), Aidan Moher, Mari Ness, Ian Sales, Jared Shurin, Rachel Swirsky (1, 2, 3), Adam Whitehead). Blogs like Hugo Award Eligible Art(ists) seek to inform people (like myself) who have little grounding in the category, and make them acquainted with worthwhile nominees. Existing projects like Writertopia’s Campbell award eligibility page collate information that makes it easier to nominate for an award whose eligibility requirements can seem tricky even if you’re an old hand at this Hugo stuff. If you’re someone who is interested in voting as more than a single author’s fan, it has never been easier to gain a broad appreciation of the field and its practitioners, even the ones who aren’t superstars.
I still don’t know whether award eligibility posts are part of the problem or simply a ineffective distraction. I do think that the efforts I’ve been seeing in the last two months have a real chance of being part of the solution, and I mean to join in. In the next few weeks, I’ll be posting my own Hugo ballot, a few categories at a time. (I’ll also be posting links to works that I consider worthwhile on my twitter account.)
– Abigail Nussbaum, March 6
The ironic thing about the complaints that Larry and I somehow bought our nominations is that while my massive and energetic campaign consisted of a single and straightforward post, a blogger at Tor.com actively waged a successful cheerleading effort on behalf of the Tor-published Wheel of Time series:
Therefore, O my Peeps, I exhort you: if you can and will, please
consider nominating the Wheel of Time series as a whole for the Hugo
Award for Best Novel, and spread the word so that others might do the
same…. So go! Join! Nominate! Vote! Participate! And maybe help make Hugo
history, eh? I can think of worse things to do with your time!
Of course, the Dread Ilk know my actual position on liberals giving awards to each other:
Everyone has different goals. Rabbits need the group affirmation that
these sorts of political awards offer them. Not-rabbits don’t.
Psykosonik once beat out Prince for Best Dance Record at the Minnesota
Music Awards for a song I wrote; I didn’t know we’d won until months
later because not only did I not bother going to the ceremony, my bandmates who attended didn’t even see fit to mention that we won because they knew I didn’t care. I
didn’t even know I had been a three-time Billboard top 40 recording
artist for about 16 years until I looked it up a few months ago when I
was pointing out the dirty laundry of the “New York Times bestselling”
authors.When you are fortunate enough to experience success, you learn to value
certain aspects of it and to disvalue others. My objective is to write a
great epic fantasy series that is capable of creating the same feeling
in its readers that Dune once created in me. That’s why I simply laugh
when people claim I’m jealous of McRapey, or I’m imitating George
Martin, or my feelings are wounded that A Throne of Bones wasn’t
nominated for any awards.* Because in the game I’m playing, those things
don’t even enter into it. They’re not relevant to my metric for
success.
That being said, I have thoroughly enjoyed being nominated for the Hugo this year and I sincerely hope that this is merely the first of many such nominations for me and other fine writers upon whom the rabbits gaze upon in terror. I am very much looking forward to attending WorldCon this year and spending lots of quality time with my fellow Hugo nominees there, such as Mr. Charles Stross, who writes: “As a matter of policy I do not talk down/diss Hugo nominees when I myself am on the shortlist. But I shall be waiting for Vox Day in the Hugo Losers Party wearing a
kilt and a shit-eating grin, with a bottle of 90-proof distilled
schadenfreude that’s got his name on it.”
I don’t know. Sounds a little rape-culturey to me. For a nice roundup of the rabbits striking various poses and feeling the heat, check out Far Beyond Reality. And since it’s starting to get boring, I think that’s enough about the Hugo Awards for now until I’m able to read through the packet and decide for whom I’ll be voting.
*As it happens, the book was nominated for the 2013 Clive Staples Award.