THE PRICE OF A DRINK is the fourth issue in the RIGHT HO, JEEVES series, which tells of the travails of the inimitable Bertie Wooster, summoned from the comforts of #3A Berkley Mansions, London to Brinkley Manor by his imperious Aunt Dahlia.
In this issue, Gussie Fink-Nottle has summoned up the courage required to address the collected youth of Market Snodsbury, but it is a liquid courage. Not only that, but he has summoned up entirely too much of it, with hilarious and humiliating consequences for everyone involved.
Adapted from the classic Wodehouse novel by comics legend Chuck Dixon and drawn by SAVAGE SWORD OF CONAN illustrator Gary Kwapisz, THE PRICE OF A DRINK is issue #4 of 6 in the RIGHT HO, JEEVES series.
And on a not-entirely-unconnected note, it appears that our competitors are experiencing difficulties and declining sales, which, of course, cannot possibly be connected to their convergence.
Comic book publishers are facing a growing crisis: Flagging interest from readers and competition from digital entertainment are dragging down sales. Hoping to reverse the trend, publishers are creating their own digital platforms to directly connect with readers and encourage more engagement from fans.
The goal is to reach readers who may not live near a comic book shop but want to keep up with the Avengers and the Justice League. Experts say the direct-to-consumer model also helps compete with streaming services like Netflix and Amazon’s Prime Video.
“They all look at Netflix and say, ‘Why do I need an intermediary?’” said Milton Griepp, the chief executive of ICv2, an online magazine that covers the industry. “That’s where this battle is being fought.”
Smaller comic book publishers are testing their own direct-to-consumer platforms. Image Comics, the publisher of popular titles like The Walking Dead and Saga, started a direct-to-consumer platform in 2015 to sell comic book subscriptions and apparel.