Feminism is cultural Marxism

A detailed article on the Redstockings and their influence on feminism at Return of Kings:

In many ways, 1969 was a pretty cool year, but it was also during a wave of crazy radicalism that made today’s upsurge of rent-a-mobs seen like a croquet match. During that year, a group of New York feminists dropped a bomb on civilization. They called themselves the Redstockings; the color red was a reference to Communism.

They’re a bit obscure these days, but back then, they were big enough to have a few chapters around the USA. Ellen Willis and Shulamith Firestone co-founded it; the latter having been a co-founder of New York Radical Women a year and a half previously. Soon after, some lesser lights (or dimmer bulbs) of the Sisterhood joined them. Firestone was one of the co-authors of their Redstockings Manifesto, before abandoning ship later that year to co-found yet another outfit.

This document became quite influential. For example, it’s in a list of essential feminist manifestos, along with other items by Valerie Solanas (number one, bless her heart), Andrea Dworkin, and another by Firestone herself. Since the Terrible Trio wrote four items on that top ten list, consider them a fair sampling of what feminism is all about. Remember that if anyone tries to tell you that those types don’t represent at least a significant part of feminism.

Despite their influence, this is not to say the Redstockings started it all singlehandedly. Still, their manifesto gives a capsule summary of what radical feminism was at the time and would morph into later. Although it’s a Second Wave document, it contains kernels of the ideology by other varieties in recent times. This foundational text begins with a preamble about the “final liberation from male supremacy”. (Okie dokie…) Then:

Item 2 – Class consciousness

“Women are an oppressed class. Our oppression is total, affecting every facet of our lives.”

This whopper shows Firestone’s inclination—one shared with many others—for taking Communist rhetoric and adapting it to feminism. This makes it—big surprise—an instance of cultural Marxism. The considerations of economics and actual social class that orthodox Communists were concerned with get left behind. This was, in fact, one of the reasons for the schisms in New York’s feminist scene.

One of the fascinating things about the last few years is the transition of many apolitical Game writers and sites to politically conscious Alt-Right and Alt-Lite perspectives. This is significant, because all of the writers involved are entirely accustomed to being mobbed and assailed by the mainstream media, so they’re not inclined to cuck and run like most conservatives are when faced with criticism.