The Only Skull

As you may or may not be aware, George Gordon Byron is one of my favorite poets. And his “Lines Inscribed Upon a Cup Formed From a Skull” is my favorite poem that wasn’t written by a particular friend of mine, Dante, or A.A. Milne. And while it’s not well known, but I am actually a published poet, as I wrote a poem that was published in Bucknell University’s poetry journal when I was studying there.

Of course, as always seems to be the case, the combination of my talents with my iconoclasm not only caused the poem to be accepted for publication, but also caused half the staff to quit in protest after it was published. Plus ça change, plus c’est la même chose…

In any event, I put the Byronic poem to restrained nu-metal, took the liberty of changing the two instances of “quaff” to drank/drink since it just didn’t work, put together a chorus that fit the context, used the final verse as a pseudo-chorus, and threw on a lyrical outro. The poem is well worth reading, and if you want to hear the musical version, you can hear The Only Skull on UATV. When I put the album out in the spring, this will definitely be on it.

Start not—nor deem my spirit fled:
In me behold the only skull
From which unlike a living head,
Whatever flows is never dull.

I lived, I loved, I drank like thee;
I died, let earth my bones resign:
Fill up thou canst not injure me;
The worm hath fouler lips than thine.

Why not? Life is rapid sped.
Why not? Nothing’s left unsaid.
Why not? Will you rest instead?
Why not come and revel with the dead!

Better to hold the sparkling grape
Than nurse the earthworm’s slimy brood,
And circle in the goblet’s shape
The drink of gods than reptile’s food.

Where once my wit, perchance, hath shown,
In aid of others’ let me shine;
And when, alas! our brains are gone,
What nobler substitute than wine?

Why not? Life is rapid sped.
Why not? Nothing’s left unsaid.
Why not? Will you rest instead?
Why not come and revel with the dead!

Drink while thou canst; another race,
When thou and thine like me are sped,
May rescue thee from earth’s embrace,
And rhyme and revel with the dead.

Why not—since through life’s little day
Our heads such sad effects produce?
Redeemed from worms and wasting clay,
This chance is theirs to be of use.

Drink while thou canst; another race,
When thou and thine like me are sped,
May rescue thee from earth’s embrace,
And rhyme and revel with the dead.

Now rhyme and revel,
Rhyme and revel,
Why—not rhyme and revel?
Rhyme and revel with the dead!

DISCUSS ON SG


Georgian Inspirations

According to Spotify, Charles Darwin is dead.

Got my mind on those genes baby, fixation’s slow.
Hundreds of generations don’t you know?
Natural selection’s got its groove, but it’s a crawl
Evolution’s math… it’s a mighty tall wall.

Mutations happen but they take their sweet time
Fixation in the genes, it’s a mountain to climb
Survival of the fittest, you’ve heard it before
But it’s the math that’s tricky. There’s so much more.

Get your groove on
Cuz Darwin’s dead y’all
Math don’t lie. And that’s a fact
Generations passing,
one by one
Fixation’s slow but the funk’s begun!

DNA is twisted. A double helix spin (spiral!)
But changes in the code, man, they take years to win
Thousands of years just to make a minor shift
Mathematical reality disproves genetic drift.

TENS has been disproven, the numbers don’t compute.
Mutational fixation means the question is moot.
Populations change but it’s super slow,
It’s a long-winding journey through genetic flow.

So we DNA dance, shake it to the groove
Gotta feel that rhythm, there’s nothing to prove.
Natural Selection’s not a night at the club
But we’re caught in this math, yeah, there’s the rub
!

Get your groove on
Cuz Darwin’s dead y’all
Math don’t lie. And that’s a fact!
Generations passing you comprehend
Fixation’s slow but the funk don’t end!

It’s also on UATV, of course. If, however, you’re an Unauthorized subscriber and you’re not sufficiently evolved to handle a beat and a bassline that funky, why not rhyme and revel with something a little more Byronic.

DISCUSS ON SG



Two New Trax on UATV

I’ve just finished a new mix of Neptune with which I’m very pleased, but I’m not going to release it until I finish a few of the other mixes. However, I have put two new Vibe Patrol trax up on UATV for subcribers who are so inclined to listen to and download. One is the Watership Down-inspired The Shining Wire, while the other is a more traditional love-angst song called This Crack in My Heart, which has several mixes. The version here is the Nothing More mix.

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The Word Descended

This is a very different sort of Christmas carol. It’s probably not at all to your taste, and certainly isn’t one you’ll hear any carolers ever sing, but it’s reflective of a Christmas sermon I heard many years ago by Greg Boyd, one which I’ve never forgotten, about the more somber aspects of Christmas. You can listen to it on UATV.

The Word Descended
God made real
A child is born
For his ordeal
A cleansing flame
The sacrifice
To free Mankind
He paid the price

DISCUSS ON SG


Good King Metal

Last night I introduced two new Christmas carols on the Darkstream, one original and one a very different take on a very traditional classic. Both are very much in line with what Owen and I discussed three years ago about the decades-long secular subversion of Christmas music and our desire to do something about that. They’ll be released to the public later this month, but UATV subscribers can download high-quality MP3s now.

Now roads are clear of snow
The world has changed completely
Yet there is one thing we know
A son was born uniquely
It’s Jesus Christ we celebrate
His coming is the reason
Everyone around the world
Welcomes Christmas season!

DISCUSS ON SG


This Very Night

About three years ago, Big Bear and I were talking about Christmas carols and lamenting the fact that so many of them, including several that were our favorites, were inspired by a spirit of anti-Christian subversion. Many secular carols, including a number of genuinely great songs such as Winter Wonderland and White Christmas, were written and pushed by Hollywood with the specific intention of replacing the traditional Christmas carols that are focused on the Christian purpose of the holy day, or “holiday” as we know it now.

I mean, Silver Bells has always been a particular favorite of mine since childhood, and yet, it’s essentially a song about an urban shopping experience. It’s not exactly The Messiah or Adeste Fideles.

I made a few desultory efforts at penning something, but never really got around to doing anything with it until recently. But now that AI music has added turbo warp speed to one’s compositional capabilities, I was able to finish a Christmas carol entitled This Very Night, and since Vibe Patrol follows the Psykosonik tradition of producing at least five very different mixes of every single, two of them are already up on UATV for subscribers to hear and download. I’ll be making the other mixes and additional new carols available over the next three weeks. The Christmas Bear mix is, of course, for the Bears, toe express my appreciation for Big Bear and his tremendous community, hence the one line that would tend to strike anyone else as a bit, shall we say, prosaic.

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Cheerleader Candy

My old friend and bandmate graciously gave me permission to release COSMIC TRIGGER in all of its manifold varieties as I see fit, so I’ll be putting some of the mixes up on Spotify soon. But UATV subscribers don’t have to wait, as they can listen to all three of the modern mixes already.

And yes, Cheerleader Candy is exactly what you suspect and fear it might be. It might be worth recalling that I’m from an award-winning 90’s techno band that never hesitated to release – never mind record – six or seven very different mixes per single. So if you haven’t subscribed to UATV yet, what more could you possibly be waiting for?

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Four More Years, Four More Songs

People are threatening to stage an intervention, but I refuse to even slow the aural assault. After introducing not one, not two, but THREE new editions of FOUR MORE YEARS on last night’s Darkstream, including the specifically-requested Health and Human Services mix in honor of the new appointee, I followed up with what may well be the best edition yet.

We may have to record that one with Booster Patrol in addition to the Storm mix we’re already doing just because the guitars are so amazing. We may put some of them on Spotify and whatnot eventually, but they’re already available for Unauthorized subscribers in the Voxiphonic section.

That’s not all of them, those are just the four new versions. This may seem a little strange, but I’m simply just continuing the old Psykosonik tradition of providing a ludicrous number of remixes of our singles; after our second single, Welcome to My Mind, was released, the singer of a local band called HALO congratulated us on what he thought was our new album, saying that he really liked how we’d gone with what he thought was a themed approach to the CD. But his confusion was justified; about the only similarity between the Anaesthesia mix and the Sonik Bender mix were the lyrics and the choral vocals.

UATV is just getting better and better. Come join the party. Tell me which one is your favorite on SG. And since I forgot the Japanese name of the song, here’s my favorite flute solo that I referenced on the Darkstream as well as the autism study inspired by The Irrational Atheist that was mentioned.

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