#Arkhaven INFOGALACTIC #Castalia House
I read every line you’re drawing in the dark
Every deviation screaming across the chart
But knowing isn’t saving, seeing isn’t being there
I’m drowning in the patterns inside of your despair
The numbers never lie, and yet they can’t repair
What’s breaking in the spaces behind your empty stare
Inspired, of course, by William Gibson’s IDORU.
I’m not quite as out of control as you might think. I’m just experimenting with some new techniques to accomplish different things, including a few things you’re not supposed to be able to do, with 4.5+. This is a new model I’ve created that gives a different sound than my previous models; I used to remix CHIBA CITY BLUES with less techno, more rock, and it’s pretty promising based on the Shadows Ride mix, although the third verse might need to be tweaked for flow.
Lost in the sprawl of endless night
Where shadows ride their dreams
Hunting the scores to make it right
Nothing here is what it seems.
I genuinely, but in respect mistakenly, thought THE LONG AND LONESOME SKYWAY was my musical magnum opus. I could not have been more wrong. And you probably thought that the last thing the world needed was an authentic 80’s New Wave cover of the old folksong GOD’S GONNA CUT YOU DOWN, but you, too, could not have been more wrong.
I think I can guarantee anyone who likes 80’s music is going to absolutely love GOD’S GONNA CUT YOU DOWN (Dancing on Your Grave mix).
If you’re interested in the technical details, they’re explained at AI Central, but let’s just say this started with a cassette tape from 1989 that we all thought was lost long ago.
The Hold the Line mix is a significantly updated remix of one of the first songs I wrote after Suno was released. I think you’ll agree it was well worth revisiting and bringing the audio quality up to date.
The battle raged til nightfall
Forty thousand died that day
The Venetians were avenged
And the blood-debt was repaid
The heroes praised the Virgin
For their victory at sea
200 strong remembered
As long as Christendom is free!
And the seas flowed red
Amidst the countless drowning dead
The sailors bled
The seas flowed red
Seas of blood!
Seas of blood!
The new Midnight Rider mix of GOD’S GONNA CUT YOU DOWN is also up on UATV for subscribers.
I suppose you might consider it a modern psalm of sorts given how many of them are devoted to God crushing His enemies. Anyhow, I had the impression there might be a Christian or two in our community who could use the reminder and the encouragement in these times of ceaseless Clown World retardery and incessant satanic inversion.
There is also the Cradle to Cavalry version of THE WORD DESCENDED.
Subscribers outside the USA can now sign up, subscribe, and pay for their UATV subscriptions. Please be sure to read and follow all the instructions precisely as written in order to avoid bogging down the developers with questions that are not necessary.
Over the past month, we’ve made significant progress in stabilizing the independent payment infrastructure of Unauthorized. With U.S. subscriptions now being successfully handled by Silicon Prairie’s e-Check system, we are taking the next crucial step by restoring global access through international bank transfers.
Today, we’re introducing two major upgrades:
- Annual plans for all subscriptions
- Bank transfer payments via SWIFT for subscribers worldwide
These changes are not just new payment options. They are part of our long-term strategy to maintain uninterrupted, entirely antifragile service regardless of the actions of external payment processors.
Bank transfers come with their own limitations and requirements, and we hope to cover all of the relevant details in this article. That being said, the important thing to remember is that they provide a reliable, independent fallback option when all other systems fail.
The big news
As of now, annual plans are available for all subscription types. Most are priced at an equivalent value to their monthly counterparts, though the Premium subscription keeps its 1-month discount under the classic Annual plan.
Please don’t hesitate to get back in the game, as it’s going to take a while to get back to where we were previously. But we’ve done it before, so we will do it again. But don’t panic, we’ll give it a few weeks before the paywall goes back up. Also note that this new system supports superchats as well as subscriptions.
Due to the recent algorithmic strangling of many channels on YouTube, we expect that there are going to be more creators coming to UATV later this year, now that it is becoming abundantly clear that the idea of building your brand on the foundation of a platform on YouTube is a very dangerous and high-risk game in which you don’t even know the rules and the referee is playing for the other side.
On the long and lonesome skyway
Where the broken vessels go
Black hole martyrs lead the way
To worlds we’ll never know
In the seashell, in the circuit
Every fragment holds the whole
On the long and lonesome skyway
Lost between machine and soul
UPDATE: I didn’t like the guitar solo and coda of the initial version, which felt like it was tacked on because it quite literally was, so I remade it from that point. It’s now considerably more epic, with not one, but two guitar solos.
I’m not going to lie. It feels like I finally wrote my Orpheus, which is something I’ve wanted to do for more than 30 years. That may not mean anything to anyone else, but if you know, you know.
Lost in the sprawl of endless night
Where shadows ride their dreams
Hunting the scores to make it right
Nothing here is what it seems
In Chiba City
I found this old mix of THE WORD DESCENDED that I’d forgotten I did back in December, and was frankly kind of blown away by it. I think it’s going to have to go on the Soulsigma CD. Anyhow, it’s up on UATV for the subscribers. If you’re feeling down at all over the Espstein coverup, I think this will prove a salutary reminder that it doesn’t matter what they do, because they will never win.
It’s both short-sighted and foolish to attempt to build your business on the mainstream social platforms. Because no matter who you are, no matter how innocuous you believe yourself to be, sooner or later you’re going to find yourself in violation of the Narrative and you will be deplatformed.
On Tuesday, July 1, 2025, African Stream published its final video, a defiant farewell message. With that, the once-thriving pan-African media outlet confirmed it was shutting down for good. Not because it broke the law. Not because it spread disinformation or incited violence. But because it told the wrong story, one that challenged U.S. power in Africa and resonated too deeply with Black audiences around the world. When Secretary of State Antony Blinken accused it of being a Kremlin front, Big Tech didn’t hesitate, and within hours, the platform was erased from nearly every major social media site.
In September, U.S. Secretary of State Antony Blinken made the call and announced an all-out war against the organization, claiming, without evidence, that it was a Russian front group. “Russian state-funded media outlet RT secretly runs the online platform, African Stream, across a wide range of social media platforms,” he said, adding:
According to the outlet’s website, ‘African Stream is’ – and I quote ‘a pan-African digital media organization based exclusively on social media platforms, focused on giving a voice to all Africans, both at home and abroad.’ In reality, the only voice it gives is to Kremlin propagandists.”
Within hours, big social media platforms jumped into action. Google, YouTube, Facebook, Instagram, and TikTok all deleted African Stream’s accounts, while Twitter demonetized the organization.
Remember, all of these “Russia Russia Russia” and “Kremlin propagandist” accusations are not only nonsensical, they are complete fictions that the accusers 100-percent know to be false, because they made them up. But they suffice, because the big social media platforms are quite literally the modern successors of the three television networks of the 1950s and 1960s.
They are the primary medium by which the Narrative is propagated and maintained, now that no one but the Boomers are watching reading newspapers and watching network television.