93 percent more

Obviously Larry Correia is GREAT FOR SCIENCE FICTION:

Loncon 3 announces record participation in the 2014 Hugo Awards!

London, 7 August 2014 – Loncon 3, the 72nd World Science Fiction Convention being held at London ExCeL from 14-18 August, is proud to announce that it received 3,587 valid ballots for the 2014 Hugo Awards. 3,571 ballots were submitted online through the Loncon 3 website and 16 paper ballots were received. This total eclipses the previous record participation of 2,100 ballots (set by Renovation in 2011) by over 50%.

That’s 1,723 votes more than last year’s 1,848. There is a very good chance that whether he wins or loses, Larry Correia’s WARBOUND will get more votes than the 407/827 that last year’s winner did. It also indicates that he raised nearly $70,000 for the World Fantasy Convention. If nothing else, they should be giving him a Service to WorldCon award.

Personally, I think it would be hilarious to see NO AWARD win a category or two, especially after the way the pinkshirts talked it up after the nominations were announced. It’s always amusing how they never seem to grasp that a sword cuts both ways.

That being said, I very much doubt that increase is entirely, or even largely, down to the involvement of those loyal to the Evil League of Evil. I suspect we have succeeded in energizing the pinkshirts, who are bound and determined to protect what they consider to be their turf. The first sign we’ll see concerning how this will play out is when the 1939 Awards are announced on Thursday. If CS Lewis and Ayn Rand make a strong showing, we can tentatively conclude that there are decent prospects for good humor on Sunday.


Consequences will ne’er be the same

Our Friend Damien is concerned on behalf of the Hugo Awards:

Isn’t publishing an entire list of your Hugo nominations with No Award in every category kind of…being a shit?

Not if you’ve actually read all of the works concerned. I don’t see how anyone could possibly read all of the nominated short stories and conclude that any of them should win.

In any event, it’s vastly amusing to see the pinkshirts suddenly worrying about the idea that they might not win all their awards because if THEY’RE voting No Award and WE’RE voting No Award, why then, NO ONE WILL GET ANY AWARDS!

It’s almost as if they have no grasp of the relationship between actions and consequences….


2014 Hugo Award Recommendations

From Loncon: We are in the final hours of voting for the 2014 Hugo and 1939 Retro Hugo awards!  The voting page for the 2014 Hugo Awards is located at http://www.loncon3.org/hugo_vote/hugo_vote_form.php.  The voting page for the 1939 Retro Hugo Awards is located at http://loncon3.org/hugo_vote/retro_hugo_vote_form.php.  The deadline for voting is Thursday 31 July 2014, 11:59 PM PDT.

This is how I am voting, and how I encourage other Hugo voters to vote. I am voting in some of the other categories, but have not prepared detailed recommendations for them and so will not address them this year. Remember, voting ends tomorrow night, so if you haven’t finished filling out your ballots, you should probably do it now.

BEST NOVEL

  1. Warbound by Larry Correia
  2. No Award
  3. The Wheel of Time by Robert Jordan and Brandon Sanderson

Left off ballot: Ancillary Justice, Neptune’s Brood, and Parasite.

BEST NOVELLA

  1. The Chaplain’s Legacy by Brad Torgersen
  2. The Butcher of Khardov by Dan Wells
  3. No Award
  4. Six-Gun Snow White by Catherynne M. Valente

Left off ballot: Equoid and Wakulla Springs.

BEST NOVELETTE

  1. “Opera Vita Aeterna” by Vox Day
  2. “The Exchange Officers” by Brad Torgersen
  3. “The Truth of Fact, the Truth of Feeling” by Ted Chiang
  4. No Award

Left off ballot: “The Waiting Stars” and “The Lady Astronaut of Mars”.

BEST SHORT STORY

  1. No Award

I recommend leaving the ballot otherwise blank. This category is illustrative of how far the genre has fallen. 

BEST EDITOR, LONG FORM

  1. Toni Weiskopf
  2. Sheila Gilbert
  3. Ginjer Buchanan
  4. No Award

1939 RETRO AWARDS

Best Novel

  1. Out of the Silent Planet by C. S. Lewis (The Bodley Head)
  2. Galactic Patrol by E. E. Smith (Astounding Stories, February 1938)
  3. The Sword in the Stone by T. H. White (Collins)
  4. The Legion of Time by Jack Williamson (Astounding Science-Fiction, July 1938)
  5. No Award

Left off ballot:  Carson of Venus by Edgar Rice Burroughs


Best Novella

  1. Anthem by Ayn Rand (Cassell)
  2. “Who Goes There?” by Don A Stuart [John W. Campbell] (Astounding Science-Fiction, August 1938)
  3. No Award

Left off ballot:  “A Matter of Form” by H. L. Gold, “Sleepers of Mars” John Beynon, “The Time Trap” Henry Kuttner.

Best Novelette

  1. “Rule 18” by Clifford D. Simak (Astounding Science-Fiction, July 1938)
  2. “Pigeons From Hell” by Robert E. Howard (Weird Tales, May 1938)
  3. “Dead Knowledge” by Don A. Stuart [John W. Campbell] (Astounding Stories, January 1938)
  4. No Award

Left off ballot: “Hollywood on the Moon” by Henry Kuttner,  “Werewoman” C. L. Moore

Best Short Story

  1. “Hollerbochen’s Dilemma” by Ray Bradbury (Imagination!, January 1938)
  2. “How We Went to Mars” by Arthur C. Clarke (Amateur Science Stories, March 1938)
  3. “Helen O’Loy” by Lester del Rey (Astounding Science-Fiction, December 1938)
  4. “The Faithful” by Lester del Rey (Astounding Science-Fiction, April 1938)
  5. “Hyperpilosity” by L. Sprague de Camp (Astounding Science-Fiction, April 1938)

Best Editor

  1. John W. Campbell
  2. No Award

Left off ballot: Farnsworth Wright, Mort Weisinger, Raymond A. Palmer,  Walter H. Gillings


Hugo recommendations: Best Novella

Equoid by Charles Stross. I am a fan of the Laundry novels. After Accelerando, they are Stross’s best work. Equoid is a Laundry novella, so I went into it with high expectations, having recently read and enjoyed The Rhesus Chart. Unfortunately, Equoid is absolutely void of the humor and light-hearted feel of the novels in the series, its attempt to subvert the “virgin tames unicorn” trope reads more like tentacle rape slash child abuse porn (talk about sending the very wrong message in light of the recent MZB/Kramer revelations), and Stross’s attempt to recreate HP Lovecraft’s style in a series of letters falls more than a little flat. As the reviewer at Tor.com noted: “it’s the sort of confounded feeling I get when I’m sure that a writer
was trying to gross me out on purpose with some problematic imagery and
succeeded, yet I’m not sure that the depths gone to were necessary in
the story.” As if monsters raping young girls isn’t enough, there is also a government project entitled EMOCUM. Get it? Stross has written fiction that merited awards in the past. He may well do so in the future. This isn’t it. This is something he’ll want to disown someday.

The Chaplain’s Legacy by Brad Torgersen. I read this when it was published as part of Torgersen’s collection Lights in the Deep, and while it wasn’t my favorite of the stories in that collection, it’s not at all difficult to see why Torgersen keeps getting nominated for awards; more than any SF/F writer today, he sits astride the fence that separates Blue SF/F from Pink SF/F. The novella is a tale of alien enemies forced to join together in cooperation by circumstance; somehow Torgersen manages to seamlessly blend Pink tropes such as female military commanders with Blue tropes such as devout religious characters, combining them with a dash of Golden Age optimism. Stylistically, he writes well, and if the we-can-all-get-along theme seems a bit vanilla, it can also be taken as rather brilliant metacommentary on the current SF/F divide. I mean, religious people on one side, insect army on the other? Anyway, it’s the best of the bunch.

The Butcher of Khardov by Dan Wells. A surprisingly sensitive take on an epically brutal monster from a game-tie in series. This was, in some ways, my favorite of the five nominees; Wells portrays a man unhinged by loss in an adroit manner, so much so that the reader is momentarily confused at times as to what is story-reality versus story-delusion. Stylistically, Wells is competent, but he’s not at the same level as the other four writers (if one counts Andy Duncan and Ellen Klages as one writer) and worse, his take on human sexuality is the same “I’m not worthy” gammatude of Joe Abercrombie. His nominally badass slaughtering machine, who doesn’t shirk at butchering large quantities of men, women, and children, would faint at the very thought of ever raping a woman. The psychological inconsistency is jarring. It’s a good story and a worthy nominee, but I’d put it at number two.

Six-Gun Snow White by Catherynne M. Valente. The title is good. The story isn’t. It’s a haphazard, incoherent attempt to force-fit the Snow White story into the Wild West, complete with a weird attempt to also bring in Indian folklore. Continent-spanning cultural appropriation doesn’t even begin to describe this admittedly creative attempt to find a new way to portray more kick-ass women. Yawn. That being said, it is identifiable as fantasy. Credit where credit is due.


Wakulla Springs by Andy Duncan and Ellen Klages. This pair are easily the best writers of the lot from a stylistic perspective. Unfortunately, as with several works in other categories, this novella isn’t science fiction or fantasy. It’s much more concerned with historical racism in the American South, (with repeated reminders that black folk weren’t permitted to swim in certain places or stay in certain hotels, and this made the black individual feelbad) than with any science fictional or speculative elements. There are the occasional nods to magical realism, such as Cheeta the chimp who may or may not be talking, but this novella simply isn’t of the genre.


My vote for Best Novella, and my suggestion to others, is The Chaplain’s Legacy by Brad Torgersen. My vote will go as follows:

  1. The Chaplain’s Legacy
  2. The Butcher of Khardov
  3. No Award
  4. Six-Gun Snow White

I recommend leaving the other two novellas off the ballot.

OTHER HUGO AWARD RECOMMENDATIONS

Best Novel
Best Novelette
Best Short Story
Best Editor 
Retro 1939 


Hugo recommendations: 1939 retro awards

Best Novel

  1. Out of the Silent Planet by C. S. Lewis (The Bodley Head)
  2. Galactic Patrol by E. E. Smith (Astounding Stories, February 1938)
  3. The Sword in the Stone by T. H. White (Collins)
  4. The Legion of Time by Jack Williamson (Astounding Science-Fiction, July 1938)
  5. No Award

Left off ballot:  Carson of Venus by Edgar Rice Burroughs (Argosy, February 1938)


Best Novella

  1. Anthem by Ayn Rand (Cassell)
  2. “Who Goes There?” by Don A Stuart [John W. Campbell] (Astounding Science-Fiction, August 1938)
  3. No Award

Left off ballot:  “A Matter of Form” by H. L. Gold, “Sleepers of Mars” John Beynon, “The Time Trap” Henry Kuttner.

Best Novelette

  1. “Rule 18” by Clifford D. Simak (Astounding Science-Fiction, July 1938)
  2. “Pigeons From Hell” by Robert E. Howard (Weird Tales, May 1938)
  3. “Dead Knowledge” by Don A. Stuart [John W. Campbell] (Astounding Stories, January 1938)
  4. No Award

Left off ballot: “Hollywood on the Moon” by Henry Kuttner,  “Werewoman” C. L. Moore

Best Short Story

  1. “Hollerbochen’s Dilemma” by Ray Bradbury (Imagination!, January 1938)
  2. “How We Went to Mars” by Arthur C. Clarke (Amateur Science Stories, March 1938)
  3. “Helen O’Loy” by Lester del Rey (Astounding Science-Fiction, December 1938)
  4. “The Faithful” by Lester del Rey (Astounding Science-Fiction, April 1938)
  5. “Hyperpilosity” by L. Sprague de Camp (Astounding Science-Fiction, April 1938)

Best Editor

  1. John W. Campbell
  2. No Award

Left off ballot: Farnsworth Wright, Mort Weisinger, Raymond A. Palmer,  Walter H. Gillings

Just look at those stories compared to the stories nominated in 2014. If that’s not evidence of a catastrophic decline since 1939, I don’t know what is.

OTHER HUGO AWARD RECOMMENDATIONS

Best Novel
Best Novelette
Best Short Story
Best Editor 


Hugo recommendations: Best Short Story

From LonCon: Voting for the Hugo Awards closes soon!  The voting page for the 2014 Hugo Awards is located at http://www.loncon3.org/hugo_vote/hugo_vote_form.php.  The voting page for the 1939 Retro Hugo Awards is located at http://loncon3.org/hugo_vote/retro_hugo_vote_form.php.  You will also find links to paper ballots which can be filled out and mailed in.  The deadline for voting is Thursday 31 July 2014, 11:59 PM PDT.  The online voting pages will close and any paper ballots mailed in will need to be received by that time.

“If You Were a Dinosaur, My Love” by Rachel Swirsky. Not just bad, but laughably, risibly, embarrassingly terrible. When the history of Pink SF/F is written, this Nebula Award winner should stand as Exhibit A. The fact that it was written and published is indicative of a problem in science fiction and fantasy. The fact that it won an award, any award, is a veritable indictment.


“The Ink Readers of Doi Saket” by Thomas Olde Heuvelt. Reasonably well-written, seemingly well-researched story set in Thailand. Extremely boring and I’d have to read it again to identify the point. Not interested enough to bother. Neither science fiction nor fantasy.


“Selkie Stories Are for Losers” by Sofia Samatar. The structure is piecemeal, the story is tedious, pointless, amateurish, and narcissistic. On the plus side, it is, unlike the others, identifiable as fantasy. Bad fantasy, to be sure, but fantasy.

“The Water That Falls on You from Nowhere” by John Chu. Homosexual angst story about a Chinese man afraid to come out about his white boyfriend to his family, written by a homosexual Chinese man. It would appear someone took the advice to “write what you know” a little too literally. The writing isn’t bad and it would be the best story of the lot (which isn’t saying anything at all) if it had anything to do with science fiction or fantasy. Which it doesn’t.

My vote for Best Short Story, and my suggestion to others, is No Award.

  1. No Award

I recommend leaving the ballot otherwise blank. This category is illustrative of how far the genre has fallen.

OTHER HUGO AWARD RECOMMENDATIONS

Best Novel
Best Novelette
Best Editor 


Hugo recommendations: Best Novelette

“The Lady Astronaut of Mars” by Mary Robinette Kowal. A Lady Astronaut (-5 demerits for sexism) has to choose between her dream of space and her husband. One guess which one she chooses. Not merely the worst of the five, but easily the worst of them. Don’t believe me? Just read it.

“The Truth of Fact, the Truth of Feeling” by Ted Chiang. Ted Chiang is the best writer of the five and the favorite in this category. Before I read it, I assumed he would be the obvious winner by a mile. However, this is very far from his best or his most interesting work.

“The Waiting Stars” by Aliette de Bodard. If there is one thing you will take away from this novelette, it is that Aliette de Bodard wants you to know that she is Asian. A psychoanalyst could probably write a thesis on the primary theme of her work – described by one commenter at Tor thusly: “Asians gotta be
Asians, let Asians be Asians, don’t be trying to colonialize the
Asians!” – combined with the fact that Ms Bodard is not, in fact, Asian, but merely half-Asian.

“Opera Vita Aeterna” by Vox Day. Rather than describe my own work, I will quote a commenter at Tor. “The two main characters here were vividly (and economically) drawn. I thought the evolution of their relationship was nicely portrayed. Hey, it was a more interesting relationship than the one between Elma and her husband Nathaniel in “Lady Astronaut of Mars.” It had more passion in it, too. Though somewhat foreshadowed, the ending sort of came out of nowhere for me. Still, it had impact.”

“The Exchange Officers” by Brad Torgersen.  Old school mil-SF involving a small-unit battle against the Chinese. In space. Good, competent Gold Age-style SF. There is a reason Torgersen is an Analog favorite.

My vote for Best Novelette, and my suggestion to others, is “Opera Vita Aeterna” by yours truly. My indubitably self-serving vote will go as follows:

  1. “Opera Vita Aeterna”
  2. “The Exchange Officers”
  3. “The Truth of Fact, the Truth of Feeling”
  4. No Award

I recommend leaving both “The Waiting Stars” and “The Lady Astronaut of Mars” off the ballot.

OTHER HUGO AWARD RECOMMENDATIONS

Best Novel 
Best Editor


Hugo recommendations: Best Editor

BEST EDITOR, LONG FORM

Liz Gorinsky, Tor Books: Jason Sanford says it’s hard to imagine Tor without Gorinsky. If she’s in any way responsible for the abominable Pink sewage they’ve been putting out for the last 20 years, she goes right to the bottom of the list. It’s remarkable that for all the Pink SF/F authors they’ve been relentlessly pushing over this time, their bestselling authors are still Orson Scott Card, Orson Scott Card and someone else, Robert Jordan, Robert Jordan and Brandon Sanderson, and Brandon Sanderson.

Lee Harris, Angry Robot:  I looked over their entire list of 2013 publications. Nice covers. Haven’t read a single book. Haven’t HEARD of a single book. I have heard of Wesley Chu; The Lives of Tao appears to be one of their best-regarded books. Tons of editorial reviews. 145 Amazon reviews averaging 4.2 rating. And #166,807 on Kindle. Translation: Hivemind hype.

Ginjer Buchanan, Ace: Retired after 30 years at Ace and Roc Books. Translation: a longtime gatekeeper and a nomination in lieu of a gold watch.

Sheila Gilbert, DAW Books: Sanford calls her “one of those people who helped shape the direction of our genre”. Translation: a longtime gatekeeper and likely responsible in part for the decline of the genre.

Toni Weiskopf: Baen Books: Published Larry Correia. Published our own Tom Kratman. Signed Brad Torgersen. The one mainstream editor willing to go against the grain and stand against the rising tide of Pink effluvience. She’s got my vote.

My vote for Best Editor, Long Form, and my suggestion to others, is Toni Weiskopf of Baen Books. My vote will go as follows:

  1. Toni Weiskopf
  2. Sheila Gilbert
  3. Ginjer Buchanan
  4. No Award

 I recommend leaving the other two editors off the ballot.

BEST EDITOR, SHORT FORM

I don’t know anything about the various editors nominated. I will vote No Award and leave the category otherwise blank.

OTHER HUGO AWARD RECOMMENDATIONS

Best Novel


Hugo recommendations: Best Novel

I see people are starting to make their Hugo Award voting recommendations, so I shall begin mine. I’ll do individual posts on the major categories, then provide a summary of all of them when I am done. Let’s start with the award for best Novel, where I intentionally chose from among the worst Amazon reviews for each book in order to highlight the weaknesses of the various nominees:

Ancillary Justice by Ann Leckie. 286 reviews. 4.3 average rating. The Nebula and Arthur C. Clarke winner, and the prospective first three-award winner in SF history. It must be something truly incredible, right? No, it’s just the usual pinkshirts talking up the usual Pink SF/F sewage, albeit with the innovative concept of playing games with pronouns, which was a new and exciting idea back in 1971 when Robert Silverberg did it in his Nebula-winning A Time of Changes. A recent puff piece on Leckie asked the question: Is Ann Leckie the Next Big Thing in Science Fiction? On the evidence of this first novel, the answer is a resounding “no”.

Amazon review: Characterization is non-existent: the main character never changes or
learns, and the author only pays lip service to the AI going from
hundreds of individuals under its control to one. That could be enough
for its own story right there, but it’s wasted. Instead, we have the
main character taking on two different big goals or quests. Her reasons
for the first are totally unexplained, and she even asks herself every
so often why she’s doing it. But there’s never an answer or even any
exploration of this. She just asks herself a few times and that’s it.
It has no effect on the story whatsoever.

The second is literally
pointless. We know this because she tells us that completion will make
zero difference. So why do we care? I suppose it’s just as well since
there’s no real universe to speak of. The culture of her society is
vague and bland, and doesn’t really do anything new. Oh, their language
doesn’t have gender-specific pronouns, meaning the main character uses
“he” and “she” interchangeably. It’s not done as a way to demonstrate
how her own language works, either, as she admits that she can’t tell
people’s genders a lot of the time. We’re supposed to believe that an
AI that is thousands of years old and capable of carrying on hundreds of
conversations simultaneously can’t figure out whether a person is male
or female? Meanwhile a space station’s AI at one point is so sensitive
she’s afraid it will figure out her motivations just from observing her.

The Wheel of Time by Robert Jordan. 2,358 reviews, 4.2 average rating. I’ve only read the first five or so books in the series. I’m not reading any more. Other than the length, the one notable thing about the books is that it introduces the most irritating protagonist in the history of epic fantasy, Rand al’Thor. The one way I might be able to force myself to read SFWA Grand Master’s epic torture-rape extravaganza, Hogg, is if I did a word replacement in Sigil that substituted “Rand al’Thor” for all the little kiddies that Delany fantasizes about raping, torturing, and killing in various excruciating ways. That’s how much I hate the whiny little bastard.

Amazon reviewThe best word to describe his writing is “trite”. Everything about the book, aside from the world-building, is trite beyond words; this is juvenile, unimaginative, amateurish writing. In over 30 years of pretty much continuous reading, this is unquestionably the worst-written novel I’ve ever seen published.

The characters are shallow beyond words; the ridiculous and incredibly irritating Nynaeve (don’t ask me how that’s supposed to be pronounced), for example, has a permanent scowl on her face, and never varies her tone at all; every sentence that comes out of her is negative, angry, and sour, and she almost never says anything without an exclamation mark at the end. She’s as one-dimensional as a character can be, and she ends up being nothing more than a caricature. The rest are almost as bad.

Warbound by Larry Correia. 120 reviews. 4.7 average rating. I very much like The Grimnoir Chronicles and Warbound is a satisfying conclusion to the trilogy. It’s more intelligently developed than X-Men, its use of history is more sophisticated than the casual observer will realize, and it incorporates Japanese warrior culture in a manner that is both interesting and respectful. Those who focus obsessively on the functional style of the writing are completely missing both the point as well as a smart action story.

Amazon review: Enjobale read – great end to series. Like the end – surprise for me Wonder what he will do next

Don’t look at me. THAT is the only one-star review of the 120 reviews on Amazon. And the two 2-star ratings are similarly complimentary.

Neptune’s Brood by Charles Stross. 119 reviews. 4.2 average rating. Orbit didn’t bother to include the novel in the packet. If the publisher doesn’t give a damn, why should anyone else? Charlie lost his fastball a few years ago anyhow. That being said, I would have considered one of his Bob Howard novels, those are still pretty good. Not this one.

Amazon review: I am a longtime and ardent fan of Charles Stross books. I’ve read nearly every one and I look forward to new ones. I am not, however, a fan of Neptune’s Brood. The premise was sound – great potential for some funny bits, a good launching pad for sniping at convention. And all that’s in there. But what one has to slog through to get there simply isn’t worth it. Mr. Stross, I imagine you have a pretty intelligent audience overall – you don’t need to explain, then explain again, then needlessly overexplain yet again throughout the book. We get it. I was determined to finish the book in spite of the feeling that I was wasting my time after just having gotten through a third of it. And I did – to no avail.
 

Bottom line: I recommend each and every one of his books… except this one. 

Parasite by Mira Grant. 179 reviews. 3.7 average rating. Orbit didn’t bother to include the novel in the packet. If the publisher doesn’t give a damn, why should anyone else?

Amazon review: The concept for the story seemed appealing and I was excited to read it.
Unfortunately the writer couldn’t manage to move past how the main
character felt about the prolific minutiae of her daily life, to
actually tell the story. Another thing I found disappointing about this
unquestionably boring attempt is, the writer spent the entire length of
the story building up to what I’m sure she thought was a profound
revelation. Only this revelation was glaringly obvious within the first
few paragraphs. This book was not completely devoid of interest and had
several fleeting moments of watered down intrigue that kept me
soldiering on to the end. The ending “shocker” that was sadly
predictable was followed by “to be continued” which to me is a let down
squared. Overall this book is like an expensive meal served cold with
poor and clumsy service. I will not be reading the next installment in
this series as well as anything else written by Mira Grant.

My vote for Best Novel, and my suggestion to others, is Warbound by Larry Correia. My vote will go as follows:

  1. Warbound
  2. No Award
  3. The Wheel of Time

I recommend leaving the three Orbit books off the ballot.


Contamination by association

In keeping with the argument presented by Tim Atkinson, I encourage left-liberal science fiction writers to not “give house room” to known child molesters and rapists. Atkinson writes:

Now, there’s a conversation to be had about how and whether to read authors with detestable views. I’m not pro-censorship, I’m pro-context. But putting someone prone to racist outbursts on a conservative voting slate for the shortlist for the prestigious Hugo Awards – that sends a entirely different message to the one I think you hoped it would.

Would Beale have gotten onto the shortlist for Best Novella – which he succeeded in doing – if he hadn’t had this kind of support? We’ll probably never know. But the point is that the Beale-boosting contaminated by association the conservatives-and-libertarians-overlooked-in-SF position the slate was intended at least in part to raise.

Correia mounts a mainly art-for-arts-sake defence for the inclusion of Beale on his slate (it’s a long post so I’d suggest scrolling or searching for it). Unfortunately, he presses onto deny both the racism of Beale’s statement and of the man himself, which seems at best naïve and at worst disingenuous in light of his public record….

I have been clear, I hope, that Correia is not supporting Beale over and
above putting him on his Hugos slate and is on the record that he
himself is not racist. My key point is that putting forward such a
divisive, controversial figure (to put it mildly and in terms you might
find acceptable) risks contaminating by implication
conservative/libertarian positions in science-fiction.

I find Mr. Atkinson’s concern about messages and contamination to be fascinating. Mr. Atkinson claims my comments made in response to a woman lying about me and repeatedly attacking me are “controversial” and risk “contaminating by implication
conservative/libertarian positions in science-fiction” while completely ignoring the fact that, by the same metric, the liberal/left position in science fiction has undeniably been contaminated for 15 years by the documented public evidence that Marion Zimmer Bradley, one of the most influential and celebrated feminist authors that Pink SF/F has ever had, was an abusive, sexually aberrant child molester and incestuous rapist.

Marion Zimmer Bradley was convicted on a federal child pornography charge prior to her marrying the homosexual child molester Walter Breen and editing one of his books defending pedophilia. Bradley’s own daughter has publicly stated that her mother raped her on more than one occasion. One of Bradley’s lesbian lovers testified in a 1998 legal deposition that she was aware Marion Zimmer Bradley sexually harassed and tortured her own daughter, and raped her own son as well.

SFWA purged me from its ranks for a single tweet, but has not yet seen fit to purge Marion Zimmer Bradley despite her many sex-related crimes dating back to the 1950s. They have not revoked the two Nebula nominations given to a known child molester and a magazine named after her. SFWA still features an RIP notice for Marion Zimmer Bradley, as well as a listing for Bradley’s literary estate and the agent for that estate on its Internet site. (However, it is interesting to note that SFWA never awarded her any distinction as a Grand Master or Author Emeritus whereas she received the Lifetime Achievement Award from the World Fantasy Convention in 2000, which suggests that some SFWA officers were probably aware of her problematic history.) But SFWA’s Nebula-winning members and former officers are still writing and publishing laudatory articles about the confirmed child abuser, some as recently as last week.

To the best of my knowledge, none of the 47 SFWA members who called for my expulsion and none of the 8 SFWA Board members who voted for it have ever openly condemned Marion Zimmer Bradley or called for the revoking of all awards and recognition given to her by various science fiction and fantasy organizations even though knowledge of her crimes has been a literal matter of public record for more than a decade. By the Left’s own transitive logic of contamination-by-association, until they do, it must be assumed that Steven Gould, Rachel Swirsky, Lee Martindale, Matthew Johnson, Bud Sparhawk, Patrick Nielsen Hayden (a self-described racist), John Scalzi (a self-described rapist), the Toad of Tor, Jim Hines, Jo Walton, Deborah Ross, Amal El-Mohtar, and dozens of other left-leaning science fiction and fantasy writers are morally degenerate individuals who celebrate homosexuality, torture, child abuse, child molestation, incest, and rape.

It appears not to be a coincidence that their books are so often packed with sexual perversions and crimes. It is beyond irony, and well into dark parody, to discover that this inclusive and tolerant crowd has long included, tolerated, celebrated, and even honored a felonious feminist child molester. In light of these facts, I sent the following letter to Steven Gould, the President of SFWA, yesterday:

Dear Mr. Gould and the SFWA Board


I have three questions in light of the recent public statements that
Marion Zimmer Bradley raped her daughter, and the legal depositions of Ms Bradley and Elizabeth Waters which are posted on SFF.net and indicate Marion Zimmer Bradley:

  1. was aware of her husband’s criminal sexual molestation of
    several underage boys
  2. tortured and sexually molested her own daughter
  3. raped her own son

First, as a tolerant and inclusive organization, does the
behavior which SFWA tolerates include abnormal sexual behavior
such as homosexuality, child abuse, torture, and incestuous rape by its
members? Second, will the SFWA Board be purging Marion Zimmer
Bradley from SFWA’s historical membership list and removing all
references to her, her estate, and her estate’s agent from the
SFWA web site? Third, will the SFWA Board be retroactively
expunging from the Nebula Awards list Marion Zimmer Bradley’s 1976
Best Novel nomination for
The Heritage of Hastur and
Mary C. Aldridge’s 1990 Best Short Story nomination for “The
Adinkra Cloth”, published in
Marion Zimmer Bradley’s Fantasy
Magazine.


As a former life member of SFWA expelled by the current SFWA
Board for a tweet deemed inappropriate, I should be very interested to hear SFWA’s formal position
on homosexuality, child molestation, torture and incestuous rape by its
members. I look forward to reading your response.



Sincerely,
Vox Day

Some may find it shocking to learn that even after learning about the extent of Marion Zimmer Bradley’s crimes, members of the SFWA are still defending the woman and her work. I can’t say I’m even surprised.

In addition to the lives she harmed, MZB’s works saved the lives of
other people by speaking to them when other works and other people would
not and/or did not.

Truly.

Rachel E. Holmen, who worked as an editor for Marion Zimmer Bradley’s Fantasy Magazine said about Marion: “When she visited cons, ten or twenty young women an hour would stop by
with stories along the lines of “Your books saved my life.””

There are other writers being published now who may speak to those
same hearts, but if MZB is still the author that would help them, then I
think it’s important that her work be available to do so. This doesn’t
diminish her very real (and very severe) failings.

Rachel’s quote points out why we need diverse books by diverse writers that speak to diverse audiences.

Additionally, MZB gave a start to a lot of women writers—a higher
percentage than anyone else in the genre at the time. Those writers
helped pave the way for even more female voices in the genre.

Keep in mind that the SF/F Left openly states that science fiction needs books by child molesters and rapists. Because diversity. And equality. And it remains enthusiastic about Marion Zimmer Bradley’s depraved legacy.

“Great to see MZB’s Legacy Continue!”
– Jim Hines, Hugo Award-winning SFWA member

I certainly wouldn’t say so. Would you? The Left always claims the Right is a collection of racist white supremacists. But how seriously can you take the accusations made by collection of child-molesting perverts? The only rape culture to be found in science fiction and fantasy is on the SF/F Left.

UPDATE: Deidre clarifies her position on Marion Zimmer Bradley and makes it clear that she is NOT defending the woman.

The entire reason I posted about Marion Zimmer Bradley at all is that
she did unconscionable things and enabled unconscionable things and
Tor.com was whitewashing that. Full stop.

Even if you disagree
with me about almost everything else, we probably agree that suicide, in
general, is a sad loss of life. There are a lot of people who’ve had
rough childhoods who feel suicidal and who have attempted suicide. If
MZB’s books help keep a few of them living long enough to get through
that dark patch, then I think that is a good thing.

It does not change the fact that I think she belonged in prison.

Now, I think she’s wrong as I do not believe the child molester’s books saved a single life, the various claims of attention-seeking drama queens notwithstanding. But regardless, it is clear that she is not defending Marion Zimmer Bradley, she is not claiming that the woman’s actions are justified by the impact of her books, and she should not be criticized for doing so. To the contrary, she should be lauded for calling out the ghastly MZB-glorifying actions of Tor.com and others.