A response to Brianna Wu

Brianna Wu, who may or may not be the former Bruce Freeman, has successfully sold his sob story to the Washington Post:

They’ve taken down women I care about one by one. Now, the vicious mob of the Gamergate movement is coming after me. They’ve threatened to rape me. They’ve threatened to make me choke to death on my husband’s severed genitals. They’ve threatened to murder any children I might have.

This angry horde has been allowed to wage its misogynistic war without penalty for too long. It’s time for the video game industry to stop them.

No. What part of this does he not understand. “You could say all gamers drink the blood of innocents under a full moon and I still wouldn’t give a fuck.” – Phasmal. That is exactly how the average gamer feels about this. Whether Wu ends up being ritually tortured and force-fed Ebola before being sacrificed to Cthulhu on an altar made of desert-aged E.T. cartridges or not, his fate is not going to alter any of our opinions on the matter in the slightest. We don’t care. People are dying of Ebola in Africa too. We are still going to design, develop, and play exactly the sort of games we want to design, develop, and play.

And as for those hypothetical children, well, to paraphrase the immortal Zaphod Beeblebrox, count the chromosomes.

Gamergate is ostensibly about journalistic ethics. Supporters say they want to address conflicts of interest between the people that make games and the people that support them. In reality, Gamergate is a group of gamers that are willing to destroy the women who have invaded their clubhouse.

No, #GamerGate is a broad spectrum of gamers who have no intention of permitting a small group of pinkshirted SJWs do to games what the pinkshirts have done to SF/F literature, namely, destroy it through hyperpoliticization. And we are well aware that the so-called “game journalists” are conspiring with those pinkshirts to do it.

The next day, my Twitter mentions were full of death threats so severe I had to flee my home. They have targeted the financial assets of my company by hacking. They have tried to impersonate me on Twitter. Even as we speak, they are spreading lies to journalists via burner e-mail accounts in an attempt to destroy me professionally.

Boo-freaking-hoo. Even if we assume those “death threats” are genuine, Wu destroyed himself professionally when he lined up with the pinkshirts in the media against the gamer community. No serious gamer will ever play one of his games, no matter how many ideological sympathetic game journalists write favorably about it.

We’ve lost too many women to this lunatic mob. Good women the industry was lucky to have, such as Jenn Frank, Mattie Bryce and my friend Samantha Allen, one of the most insightful critics in games media. They decided the personal cost was too high, and I don’t know who could blame them. Every women I know in the industry is terrified she will be next.

We don’t want them, and it is entirely obvious that we don’t need them either. There are more than a few real genuine women who are part of GamerGate. Obviously Wu doesn’t know any of them, because unlike him, they are not pinkshirt-wearing political activists who are more considerably interested in ideological propaganda and self-inflating genre than in electronic entertainment.

The culture in which women are treated this way by gamers didn’t happen in a vacuum. For 30 years, video games have been designed by men, marketed to men and sold to men. It’s obvious to anyone outside the industry that video games have serious issues with the portrayal of women. It’s not just oversexualized examples, such as Ivy of the Soul Caliber series. Games are still lazily falling on the same outdated tropes involving women. Princess Peach, of Nintendo’s Mario games, has been kidnapped in 12 separate games since 1985. Perhaps the most disturbing of all is the propensity of games to have women thoughtlessly murdered as a motivation for the male hero, such as Watch Dogs.

The consequence of this culture is male gamers have been trained to feel video games are their turf. In stopping Gamergate, the men who dominate it – not just women — must address the culture that created Gamergate.

No. In a word, no. We don’t have to do anything of the sort. Nor do we wish to do so. It is our culture. Also, I note that Wu is dismissing the work of very single genuine female in the industry over the last 30 years. Roberta Williams, Jane Jensen, Brenda Laurel, Scorpia and Charlotte Panther at CGW, just to name a few. (To say nothing of Dani Bunton.) As for the “women thoughtlessly murdered” in video games than the men, surely Wu doesn’t imagine that the virtual body count is even remotely close to being distributed equally on sex grounds.

Some have. But many more have been silent. In the male-dominated video game media, many have chosen to sit by and do nothing as Gamergate picks us off, one by one. IGN has not covered Gamergate. Game Informer has not covered Gamergate. Ironically, the people who most need to hear this message are not hearing it, because of an editorial choice to stay on the sidelines.

He spoke too soon; Andy caved earlier today. So, it is an absolutely ludicrous lie to claim that anyone in the game industry is not hearing the absurd message, especially when anti-gaming pinkshirts are openly bragging about how the media is in their back pocket.

There are many straightforward steps we can take to change this.

First, major institutions in video games, which happen to be dominated by men, need to speak up immediately and denounce Gamergate. The dam started to break this week as Patrick Klepek of Giant Bomb broke the silence at their publication on Monday. Last week, the industry’s top trade group, the Electronic Software Association spoke out against Gamergate, saying “Threats of violence and harassment have to stop. There is no place in the video game community for personal attacks and threats.”

No one, literally no one, cares what “the Electronic Software Association” has to say. Considering how successful they were attacking video game piracy, if they’re on the anti-gamers’ side, the pinkshirts ought to raise the white flag now.

Secondly, I call upon the entire industry to examine its hiring practices at all levels. Women make up half of all gamers, yet we make up only a fraction of this industry. While it’s possible to point to high profile women in the field, the fact remains. Women hold a shockingly disproportionate number of high level positions in game studios, game publishers and particularly in leadership roles. There are just 11 percent of game designers and 3 percent of programmers, according to The Boston Globe. Game journalism also plays a critical role. It doesn’t matter how many women we get into game production. If the only people evaluating the work we do continue to be men, women’s voices will never be heard.

Women no more “make up half of all gamers” than Brianna Wu has two X chromosomes. Playing Candy Crush Saga or Angry Birds or Kim Kardashian’s Mutant Butt Destroys the Sheboygan Mall doesn’t make one a gamer any more than playing Myst did. “Gamer” is derived from “wargamer” and it is shorthand for “core gamer” or “serious gamer”. It does not refer to anyone who happens to play an electronic game any more than it refers to someone who plays hopskotch. No one is stopping women from starting their own game reviews. That’s exactly what I did in 1991 when virtually no one was reviewing games in the mainstream media and that’s how I ended up being nationally syndicated, with a game review column running weekly everywhere from Boston to San Francisco.

My friend Quinn told me about a folder on her computer called, “The Ones We’ve Lost.” They are the letters she’s gotten from young girls who dream of being game developers, but are terrified of the environment they see. I nearly broke into tears as I told her I had a folder filled with the same. The truth is, even if we stopped Gamergate tomorrow, it will have already come at too high a cost.

To dream of “being game developers” is not at all the same thing as doing the hard work of developing games. Those young girls may desire the status, but they show  absolutely no sign of wanting to actually do the work involved. Anyone who really and truly wants to make games will do so, and will not permit anyone to dissuade them. You don’t need anyone’s permission to be a game developer. You don’t need anyone’s encouragement. You don’t need hugs and a welcome mat. Thanks to the panoply of great tools available, it has never been easier to develop games. Wu can cry if he likes, but the fact is that none of “The Ones We’ve Lost” were ever going to develop a single game. Ever. Not even if they were welcomed into the industry with pixies, unicorns, and rainbows.


We can do that

This guy quite clearly doesn’t understand how the game industry works and is attempting to put the media cart ahead of the millions of horses that are the gamers of the world.

I compiled a list of the news and opinion outlets that have published articles critical of #gamergate just in the last few days. They’re welcome to boycott these all, it’ll just hasten their increasing irrelevance.

And yet, none of this is having ANY effect whatsoever on the activity of game developers. Literally none. There are no AAA developers suddenly deciding that instead of a 3D shooter, they are going to develop Kim Kardashian’s Mutant Butt Goes to the Mall. Blizzard is not going to halt Warlords of Draenor in order to put more clothes on the girl-Dranei or ensure that they are sufficiently Strong and Independent for Literally Who’s liking. Matrix is not going to start publishing Fashion Quest: Kicky Heels instead of its 576th World War II wargame, Operation Johann: the Czechoslovakian Plan to Invade Lichtenstein. And as far as I am aware, no one is running out to hire Zoe Quinn as a design lead.

But #GamerGate is having a tangible effect on the media organizations. Intel and Mercedes have stopped advertising on Gamasutra and Gawker. Other advertisers will follow suit; I have heard of other publications discovering that their advertising revenues are imperiled. The pinkshirts of the games media are going to find out, over the next few months, just who is truly irrelevant, who is truly impotent. And it isn’t the gamers of #GamerGate.

#GamerGate ultimately comes down to one thing. We gamers like our core games the way they are, and we aren’t going to change them for anyone or for any reason except better gameplay. And we don’t give a quantum of a damn what any casual gamer who plays Myst/Cooking Mama/Farmville/Angry Birds does, thinks, wants, or says. All the theatrical handwringing rhetoric about misogyny and harassment and death threats means absolutely nothing to any of us. It doesn’t matter if Literally Who, Literally Who 2, and Literally Wu wind up being ritually tortured and force-fed Ebola before being sacrificed to Cthulhu on an altar made of desert-aged E.T. cartridges, that’s not going to alter any of our opinions on the matter in the slightest.

One gamer, by the name of Phasmal, speaks effectively for us all: “You could say all gamers drink the blood of innocents under a full moon and I still wouldn’t give a fuck.”

D’accordo. In the meantime, if you’re interested in either reading honest game reviews or writing a few yourself, check out Computer Game World. I’m in the process of adding many of my old reviews and others are adding new ones every day.


Pinkshirts vs GamerGate

No worries, once “pinkshirt” becomes widely adopted as a derogatory term for a feminist or SJW, there can be little doubt that the pinkshirts will promptly pretend that it isn’t a “Vox Dayism”:

Ian Miles Cheong @stillgray
So sad to see GamerGaters latching onto Vox Dayisms like “pinkshirts” to refer to feminists. Oh well, they deserve each other.

One thing I find mildly bemusing is the way various pinkshirted newbies and wannabes still have no idea how long I’ve been in the game industry or what I do there. I mean, Wikipedia isn’t exactly complete, but there is SOME information there.

Laurel Halbany ‏@neverjaunty
@scalzi It’s pretty impressive how many shitbirds who never heard of gaming before this are jumping on GamerGate to peddle their snake oil.

John Scalzi ‏@scalzi
@neverjaunty As soon as GG happened, it was just a matter of time before that one signed on. Which is fine. The two deserve each other.

That’s even dumber than the accusation that my father somehow obtained my column at WND for me. For the record, I have been professionally reviewing games since 1991, beginning with the St. Paul Pioneer Press, then Chronicle Features, and then for Universal Press Syndicate, Computer Gaming World, Electronic Entertainment, and the Atlanta Journal/Constitution. Since I retired my AJ/C column, I have continued to write for various game industry publications since then, albeit not under this name.

I happen to know exactly what sort of corruption is rife throughout the games media; I was the only game developer permitted to write for CGW for exactly that reason. Johnny Wilson and Chris Lombardi both trusted my integrity, as did the editor of Electronic Entertainment. They knew I would cut my thumbs off before I would give a false review of any game. And they sure as hell wouldn’t have trusted the integrity of the most of the current breed of “game journalists”.

Ian Miles Cheong ‏@stillgray
Reminds me of Vox Day and every other parasite who’s latched onto this stupid movement.

Space Bunny ‏@Spacebunnyday
You might want to look at the dates of @voxday ‘s posts on the topic before claiming he’s “latching on” to it.

As it happens, I’ve known the games media longer than most of its biggest names have been around. I grew up with the late Paul Anderson and I still have a cassette tape with “Three Chord Song” and other songs by Andy McNamara’s band around here somewhere. I remember when Game Informer was Funcoland’s six-page in-house rag. I am familiar with the constant pressure the games media faces to ensure the flow of advertising money from the very companies it is reviewing. Some organizations and individuals are able to retain their integrity, but unfortunately, most don’t. Unless you truly love games more than money, you will succumb eventually. The smarter ones usually end up migrating to the development side in the end, where the influence is smaller but the pay is better.

I never accepted anything from anyone except free games for review. I suspect most of today’s “game journalists” would leap at the chance to sell out for a trinket or a free dinner, much less a skanky pinkshirt. Not only are they corrupt, some of them are even in ideological collusion, as can be seen by the timing of these various “Gamers are Dead” articles:

‘Gamers’ don’t have to be your audience. ‘Gamers’ are over. Exclusive http://archive.today/l1kTW Leigh Alexander Gamasutra Aug 28, 10:00am

An awful week to care about video games http://archive.today/rkvO8 Chris Plante Polygon Aug 28, 1:21pm

The death of the “gamers” and the women who “killed” them https://archive.today/ZyLdw Casey Johnson Ars Technica Aug 28, 5:00pm

A Guide to Ending “Gamers” http://archive.today/2t93l Devin Wilson Gamasutra Aug 28, 7:57 pm

_We Might Be Witnessing The ‘Death of An Identity’ https://archive.today/ht088 Luke Plunkett Kotaku Aug 28, 8:00pm

_Gaming Is Leaving “Gamers” Behind http://archive.today/jVqJ8 Joseph Bernstein Buzzfeed Aug 28, 8:29 pm

_Sexism, Misogyny, and online attacks: It’s a horrible time to consider yourself a gamer https://archive.today/HkPHc Patrick O’Rourke Financial Post Aug 28, 9:33pm

_It’s Dangerous to Go Alone: Why Are Gamers So Angry? http://archive.today/9NxHy Arthur Chu The Daily Beast Aug 28, time unknown

_The End of Gamers https://archive.today/L4vJG Dan Golding Tumblr Aug 28, time unknown

_This guy’s embarassing relationship drama is killing the ‘gamer’ identity https://archive.today/L4n6p Mike Pearl Vice Aug 29, time unknown

And as far as “never heard of gaming” goes, Ender and I are in the process of testing our latest Fifth Frontier War module. For VASSAL. Which, by the way, I named.


Business advice from SJWs

I thought juxtaposing this pair of posts from Re|Action was both informative and more than a little amusing:

This is an open letter to Steve Butts (IGN), Stephen Totilo (Kotaku), Justin Calvert (Gamespot), Chris Grant (Polygon), Dale North (Destructoid), Ludwig Kietzmann (Joystiq), and all other Editors-in-Chief of gaming websites:

1) Publish a highly visible reference statement explaining your site’s stance on sexism, racism, classism, ableism, homophobia and transphobia.

2) Hire (more) people to moderate your forums and comments sections.

In February, I wrote a guest editorial for Kotaku. I enjoyed writing for a mass audience and I would sincerely love to write for Kotaku again. I’ve seen Stephen Totilo dive into the fray when a blogger on N4G produced an elaborate conspiracy theory that Kotaku was seeking to generate revenue through feminist articles. I appreciated seeing Stephen Totilo articulate his strong stance off site and I wish he would do so in a perma-linked resource at the top of Kotaku. All this being said, my one experience with Kotaku commenters was brutal.

3) “Take the risk.”

You will anger readers by taking a stand. Some of them will leave. Some of their threats to leave forever are not, in fact, empty. You’ll get flak from NeoGaf and Reddit. 4Chan will make the same ugly threads about you as they do about me and my friends.

Do it. Piss them off. Take the risk. Make a decision now that they are not worth your time and that the ad revenue they provide is not worth the toxic atmosphere they bring to your sites. They’re not worth continuing to bear the reputation of being an unsafe place for people who are not straight men.

“An Open Letter to Games Media” was published on June 19, 2013. It was followed, not too terribly long afterwards, by this:

[re/Action] is closed
We tried something new, but the market has spoken. We published three issues

In other words, no one is buying what they are selling. So take their advice at your peril. In a similarly astute manner, another SJW trans-something or other, John Scalzi, is repeatedly insisting that he totally doesn’t care, not even a little bit, that many gamers continue to announce that they will no longer buy his books due to his anti-GamerGate position. He had yet another tweet on the subject yesterday:

It genuinely flummoxes some folks that I don’t care if they stop buying me because of my GamerGate opinions.

Assuming that he is telling the truth, which is always a risky proposition, his stated position does surprise some people considering that Intel and Mercedes obviously don’t share it. Unlike John Scalzi, both corporations value the opinions of gamers enough to have stopped advertising on Gamasutra and Gawker Media, two sites that have taken explicit anti-GamerGate positions. So, perhaps #GamerGaters also need to let @torbooks and @pnh know that they will no longer be buying books from Tor Books as a result of John Scalzi’s oft-professed antipathy for genuine gamers concerned about the politicization and corruption of the games media. Perhaps Tor Books cares about their customers, even if John Scalzi does not. The fact that Tor still publishes Orson Scott Card, the Great Satan in the eyes of the pinkshirts, suggests they do.

The observable reality is, as @AngryHarrysPage noted: actually poses a genuine threat to the progressive establishment. They’re causing economic harm.”

On a side note, it’s telling how many of these “women in games” are actually men wearing dresses, men who aren’t fit to wear Dani Bunton’s shoes. It is also informative to note that most of the actual women involved in anti-GamerGate don’t play games, don’t design or develop games, and observably don’t know much about them.


Time to get hardcore

Random idea. Ender is nearly done with his rework of my original Fifth Frontier War module and we’re gearing up to play it. Now, I’m wondering if there is anyone here besides the game’s designer who has significant experience of it and would care to serve as a rules catcher, given that the chances we are going to get a few things wrong on this second attempt are all but guaranteed. (The first one went down in flames when we wanted to use the table for ASL after getting things mostly set up.)

As a general rule, we never try to fix rules that we miss, but instead seek to play properly from the point at which the mistake is noticed. I’m going to post the turns here for the edification of the three or four readers who are actually interested, and I figure that we may as well take advantage of any real FFW experience. Corrections are welcome, so long as it’s kept in mind that this is a first playing.

Big Chilly and I set the game up several times when we were in high school, but we never got beyond plotting the initial turn because it took so long to setup and we always ran out of weekend. That’s one of the things Ender has improved in the module; the standard setups are already in place when you start. The other nice thing about having it on the computer, of course, is that it means we can use the projector….

Sure, there is Ebola and mass immigration and the general decline and fall of Western civilization to take into account, but the simple fact is that this is occasionally an awesome time in which to be alive. Fifth Frontier War on a five-meter wide board on the wall… and no need to clean up a game in progress? And to think I once thought that playing Wing Commander on a 50-inch screen was the pinnacle of techno-civilization!


#GamerGate harassment

Alert the New York Times! Get a press release out to Gawker Media! We have #GamerGate harassment, I repeat, WE HAVE HARASSMENT! We have THREATS! Wait, what? Hold on….

Oh, really? It’s just a 16-year old girl doxxing and harassing a pro-GG man? Never mind. STAND DOWN EVERYONE. Stand down. Nothing to see here, move along.


Mailvox: which Squad Leader?

JS is curious about ASL:

Read about this game (again) in a GamerGate post today… Which set do you play?  I’m intrigued…I’d like to buy a kit and start playing. Time for a post for us inspiring ASL newbies! I like turn-based games (I own Supremacy, and even ported the board to Java…Very handy to have a seamless scroll when you control Siberia and Alaska!), but haven’t played detailed military rules since high school.

I own two sets of Squad Leader and two sets of Advanced Squad Leader as a consequence of the Hasbro acquisition panic of 1999 and Ender has a complete set of the Advanced Squad Leader Starter Kit. Right now, I mostly play ASLSK because we are methodically playing our way through that. I myself started with the ASL11 Defiance on Hill 30 scenario from Paratrooper, followed by ASL14 Silence that Gun. While I’d owned Squad Leader, Cross of Iron, and Crescendo of Doom since I was 10, I’d never actually played against an actual opponent because I didn’t know anyone willing to learn the rules.

Since then, I’ve played a Red Barricades campaign and took part in an eight-man game of Gold Beach, which was one of the better gaming experiences of my life. Ender was actually given his nickname by Big Chilly as a result of ASL, as he managed to beat me, fair and square, (albeit with the help of a 1 in 36 shot) in one of the first ASLSK scenarios he ever played. I usually win, as he’s too conservative in attack and doesn’t have the experience to deal with my 3GW tactics, but he’s learned that I tend to have trouble maintaining my focus once the game is well in hand and has taken advantage of that to steal a victory or two at the wire.

It’s a wonderful game, and if you take the Journals and Annuals into account, makes for great reading material; Chapter H alone is a comprehensive education in World War II fighting vehicles. Start with ASLSK #1, play through it, and then move on to #2 and #3 if you enjoy it. Then you’ll be ready to move up to the big league and the ASLRB.


Women in gaming: the historical reality

Although somewhat biased towards equalitarianism, this history of the general absence of women in gaming goes a long way towards putting #GamerGate into perspective:

The final roster of almost six hundred IFW members, tallied in March of 1973, contains only one recognizably female name, that of Elizabeth A. Parnell. By the end of the 1960s, Avalon Hill faced stiff competition from Jim Dunnigan’s wargames company Simulation Publication, Inc. (SPI), who published the widely-circulated magazine Strategy & Tactics. Dunnigan regularly sought feedback from his broad readership to tune the contents of his games and periodicals. It was not until 1971, however, that the feedback questionnaires in Strategy & Tactics began to inquire about gender. The first returns that summer (published in issue #28) indicated that 1% of those surveyed were female, though that number is perhaps inflated due to rounding. At the beginning of 1974, on the next iteration of the survey, Strategy & Tactics reported, “We asked how many female subscribers we have. The number is roughly one-half of 1%.” That article goes on to explain their survey methodology, which they believed reflected “over 10,000 different gamers,” a sum they credibly represented as the largest study group available to the industry.

That figure, that roughly one half of 1% of “gamers” were female, is borne out by other contemporary sources as well. The “Great Lakes Gamers Census” of January 1974, assembled by the Midwest Gaming Association, tabulates more than one thousand gamers in the Midwest. It contains five recognizably female names: Marie Cockrill, Anne Laumer, Denise Bonis, and then two couples: Mr. & Mrs. Linda Anderson, and Mr. and Mrs. Paul Pawlak. It was this overwhelmingly male community which was the target of contemporary periodicals branded for “gamers” like Gamers Guide.

How much attention were game developers reasonably supposed to pay to a group that made up less than one percent of their market? Notice that as with SFWA, it was the inclusion of fantasy that brought women into the mix. And in games, as in science fiction literature, the subsequent expansion caused the original pioneers to be largely pushed to the side:

The release of Dungeons & Dragons triggered a crucial intersection of two fandoms: wargames fandom and the group collectively known as science-fiction fandom, which included fantasy fans. This is significant because science-fiction fandom, while predominantly male, had far more gender diversity than wargames fandom. Exactly how much diversity has been a matter of some scholarly debate; a recent study suggests that as of 1960, science-fiction fandom was perhaps one-fifth female. Other data points show finer divisions: while subscribers to a hard science-fiction magazine like Analog might have been only one-tenth female, a survey of the Magazine of Fantasy and Science Fiction — which published many of the fantasy stories that inspired the creators of Dungeons & Dragons — revealed that around a third of its readership was female as of 1966. Fans of that era, most notably Diana Paxson, invented the Society for Creative Anachronism, a medieval recreation group which offered dramatically segregated, yet appealing, roles for male and female participants. However we measure it, science-fiction fandom attracted far more women than wargaming.

The big difference is that most male gamers understand and accept that, in the gaming hierarchy, they are third- or fourth-class citizens in gaming terms. The guy who plays Top Eleven respects that he is not considered as serious a gamer as Level 70 Elite Call of Duty player, who in turn understands that he’s not as serious as the average Eve Online player. Who, in turn, is not as serious as the wargamer, much less the monster wargamer. And even hard core wargamers tend to think that Advanced Squad Leader players are over-the-top. This hierarchy is simply recognition of the complexity involved in the game and the expertise required to master it.

Tell me that someone is an ASL player, and I immediately know that I’m dealing with a man who is intelligent, detail-oriented, patient, and capable of grasping a massive quantity of rules as well as mastering a considerable quantity of abstract concepts. Why? Because unless you possess those qualities, and possess them in abundance, you can’t even begin to play the game. The same is not true of a FIFA or Bejeweled player.

There is nothing, absolutely nothing, that prevents a woman from obtaining that high-level expertise. Any woman can buy War in Europe and start playing it tomorrow. Well, start setting it up tomorrow, at any rate. But some women appear to deeply resent that they are not granted the respect that comes from such hard-won mastery even though they have not put in the necessary effort to gain it. It is this petty resentment that sparked #GamerGate, as no wargamer is ever going to consider a Candy Crush Saga player his gaming peer. It is simply never going to happen, nor is there any reason why it should.

And as for the dearth of women on the development side, note that the very first female game design credit is for Battle of the Wilderness, published by SPI in 1975, only 62 years AFTER  men began designing wargames. I’m hardly ancient, and I have been playing wargames longer than women have been designing games at all.


On evidence

One of the usual anklebiters attempted to claim that there is no evidence I was ever a successful game producer. Now, I don’t talk about most of my designs these days, for obvious reasons, but since the review is out there, here is the take on RMR from Computer Gaming World, written by Loyd Case, who was their most technical writer at the time:

There is an old aphorism that’s often said about weddings – something old, something new. You need a bit of each for good luck. REBEL MOON RISING is a 3D shooter that is a mix of the old and the new – both in terms of gameplay and technology….

Another new technology feature [after mentioning our first use of 16-bit color -VD] is voice recognition. One early Windows 95 game, ACES OF THE DEEP, used speech recognition, but the implementation was very limited. In REBEL MOON RISING, the list of usable words is quite large. While you can actually give orders to AI squad mates in a limited way, it’s mostly used to communicate with other players in multiplayer games…. Where REBEL MOON RISING doesn’t break new ground is in graphics. Although it does use 16-bit color, the style is still 2/12D, in the style of DUKE NUKEM 3D….

 “Where Rebel Moon Rising does
break new ground in 3D-action shooters is in mission design (as opposed
to level design). There are a couple of missions in which you defend a location. You can either choose to run around frantically, trying to defend against multiple attackers as they teleport in, or you can find the switch that will bring in reinforcements. The reinforcements are about as dumb as the AI opponents, but they do help buffer the target against the opposing forces. The two best missions in the game are ones where
you escort prisoners – in one case, alien babies – to a hand-off point.
The suspense gets pretty intense as you move with your charge and try to
keep enemies from picking them off. It’s also somehow more personal
than similar missions in flight sims. When one of the alien babies was
killed, I felt a very real sense of outrage and emptied most of a
magazine into the enemy that had killed it. Some of the other missions
which involve searching for and destroying a specific set of objectives
are more creative than the “if it moves, shoot it” philosophy in most
3D-action games. All of this takes place in the context of a relatively
interesting story.” 

So, I was publicly recognized by the leading industry magazine as the
first game designer to do mission design in 3D shooters, introduce 16-bit color, and feature AI squad mates to whom you could actually talk to using speech recognition, in a game that did over 6
million units. It did well enough that a strategy book was released for it. This is failure?

Case was absolutely correct. The game wasn’t outstanding. It had some production flaws and my decision to set it on the Moon was egregiously stupid. (Way to show off the color, sport!) But “it has an interesting story and some highly creative missions” is hardly indicative of “a crappy game”.


The liberal view of #GamerGate

The white knights of the anti-GG Left ride to the rescue:

niko ‏@nikodimov 30m30 minutes ago
There’s no anti-GG, just people with common decency who give a damn.

Peter Coffin ‏@petercoffin
Also I’m not anti-journalistic integrety, I’m anti-using-that-as-your-mission-statement-for-what-GG-is

Vox Day ‏@voxday
#GamerGate is all about journalistic integrity. That’s what kicked it all off. And they are VERY corrupt.

@IamSpacedad 
Nope. It’s about fear of ladyparts, and vultures like you projecting and attacking liberals journos

@IamSpacedad
‘Hey look a fake cause where I can pretend Im relevant and pontificate about corruption & vaginas.’

Vox Day ‏@voxday
Corruption and vaginas? Oh, you mean ZOE QUINN. Got it.

Ah, so THAT’S what that journolist thing was. Just a group of game journalists with common decency who give a damn.

UPDATE: I find this behavior typical, and all too telling, of the frightened little rabbits upon finding themselves face to face with the big bad wolf. They leap up and yap, and then upon learning, to their surprise, that you actually respond, immediately run away with their hands pressed over their ears.

niko ‏@nikodimov 1 hour ago
niko favorited some Tweets you were mentioned in 

niko ‏@nikodimov 55 minutes ago
@IamSpacedad @voxday @notryan @petercoffin
Guys, can you please untag me bc I blocked Voxday?

niko ‏@nikodimov 46 minutes ago
@IamSpacedad @voxday @notryan @petercoffin
Untag me pleeeeease.

Peter Coffin ‏@petercoffin 45 minutes ago
@nikodimov @IamSpacedad @voxday @notryan

Yeah, please untag me as well.