#Arkhaven INFOGALACTIC #Castalia House
But I thought some of you might like to know, as it turns out that Amazon is considerably faster about getting our print books out than it used to be. I didn’t think 4th Generation Warfare Handbook, by William S. Lind and LtCol Gregory Thiele, would be out for another week. The handbook is paperback and $9.99; I would highly recommend this along with a copy of Grow or Die for your Survival Starter library.
For only $20, you can significantly improve your chances in the post-Apocalypse.
I am very pleased to announce that Equality: The Impossible Quest, by Martin van Creveld, is now available in case bound hardcover for $24.99 on Amazon. Along with his friend William S. Lind, Martin is Castalia’s most important non-fiction author and he is one of the foremost military minds living today. Jerry Pournelle himself has observed that van Creveld is a necessary addendum to Clausewitz; one simply cannot hope to begin understanding modern war without becoming familiar with his distinction between trinitarian and nontrinitarian warfare.
Equality is Martin’s attempt to examine and understand the ill-defined and nebulous idea that has somehow become the ruling political metric of our times. From the reviews:
This is a hardcover for which I have personally been eagerly awaiting. Castalia will be releasing more print books, in paperback and hardcover, in the near future. The next three will be 4GW Handbook (paperback), Cuckservative, (paperback), and Brings the Lightning, (hardcover, paperback).
And speaking of Martin van Creveld, if you haven’t been periodically checking out his blog, you really should. He doesn’t post often, nor does he usually post original work, but he always selects very interesting and informative guest articles. (I have myself once had the honor of having one of my posts selected for a guest article, a distinction I would not trade for a dozen Hugos.) The latest, “Sarejevo on the Baltic?” by Karsten Riise, merits a read simply on the off-chance that it might correctly read the possibility that Russia’s unexpectedly successful Syrian adventure was a practice run for Ukraine and the Baltics.
Baltic Membership in NATO is Destabilizing
When both sides have good reason to feel insecure, the relationship between them becomes unstable and something dramatic may well happen. This is currently the case in the Baltic where Russia may feel an understandable need to take action to remove the future military threat from the three Baltic countries before proceeding to liquidate its unfinished business in the Ukraine.
Any Russian operation in the Baltic will have to take place before NATO’s growing presence there makes it too dangerous. By NATO Treaty, such an operation will be considered an attack on all NATO countries, the US included. But honestly: In such a case, will the US and Europe risk a nuclear war? Probably not. Thus Russia may bet on a limited conventional war; one which would lead to the end of NATO.
On 17 May 2016 one of Denmark’s largest newspapers, Berlingske Tidende, published an article by a retired NATO brigadier general. The article was written with some typical NATO rhetoric. But under the rhetoric the Danish brigadier general seemed to be genuinely scared. He fears that something violent may take place in connection with NATO’s maneuver, BALTOPS 2016, schedules to take place in the Baltic Sea from 3- to 19 June, as Russia’s window for action in that region may become smaller in the future. As I just explained, his worries are in line with own my analysis.
Russian Interest in (Temporary) Stabilization in Syria
The Russian operations in Syria bear strong similarities to those of the German “Legion Condor” during the 1930s Spanish Civil War. They enabled the Kremlin to test and train its most advanced weapons—and watch them working perfectly well. The lesson to NATO? Beware!
For a conflict in the Baltic, Russia will prefer to have all of its air force back after its success in Syria. Land operations in the Ukraine are better undertaken in the summer time, and a Baltic operation will have to take place before NATO builds up too many forces in the Baltic. Therefore Russia has an interest in reaching a settlement (at least temporary) with the West on Syria; one that may allow it to bring the rest of its military aircraft home. As NATO’s build up in the Baltic accelerates, Russia may only have short time left to act
Peter Grant discusses Brings the Lightning and the challenges of publishing a Western at Sarah’s place:
The third element in my interest in the Western genre was moving to the USA in the 1990’s, and being able to see many of the places mentioned in the books for the first time. Frontier towns such as Dodge City and Abilene were no longer just names, but places I could actually visit. Exotic-sounding locales like Tucumcari (used to good effect by Sergio Leone in his ‘spaghetti Western’ movies) and Taos (infamous for its eponymous bootleg alcohol) were no longer all that exotic, but every bit as dusty and beat-down as the histories described them. I renewed my acquaintance with Westerns from the benefit of that new perspective, and enjoyed them all the more.
The big question for a writer (and, in the case of my new book, the small press that’s published it) is: how does one reach readers in a genre where one hasn’t previously written? I note from initial sales that the book is popular with readers of my blog, and the shared Mad Genius Club writers’ blog, and other books from my publisher. However, despite using categories and keywords typical of the genre, it doesn’t seem to be attracting much attention – yet – from ‘regular’ Western aficionados. That’s not surprising, given that most of them don’t know it exists yet; but what channels should be used to inform them? The genre’s been moribund for so long that it’s hard to think of a commercial outlet that will reach them.
Rawle Nyanze reviews God, Robot, and finds it to be unexpectedly interesting:
I did not expect a book about Bible-believing robots to be this good.
The premise of God, Robot seems very silly at first: a corporation builds robots that worship the Christian God. However, what lies within is a story of how these artificial beings come to understand their place in God’s order as they grapple with their own programming, with human society, and with whether or not they have souls. The result is a wide-ranging tale of great depth that anyone could read and enjoy, whether or not they believe in God.
The book opens with an interstellar criminal named Locke, who is cornered in a monastery by a policeman. Before the policeman arrests him, though, he tells stories about theological robots, or “theobots” to explain why he did what he did. The stories cover the entire range of theobot history, from their creation in 21st-century California to their journey into deep space, along with all the ways they, and human society, changed throughout the centuries. Each story is written by a different author, but they all move the larger history forward and keep the theme unified.
And finally, Marina reviewed On the Existence of Gods:
It is true that the impasse between those of us who believe in Higher Power of some kind and those commonly identified as non-believers will not be resolved through conversation and argument. Anyone who doubts me is welcome to pick a current hot-topic political issue and try to bring an opponent over to their side. (Don’t do it now. I want you to keep reading, not to start a flame war on social media or tick off family members. But if you haven’t tried it yet and are up for a challenge, just see how it goes for you.)
However, just because we can’t talk each other into or out of faith, does not mean that one of the central questions of human existence cannot be examined in a proper manner. Dominic Saltarelli, an atheist, and Vox Day, a Christian, took up the challenge (originally presented by PZ Meyers, who declared it impossible to present a rational argument for the existence of gods, refusing Vox Day’s offer of debate back in 2008). Considering the current state of discourse in this country, you will be well advised to read Dominic’s Introduction chapter of OTEOG where he describes his decision process in taking his place opposite Vox in the debate. Suffice it to say that Dominic behaved as a proper intellectual in the matter and even called out those nominally on his side for often refusing to do so. Vox, in his own Introduction, similarly points out that many believers are just as guilty of repeating tired, flawed arguments without applying the proper intellectual rigor to the process.
This is just an FYI. We’re having the May Members Only Brainstorm event tomorrow night from 7 PM to 8:30 PM EST. This is going to be a general strategy session; there is a lot to discuss as we’re rapidly moving towards the next stage on one major front and poised for a lot of activity on another one. Bring your thinking cap and keep your mind open. I’ll also be providing information on Castalia’s upcoming releases, including at least one that will surprise you.
I’ll be sending out the invites later today, so keep an eye on your email if you’re a member. The Keen transcript is still being cleaned up, but I’m hoping to get the Cernovich one out with the invite. It’s remarkably good; practically a mini-mindset book in itself.
Given that I’m plugging away at the sequel, it’s encouraging to see that people are still discovering, reading, and enjoying A Throne of Bones. A book review by the Witchfinder General:
‘A Throne of Bones’ is superior and intelligent fantasy. It is like a novelisation of ‘Julius Caesar’, with a serious tone and detailed exposition – then with the acid trip of high fantasy. Where it differs from the works of the bard to Vox’s detriment is that this is not tabloid entertainment. Shakespeare is remembered precisely because he was producing the tabloid mass market entertainment of his day. Being considered vulgar by the so-called great and good did not stop the masses flocking to his plays.
‘A Throne of Bones’ has the sophistication but not perhaps the populist appeal. Intelligent, educated people who enjoy fantasy may appreciate the detailed rendering of ancient pseudo-Rome and the classical references. That will certainly stand him in good stead in parts of the fantasy niche market but does not have the sales reach of Mills and Boon or Conan the Barbarian.
Even so the writing is clear and sharp. There is no problem here with quality, exposition or characterisation. A strength of Vox’s writing is to create a cast of believable characters each with their own strengths and flaws, goals, passions and fears.
Despite its intellectual depth Vox’s work certainly appeals more than the loathesome, deathly dull cookie-cutter work of his rivals in which historical accuracy and human nature are often cast aside to match the narrative. Many people would rather read ‘Summa Elvetica’ fifty times over than have to struggle through ‘The Subtle Knife’ by Philip Pullman.
Indeed, to some extent Vox appears to benefit from the relatively unique political and religious perspectives of his work. The historic depth and reach of fantasy unconstrained by the politics of identity is (as Vox himself has argued) a rarity amidst the modern staple of virtue signalling fantasy fiction.
It’s going to be interesting to see what the reaction to A Sea of Skulls will be later this year. I think I can safely say that the cultures are deeper, the action is more intense, and there is less coming-of-age and more philosophy. But then, the author is seldom a reliable judge of his own work.
What I can say is that there will be orc, elf, and dwarf perspective characters in addition to the human ones. And I will also note that I am very conscious of the problem George RR Martin created for himself by allowing his perspective characters to grow from 9 to 22.
Fans of Dr. Pournelle will also likely be interested in this, the first THERE WILL BE WAR hardcover, the 702-page omnibus version of Volumes I and II. We’ll be doing the complete set, so if you’re interested in collecting it, there is no better time to start than now. At least one more omnibus will be published this year, Volumes IX and X, as well as Vols V and VI in ebook.
Peter Grant explains why he chose Castalia House and what it is like to work with “the most despised man in science fiction”:
Vox was my editor in getting the book ready for publication. He stated up front that he wanted to ‘make a good book better’, not try to remake it in his image, or make it into something it wasn’t. I found him a very effective editor indeed. He went through my manuscript and made many proposed changes, averaging two or three per page, but did so on the basis that these were his suggestions rather than his demands. I was free to accept or reject each of his proposed changes. In about two-thirds of cases, I went along with his proposals. They did, indeed, make the book better. In the remaining third of cases, I went with what I’d originally written, or re-wrote a few lines, because I felt it fitted in better with my vision for the book and what I hope will be the series into which it will grow. Vox accepted that with aplomb. The man’s a gentleman.
There will doubtless be those who’ll be disappointed that I’ve chosen to publish with a man, and a publishing house, that they regard with the same revulsion as the Devil regards holy water. To them I can only say, go read what my friend Larry Correia had to say about Vox last year. I endorse his sentiments. I don’t share all – or possibly even most – of Vox’s opinions, but then he’s never asked me to share or support them in any way, shape or form. He’s merely tried to be the best editor he can be, and help me be the best writer I can be. I’ll be damned if I condemn him because of past history or exchanges to which I wasn’t a party, and in which I had no involvement at all. Not my circus, not my monkeys. I certainly won’t demand that he embrace political correctness. As you’ve probably noted from my blog header, that’s not exactly a position I embrace myself!
Vox shares my perspective that the ‘classic’ Western genre is ripe for revival. I’ve grown very tired of romance or erotica masquerading as Westerns – to my mind, they’re neither, and belong in a different category. I’m also fed up with the historical inaccuracies and fantastically high body counts of many so-called Westerns that are nothing more or less than violence porn (and sometimes actual porn as well, given the number of sex scenes they contain – something that would be anathema to every one of the great Western authors). I tried to write in the classic style, and Vox actively tried to help me do that. I appreciated his input.
Castalia House is a small publisher at this stage, but it’s grown in stature and in the diversity of its offerings. I’m honored – deeply honored – to join authors such as Jerry Pournelle and Martin van Creveld in its stable.
I’m very glad to hear that Peter feels that way, as we are all delighted to have such a talented, knowledgeable, and above all, exceedingly decent man join our band of renegades, rebels, reactionaries, and recidivists.
We may be outnumbered, but we are never, ever, outgunned.
And I’m pleased to learn that I was able to help Peter realize his vision. The primary role of the editor is not to catch every typo, position the book for marketing, or police its content in order to ensure its compliance with the social justice Narrative, it is to help the author accurately transform the story he sees in his mind into an articulated reality he can share with others.
An editor can improve a book or he can ruin a book, but he must never forget that the book is neither his vision nor his story.
Castalia House is very pleased to announce the publication of a new Western novel, Book 1 in The Ames Archives, Brings the Lightning, by Peter Grant.
When the Civil War ends, where can a former Confederate soldier go to escape the long memories of neighbors who supported the winning side? Where can Johnny Reb go when he can’t go home?
He can go out West, where the land is hard, where there is danger on every side, and where no one cares for whom you fought – only how well you can do it.
Walt Ames, a former cavalryman with the First Virginia, is headed West with little more than a rifle, a revolver, and a pocket full of looted Yankee gold. But in his way stand bushwhackers, bluecoats, con men, and the ever-restless Indians. And perhaps most dangerous of all, even more dangerous than the cruel and unforgiving land, is the temptation of the woman whose face he can’t forget.
When you can’t go home again – go West!
Earlier this year, Peter Grant, the author of The Maxwell Saga and The Laredo Trilogy, happened to mention that he was interested in reviving the classic Western, and was, in fact, engaged in writing one. While the thought of publishing a Western was appealing, my initial impression was that Castalia House had more than enough on its plate attempting to revive classic science fiction and fantasy, and besides, I’ve always been more of a Louis L’Amour fan than a particular fan of the genre.
But then it occurred to me that for many Western civilizationists who love liberty, the Western is central to our conception of ourselves, and moreover, that there was very likely a connection between the SJW infestation in SF/F and the loss of interest in the Western genre by the mainstream publishers. As we’ve seen everywhere from computer games to comics and RPGs, it is all one big cultural war.
And then there is the fact that Fair Blows the Wind is one of my favorite novels in any genre.
So, I got in touch with Peter, told him that Castalia would love to get on board with the Western revival, and offered to publish what I learned was not merely the novel that turned out to be Brings the Lightning, but was the first book in a series about a man named Walter Ames, a Confederate who finds that he can’t return home to the farm in Tennessee after the Civil War. Peter is a man of a vast and varied experience, and it shows in his writing; moreover, he is a stickler for historical research, especially where firearms are concerned.
If you have a soft spot for Westerns, or you are, like me, a L’Amour fan, I am confident you will enjoy the adventures of Mr. Walt Ames. Brings the Lightning is 229 pages, retails for $4.99, and is available only on Amazon. New Release subscribers should check their emails for the customary free bonus book offer.
From the early reviews:
UPDATE: Peter Grant’s own announcement of his first Western is here. It’s interesting to learn that the genre was so popular with the South African military.
From Chaos Manor: Announcing Hardbound Edition: There Will Be War, Volumes I & II. The first two volumes of the 1980’s anthologies bound together in a hardbound edition. Obviously these are available as eBooks for considerably less, but if you want them as a book, this is your opportunity.
There Will Be War Volumes I & II is 702 pages, casebound hardcover, and retails for $34.99 at Amazon. It may show up at other brick-and-mortar bookstores, but when that will be we do not know. It contains the complete contents of the first two volumes of Dr. Pournelle’s classic military science fiction series and marks the first time There Will Be War has ever been available in hardcover.
The omnibus edition of Volumes I & II contain 42 stories, articles, and poems. Of particular note are “Reflex” by Larry Niven and Jerry Pournelle, the original “Ender’s Game” novella by Orson Scott Card, “In the Name of the Father” by Edward P. Hughes, “Cincinnatus” by Joel Rosenberg, “On the Shadow of a Phosphor Screen” by William Wu, and “Proud Legions,” an essay on the Korean War by T.R. Fehrenbach.
We do not plan to release There Will Be War in paperback. The next hardcover edition will be Volumes IX & X. We designed these editions for serious fans of the series who intend to collect them; as you can see, the Vol. II cover is featured on the front while the Vol. I cover is on the back.
Mutiny in Space by Rod Walker is the first in a new line of juvenile science fiction novels from Castalia House.
When the radical revolutionaries of the Social Party prevent his attendance at university and make his life on New Chicago impossible, Nikolai Rovio has no choice but to accept his starship-bound uncle’s offer to take refuge in space and sign on as a technical apprentice with Starways. But space, he quickly learns, is full of dangers that can kill a young man just as dead as even the most bloodthirsty revolutionary.
And no place that Man can travel will ever be able to provide safe refuge from ambitious and evil-minded men.
Rod Walker is the New New Heinlein, and Mutiny in Space marks a first step in the long-awaited, much-needed return of science fiction to its classical form and historical heights. Written in the style and tradition of Robert Heinlein’s 12 classic juvenile novels published by Scribner, Mutiny in Space is an exciting tale of space, technology, courage, independence, and the indomitable spirit of Man.
Written by Rod Walker and edited by three-time Hugo-nominated editor Vox Day, Mutiny in Space is 200 pages, DRM-free, and $4.99/£4.99. Available only on Amazon.
We are very excited about our new series of Rod Walker books, because they are exactly what we founded Castalia House to publish. They are pure Blue SF, and contain no foul language, no adult themes, no nihilism, and they are 100 percent social justice-free. Robert Heinlein revitalized science fiction with just 12 wonderful novels – 13, if one counts Starship Troopers which was originally supposed to be a Scribner novel, but was foolishly turned down – and we believe it is possible to do achieve similar effects by applying the same principles that made his early novels so successful.
Except, of course, for the issue of gun control. Gun control was a particular bugaboo of Heinlein’s editor at Scribner, Alice Dalgleish, and while the Rod Walker books will not feature Correia-style gun porn, neither will they contain any anti-gun propaganda of the sort Dalgleish imposed on Heinlein.
Anyhow, the Rod Walker books are intended to be books that can serve to successfully introduce boys and girls to science fiction again.
UPDATE: It’s easy to tell the SJWs are worried about this new development, as they’re already posting attack reviews. Message fiction masquerading as Heinlein pastiche.
UPDATE 2: Not a bad start for Mr. Walker.