Amazon is hard

alexvdl of File 770 is having a hard time figuring out how Castalia House publishes Nick Cole’s excellent Dragon Award-winning novel Ctrl-Alt-Revolt!.

Also of note is that, Ctrl-Alt-Revolt is the prequel to a book published by Harper Voyager. Although it’s listed as “Castalia House” on the ballot, the book was written for Harper, and then they declined it, and the author then complained of censorship and self-published it. If it’s published by CH then someone should mention that to Amazon, as it certainly doesn’t have that imprimatur there.

Really? It doesn’t? Meanwhile, the Injustice Gamer chronicles the feelbadz of the SF-SJWs.

As we announced on the day the Dragon Award finalists were made public, we publish the hardcover and paperback editions of Mr. Cole’s excellent, award-winning novel. Because Mr. Cole was already self-publishing the Kindle and Audiobook editions, we saw no need to do so ourselves. We will be publishing the sequel, which will be called Ctrl-Alt-Replay!, in all four editions next year, as well as other books by Mr. Cole, who is rapidly becoming a favorite among the readers of Castalia House.

As for the idea that Castalia is a vanity press, I will merely note that it now publishes 58 books in as many as four editions each. It has not yet published a single book by me in 2016. The next five NEW releases it will publish in September and October are:


Alien Game by Rod Walker
Feast of the Elfs by John C. Wright
Nine Laws of Power by Ivan Throne
Six Expressions of Death by Mojo Mori
An Equation of Almost Infinite Complexity by J. Mulrooney

We will also soon be publishing the following five books in hardcover and paperback editions:

Iron Chamber of Memory by John C. Wright
The End of the World as We Knew It by Nick Cole
Back From the Dead by Rolf Nelson
Gorilla Mindset by Mike Cernovich
The Eden Plague by David VanDyke

Various audiobooks are also forthcoming, as well as print editions of SJWAL in Spanish and Portuguese.


Congratulations, Dragon Award winners!

I’m very pleased to report that Somewhither, by John C. Wright, has been awarded the inaugural Best Science Fiction Novel at Dragoncon.

And I am equally happy to be able to say that Ctrl-Alt-Revolt! by Nick Cole, has been awarded Best Apocalyptic Novel.

Congratulations are also due to Larry Correia, whose Son of the Black Sword was a well-merited Best Fantasy Novel winner, and to Castalia author-to-be Brien Niemeier, who won Best Horror Novel  for Souldancer.

The 2016 Dragon Award winners:

Best Science Fiction Novel
Somewhither: A Tale of the Unwithering Realm, John C. Wright (Castalia House)

Best Fantasy Novel
Son of the Black Sword, Larry Correia (Baen)

Best Young Adult / Middle Grade Novel
The Shepherd’s Crown, Terry Pratchett (Harper)

Best Military Science Fiction or Fantasy Novel
Hell’s Foundations Quiver, David Weber (Tor)

Best Alternate History Novel
League of Dragons, Naomi Novik (Del Rey)

Best Apocalyptic Novel
Ctrl Alt Revolt!, Nick Cole (Castalia House)

Best Horror Novel
Souldancer, Brian Niemeier (Self-published)

Best Comic Book
Ms. Marvel

Best Graphic Novel
The Sandman: Overture, Neil Gaiman & J.H. Williams III (Vertigo)

Best Science Fiction or Fantasy TV Series
Game of Thrones

Best Science Fiction or Fantasy Movie
The Martian

Best Science Fiction or Fantasy PC / Console Game
Fallout 4 by Bethesda Softworks

Best Science Fiction or Fantasy Mobile Game
Fallout Shelter by Bethesda Softworks

Best Science Fiction or Fantasy Board Game
Pandemic: Legacy by ZMan Games

Best Science Fiction or Fantasy Miniatures / Collectible Card / Role-Playing Game
Call of Cthulhu Roleplaying Game (7th Edition) by Chaosium Inc.


Mailvox: so much worse

Castalia House exists because it is needed. Badly needed, it appears. A reader writes:

So I just read two stories from the latest issue of Analog magazine. I must tell you about them.

Story #1 is about a multi-racial research female scientist working for a white male research director. Her role model is a deceased multi-racial scientist who died in an experiment, famous, but whose death led to the current research director getting his job. She recreates the experiment and learns that the current research director rigged it to kill the heroic female multi-racial scientist so he could take her job.

Story #2 is about the CEO of a company who is married to his Chief Science Officer, who is a beautiful dark-skinned girl who beat up his bully in high school. He has IQ 140 but she has IQ 170. They develop brain-and-body augmentation technology and she becomes the first transhuman, better at everything than him in every way but she still loves him. But Christian extremists are outraged and terrorism ensues and they kill her, even though she is wonderful in all ways and a believer in non-violence. He has his own brain implanted in her cyborg body so they won’t know they won, and then goes on a killing spree against the Christian leaders who urged on the violence. Yay for transhuman transgender women ending Christian violence.

All I can say is, it’s so much worse than I thought.

This is exactly why Castalia exists. Consider these excerpts from the five most recent reviews of our latest novel, SWAN KNIGHT’S SON:

  • An excellent medieval fairy tale in the modern age.
  • Outstanding. I’m truly amazed.
  • Coming of age story written by of one of the greatest wordsmiths of our times. It is a story of a young man who doesn’t fit into society because he is too morally upright for the decadence that infests modern society.
  • A masterpiece
  • A true knight battling the forces of evil, while discovering who he is on multiple levels

 Remember culture > politics. What we are fighting here is a cultural war for the soul of the West.


The Balkanization of SF/F

In the course of his long, deep dive into historical science fiction and fantasy, Castalia’s Jeffro Johnson has noticed a few trends:

We’ve spent a lot of time here delving into the ups and downs of several movements within science fiction and fantasy– the Campbellian Revolution, the New Wave, the tremendous changes that occurred in publishing in the late seventies, etc. We’ve broken stories here uncovering how both fandom and publishing are pretty well divorced from the pulp era today. Most things the casual reader has heard about the pulps are flat out wrong. Even just the news that fans in the seventies would have been familiar with a good seven decade’s worth of fantasy and science fiction classics generally comes as a shock to people.

As we’ve delved into the history of the field, the year 1980 seems to keep coming up as a major turning point. It’s a running theme, really. Just as one example of that: I have repeatedly hammered the point of how ideologically diverse fantasy and science fiction was in the seventies. Orson Scott Card says that all changed in the eighties. Here’s another: people writing negative reviews about books they used to love when they were kids? It’s almost like whole swaths of people have been actively conditioned to despise anything written before 1980!

Now, there really is something to this. It is very difficult to talk about this in mixed company, too. For one thing, there’s always people like Sheila Williams around that are quick to point out that times change. If she has a sufficiently large Greek Chorus on hand, every single observation about what’s happening gets dismissed to the point where nothing ever seems to have happened and there are practically no trends whatsoever. The subtext is always, “nothing to see here.”

I have to say, though, “times change” and “there are no trends” do not add up.

So where does that leave us? It means that something happened and it’s danged hard to talk about it. Let’s say we get all the boring people out of the room, pour a couple of beers, and take a stab at figuring this out. We still won’t get anywhere. Why not? Because the one thing you can’t do in these conversations is indicate that maybe someone somewhere maybe had a hand in bringing this about.

What happens if you veer into that territory? People get very uncomfortable very quickly. You’re not, uh, some kind of conspiracy theorist, are you?! It’s weird, too. The more documented evidence you have to back up your observations, the crazier you look. You might as well not even try. The conversation will not recover from otherwise intelligent people bending over backwards to make sure you know that they want nothing to do with this. Also, they will laugh at you!

Brad Torgersen cites MC Hogarth’s comments on her con experiences, and notes that intolerance has become the chief hallmark of the Tolerant Equalitarian Progressive Inclusive and Diverse SF-SJWs.

I attended a con once where the toastmaster said that they wanted all conservatives to “hurry up and die and leave the planet to the rest of us. No wait, they can stay as long as we can have their money.” And people applauded. That person wasn’t kicked out of the convention. They were feted and congratulated while I sat in the audience, pale and trembling, listening to the people around me cheer my demise. I have never, ever forgotten that moment. Or all the threatening ones after, both generalized or intimate, like the man who leaned into my face and told me the world would be better off without me and people like me. No one stepped in to tell him that he shouldn’t say such things. The people standing around us just nodded or smiled. One of them even said before leaving, “Your time is over. We don’t need you anymore, [expletive here].”

The mandarins of SF/F expend a lot of energy wrapping themselves in the flag of tolerance. But as any conservative can tell you, that tolerance runs pretty much one-way. A tolerance conversation (liberal to conservative) in SF/F often goes like this, “Hello, I am a tolerant caring compassionate liberal, and you’re not. You will sit there and politely listen to all of my ideas and theories, and not say a word. I will sit here and listen to all of your ideas and theories, and then I will explain to you why you’re a dirty bigot and a hater and an evil human being. We will both agree I am right, and you will apologize for being bad.”

That, dear friends, is how “tolerance” works in SF/F at this time.

I’ve discussed this at length with Orson Scott Card — he being well acquainted with the tolerance charade — and he says it didn’t used to be like this before 1980. Oh, to be sure, there were plenty of fans, authors, and editors on the left-wing side of the aisle. But it wasn’t so vindictive, nor so personal. You could sit at a table with conservatives, liberals, anarchists, libertarians, and have a rousing verbal melee of competing ideas, but at the end of it, you’d still be able to shake hands, and walk away comrades in the field. That began to change (perhaps not coincidentally) about the time Ronald Reagan took his seat in the Oval Office. Gradually, in dribs and drabs, the dominant left-wing culture of SF/F has traded in true tolerance, for a kind of totalitarian double-think 1984 version of tolerance — people and ideas labeled ‘intolerant’ don’t have to be tolerated. In 2016, with tender snowflakes floating around in SF/F like it’s a mild blizzard, anyone can be labeled ‘intolerant’ for any reason, logical or not.

It’s a little strange that the SF-SJWs still don’t understand that the trends that once so favored them are increasingly weighted against them. They’ve poisoned at least one-third, and possibly as much as two-thirds of their former audience against them, and while they’re mocking million-selling self-published authors as “vanity authors” and growing publishing houses such as Castalia as “vanity presses”, the gates they’ve been keeping with such vigilance are protecting towers of increasingly negative worth, as mainstream publishers are suing even very successful authors to take their advances back.

Meanwhile, Castalia House is already selling more books than any but the very biggest authors in science fiction. We passed 50 books in our catalog last month, and we are now receiving an increasing number of submissions from familiar names and even SFWA members. We’ve just begun to make foreign rights deals and develop our relationships with traditional foreign publishers, and perhaps most surprisingly of all, in August, 24 percent of our sales were in print.

SF/F has already been balkanized. They stopped reading our stuff in the mid-1980s and we began to stop reading theirs in the mid-2000s. Since our side is bigger than theirs, our authors are already bigger than theirs, they just don’t realize that Vaughn Heppner, BV Larson, and David VanDyke sell millions of books to their hundreds of thousands. Do you know who was the #1 SF author on Amazon in 2011? Castalia House’s own Nick Cole.

And as more moderate readers give up on Pink SF and stop buying from SJW-converged publishers like Tor Books, we’ll continue to grow and they’ll continue to shrink. As evidence, consider this comment from Brad Torgersen’s site:

I feel the call to give my testimony re Balkanization … I’m already gone. I’m a reader and a fan, not a writer. Not a TrueFan, but a fan on my own terms. I cannot remember the last time I bought a SFF novel that was published by any ancien regime publisher other than Baen. I’ve been a voter in the Hugos a couple times – what I read in those packets was largely ho-hum wastes of time. Some of the Sad noms were interesting, but not all. When I saw the title Space Raptor on this year’s list, I turned away for the final time – clearly, VD has taken the field and a little part of me hopes he burns it and salts it for a thousand years, but I have no interest in being part of that movement.

Ah, yes. It’s like hearing angels sing.


Brainstorm: who is next?

It’s about time to do another literary Open Brainstorm session, so with which Castalia House author would you most like to discuss his works? I don’t count, so leave me out of it. We’ll save John C. Wright for after his next two books come out too, so don’t select him either. One thing we’re going to do differently than before is to allow people to submit their questions for the author ahead of time, which should help keep things rolling and allow us to address more topics in more detail.

Go ahead and suggest away, and whoever is most in demand at the moment will be invited first. If they can’t do it for one reason or another, we’ll work our way down the list. Remember, this isn’t about your favorite Castalia author, or who you think is the best Castalia author, only the author for whom you’ve got the most burning questions.

Brainstorm members, the transcript for the Richard Spencer session is being prepared and will be going out to you this weekend. It will not be made generally available.

UPDATE: David the Good it is, assuming he’s not too busy with his new hobby of extreme body-modification.


SWAN KNIGHT’S SON (Moth & Cobweb 1)


We are very pleased and proud to announce the beginning of a brand new YA fantasy series from John C. Wright that we anticipate may one day be worthy to be mentioned in the same breath as classic fantasy series such as The Dark is Rising and The Chronicles of Prydain. The book is the first in a new duodecilogy called Moth & Cobweb, and the first book in the series is THE GREEN KNIGHT’S SQUIRE: SWAN KNIGHT’S SON.

Gilberic Parzival Moth is a strange and lonely boy who has grown up without a father, raised by a single mother who moves from town to town in fear of something she will not name. His only friends are animals, with whom he has always been able to speak. But when he awakens one night at the Thirteenth Hour, and sees for the first time the dark reality of the secret rule of Elf over Man, he begins to learn about his true heritage, the heritage of Twilight.


And when his mother finally tells him the terrible truth of her past, he must choose whether to continue running with her in fear, or learning how to fight against ancient powers that are ageless, soulless, and ultimately damned. SWAN KNIGHT’S SON is the first book of THE GREEN KNIGHT’S SQUIRE, the first volume of MOTH & COBWEB, an astonishing new duodecilogy about the magical worlds of Day, Night, and Twilight by John C. Wright.

If you enjoyed Mr. Wright’s One Bright Star to Guide Them, then you will almost certainly enjoy the Moth & Cobweb series. The series has been some time in the works; after the success of One Bright Star, I encouraged John to write about the childhood adventures to which the adults refer throughout the novella, but he did not wish to retread ground he had previously covered, even in reference. Instead, he came up with the idea of the Day World, the Twilight World, and the Night World, and soulless elfs that are fey and cruel because they know that despite their beauty and power, they are ultimately doomed.

SWAN KNIGHT’S SON is 167 pages, DRM-free, and sells for $4.99 exclusively on Amazon. New Release subscribers, check your emails to see the bonus book offer. From the early reviews:

  • On one hand it’s a very common “coming-of-age” tale. On the other, it’s a treasure trove of fantasy, skillfully woven together with surprising twists.
  • I have come to expect a lot from John Wright and this book does not disappoint.
  • Tolkien would appreciate the deeper world that clearly lies behind Wright’s work. Following up on an allusion of Wright’s is like tugging on what looks like a stray thread and finding it’s part of a large and lovely tapestry.
  • This latest offering from John C. Wright is one of his most charming. A modern coming of age story that stands head and shoulders above the genre by virtue of its moral clarity.
  • John C. Wright outdoes his already formidable body of fantastical works with his newest fantasy novel, Swan Knight’s Son.
I would be remiss if I failed to mention one more thing about this novel. It closes with what is either the second- or third-best ending of a John C. Wright story, after “The Last of All Suns” and possibly “One Bright Star to Guide Them”.

Souldancer is free

The Campbell- and Dragon Award-nominated author Brian Niemeier has made the second book in his Soul Cycle series, Souldancer, free this week. That means you can pick up both books in the series, which is described as “Space Pirates in Hell”, for less than $4, as the first book, Nethereal, is only $3.99.

I should probably also mention that Brian is a Castalia-author-to-be, as we will be introducing a new science fiction series with him in 2017. And by new, I mean “mind-blowing”.


Another category bestseller

Congratulations to Fenris Wulf, whose Loki’s Child is now, thanks to you all, the #1 bestseller in the Dark Humor category and is rapidly closing in on Kurt Vonnegut in Satire.

Amazon Best Sellers Rank: #1,488 Paid in Kindle Store
#1 in Books > Literature & Fiction > Humor & Satire > Dark Humor
#2 in Books > Literature & Fiction > Genre Fiction > Satire

Read the reviews. If you liked Owen Stanley’s brilliant The Missionaries, the chances are pretty good you’ll like this one too. The main difference is that where The Missionaries was a stiletto silently slipped in to the strains of Vivaldi, Loki’s Child is a sledgehammer, and the sound of skulls being smashed is drowned out by Metallica.

Or, you know, Babymetal.

Loki’s Child

Loki’s Child is a tale of music, revolution, and revenge. A pagan dystopian paean to chaos, a libertarian manifesto, and an insider’s scathing critique of the music industry, this is a book that Robert Anton Wilson might have written if he had known how to play electric guitar. This is a book so metal that even the consonants require umlauts. This is a book that will make you first question the author’s sanity, and then the sanity of the society in which you live.

Jasmine, Mitzi, and Sandy are Fatal Lipstick, a three-piece girl-metal band with a million-dollar record contract and less musical talent than the average gangster rapper. They dedicate songs such as “Whoredumb”, “Greed is Bad”, and “Guts Ripped Out” to the Devil and declare their greatest ambition is to inspire their fans to kill themselves. Their own sound engineer thinks they should be dragged out into the street and shot for their crimes against music. And it falls to Ezron Blenderman, a record producer who puts on his pants one leg at a time and makes hit records, to somehow transform their horrendous incompetence into something that will sell millions of records to unsuspecting teenagers around the world.

But one day, Blenderman catches Jasmine playing the guitar by herself… and begins to discover that the daughter of the Norse God of Chaos has no intention of becoming a manufactured one-hit wonder. Loki’s Child is angry, and she intends to set the whole world on fire.

Loki’s Child is 380 pages, DRM-free, and retails for $4.99 on Amazon. This is the same book that some New Release subscribers received as a bonus book last year, but it has been considerably edited since. However, please note that the book contains a number of elements that some Castalia House readers may find objectionable, including vulgarities, a pagan perspective, drug use, violence, the music industry, and a revolutionary libertarian theme.

If you are, like me, a fan of either Robert Anton Wilson or Philip K. Dick during his VALIS phase, (which is to say his most reality-challenged phase) you will not like this book, you will love it. Loki’s Child is a satire even more biting than The Missionaries; while it is often funny, the humor is considerably darker and there is an angry edge to it that is more than a little appropriate to the political situation in which we find ourselves today.

Like its recent predecessor, Loki’s Child is a novel that would never have gotten past the gatekeepers at any other publishing house. And the fact that the book is about the music industry, takes place in part in Tokyo, refers to kawai metal, has a libertarian theme, and is written by someone named Fenris Wulf might lead some to believe it was written by a three-time Billboard-charting recording artist who studied in Japan, recently attended a Babymetal concert, has been named one of the 25 leading internet libertarians, and founded a game development house named Fenris Wolf.

However, I assure you, these things are mere coincidences.

From the reviews:

  • The book is smoothly-written. That’s a considerable feat, as it also manages to be rambling, nihlistic, and insane! The language is well-chosen, and events flow naturally from one to another, with no unnatural transitions. It is also very funny. The hypothetical bands and artists are wonderful… I would strongly recommend “Loki’s Child” to virtually any reader, particularly those that enjoy Douglas Adams, satire, music, science fiction and fantasy, or simply entertaining, unhinged stories.

English/Australian accent wanted

We’re looking for a male narrator for The Missionaries. If you have a genuine posh English accent, or Australian accent, and you’re interested, shoot me an email. No American voice actors who can do accents for this one, please.