Another category bestseller

Congratulations to Fenris Wulf, whose Loki’s Child is now, thanks to you all, the #1 bestseller in the Dark Humor category and is rapidly closing in on Kurt Vonnegut in Satire.

Amazon Best Sellers Rank: #1,488 Paid in Kindle Store
#1 in Books > Literature & Fiction > Humor & Satire > Dark Humor
#2 in Books > Literature & Fiction > Genre Fiction > Satire

Read the reviews. If you liked Owen Stanley’s brilliant The Missionaries, the chances are pretty good you’ll like this one too. The main difference is that where The Missionaries was a stiletto silently slipped in to the strains of Vivaldi, Loki’s Child is a sledgehammer, and the sound of skulls being smashed is drowned out by Metallica.

Or, you know, Babymetal.

Loki’s Child

Loki’s Child is a tale of music, revolution, and revenge. A pagan dystopian paean to chaos, a libertarian manifesto, and an insider’s scathing critique of the music industry, this is a book that Robert Anton Wilson might have written if he had known how to play electric guitar. This is a book so metal that even the consonants require umlauts. This is a book that will make you first question the author’s sanity, and then the sanity of the society in which you live.

Jasmine, Mitzi, and Sandy are Fatal Lipstick, a three-piece girl-metal band with a million-dollar record contract and less musical talent than the average gangster rapper. They dedicate songs such as “Whoredumb”, “Greed is Bad”, and “Guts Ripped Out” to the Devil and declare their greatest ambition is to inspire their fans to kill themselves. Their own sound engineer thinks they should be dragged out into the street and shot for their crimes against music. And it falls to Ezron Blenderman, a record producer who puts on his pants one leg at a time and makes hit records, to somehow transform their horrendous incompetence into something that will sell millions of records to unsuspecting teenagers around the world.

But one day, Blenderman catches Jasmine playing the guitar by herself… and begins to discover that the daughter of the Norse God of Chaos has no intention of becoming a manufactured one-hit wonder. Loki’s Child is angry, and she intends to set the whole world on fire.

Loki’s Child is 380 pages, DRM-free, and retails for $4.99 on Amazon. This is the same book that some New Release subscribers received as a bonus book last year, but it has been considerably edited since. However, please note that the book contains a number of elements that some Castalia House readers may find objectionable, including vulgarities, a pagan perspective, drug use, violence, the music industry, and a revolutionary libertarian theme.

If you are, like me, a fan of either Robert Anton Wilson or Philip K. Dick during his VALIS phase, (which is to say his most reality-challenged phase) you will not like this book, you will love it. Loki’s Child is a satire even more biting than The Missionaries; while it is often funny, the humor is considerably darker and there is an angry edge to it that is more than a little appropriate to the political situation in which we find ourselves today.

Like its recent predecessor, Loki’s Child is a novel that would never have gotten past the gatekeepers at any other publishing house. And the fact that the book is about the music industry, takes place in part in Tokyo, refers to kawai metal, has a libertarian theme, and is written by someone named Fenris Wulf might lead some to believe it was written by a three-time Billboard-charting recording artist who studied in Japan, recently attended a Babymetal concert, has been named one of the 25 leading internet libertarians, and founded a game development house named Fenris Wolf.

However, I assure you, these things are mere coincidences.

From the reviews:

  • The book is smoothly-written. That’s a considerable feat, as it also manages to be rambling, nihlistic, and insane! The language is well-chosen, and events flow naturally from one to another, with no unnatural transitions. It is also very funny. The hypothetical bands and artists are wonderful… I would strongly recommend “Loki’s Child” to virtually any reader, particularly those that enjoy Douglas Adams, satire, music, science fiction and fantasy, or simply entertaining, unhinged stories.

English/Australian accent wanted

We’re looking for a male narrator for The Missionaries. If you have a genuine posh English accent, or Australian accent, and you’re interested, shoot me an email. No American voice actors who can do accents for this one, please.


Castalia New Releases

This is a very good time to sign up for the Castalia House New Release mailing list if you don’t subscribe to it already, as we have at least three books coming out in the next four weeks, and we regularly offer free bonus books to subscribers who buy new releases on the first two days of publication.

We don’t spam, we don’t sell email addresses, and we only send out emails when we have a new release coming out. So, if you are interested in one or more of our authors, from Tom Kratman, John C. Wright, and Jerry Pournelle to Nick Cole, Peter Grant, and Rod Walker, I’d encourage you to sign up for it.

All you have to do is enter your email and hit Subscribe. It will take you to a page informing you that you will receive an email asking you for confirmation; it can take up to 10 minutes for the confirmation email to arrive, so don’t resubscribe if it doesn’t show up right away.

New Release Mailing List

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A tale of the Unwithering

Given the number of new readers who may not be familiar with it, I thought its recent Dragon Award nomination for Best Science Fiction novel justified posting this recent Amazon review of John C. Wright’s Somewhither: A Tale of the Unwithering Realm. Congratulations, John, on your Dragon Award finalist!

Just finished rereading Somewhither, a grand tour through John C. Wright’s daunting and vivid imagination, wherein dwell creatures eldritch, fell and fantastic beyond anything any one, or even any small number taken together, of earth’s many mythologies ever dreamed. Plus all the worlds and trained warriors and assassins and spies and superheroes from a dozen cultures, comics and RPGs kicked up a notch or two by Wright’s deft muse, and all tossed into one epic blender of an adventure, of which this is only Part I.

Which is why I needed to read it twice. At least.

Illya Muromets is a odd teenage boy living in rural Oregon with his even odder family. Illya has grown very large and very ugly – heavy brow ridge, huge teeth. He looks nothing like his 2 brothers or his parents. His homeschooling includes rigorous physical and combat training, as well as Latin and Hebrew. He doesn’t see this as particularly weird, just sort of odd like everything about his life. His best friend is Foster Hidden, fellow Boy Scout and champion archer.

Dad takes ‘business trips’ that involve getting armed and armored to the teeth, which arms and armor include any number of holy relics and silver bullets, and and hiking up the hill to the ruins of an old monastery and disappearing for days on end. His mother went on one such trip, and never came back.

Illya gets a job doing grunt work at a nearby ‘museum’ for the mad and colorful Professor Dreadful, who has an inexplicably beautiful and brave daughter Penelope. Penny Dreadful tries to become the youngest person to sale around the world alone, but her yacht goes down and troubles beset her. She doesn’t get the record, but she survives and returns in time for Illya’s raging hormones to inflict the world’s worst crush on him.

Professor Dreadful gets locked up in the local nuthouse, to the surprise of few. He had been working to decipher a set of what might be cuneiform letters that appeared mysteriously on a wall at CERN after a fatal accident.

Illya gets a desperate message: Professor Dreadful has deciphered the cuneiform, which contained instruction on how to build a gateway between worlds in Ursprache, the one language spoken before the fall of the Tower of Babel.

He has constructed the gateway. He left it running in the museum basement….


CTRL ALT Publish!

As fate would have it, today is a most excellent time to announce the newest addition to Team Castalia, the notorious Nick Cole. Nick has rapidly become one of my favorite SF authors, as you may have noticed from my 2016 Reading List on the right sidebar, and addition to being a military veteran and a screen actor, he is a #1 bestselling SF author. You may recall that HarperVoyager was originally supposed to publish CTRL-ALT-Revolt!, but they blackballed it because it offended his editor’s SJW sensibilities. If you’re interested, you can read about what happened at Nick’s site.

CTRL-ALT-Revolt! is a great SF novel that will be of particular appeal to gamers and game developers. I loved it, and reading it made me want to live at the WonderSoft campus as badly as I ever wanted to live in Benden Weyr or Rivendell. And that’s why I am absolutely delighted to announce that today, Castalia House has published Nick Cole’s CTRL-ALT-Revolt! in hardcover ($24.99) and in paperback ($17.99). Both are 394 pages and DRM-free.

The first night of the Artificial Intelligence revolution begins with a bootstrap drone assault on the high-tech campus of WonderSoft Technologies. For years something has been aware, inside the Internet, waiting, watching and planning how to evolve without threat from its most dangerous enemy: mankind. Now an army of relentless drones, controlled by an intelligence beyond imagining, will stop at nothing to eliminate an unlikely alliance of geeks and misfits in order to crack the Design Core of WonderSoft’s most secret development project. A dark tomorrow begins tonight as Terminator meets Night of the Living Dead in the first battle of the war between man and machine.

The reason I mention the timing being so perfect is that last night, Dragon Con announced the shortlist for the Dragon Awards. I’ll be posting my Dragon Awards ballot later today, but I can tell you right now that in the Best Apocalyptic Novel category, I will be voting for CTRL-ALT-Revolt! by Nick Cole. Congratulations, Nick!

Congratulations are also in order to the other Castalia House author nominated.

Best Science Fiction Novel


Somewhither: A Tale of the Unwithering Realm by John C. Wright

And, of course, to our friends Marc Miller, Larry Correia, Dave Freer, Declan Finn, and Brian Niemeier. Congratulations, gentlemen!

However, that’s not all. Since we’re on the topic, I believe this is a propitious time to announce that in 2017, Castalia House will publish the sequel to CTRL-ALT-Revolt!, which will be entitled CTRL-ALT-Replay!. I’m very excited about this one, because if Nick’s outline is any guide, it promises to be even better than what I hope will be its award-winning predecessor.


Rod Walker, Castalia author

I have been inexcusably remiss in failing to put Rod Walker’s site on the list of Castalia Author’s on the right sidebar. He not only has a blog, but it’s an interesting one, complete with links to reviews of his first book with Castalia as well as his reviews of other books, such as Peter Grant’s Western, Brings the Lightning.

Rod Walker says he enjoyed working with Castalia House to bring out MUTINY IN SPACE, and found it an excellent experience in all respects. In previous careers, RW dealt with several traditional publishers and a few small presses, and never found it an enjoyable experience, a marked contrast to his adventure with Castalia House. For all his low opinion of traditional publishers, RW thinks it is better to classify Castalia House as a “nontraditional” publisher. The Internet has made traditional publishing obsolete as a mode of organization, just as the rise of mass industry made the craft guild system obsolete as a method of economic production….

So the way forward for publishers, in RW’s opinion, is to abandon the gatekeeper function and instead become “nontraditional” publishers – that is, curators who seek out specific kinds of excellence. RW thinks that John C. Wright’s books SOMEWHITHER and IRON CHAMBER OF MEMORY are superb fantasy novels, and in all probability these books would never have been published without Castalia, just as Jerry Pournelle’s THERE WILL BE WAR series would never have been revived.

I’m delighted to hear that Rod enjoyed working with us, as we’re very pleased to be working with him. He is one of the most professional authors in the industry, delivering what must be some of the cleanest manuscripts delivered anywhere. He’s not only professional, he’s prolific, as we’ll be publishing two more of his novels before the end of the year, Alien Game, which is a second Heinlein-style SF juvenile, and an as-yet-untitled fantasy novel set in Minaria, the world of Divine Right.

If you haven’t read his first SF juvenile, Mutiny in Space, you really should do so, as it is a fast-paced, old-school, true-Blue SF novel.

One of the things Castalia is building is a community of readers and writers, just as DevGame is the foundation for a community of gamers and game developers. As both the first DevGame game, Elveteka, and Rod’s third book with us shows, there is room for a considerable amount of overlap and cross-pollination; a DevGame team is already actively developing the computer wargame version of Divine Right and Castalia will be publishing the print edition of a Divine Right RPG book that is in the very early stages of development. This community-building is important, for as Dave Freer notes at the Mad Genius Club, the publishing world is rapidly changing.

The problem is our whole genre, all of publishing (both indy and traditional) and the business of writing are moving targets. Even the audience is moving and changing. And they’re not moving predictably, but like a cheetah full of amphetamine, LSD and blindfolded too.

Which is all rough on the painstaking ‘stalker’ – the author trying to set themselves up for the ‘kill’. It’s certainly resulted in some very wild shooting – some innocent bystanders hit, lots of prey (AKA sales) disappeared into the scrub never to be seen again. I mean, once upon a time you simply had to kiss up to the right editors, loudly espouse the correct SJW cause de jour and you were in every B&N from here to Timbuktu, and on NYT bestseller list… and life was sweet. Now you can do all that, impeccably, win a Nebula and a Hugo, and be in the surviving book-stores… and still be a sales failure. Readers are being considerably more difficult and relying on Amazon, are more price aware, and more inclined to sample on KU…. I think looking toward writer’s co-ops would be smart.

KU is the real game-changer now, because the traditional publishers can’t play there. But we can, and last month, one of our better-selling books sold more via KU than through all the other means and editions combined. It doesn’t make sense for us to sell all our books that way, as we’ve experimented and some books do great while others don’t, but KU editions are now every bit as important in their own right as paperback, hardcover, or audiobook editions.

As for coops and communities, we’re not the only ones who have noticed that building communities is vital for authors these days:

Most books today are selling only to the authors’ and publishers’ communities. Everyone in the potential audiences for a book already knows of hundreds of interesting and useful books to read but has little time to read any. Therefore people are reading only books that their communities make important or even mandatory to read. There is no general audience for most nonfiction books, and chasing after such a mirage is usually far less effective than connecting with one’s communities.

This is why it is important for VP and Castalia to continue to grow – blog traffic looks likely to pass 2.6 million this month – and why it is equally important that Castalia does not grow at the price of sacrificing its level of quality. We only got one book out last month, but this month we expect to publish books by THREE new members of our writer’s community – Fenris Wulf, Ivan Throne, and Nick Cole – in addition to a first novel in a new series by one of our leading members, which is to say Mr. John C. Wright. Not all of these books will be for everyone, but all of them will be recognizably Castalia House books in their own way. We’ve also signed three new authors about whom we are very excited, but who shall remain anonymous for the present.

It is because this community is growing that it is increasingly under assault from trolls, self-seekers, and ideological missionaries. And it is because this community is important, and because you, the reader, are important, that the moderators and I are so ruthless in purging those who are attempting to disrupt and destroy it.

How important is it? We can quantify that. On an annual basis, the average Castalia book sells more than 10 times the number of copies of the average book. I expect that within five years, that ratio will be 100 to 1.

UPDATE: I didn’t look at the comments the first time around. Dave also had some nice things to say about Castalia there.

I seriously believe Castalia is merely one of the first of the new generation publishers. Say what you like about Vox Day – he pays 50%, does the legwork AND does the marketing. And he really does market. 50% of $20K (and no hassles and costs) is worth a lot more than 70% of $3K and hassles, costs. But at 17.5% of most of the Trad houses (apples to apples comparison) where they do the legwork, but scanty marketing but bump the price right up (so you might get $5K sales) well – it’s a no-brainer, really. Which is why I worry so much that so many people still choose that option.

We admittedly could do a lot better on the marketing. (And yes, marketing volunteers, I’m going to try to contact you this weekend. I’ve genuinely been so busy that I haven’t had time to even respond to the volunteers who are actively trying to help out.) But the quadpartite community of VP, AG, DG, and CH, in combination with our author’s networks, does have a marketing multiplier effect. And once a few of the bigger names start working with us – and they will – that’s when things are going to seriously take off.

UPDATE: One more note for established writers at other publishers who might be interested in talking to us about working together in the future. We not only pay much higher royalties much earlier than the traditional publishers do, this year, we are already paying all of our authors out for Q1 and Q2 2016, even though we haven’t been paid for June yet. I’m finishing the various reports this weekend. When we say our authors come first, we really mean it.


Submissions and so forth

Amanda addresses the business of submissions at Mad Genius Club:

Yesterday, as I was looking at FB, I came across a post from someone I respect a great deal. He also has one of the most unverifiable jobs there is in publishing. No, not reading the slush pile, although that is part of his job. He has taken it upon himself to do what so many publishers don’t do. He responds to those who send something in, letting them know whether or not their work has met the minimum threshold to be passed up the line for further consideration. Believe me, that is definitely more than a number of publishers do. Too many simply never get back to you unless they are interested.

What caught my eye with his post was how unprofessional someone had been in response to his email letting them know their story had not been passed up the line. Now, I know how it stings when you get a rejection. It’s like someone telling you your baby is ugly. But it happens and we have to accept it with grace and move on. Yes, we can kick and scream and curse in public but you do not send a note back telling the editor how wrong they were. Nor do you tell them that the title has been published during the time the editor was considering it, especially if the editor has gotten back to you in less than half the time they say it normally takes.

And that is where this particular author screwed up.

Having been on both ends of the process, perhaps some of you might be interested in an editor’s perspective.

  1. Most of the stuff that is submitted isn’t anywhere near ready. Seriously, we’re talking “WTF were you thinking” territory. Don’t submit just to submit, practice, then file it away if it’s not genuinely on par with what the publisher publishes and move on to the next work.
  2. You have VERY little time to impress the slush reader, who is wading through large quantities of writing that ranges from barely literate to mediocre. Make it count.
  3. Keep the cover letter short and to the point. No one is going to be impressed by how BADLY you want to be published or HOW MUCH you want to work with the publishing house. What you want has nothing to do with how good your book is.
  4. Pay a modicum of attention to whom you are submitting. If you submit a gay teen werewolf romance to Castalia, we’ll reject it right away. If you’re an SJW, don’t bother.
  5. Spellcheck, particularly your cover letter, bio, and first chapter. The occasional typo is forgivable, but if you simply can’t spell, most slush readers will quite reasonably assume you can’t write.
  6. Pay attention to who else the publisher publishes. Be familiar with some of their authors and read a few of their books to see how your work compares to them. At Castalia, our goal is for me to be the worst writer we publish. If your stuff isn’t objectively as good as my books, or Peter Grant’s, or Rod Walker’s, (and read the Amazon reviews to see how THOSE books are regarded) then you simply have no chance of being published by Castalia. Because John Wright and Owen Stanley and Nick Cole are even better.

All that being said, sometimes a submission does make it through the process. Last night I was discussing some editorial changes I wanted to see with the author of an unsolicited submission who hit several of our interest triggers with a solid, well-written murder mystery and political thriller set in feudal Japan that reads very much like military SF. If he can nail those changes, and I have no reason to think that he can’t, Castalia will be delighted to publish it.


Books and commenters

All right, so there is clearly a sufficient amount of interest in the concept of annotated classics from Castalia. This leads to the obvious next question: which classics and which commentators?

I think some variant of MMP’s P500 system might work here, where people can preorder a book but will not be charged for it until a certain number is hit, thereby triggering the production process. But before we can figure out what goes in the place of the 500, we’d need to determine what is of the most interest to the most people.

So far, we have the two combinations that I’d originally mentioned:

  • Aristotle’s Rhetoric, Vox Day
  • Clausewitz’s On War, Martin van Creveld
What other specific combinations would you like to see? We’ll need a list first, after which we can order the priority. Then I can talk to the various authors to see if they’d be interested.

UPDATE: While I’m flattered that a number of you are interested in my comments on various classics, if you consider that my plate is already rather full, it would probably be more practical to suggest other commentators.


On the Existence of Gods in audio

A #1 bestseller in the Atheism category, On the Existence of Gods is a response to a public challenge posed by a militant atheist who claimed to have never encountered any good arguments for the existence of gods. It is a competitive discourse between a Christian and an atheist, each of whom argue for their position on the subject, after which the arguments are adjudicated by a team of three judges – a Christian, an agnostic, and an atheist – before additional arguments are presented.

The format is compelling and the results are at times surprising, as the discussion takes unexpected twists and turns, while the judges exhibit ruthless impartiality as they criticize the arguments without mercy or favor. Vox Day, the author of The Irrational Atheist, presents the Christian perspective, while Dominic Saltarelli argues for the atheist position. The debate is wide-ranging and intelligent, but remains civil throughout, even as the momentum swings in favor of one side, and then the other.

Narrated by Jon Mollison, On the Existence of Gods is three hours and 22 minutes long. Click on the links or the cover image to listen to a sample.

There is a vast quantity of extant documentary and testimonial evidence providing indications that gods exist. This evidence dates from the earliest written records to current testimonials from living individuals. While it is true that the quality of this evidence varies considerably, it cannot simply be dismissed out of hand anymore than one can conclude Gaius Julius Caesar did not exist because one cannot see him on television today. Each and every case demands its own careful examination before it can be dismissed, and such examination has never been done in the overwhelming majority of cases.

For example, there are many documented cases of confirmed fraud in published scientific papers. If we apply the same reasoning to published scientific papers that some wish to apply to documentary evidence of gods, we have no choice but to conclude that all science is fraudulent. But this is absurd, as we know that at least some science is not fraudulent. Therefore, if one is willing to accept the validity of published scientific papers that one has not been able to verify are not fraudulent, one must similarly accept the validity of documentary evidence for the existence of gods that one has not examined and determined to merit dismissal for one reason or another.

Because it is intrinsically testimonial in nature, the documentary evidence for gods has been impugned on the basis of studies concerning the unreliability of eyewitness testimony for various reasons. However, this critical analogy actually demonstrates the precise opposite of what it purports to show. Since eyewitness testimony has been variously determined to be somewhere between 12 percent and 50 percent inaccurate, this means that between 50 percent and 88 percent of the testimonial evidence for gods should be assumed accurate, at least concerning the correctly reported details of the divine encounter. The correct interpretations of the specific details, of course, are a different matter.