Free book: HAILSTONE MOUNTAIN by Lars Walker

Lars Walker, the author of a piece about Christian Fantasy published on Intercollegiate Review last month that he assures me absolutely did not include a direct shot at A Throne of Bones, (“wannabee (christened) George R. R. Martins”), is giving away free copies of HAILSTONE MOUNTAIN today.

In the latest entry in the saga of Erling Skjalgsson, the 11th Century
Norwegian chieftain is struck by a deadly curse, and must journey north
along with his friends in order to crush it at its source. Meanwhile
Freydis, niece of the smith Lemming, is kidnapped by the servants of a
mysterious, ancient cannibalistic race who dwell in secret in the
mountains of the north. Once again the Irish priest Father Ailill
narrates a tale of struggle, faith, endurance, and supernatural peril.
Fans of H. Rider Haggard will delight in this “lost world” adventure.

He’s a Minnesotan named Lars, so you know he knows his Vikings. He’s also one of my growing list of Standout Authors. Check it out, and if you like it, don’t forget to review it.


Captain Capitalism reviews RGD

It is nice to see that people are still reading RGD, even if its timelines are obviously outdated, to say nothing of incorrect.  I simply did not expect the Federal Reserve and the European Central Bank would fail to learn the lesson of the Bank of Japan and prove so stupidly unwilling to force the banks to take their medicine, thereby risking not only their banking systems, but their currencies as well as the very existence of their political unions.  But even so, the underlying principles outlined in the book remain operative, as Captain Capitalism, the author of Enjoy the Decline, points out in his review of The Return of the Great Depression:

First, the book is an outstanding, thorough, but succinct analysis and comparison of the various economic philosophies that are duking it out today.  He compares and contrasts Austrian, Keynesian, the Chicago School and Marxism in ways that shows he’s actually read vastly more books on economics and philosophy than I have and can use words like “praxeology” in a sentence.  This makes him “one of those guys” who while would be considered a Buzz Killington at a party, is the guy you’d probably defer to when it came to matters of economic history and technicality.  Second, like reading other economists, you always pick up a trick or two you weren’t aware of or observe mistakes you may have made (for example his explaining what the GDP deflator is NOT the same as the CPI may not help you pick up chicks at a bar, but will provide for some interesting adjustments to modern day RGDP).  This has not only further advanced my understanding of economics, but plugged some minor holes in my own economic theories and philosophies I’ve procrastinated plugging.  Third he writes very well and very dense, efficiently packing as much information into the fewest and optimal amount of words.  The introduction alone is a perfect synopsis that would benefit everybody in terms of “what economics is.”

I haven’t changed my mind about the eventual outcome or that we are now in the Great Depression 2.0.  I still don’t think we’re facing Fallout IV, and as the Great Debate should suffice to indicate, I remain utterly unconvinced about the inevitability of Whiskey Zulu India.

Speaking of Buzz Killington, what I find interesting is that whereas absolutely no one was interested in hearing about my book when it was first published, now people who have heard of it will seek me out in order to help them understand one facet or another of the ongoing crisis.  That is, I suspect, another negative economic indicator: the desire of people to talk about economics on social occasions.


Koanic Soul reviews The Wardog’s Coin

Since we’re on the subject of SF/F and book reviews, I suppose turnabout is fair play. Koanic Soul provides the Neanderthal perspective on The Wardog’s Coin.  An excerpt:

This book contains two short stories, “Wardog’s Coin” and “Qalabi Dawn”. It’s well worth buying as an ebook. Spoilers ahead, so just buy it if you trust me.

Overall, the story was great and stayed with me. The wargaming bones of
the battle make it stick in memory with lucid clarity. The elven combat
was awesome, the relative combat strengths of the various troops was
clear, the warrior morale of the humans was realistic and rousing….

There is only one word for Qalabi Dawn – epic. This is Vox at his
greatest. Writing alien demon-cat characters. What does this say about
him? Figure it out for yourself.

I understand what he is saying about the order of the two stories, and perhaps he’s right, but my thought was that as the title piece, The Wardog’s Coin was akin to the A-side of a single and therefore had to be first.  Also, I guessed that Qalabi Dawn would tend to come off as a little out there, so I figured it would be wise to put the more accessible story first.

I personally tend to like Qalabi better, but I’m not surprised that many, if not most of the readers see it otherwise. And I’m pleased that the perspective of the demonspawn comes across as a distinctly alien one, as that was my goal from the start.

With regards to what Koanic describes as a cliche, I should probably mention that it is a tribute to another author I happen to hold in some regard.  If you haven’t noticed, all of my books end that way.


Book review: Terms of Enlistment

TERMS OF ENLISTMENT
Marko Kloos
Rating: 7 of 10 

Terms of Enlistment is a military sci-fi novel that will, like John Scalzi’s Old Man’s War, be compared by many to Robert Heinlein’s Starship Troopers.  It is the self-published debut novel from Marko Kloos, and it has justifiably been a surprise hit on Amazon, where it has been a top bestseller in science fiction as well as a top 100 seller overall.

Why? Well, there are no shortage of writers, (myself included), editors, and publishers, who would very much like to know the answer to that.

One possibility is that unlike the Heinlein novel, Terms of Enlistment is set in a dystopic future America where the cities are crowded, dirty ghettos, the space colonies are sparsely populated, far away, and nearly impossible to reach, and a permanent state of semi-war exists with the future Soviet Union. Kloos is very in touch with the zeitgeist in this regard; his protagonist doesn’t join the military out of a desire for glory or a sense of patriotism, but merely due to the prospect of some solid meals even if he fails the enlistment process.

Another is that Kloos hits the ideological sweet spot, writing about war and guns in the sort of loving, knowledgeable detail that appeals to readers on the right, while never wavering from the equalitarian ideals that are sacrosanct to readers on the left. Beyond the necessary structural assumptions, however, he doesn’t appear to be interested in taking sides or going off on tangents to deliver mini-sermons on patriotic virtue like Heinlein or the supreme importance of tolerance like Scalzi. Instead, he stays focused on his story and his characters, much to the benefit of them and the reader.  If none of the characters are particularly deep, neither are they cardboard characters set up to be either the good guy or the bad guy for purposes of Teaching An Important Lesson.

For all the dystopian grime of the setting and the attention to detail devoted to the weaponry, Kloos abides by what has become the SF-MIL trope of a sex-neutral military in which men and women enlist, shower, fight, and bunk together.  That this is entirely absurd is beside the point and in no way detracts from the story, which in fact depends quite heavily upon it.  (Let’s face it, if you’re going to feature giant missile-resistant aliens, also having female Medal of Honor winners who can best any man in hand-to-hand combat is hardly going to destroy the reader’s suspension of disbelief.)  I am arguably one of the foremost critics of the Warrior Woman trope in SF/F, and I barely even noticed it.  With one important and necessary exception, the nominal sex of the soldiers in the book is almost entirely irrelevant.

And that brings us to the third, and perhaps the most powerful element of Terms of Enlistment, the element which is actually hinted at in the title. Underneath the science fiction and the military trappings, the novel is actually a romance novel about a first love that lasts. I don’t say this to denigrate the book, but to praise it, as Kloos weaves the elements together so seamlessly that the sheer impossibilities of the romance no more trouble the reader than the ludicrous machinations of Shakespeare in Romeo and Juliet. Having been rejected by the fading gatekeepers of SF/F and finding success through making his own way, it may be that Kloos has shown a way out of science fiction’s present ideological morass, in offering readers a solid futuristic love story with no shortage of action, in producing a book with strong appeal to both men and women, to both SF’s left and right.

Terms of Enlistment is a very readable debut novel that is better than the sum of its parts because those parts fit so well together. It is also a resounding rebuke to the world of professional publishing and its procurement system. One wishes Kloos continued success and hopes that as he is embraced by that world, as he inevitably will be, he does not devolve into yet another preachy progressive SF writer.

Story: 3.5 of 5. It’s simple. It’s straightforward. It’s sufficiently interesting and compelling to hold the reader’s attention throughout.  It is essentially divided into two parts; I tended to find the first part more interesting than the second, but at no point did I lose interest in finding out what happened next. There are certainly aspects to the plot that would tend to strain credulity should one wish to dwell on them, but this isn’t a novel to make one think, it is one to simply kick back and read through in a sitting or three.

Style: 3 of 5. It’s simple. It’s straightforward. If there are no fireworks, there are no real clunkers either. The best thing about Kloos’s writing style is that it does its job and doesn’t get in the way of the story.

Characters: 3 of 5. They are likable and one stays interested in their fates, but they are not what one would call either deep or developed.  We never understand why Grayson, the protagonist, is so hung up on his Navy girl that he is willing to swap services and follow her into space. We never learn why she stays, as far as we know, faithful to him and isn’t involved with two or three of the other officers on her ship. We know they care about each other, what we really never find out is why.

Creativity: 3 of 5. There actually isn’t much in the way of creativity here, but the dystopic world is presented so competently, so vividly, that I simply couldn’t reasonably claim that it is below average in any way. Have we seen it before? Of course, hence the comparisons to Starship Troopers and Old Man’s War. But the familiarity with books we enjoyed when we were younger is part of the book’s appeal; it is not always necessary to reinvent the wheel.  And if one cannot praise an author who doesn’t do something he has no need to do, neither can one criticize him.

Text sample: All of my roommates have chevrons on their collars. Two of them are E-2s, with single chevrons, and the third is an E-3, a Private First Class, a chevron with a rocker underneath. People don’t usually make E-2 right out of Basic unless they were top flight in their training battalion like Halley, and E-3 promotions don’t ever happen before a year of active service.
“Am I the only new guy in this squad?” I ask.
“Yep,” one of them confirms. “Our platoon got four this cycle, I think, including you. They trickle the new guys in like that, so you can learn on the job. Grayson, is it?”
“Yeah.”
The soldier across the table from me extends his hand, and I shake it.
“I’m Baker. The cheating fuck over there trying to look at my cards is Priest, and the one with the ponytail is Hansen.”
I nod at each of them in turn.
“You’re in luck, Grayson. You’re in the squad with the best squad leader in the entire battalion.”
“In the entire brigade,” Hansen corrects. She has almond-shaped eyes and very white and even teeth, evidence of better dental care than you can get anywhere within ten miles of a Public Residence Cluster.
“Oh, yeah? What’s his name?”
“Her name.” Priest gives up his attempt to sneak a peek at Baker’s cards, and leans back in his chair. “Staff Sergeant Fallon. She used to be a First Sergeant, but they busted her down for striking an officer.”
“I thought they kicked you out of the service for hitting a superior,” I say, smelling a military fish tale.
“Oh, they do,” Hansen says. “That’s unless you’re a Medal of Honor winner. They don’t get rid of certified heroes. It would be bad PR.”
“Medal of Honor?” I ask, and the disbelief in my face makes my three roommates grin with delight. “As in, that blue ribbon with the white stars that goes on top of all the other ribbons?”
“That’s the one. She got it when the NAC did that excursion into mainland China a few years back, at the Battle of Dalian. You get the Medal, you can ask for any assignment anywhere in the Service, and she went right back to her old unit once she was out of the hospital.”
“That’s pretty wild. Is she a complete hard-ass?”
“Not at all. She’s got no patience for slackers, but as long as you pull your weight and don’t look like you’re clueless, she’s hands-off.”
“That doesn’t sound too bad,” I say. “I was expecting…hell, I have no idea what I was expecting, actually.”
“You were expecting some sort of penal colony,” Baker says amicably. “You thought you pulled the shittiest card in the deck when they told you that you’re going TA, right?”
There’s no point denying it, so I nod.
“That’s what everyone thinks at first. We all did. But this is a good outfit. Our sergeants know their shit, and our officers mostly leave us alone. We get the job done, and we look after each other. I’ve been TA for almost two years, and I wouldn’t take a garrison post on a colony if you paid me double.”
The others at the table nod in agreement.
I’m still disappointed about not going into space, and I have no idea whether I’ll feel the same way about the TA in two years. For better or for worse, however, this place will be my home until my service time is up, so I decide that I might as well make the best of it.
“You play cards, Grayson?” Hansen asks.
“Sure,” I say, and pull my chair up to the table.


Summa Elvetica: preorders

Marcher Lord’s preorder page for the forthcoming hardcover edition of Summa Elvetica: A Casuistry of the Elvish Controversy is now live.  You can preorder the ~450-page book for $17.99, which is a discount from the retail price of $24.99.  As I mentioned before, those preordering will also receive a free ebook copy of The Last Witchking.  The preorder offer will be available until April 30th.


A review of The Wardog’s Coin

Jonathan Moeller, Pulp Writer, reviews The Wardog’s Coin:

Last year, I read A THRONE OF BONES by Vox Day, and thought it was one of the more interesting new epic fantasy novels I’ve read. The author was kind enough to send me an advance copy of THE WARDOG’S COIN, a pair of short stories set in THRONE’s setting of Selenoth – specifically THE WARDOG’S COIN and QALABI DAWN.

In THE WARDOG’S COIN, the protagonist is the sergeant in a human mercenary company fighting for an elven kingdom against a horde of goblins and orcs. (The story’s name comes from the coin necklace each of the mercenaries bears – they act as sort of a dog tag.) What is supposed to be an easy assignment quickly turns into a death trap once the mercenaries realize the orcs are far more formidable than they expected – and that the elves are not unduly concerned if their hirelings survive or not. The mercenaries’ only hope of survival is through an audacious and risky plan. THE WARDOG’S COIN reminded me a great deal of Glen Cook’s better BLACK COMPANY books, and also had some moments of surprising hilarity – the sergeant’s attempt to get a recalcitrant pig to move is one of them. I did not care for the sergeant’s dialect (it reminded me of the farmer’s final monologue in HP Lovecraft’s THE COLOUR OUT OF SPACE, alas), but that was only a minor flaw in an otherwise good story.

The first story was good, but I think the second, QALABI DAWN, was more interesting…. I rather liked the depiction of the cat-people – their perspectives were truly alien, which is a hard trick for a writer to pull off.

This is just an excerpt, so be sure to read the entire review at Jonathan’s site. In related news, I am pleased to announce that Marcher Lord Hinterlands will be publishing the hardcover version of Summa Elvetica: A Casuistry of the Elvish Controversy, in May.  The book will be priced at $24.99 and will be approximately 450 pages, as it will not only include the short novel, (modestly updated for the purposes of harmonization with A Throne of Bones), but eight other stories set in Selenoth.

The stories included are: “A Magic Broken”, “The Wardog’s Coin”, “Qalabi Dawn”, “Master of Cats”, “Birth of an Order”, “The Last Witchking”, “The Hoblets of Wiccam Fensboro”, and “Opera Vita Aeterna”.

Those who wish to preorder from Marcher Lord can do so at a price of $17.99. Preorders will also come with a free ebook copy of The Last Witchking, which will be published in May at a price of $1.99; please specify if your preference is epub or mobi.  The Last Witchking will consist of the title story and the two other stories not previously available in ebook format.


A heart-warming tale

Of frustration and giving up:

Somewhere out there is a literary agent (who shall remain unnamed
here) who asked for science fiction submissions on Twitter the Friday
before last. I was in bed at the time, reading my Twitter feed on the
iPad (as one does), so I got out of bed again to send that agent a query
letter that followed the requirements of the agency in question.

I woke up the next morning to find a form rejection in my inbox. That
agent had rejected the query without having asked for sample pages–without even having read a single word of the novel. And
it was a nice, short, courteous, and professional query letter, not two
lines of HAY U WANT TO B MY AGENTZ? CHK YES OR NO LULZ.

I said a very naughty word at the computer screen and felt something
in my head go SNAP. Then I had Scrivener compile the ebook files for the
novel, bought some cover art, made a book cover, uploaded everything to
Amazon’s Kindle Direct Publishing service, and told people on my blog
that the novel is available for sale.

I haven’t read Terms of Enlistment yet, but it came to my attention because apparently some of the people who have been buying The Wardog’s Coin also picked up Marko Kloos’s book and appear to think rather well of it.  (Marko, if you happen to read this, send me a review copy and I will reciprocate.)

I’ve been published by a major New York publisher.  And I’ve been published by a small independent publisher in a manner that very nearly amounts to self-publishing.  And while the people at Pocket always treated me very well, and I have absolutely no complaints about my experience there, I will say that I VASTLY prefer the independent publishing.  Simply the ability to select the cover artists with whom I prefer to work alone makes it worthwhile to me; I’m still convinced that what wrecked the Eternal Warriors series was Pocket’s disastrous decision to abandon the Rowena covers for a stock-photo, pseudo-Left Behind look that only managed to get the trade paperbacks banished from the Science Fiction and Fantasy section.  And it’s wonderful to decide to publish, pull the trigger, and see the book reviews appearing the very next day instead of waiting more than two years for the finished book to be completed.

My support for self-publishing doesn’t mean I won’t ever publish with a conventional publisher again.  I’m talking to a few of them right now since it would be good if there were ways for people to buy the beautiful doorstopper besides sight-unseen from Amazon.  But I’m not in any particular hurry to do so, (my main priorities are a) the game, b) Book Two, and c) the stories for the Summa hardcover), and I’m only going to partner with a publisher who truly understands my objectives and is willing to work with me in the same constructive and mutually beneficial manner that Hinterlands does.


The descent of fantasy

The extent to which fantasy is in decline can be seen in this list of the 20 Best Paranormal Fantasy novels.  If this is the best, one shudders to think what could be the worse:

3. Dead Beat by Jim Butcher (2005)
Butcher’s Dead Beat—the seventh installment in his Dresden Files—was a blockbuster book when it was first released. Not only was it the first Dresden Files novel to be released in hardcover, it was a clear indication of just how much the series had expanded to embrace mainstream fiction readers. The first printing sold out in a just few days! The commercial success of the Dresden Files paved the way for countless other noteworthy protagonists, including Charlie Huston’s Joe Pitt and Mario Acevedo’s Felix Gomez.

2. Sandman Slim by Richard Kadrey (2009)
An in-your-face fusion of fantasy, horror, and hard-boiled mystery. It’s Kadrey’s biting wit that makes this novel so unforgettable. His blunt and acerbic writing style makes for simply addictive reading. For example, here’s how he describes Los Angeles: “L.A. is what happens when a bunch of Lovecraftian elder gods and porn starlets spend a weekend locked up in the Chateau Marmont snorting lines of crank off Jim Morrison’s bones. If the Viagra and illegal Traci Lords videos don’t get you going, then the Japanese tentacle porn will.” Classic.

1. For a Few Demons More, by Kim Harrison (2007)
The fifth installment of Harrison’s phenomenally popular Hollows saga featuring endearing gray witch Rachel Morgan and company, this novel was the first hardcover release in the series and, at least for me, heralded its ascension to elite series status. With only two novels to go until the series concludes, there is no doubt in my mind that the Hollows saga will go down as arguably the very best paranormal fantasy series ever written.

Now, I like the Dresden Files.  They’re good.  They were signed by my second editor at Pocket. But they are not great. Harry Dresden’s character development was apparently arrested at the age of 15; the ineptitude of his interactions with women have gone from clumsy and awkward to “I am so embarrassed for the author that it is seriously distracting from the story.” Kim Harrison’s books are not terrible, they are merely mediocre. I have to admit, the Kadrey sounds interesting, but I haven’t read it.

If the very best of the genre doesn’t rise to the level of Agatha Christie – and it does not – there is clearly a problem.

The coup de grace, though, is the fact that Cerulean Sins by Laurell K. Hamilton, (the K stands for Krazy), is actually listed in the top ten.  I actually kind of liked the first Anita Blake book, back when she was a voodoo chick and vampire hunter, rather than the central figure in an ongoing interspecies orgy.  There may be worse books out there than Hamilton’s, but if there are, I haven’t read them.

The fact is that paranormal fantasy is actually much worse, as a sub-genre, than the Regency romances that attempt to pass themselves off as science fiction in skirts.  With a few notable exceptions, it is outright chick porn; the claim that it is fantasy literature in the same genre as Tolkien, Lewis, and even Alexander is about as convincing as asserting that Booty Pirates XII should have beaten out Argo for the Academy Award.

There are few things I enjoyed twenty years ago as much as spending my Friday evenings with Spacebunny, circulating through the shelves at Barnes and Noble armed with fifty bucks and a coffee.  But considering that these are the sort of books they have been trying to push on the public for the last decade, even I have to conclude that the bookseller fully merits its incipient demise. It’s one thing to go out because technology has changed or because an increasingly vulgar market prefers television to books, it’s another thing to do so while trumpeting the merits of The Nymphos of Rocky Flats.


Mailvox: the mileage, it varies

It has been interesting to see the diversity of reaction to the two stories that make up THE WARDOG’S COIN.  One of the ebook’s first reviewers preferred the title story to its accompaniment, and he had some questions, particularly about “Qalabi Dawn”, that I think I can address without any spoilers:

The first story was so good that even the debatable defects of the second made the book merit 5 stars. And at least half the defects of the second may simply be in the intrinsic difficulty of creating understanding of something so radically different. Still: are these cat people merely different tribes? Or different species? I was reading some as tiger-people for quite a while, rather than lion-people. My bad reading? But ignore that; it’s trivial.

I admit I wondered more… you’ve got a Sergent who is pretty rough and tumble. And yet he uses the word “insomnia”? Is this Vox’s voice leaking through the character? Or are you hinting he’s a lot smarter than the average bear? Similarly, the Capitaine is almost too poncily polished. Intended? I assume so, and the diplomatic interaction with the Elven King + battlefield is interesting and beautifully done.

As I suspect many readers are beginning to understand, I’m not inclined to explain or portray things that the perspective characters don’t know or simply wouldn’t tend to think about.  Just as it is said that fish don’t think about water, a Chiu chieftain is not inclined to think about the structure of his society when he has no reason to do so.  That doesn’t mean the structure doesn’t exist, or that I’m not willing to discuss it, only that there are an amount of worldbuilding details that are never going to appear in any one story or novel.  Selenoth is not as grand and finely detailed a structure as Middle Earth, but it is larger in scope and scale than many fictional universes, including Westeros/Essos.

In answer to the question about the catpeople, the Simba
are lion people, the Duma are leopard people, and the Chiu are cheetah people.  (This is confusing for Swahili speakers, as Chiu means leopard, but I figured that English was the primary concern.) All of the Khatuuli are descendants of Baasia; they are quite
literally demonspawn.  The three primary varieties of People are
further divided into tribes with one dominant male, and they are
further divided in that some of them, their elite, tend to be
mchawe, or shapechangers, with three different shapes, mwana, mnyama,
and the common sehumu form.  Their priestly caste, the
Neheb-Kau, are all shapechangers who have abandoned their tribes and given their allegience to the priesthood.  And I’m pleased that the overall sense of the demonspawn is striking at least some readers as radically different; while I am opposed to reinventing wheels, (orcs, elves, dwarves, etc), I hope it is clear that this is not due to any dearth of imagination or creative capacity.

The story of the origins of the demonspawn are told in a novella entitled “The Last Witchking”, which will be published in the forthcoming Summa Elvetica hardcover.

 I think it is naturally difficult to write characters of very different intelligence
than the author possesses.  Mediocre authors tend to make every perspective character into an
idealized version of themselves; one always knows with whom a bad
author identifies because there is that one character who is interminably witty and
always verbally bests every other character with the perfect quip, obscure citation, or Bible verse. Some authors make me suspect that the dialogue in their books is chiefly a vehicle for retroactively winning every past verbal altercation in which they belatedly thought of a killer riposte long after it was over.

That being said, the sergent is intelligent, he simply isn’t educated. I’m not
sure “insomnia” qualifies as an overly educated word, but I have no doubt there are
numerous such slippages with regards to the sergent’s inner
monologue.  The capitaine, on the other hand, comes from an aristocratic family that has seen better days; his backstory would make for an interesting novella in its own right. But despite their observable differences, he and the sergent genuinely like and
respect each other, which is important because the story revolves around their complicity.  In some ways, The Wardog’s Coin is a very dark story,
although I don’t know how many readers will see it in that light.

Since the events of TWC take place before ATOB, it is unlikely I
will bring either of them back in the main series.  However, there is one character
who will certainly appear in Book Two, and as a full perspective character,
no less.  And don’t forget, if you haven’t picked up A MAGIC BROKEN yet, it is still free on Amazon today.

UPDATE: TWC debuted in Amazon’s Top 10 in the War category, which I have to say was rather unexpected. I consider it to be Epic Fantasy myself, but I can see where it might qualify, especially if one is going to count books like World War Z.  It’s also #3 in Hot New War Fiction, behind Neal Stephenson’s third book in the Mongoliad, which I very much hope is better than the disappointing first one.


The Wardog’s Coin

I am pleased to announce that Hinterlands has released THE WARDOG’S COIN, an 85-page ebook that consists of the title novella and a novelette, both of which are set in Selenoth, the world of A THRONE OF BONES.  It is available on Amazon for $1.99.

The title story is about a human mercenary company which finds itself in
the employ of an elf king. Outnumbered and under attack from an army of
orcs and goblins, the Company discovers it is no longer fighting for
pay, but for survival in an alien land. The second story, Qalabi Dawn, features a young
tribal chieftain, Shabaka No-Tail, who seeks to find a way to unite the
fractious tribes of The People before the implacable legions of the Dead
God invade the desert to carry out their crusade of total
extermination. In both stories, the borders of the world of Selenoth as it is known to the reader are expanded to some small extent.

Thanks to Jartstar, who did an excellent job on the cover.  Look very closely at the coin; the level of detail there is remarkable. Thanks also to the four proofreaders; this ebook should be considerably cleaner from the get-go than its predecessors.  Also, to celebrate the new publication, Hinterlands is giving away A Magic Broken for free on Amazon today.