There will be THERE WILL BE WAR

File 770 has the scoop:

Jerry Pournelle’s There Will Be War series is returning to print. All nine volumes will be reissued by Castalia House in ebook and two-volume omnibus hardcovers.

I’m glad to see that Dr. Pournelle, who I have now known over 40 years, will have his iconic titles back on the market.

Jerry commented on the project’s history for File 770:

I am very pleased that we were able to revive, in both hardbound and eBook, the There Will Be War anthology series.  The series was conceived during the Cold War, but most of the stories take place in other eras.  I am not astonished that they hold up well long after the collapse of the Soviet Union ended that conflict. We will be releasing the original 9 volumes over the next year and revive the series after that.  However much international politics may change, it remains likely that There Will Be War.

There is more, so read the rest there. As you can imagine, I am a tremendous fan of the anthology series, and indeed, Riding the Red Horse was created in conscious imitation of its ground-breaking blend of fact and fiction. Volume I is already ready to go and we are just putting the final touches on Volume II, after which we will release both of them. If you’re not subscribing to the Castalia House New Release mailing list yet, you’re probably going to want to do so soon because we will be announcing a very good new release offer in the next newsletter. There Will Be War was a tremendous influence on my own intellectual development, and not only are the books not conceptually outdated, they often feel remarkably prescient despite the end of the Cold War and the passing of the events upon which they are nominally focused. The reality is that the forces leading to war run much deeper than any of the national or societal differences that are usually blamed for it, which is why Dr. Pournelle is correct to observe that history has not ended, the secular utopia has not arrived, and there will indeed be war. I have highly recommended the books for decades, which is why getting them back into print was one of my top priorities for Castalia House.
We will publish the Volume I and II ebooks before the end of this month. Later this year, we will publish Volumes III and IV in ebook, and Volumes I and II together in an omnibus hardcover edition. We expect to publish all nine volumes, as well as the new tenth volume, before the end of 2016.

New reader: where to start?

A new reader wonders where the best place to start reading my fiction is:

I’ve been enjoying your blog, and wanted to know – what would be the best book of yours for a new reader to start with? I’m a big sci-fi fan, but haven’t actually read your fiction yet. If it matters, my tastes are a bit older – Orson Scott Card, William Gibson, Arthur C. Clarke, etc. Terry Brooks and Tolkien when it comes to fantasy. Might be good to have a “new reader” link.

My first instinct is to say QM: AMP for those who lean SF and AMB, followed by ATOB, for those who lean fantasy. But I also think the author is among the least reliable authorities in this regard, so I’ll leave it up to the Ilk to sort it out in the comments. If you all can reach a consensus, I’ll post it here and create a New Reader link in the sidebar.

I’m going to go out on a limb and assume no one thinks that either REBEL MOON or THE RETURN OF THE GREAT DEPRESSION is the optimal starting point.

And on the Sad Puppy front, Mad Genius Dave Freer just asks the question that I did about the Toad of (formerly) Tor, only he asks it about the Guardian as well.

The chances of a ‘hit’ piece, intended to denigrate, on an American populist author with little impact on his British scene, in a publication that tends to Ahrt, are slim. The chance of it happening the very day that the Hugo Nomination shortlist is released, targeting an audience who might possibly go to LonCon, but probably would not have heard of Larry Correia? In other words, to poison minds well before they saw their voter packets…

The chance that this happened purely by accident – about the same as a fully armed nuclear missile turning into a Sperm whale a few seconds before impact.

Let’s get to a second fact. Just the facts. A year later, TNH launched a furious tirade on her blog, ‘Making Light’… attacking the Sad Puppies for sweeping the Hugo Noms. Threatening to bring down retribution for being nominated. Now coming from such a powerful person in Traditional Publishing, and one with… shall we say wide influence (the links are… telling) this is fairly serious bullying. Abuse of power.

But the important thing is WHEN IT HAPPENED.

It happened BEFORE the embargo was lifted.

These facts lead inexorably to a question so simple and so obvious I can’t see how anyone can miss it asking it:

HOW DID DAMIAN WALTER AND TERESA NIELSEN HAYDEN KNOW LARRY AND THE SAD PUPPIES HAD BEEN NOMINATED WHEN IT WAS EMBARGOED?

I think this pair of tweets from 2013 will explain a lot. Notice the connection between David Barnett, John Scalzi, and Damien Walter. And then notice who publishes David Barnett. Still dubious about a quiet circle of conspiracy centered around Tor Books?


“A necessary supplement to Clausewitz”

A HISTORY OF STRATEGY: From Sun Tzu to William S. Lind

Martin van Creveld ranks high among military historians, and given the changes in technology since Napoleonic times, his work is a necessary supplement to Clausewitz. His reflections have influenced strategists and grand tacticians since his first books appeared, and as an Israeli historian, he has been in a unique position to observe the changing nature of modern warfare on both the grand strategic and tactical levels, particularly with regards to asymmetric warfare. Scholars and military planners ignore his thoughts at their peril.
 

I don’t entirely agree with him on the effectiveness of guerilla operations absent a sanctuary, or with his conclusions concerning Viet Nam, which I consider to be a victory won, then given up. And while the Iraq War was certainly unwise, I don’t believe that it was necessarily unwinnable, as the U.S. military was given an impossible mission, then undermined by political errors made above their pay grade. That being said, if winning is defined as a nation being better off after the war than it was before, it is hard to see how winning in Iraq was ever possible. So perhaps we agree after all.
 

But whatever your position on modern conflicts might be, Martin van Creveld’s writings are worth reading and they are vital to reaching informed conclusions about the art of war.

Jerry Pournelle
Studio City, California

Castalia House has published a lot of books over the last twelve months. I’m proud of those books and I believe all of them are worth reading by at least one specific group of readers or another. But most books, even the excellent ones, are not what I consider to be absolute must-reads by everyone of sufficient intellect to comprehend them. Such books are very few and far between; the last one we published that I personally felt this strongly about was AWAKE IN THE NIGHT LAND by John C. Wright.

I feel much the same way about A HISTORY OF STRATEGY: From Sun Tzu to William S. Lind by Martin van Creveld, although for very different reasons. Most of you are aware that I am very well-read in strategic matters. I read Caesar and Mahan and Oman for entertainment, I rely heavily upon Frontinus, and to a lesser extent, Onasander and Vegetius, in my fiction, and I am no stranger to the great works of military strategy and tactics from the ancients to the moderns.

And yet, in A HISTORY OF STRATEGY, van Creveld not infrequently cited military thinkers of whom I’d never even heard before, let alone read. This is not a history of war, but a history of thinking about war, and it is arguably one of the most masterful summaries of a single millennia-spanning train of thought ever written. It’s not long, it’s not deep, and it’s not hard to follow, but it is an education in 116 pages. Read this and you will be better-informed on the subject of war than 99.99 percent of the human race.

Better still, you will be in a position to dive deeper into any one of a hundred areas and to understand where you are diving as well as the historical significance of that area. Van Creveld begins at the beginning, with the ancient Chinese, and proceeds methodically through time, crediting each cognitive breakthrough to its author before explaining its significance as well as its consequences.

I highly recommend this book, especially to parents who are homeschooling teenage boys. Featuring the foreword by Dr. Jerry Pournelle quoted above, it is available for $4.99 at Castalia House in both EPUB and Kindle formats and at Amazon.


Adolf Hitler, published author

Stephen Hicks considers the implications of Germany permitting the publication of Mein Kampf for the first time in decades.

German authorities will allow the republication of Adolf Hitler’s Mein Kampf, after decades of censorship. Decent people can argue that the book is too dangerous to be published. But the fact is that Mein Kampf is too dangerous not to be published.

The great fear is that Hitler’s ideas are not dead and that his book could trigger another horribly pathological social movement. Nationalism and socialism still appeal to many, and combinations of the two ideologies attract new adherents every day in Europe and around the world.

Mein Kampf is available in many editions, in many languages and online. So the furor over its republication is about the Germans in particular: Can they handle it?

One of many old jokes has one German ask another, “How many Poles does it take to change a light bulb?” The other German replies, “I don’t know. Let’s invade Poland and find out!”

Always fun to poke at the Germans’ historical reputation. But it has been three generations since the end of World War II. There have been major cultural shifts in German attitudes towards militarism, authoritarianism, anti-Semitism, and other elements in the National Socialist package. There is plenty of evidence that today’s German are well above the average in civility and decency. So the post-Nazi cultural training wheels can come off.

Yet beyond the specifics of the German debate, there is a more important general point about prohibiting even the most repulsive of ideas: Censorship weakens our ability to combat them.

Levi Salomon, speaking for the Jewish Forum for Democracy and Against Anti-Semitism based in Berlin, opposes republication of Mein Kampf: “This book is outside of human logic.”

Salomon’s statement is more outrageous than anything Hitler wrote in the book. National Socialism is not only human logic, it is considerably more logical, and truthful, than Communism, feminism, or secular Zionism. That was part of the tragedy of Germany’s descent into it. Unlike the first two ideologies, it actually functioned effectively.

National Socialism is also cruel, pitiless, and militaristic, but those are undeniably human failings.

Indeed, one of the most striking things about Mein Kampf is that it is not, as one would tend to imagine, a wild-eyed, frothing-at-the-mouth sort of text. Perhaps the most disturbing thing about it is how reasonable Hitler often sounds throughout. And that is possibly the best reason of all that it should be published; it is a vivid reminder that far from being “outside of human logic”, every rational man is capable of choosing between good and evil, and choosing between setting himself to achieving great good and committing great harm.


A taste of things to come

John Wright is pleased with Jeremiah’s artwork for the first volume in his Unwithering Realm series, Somewhither, which will be coming out in April. And if you’re interested in supporting an esoteric, but worthwhile project, Castalia House blogger Ken Burnside and Ad Astra game developer needs just $2k more in order to fund his AVID Assistant via Kickstarter.

Speaking of Castalia, we’ll have a new offer going out to the New Release Subscribers next week, but for various reasons I’m not going to bother going into, we will be releasing not just one, but TWO new books the week after that. I’d like to find 10 volunteers to review both of them, so if you’ve got the interest and the intellectual chops to handle either Equality: The Impossible Quest or The Art of War: The History of Military Strategy, both by Israeli military historian Martin van Creveld, email me with EQUALITY or WAR in the subject. UPDATE: have all 10 for both books, thank you.

The former is conceived as the third in a conceptual trilogy with Plato’s work on Justice and J.S. Mill’s work on Liberty, whereas the latter features a foreword by none other than Dr. Jerry Pournelle himself, who describes van Creveld’s work as “a necessary supplement to Clausewitz.” It’s a short, but as you can probably imagine from that description, brilliant history, and anyone who has appreciated Mr. Lind’s work is going to find it fascinating and educational. Thanks to Chris Kallini, who did both of the van Creveld covers.


Terry Pratchett: an indictment

Chaos Horizon points out the essential absurdity and historical irrelevance of the Hugo and Nebula Awards:

Pratchett never won a Hugo or Nebula award. Neither awards have ever known what to do with humorous/satirical SFF. Both awards failed to live up to the imagination that Pratchett showed in his best work: it’s easier to celebrate the serious and prestigious than the fantastic. Our field should have done better. Pratchett did receive Nebula nominations late in his career, in 2006 (Going Postal) and 2009 (Making Money). Neither are among his best books. Mort, Guards! Guards!, and Small Gods all would have been worthy winners, but I’d draw your attention to 2003, the year that Robert Sawyer won the Hugo for Hominids. Pratchett published The Night Watch in 2002, a twisty time-travel caper, that would have been an outstanding winner for that year.

I am proud to be able to say that I am among those SFWA members who were responsible for both the 2006 and 2009 Nebula nominations. (I also used to regularly nominate Charles Stross for awards, to little avail, back when he actually deserved them.) The fact that Terry Pratchett wasn’t even being NOMINATED when the likes of Catharine Asaro were WINNING was one of the things that first led me to believe there was something very, very rotten in the state of SF/F awards. Here is the review of Going Postal I posted on this blog in September 2004. In case you’re wondering how the review could have been posted in 2004 while the nomination was in 2006, it was because a) the Nebula schedule was bizarre back then, and b) I received a pre-release review copy of it.

In fairness to the Hugos, Pratchett also received a belated Hugo nomination for Going Postal, but he declined it. It’s hard to believe he didn’t even receive a nomination for his best book, Night Watch, in a year when the likes of Picoverse, The Other Wind, Solitaire, Passage, The Curse of Chalion, The Chronoliths, Cosmonaut Keep, and The Bones of the Earth did.


RIP Terry Pratchett

Terry Pratchett is dead at 66:

British fantasy author Sir Terry Pratchett has died aged 66 after a long battle with Alzheimer’s disease, his publisher said today.He sold more than 85 million books worldwide in 37 languages, but also waged a very public struggle with Alzheimer’s disease in recent years – and was a vocal campaigner of the right to die.

The author is best known for his satirical fantasy novels set in Discworld, a flat planet resting on the back of four elephants, themselves perched on the back of a vast turtle moving through space.

After avoiding them for years, I eventually came to enjoy many of Mr. Pratchett’s books and consider him to have been rather underrated as a writer. I hope, for the sake of his literary legacy, that his death will be sufficient to prevent him from writing any more books.


Mark your calendars

The International Lord of Hate has announced a coming Book Bomb. Be prepared:

Mark your calenders, our next Book Bomb will be this Wednesday.

My goal is to get the stuff on our Sad Puppies suggestion list out there in front of as many people as possible. If you’re unfamiliar with my Book Bombs, that’s where we get as many people as possible to buy a book on Amazon in the same day. Since their bestseller lists update hourly, through the day the book will move higher and higher. Success breeds success, and the higher it gets, more new people see it and check it out.

The purpose, I believe, is to demonstrate Puppy Power. Keep in mind this means buying from Amazon, not Castalia. Spears will be shaken! Shields will be shattered! And links will be provided!

If you’ve already bought the books, then why not post reviews? They most certainly help too. In the meantime, Patrick Richardson admits that, in being a Sad Puppies supporter, he reveals that he is not a Real Fan:

I read the Hobbit for the first time in Kindergarten.

So I’m not a Real Fan.

I chased the Delikon off Earth in fourth grade and followed Alice down the rabbit hole.

But I’m not a real fan.

I devoured the Chronicles of Prydain and watched the Dark rise in 5th grade.

So I’m not a Real Fan.

By sixth grade I was on my fifth run through of the Lord of the Rings.

So I’m not a Real Fan.

I discovered Col. Falkenberg and met the Moties in 7th grade.

So I’m not a Real Fan.

In the last 40 years I have read hundreds of SFF books, watched hundreds of movies, dreamed of flying on Serenity and riding Sue with Harry Dresden.

So I’m not a Real Fan.

Because it doesn’t matter how much science fiction and fantasy you read, it doesn’t matter how many cons you have attended, if you aren’t a SJW, you’re not a Real Fan.


Mailvox: the anti-Puritans

SJ emails and makes what I consider to be an all-too-common mistake among Christians with regards to the rating system I created upon request yesterday:

Read your post on a Christian Ratings System. As the father of two young boys, there is a lot I like about this. And I laugh at how similar my experiences are with other Christian fathers. But I think it is important to think through one aspect of this sort of effort: Christians have self-selected towards being at the bottom of the food chain, often the victims, in our modern society.

That isn’t necessarily meant as a defense of modern society, other than being a reminder of the reality we live in. Regardless, I am sick and tired of Christians coming up on the short end, and I am concerned that the lesson that our churches and families are teaching our young men. With my own boys, I have taken the tack of raising Christian men in a Fallen and potentially violent world. I see no disparity between Christianity, being strong, and being realistic. In, not of.

Thus, I don’t necessarily argue with the idea of scores per se, but of the thresholds. For example, I am not sure that I wouldn’t let my boys read something more than a 15, and I balk at saying that a book that contains openly atheist characters scores a +3. What about the atheist characters being contrasted with Christian characters? What about setting up an atheist for a religious awakening?

My point is really not to pick nits, or to argue line items, but to try to argue for:

a) a more granular system that allows for more insight into the “Christians” of the book
b) in support of (a) but more tangentially, possibly having categories of scores
c) somehow trying to allow for books and material that encourages a realistic approach to Christianity

It’s really this latter point that makes me write this email because by making such a scoring system seems likely to help the self-same self-selecting Christians to self-select into ever more naive, victim-filled categories. I think this is especially true if the system is more or less linear and additive, as you have suggested. Ultimately, you are on to a great idea here, but it shouldn’t abide by the standards and metrics that a Fallen world has seen fit to place on Christianity. For example, some Christians swear, dammit, and the Song of Solomon is ostensibly about Sex. Perhaps with a little more granularity and possibly with some helpful Categories, this becomes a tool to teach rather than a grading system for my 4th grade Sunday School teacher.

I think we may need a word to describe the modern Christian anti-Puritan, the sort of Christian who fears that somewhere, somehow, there might be another Christian out there who is insufficiently exposed to the world. But is there truly a Christian in the world of 2015 who is insufficiently exposed to the material existence of godlessness, obscenity, sex, and sin? And what shall we call these advocates of being sufficiently engulfed by the world, though not of it? Soilitans? Filthians? Those Who Wallow? Edified Mudrollers?

My more literate response is to quote Aslan: “Child…I am telling your story, not hers. I tell no one any story but his own.”

It is no more SJ’s business to concern himself with how these self-selecting Christians self-select into ever more naive, victim-filled categories than it is for them to determine the precise threshold that will determine what books his young boys are permitted to read. And notice that all of his concerns are about influence and interpretation; he is bothered by the idea of simply permitting other Christians to acquire accurate information about the books and make their own judgments concerning them. In answer to his questions and points:

  1. What about the atheist characters being contrasted with Christian characters?
  2. What about setting up an atheist for a religious awakening?
  3. a more granular system that allows for more insight into the “Christians” of the book
  4. in support of (3) but more tangentially, possibly having categories of scores
  5. somehow trying to allow for books and material that encourages a realistic approach to Christianity 

1. What about them? Whether they are contrasted with Christian characters or not, the either exist in the book or they don’t. Why should parents who don’t want their children to be prematurely exposed to atheism be intentionally kept in the dark from knowing that there is a godless character in a book?

2. What about it? I’d rather like a system that would warn me: LAME AND UTTERLY CONVENTIONAL CONVERSION STORY AHEAD so I could avoid ever reading the book. “And then he became a Christian and lived happily ever after” is not the sort of thing I’m interested in supporting even if that was within the scope of the rating system. Which it isn’t. Regardless of what happens to the atheist over the course of the book, he is still there. How can any Christian rationally oppose parents simply being informed of godlessness in their children’s books?

I am perhaps uniquely qualified to comment on this. Does anyone seriously think I am even remotely afraid of exposing my children to atheist arguments, let alone fictional atheist characters presenting dumbed-down versions of those arguments? I throw Plato and Cicero and William S. Lind at my kids, does anyone seriously doubt that they can chew up arguments presented by the likes of Sam Harris and Richard Dawkins without even blinking? At the same time, I’d still like to know that they are being tested in this way when it is taking place.

3. No. That goes well beyond the purpose of the rating system, which is to simply inform parents what is in the book. It doesn’t involve insight into anyone, for any reason. It describes, it doesn’t interpret.

4. The more complicated the system, the less useful it is and the less anyone will use it. Again, this is an attempt to sneak interpretation and influence in through the back door.

5. And who is to define “a realistic approach to Christianity”? I doubt anyone wants me doing that. Here the attempt to influence is overt, which is in absolute contradiction to the intention of the ratings system, which is simply to inform parents of what specific elements are present within works of fiction.

The rating system is a tool for people to use, not a tool for using people. Try to keep that in mind if you’re looking to improve it.


Mailvox: Christian book ratings

CM asks if we can put together a rating system for Christian books. I think this is a good idea, although I think it bears some discussion on the best way to do that.

We are an ultra-conservative homeschool family with 8 children. Two of my older sons and I love SF books, table top games, and movies. My 12 year old is reading through the Monster Hunter series of books now. I do not mind the occasional curse word or sexual innuendo here and there. But if it gets any racier than Correia’s works I will not let them read it until they are a little older. We’ve enjoyed some of your novellas, too. Keep up the good work.

Anyway, I do not have time to keep up and read new SF works to screen them for my sons (12 year old blasted through the first Monster Hunter in one day). Is there a possibility in the future that your blog and/or Castalia House could have a sort of SF book rating or review site that would inform Christian families like mine? Just FYI, the Hollywood movie rating would be inadequate. Many PG-13 rated movies are considered nearly XXX to us.

My thought is something similar to the SJW review of games system might be useful, with zero being the perfect score of containing nothing that would be objectionable to the Christian AND containing genuine and explicit Christian elements. There is a difference, after all, as Misty of Chincoteague is entirely unobjectionable, but it has no Christian content per se.

Let’s consider some possible point factors, beginning with those that would likely be more or less acceptable to most Christian parents, but are potentially indicative of religious or ideological problems:

  • contains no genuine and explicit Christian element +1
  • exhibits unconventional Christian theology +1
  • characters demonstrate disrespect for peers or parents +1
  • an animal or major character dies +1
  • contains suggestions of physical violence +1
  • features strong independent female +1
  • contains squishy Disney-style “moral” messages +1
  • Features fairies, unicorns, or creatures from classical mythology +1
  • Features the open use of magic by the characters +1

Then there are the elements that will be objectionable to the more conservative families:

  • contains direct descriptions of physical violence +2
  • features indirect sexual themes +2
  • contains egregious or saintly minority characters +2
  • features aggressively “pro-science” themes +2
  • contains euphemistic swearing +2

Followed by those elements to which most parents will not want to expose their children:

  • contains openly atheist characters +3
  • contains detailed portrayals of physical violence +3
  • features PG-13 sex scenes +3
  • advocates left-liberal political or ideological positions +3
  • contains light and occasional swearing +3
  • Features emotionally devastating scene +3
  • Features demonic aliens or magic-based societies +3

And then the completely unacceptable:

  • contains openly atheist or anti-theist messages +5
  • mocks Christianity +5
  • sadistic horror and physical violence +5
  • features pornographic sex scenes or romanticizes adultery +5
  • features homosexual and other sexually deviant characters +5
  • contains a considerable quantity of vulgarities and obscenities +5 
  • contains openly occultic elements indicative of actual practices +5

Now, it is important to keep in mind that a novel can contain absolutely every element here and still be a Christian novel. What makes a novel Christian or not depends upon its intrinsic recognition that Jesus Christ (or some fictional facsimile therein), is the Lord and Savior of Mankind.

A Throne of Bones scores a lot of points, Book Two will score even more. But they are not books for children; I haven’t let my own children read them. Every parent has to draw their own line, but it would certainly be useful to have a large database at Castalia House where books could be rated. For example, The Lord of the Rings would rate about a 8 of 75. A Throne of Bones would rate 40. A Game of Thrones would rate 65. I think anything over 15 should be considered unacceptable to most parents.

There is considerable room for improving the system, and I would welcome suggestions as well as the rating of various books.