Why Castalia Library Matters

We can’t save all the books. But we can save some of them.

The driving force behind this destruction is what researchers call “model collapse.” When AI systems train on text generated by other AI systems, quality degrades with each generation, producing increasingly incoherent results. The internet has become so saturated with synthetic content that companies now actively seek pre-2022 printed books as the last uncontaminated reservoir of human-authored knowledge.

ISBNdb, a company that sources printed books for AI training data, advertises on its website that “the world’s best AI training data is sitting on a shelf.” The company describes printed books as “curated, peer-reviewed, domain-specific human knowledge, structured in a way no web crawl can replicate.” Pre-2022 publications are “structurally guaranteed to be free of this contamination,” the company states, referencing both AI-generated text and the growing practice of authors “poisoning” web content to sabotage scraping pipelines.

The industrial process of destruction

The mechanics of this operation are precise and troubling. Standard pallets of books hold 800 to 1,200 volumes. Buyers scale from pilot orders to 10,000 or more books per batch. Destructive scanners process 80 to 120 pages per minute after hydraulic cutting machines slice off book spines. The original books are then pulped and recycled.

According to court documents from the Anthropic case, the company’s “Project Panama” spent tens of millions of dollars on this exact pipeline, contracting with Datamation for scanning services. Booksellers have identified these bulk buyers through telltale signs: abnormal volume, subject-agnostic orders spanning history, botany, regional law, and German economics simultaneously, and total indifference to pricing. As one bookseller told 404 Media, “It’s not just the quantity, but the weirdness of the orders.”

Anthropic’s Tom Harvey, who previously helped create Google Books, oversaw the operation. One bookseller who has sold hundreds of books to suspected AI buyers expressed mixed feelings: “It benefits me financially… On the other hand, I don’t like the end-use, and I don’t like that uncommon books are being pulped.”

The vanishing heritage

The most troubling aspect of this practice is what it means for rare and out-of-print books. Foreign-language volumes, low-circulation academic works, and antique texts with limited surviving copies face potential extinction. When an AI company purchases the last known physical copy of a rare book, scans it, and destroys the original, that volume ceases to exist in the physical world. It becomes data locked inside corporate servers — inaccessible to future scholars, collectors, or the public.

ISBNdb acknowledges the “optics problem” on its website, noting that “‘AI company destroys two million books’ is not a headline that generates sympathy.” The company promises strict nondisclosure agreements on every engagement, stating that “your identity, strategy, and acquisition targets are never disclosed.” This secrecy means booksellers can only speculate about who is buying their inventory and for what purpose.

A legal framework that encourages destruction

Judge Alsup’s ruling explicitly validated the buy-scan-destroy pipeline, writing that “every purchased print copy was copied in order to save storage space and to enable searchability as a digital copy. The print original was destroyed. One replaced the other.” Because the digital copy was never shown, shared, or sold outside the company, the judge found this “clearly transformative” and therefore protected by fair use.

This reasoning effectively creates a legal incentive for destruction. If a company keeps the physical book, it must store it. By destroying the original, the company can argue it “replaced” the physical copy with a digital one. The ruling handed the entire AI industry a template, and companies now explicitly cite it.

Harvard University, partnering with Google and Microsoft, demonstrated that an alternative exists. The collaboration released nearly one million public-domain digitized books in 254 languages — no destruction required. Microsoft’s Burton Davis called starting with public-domain data “prudent,” noting that libraries hold “significant amounts of interesting cultural, historical and language data.” That alternative track makes clear that labs have cleaner options. They simply choose not to take them.

We’re going to come up with a program to save and bind some of these rare books. They don’t have to be destroyed. What I’m thinking of is an “adopt a book” program that will permit people to fund the rebinding of a rare book in leather, after which they will receive that book or be recognized as the sponsor of that book in Castalia’s library. If we can just convince the AI companies to send us the pages instead of pulping them, this should be something doable.

In the meantime, you can help us create books that are going to outlive the AI companies engaging in this destruction.

And be sure to take notice of how this is being caused as a downstream consequence of copyright law…

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Red on Red

The recent translator of The Odyssey takes the director of The Odyssey to task despite his claiming, apparently falsely, to have based his revisionist, anti-Homeric film on her revisionist post-Homeric translation.

Christopher Nolan built his entire Odyssey around Emily Wilson’s 2017 translation, crediting her famous opening line, “Tell me about a complicated man,” as one of his biggest points of inspiration going into the project. Wilson has now seen the finished film. Her review, a 4,000-word essay published this week in the London Review of Books under the title “An Uncomplicated Man,” is one of the harshest takedowns Nolan has received in his entire career, and it comes from the one scholar whose own work he explicitly built this movie on top of.

Wilson opens with something close to a compliment before the knife goes in. “I was humbled to learn that Nolan has read at least the first line of my translation,” she writes. “But I would be ashamed to have written any part of this script.” That single sentence has already become the pull quote defining coverage of the piece, and it earns that status. It’s not a critic taking a shot from a distance. It’s the translator whose language Nolan quoted in press interviews telling him, in print, that she wants no association with what he built from it.

She spends the next several thousand words explaining exactly why. Wilson describes the overall experience of watching the film as “family-friendly audiovisual spectacle, like an elaborate Fourth of July fireworks display, and with about the same level of narrative and emotional depth.” She connects it to a pattern she sees across Nolan’s career: “As in his previous films, Nolan is interested in the discontinuities of space and time, in magic, tricks, craft, technology, rivalry, substitution, masks, miscommunication, what we remember and what we choose to forget.” That’s not dismissive on its face, but the verdict that follows is blunt: “It lacks psychological, emotional, political and ethical depth. Its narrative structure is gimmicky. The writing is abysmal. None of the characters has convincing motivation for their actions or words. There are no sex scenes, and all the food looks horrible.”

She’s absolutely not wrong. And yet, as one of the most prolific translators of 2026, I don’t have to read Ms Wilson’s translation to have a pretty good idea about the nature of its flaws from that one single line alone. Translators have to make a lot of choices, and most translators tend to make what I believe to be distinctly suboptimal ones. Ironically, the current taste for revisionism to suit current preferences is very much in keeping with the translations of the late 19th century; the very accomplished and highly prolific Clara Bell, who translated Balzac, Casanova, Huysmans, Ibsen, and Maupassant, as well as by Louis Couperus, Georg Ebers, Benito Pérez Galdós, Ernst Haeckel, Pierre Loti, and Helmuth von Moltke, among others, became notorious in translation circles for making all of their books sound as if they were written by a late 19th Century Englishwoman.

In the 1950s, the academic craze for accuracy and literalism resulted in nearly all of the post-Waley translations being dry renditions that leave the English reader wondering how the foreign language novel ever became popular in the first place. The 1980s hit a high point with William Weaver’s translations of Umberto Eco’s novels, but since then, we’ve generally reverted to the older, more revisionist Bell-style standard.

My preference is to focus first on readability for the modern reader followed by non-literal accuracy. Which may explain why blind comparisons have regularly indicated that Castalia’s translations are preferred to the existing ones.

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3X and 3 Weeks to Go

The Byron AI crowdfund is proceeding well. We’re very close to 100 backers, the campaign has exceeded $30k, and the team is already seeing some positive results that indicate we’re on the right track. Moreover, the importance of what we’re doing, and the need for it, has been highlighted by a recent news item related to the actions of the AI giants:

OpenAI’s ChatGPT is now refusing requests to generate text that directly mimics the style of famous authors. When asked to do so, the popular LLM instead offers a response that draws on the “broad qualities” of those authors “while remaining distinct in its own voice,” for example.

This is just a PR move, which is obvious because a) there is no patent, trademark, or copyright protection for “style” or “look and feel” and b) the refusals apply to long-dead authors such as Charles Dickens and Ernest Hemingway. Remember, there isn’t even any legal protection for book titles, and you can literally reproduce the text of a public domain work exactly as it is or fold, spindle, and mutilate it as you please, as the cases of Pride and Prejudice and Zombies or A Mind Programmed serve to demonstrate.

However, we can safely expect Claude and Gemini to follow suit. The AI backlash has already begun and Open AI is already looking for a government bailout, and so we can safely assume that the intrinsic degradation of texual AI’s pseudo-creative facilities will be turbo-boosted by these new stylistic guardrails.

Now here is the pitch for those of you who haven’t backed the project yet. Due to its importance, a major backer has offered to double the end total of the campaign. Which means that if you back for $50, the project will receive $100. So any support you can provide Byron AI will be twice as effective.

Our objective is to reach 250 backers; given that 100 people backed the project in the first week without this additional incentive, I’m optimistic that we can reach that total and that we are going to exceed our development objectives. Also, I should note that two of the three Custom Novels have already been spoken for, although I have not yet been informed as to what the backers wish them to be.

BACK THE BYRON AI

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Che Cavalo!

In further confirmation that Italy remains Italian.

  • Paolo Maldini and Leonardo have resigned from their FIGC positions following disagreements regarding the selection of Italy’s new head coach
  • The duo’s tenure lasted just 16 days, having been officially appointed on July 11

I’m not going to lie. I was genuinely excited about the possibility of Maldini and Guardiola joining forces to return gli Azzurri to international prominence.

Efforts to name the next head coach encountered difficulties when Carlo Ancelotti and Pep Guardiola, both leading candidates, declined the opportunity. Andrea Pirlo emerged as a subsequent option; however, his candidacy was swiftly dismissed due to his role as a global brand ambassador for Russian betting company Fonbet. This connection posed both moral concerns and legal complications, since advertising gambling is outlawed in Italy. Reports indicate that Giovanni Malagò intervened to veto Pirlo’s appointment, despite opposition from Maldini and Leonardo. The ongoing disagreements on coach selection reportedly intensified strain within the leadership group.

(makes Italianate hand gestures)

Meanwhile, in France…

Zinedine Zidane Announced As France Men’s National Team Manager

This juxtaposition suffices to explain a disturbing amount of European history.

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Those Who Gnaw

From the recently translated and published GERONA by Benito Pérez Galdós.

Political passion, my friends! I know no baser or more contemptible sentiment than this, which drives men to hate their own countrymen with greater fury than the foreign invader. I was appalled to witness the outrages committed against some and the savage invasion of the houses of others. And we may be thankful they escaped with their lives from the hands of that idle, shrieking mob! In a word, the whole affair was among the most degrading things I have seen in my life, and if the Junta Central was worth little, the men who in Seville and afterward in Cádiz gnawed, like restless and parasitic reptiles, at its foundations, do not occupy, for all their bustling and all the various postures they assumed, any visible place in history.

Their smallness makes them vanish in the long perspectives of the past, and their echoless names awaken neither admiration nor rancour. They belong to that common herd which, common as it is, has shaped the destinies of the country from the first revolution to the present day: people without an ideal, who would be lost in the crowd like raindrops in the ocean, if the deplorable political neutrality of those Spaniards who are honest, decent, informed, and patriotic, and who are the majority, did not allow them to act in public life, treating the country as an object of exclusive property given them for their amusement.

The end of empire is always marked by national enervation. We tend to blame television, or video games, or social media, but the truth is that this torpor that permits those Galdós describes as restless and parasitic reptiles to gnaw at the societal foundations as they rule over the placid NPCs has always been a phenomenon of late-stage empire.

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TRANSLATION: Gerona

GERONA by Benito Pérez Galdós is this week’s new translation. It is the seventh of the first series of the Episodios Nacionales and was translated from the original Spanish by Vox Day. The ebooks have already gone out to the subscribers. It’s now available on Amazon for Kindle, KU, and audiobook.

A DESPERATE AND GLORIOUS DEFIANCE

In May of 1809 the French army arrived before Gerona: a Catalan city of narrow streets and stacked houses, held by a garrison far too small to hold it, under a governor who did not regard that as a reason to give it up. Seven months later, after eleven thousand nine hundred bombs were exploded, eighty thousand rounds were shot, and twenty thousand men lost in the assaults, the French were still outside the walls.

Andrés Marijuán was inside. An Aragonese private billeted with a locksmith’s family, he watched the city eat its horses, then its cats, then its rats, and at last nothing whatever. He watched the children of the house go out hunting through the rubble for anything with meat on it. He watched a physician, unhinged by grief, forge newspapers full of relief columns that were never coming, so that his daughter should not learn what had become of the world. And he watched Mariano Álvarez de Castro, dying on his feet, return the same answer to every summons to surrender that the greatest generals of the age sent him.

The way Galdós describes the siege of Gerona is the bleakest book in the first series of the Episodios Nacionales, and the most unsparing: an account of civilian endurance carried well past the point where endurance means anything, told by a survivor who cannot understand how he survived.

About the author. Benito Pérez Galdós (1843–1920) is widely regarded as the greatest Spanish novelist since Cervantes. Over four decades, he produced the Episodios Nacionales, one of the most incredible accomplishments of world literature ever written. He was nominated for the Nobel Prize in Literature five times.

There is an excerpt available to read on Castalia Library. Tune in to the Darkstream tonight to learn more about this, see the new Byronics video, and hear some exciting news about the Byron AI project.

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Why Everyone Hates the Boomers

Never, ever, imagine for one second that a single drop of all the intergenerational hate directed at the Boomers is unjustified. Frankly, at this point, I’m a little shocked that they’re not all being forcibly euthanized for their assets while any still remain.

Antiques Roadshow

Boomer w/ a 60s Fender guitar: “Cost me $383. My grandkids can fight over it when I’m gone.”

Appraiser: “This guitar is worth about $12,000.

Boomer boomingly: “Weh-heh-hell! I guess the grandkids won’t be getting it!”

They aborted their children and bankrupted their grandchildren, and remain proud of their philosophy, their behavior and their self-identification to this day. On the plus side, we now understand why the Israelites were not allowed to enter the Promised Land until every member of the wicked generation had died off. The New Testament is perfectly clear on how this all-too-typical Boomer behavior is “worse than an infidel”.

And if you’re a Boomer who is behaving like every normal generation previously did and leaving your children and grandchlldren better off than you were, do try to keep in mind that this is what everyone was always supposed to do!

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Immigration Economics

In which Germany demonstrates, again, that mass immigration is not, and has never been, actually good for the economy:

Friedrich Merz’s desperate attempt to appear tough on migration took another blow this week, after it was revealed that close to half the taxpayer cash spent on the Bürgergeld (citizens’ allowance) continues to go to individuals without German citizenship. Figures show that the Federal Employment Agency handed out almost €47 billion in benefits in 2025, and that 46.6% of this went to foreigners.

Right-wing news site NIUS on Wednesday reported that “the massive influx [of migrants] from non-European countries”—especially since 2015—“is increasingly pushing Germany’s social welfare system to its limits.” That is despite German Vice-Chancellor Lars Klingbeil (SPD) insisting last month that “the migration of recent years has significantly stabilised the German social security system—even if some give the impression that the opposite is true.”

Payments cover basic income support, as well as housing and heating costs.

The devil, as always, is revealed in the contradiction between the theory and the subsequent numbers. The idea that immigration boosts the economy is trivially true because it is a tautology dependent upon a definition of the economy as something measured by Gross Domestic Product.

C + I + G = GDP.

So, if you allow 10 immigrants and the government gives them money to spend, both C (consumer spending) and G (government spending) automatically go up. It’s financed by increasing the debt. The economy “grows” and the immigration is “good for the economy”. This is true whether there is one immigrant or one billion; if economists actually believed their own nonsense, then they would advocate for encouraging the entirety of India to immigrate.

And yes, it’s just possible that Canadian economists are actually that dumb, which would explain a lot about the current state of Canada.

The problem is that because immigrants primarily consume and do not produce anything except crime – the service industries in which the employed minority predominantly work is, by definition, not productive – they observably, inevitably, and structurally weaken the economy. As the sclerotic economies of all the countries that immigration has theoretically enhanced are now beginning to show.

All that mass immigration has really accomplished in economic terms is provide new debtors, thereby allowing the banks to remain pseudo-solvent for an additional decade or two. But not only has it not solved any problems, it has significantly exacerbated the existing ones.

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Guns or Gas?

Larry Johnson thinks he’s figured out why the President and Pentagon called off this weekend’s expected attacks on Iran:

The New York Times published a piece by Eric Schmitt and Jonathan Swan that offers one explanation for Trump’s latest TACO. They write:

President Trump has set aside, at least for now, plans to sharply escalate the American military assault against Iran, with particular concern that intensifying the war could dangerously drain the Pentagon’s already diminished stockpile of Patriot antimissile interceptors and other air defense munitions in the Middle East.

The threat to interceptor stockpiles is one of many considerations that has made a return to major combat operations a hugely risky endeavor, administration officials say. Mr. Trump and his top aides are also uneasy about the prospect of a widening war in the Middle East, the alienation of key Gulf allies who are vulnerable to Iranian attack, a global economic crunch, and growing energy and refugee crises.

But there may be another consideration — one that does not exclude the reasons offered by the NY Times reporters — that involves the US fuel supplies. An economic brief prepared by Karl Miller investigates how the US military’s covert fuel procurement and export operations are depleting the nation’s diesel and jet fuel reserves, particularly during a period when domestic stocks are already critically low. The report details that from May to July, nearly 161 million barrels of distillate and jet fuel were exported, with the East Coast’s buffer falling to less than half its pre-pandemic norm. Much of this fuel is routed through opaque channels, such as the Rotterdam transshipment hub, where the final military or foreign allocation is not publicly reconciled, leaving the American economy exposed to shortage risks while military and foreign operations receive priority access.

A central finding is that the US government operates a parallel, largely unauditable military allocation system that siphons fuel from the civilian market. Public data merges commercial and military fuel categories, and certain military shipments are exempt from standard export reporting, making it impossible to track the true end-use of exported fuel. The report highlights that US taxpayers are subsidizing foreign military fuel needs, notably for Israel, through both direct and likely indirect channels, while the government does not disclose the full extent or funding split of these deliveries. Meanwhile, critical sectors like trucking, agriculture, and civil aviation are left with a diminished safety margin and increased disruption risk.

Miller concludes that the crisis is not due to a collapse in refinery output or a fabricated inventory, but rather a combination of structurally low inventories, high ongoing exports, and fragmented public reporting that obscures the military’s draw on national fuel supplies.

Americans are already angry about being forced to go to war again for Israel. And I suspect that even the great champions of antisemitism recognize that if they are deprived of their ability to drive as the economy gets further hammered by this insane, unnecessary, and ill-fated war, no amount of rhetoric, propaganda, and legal pressure is going to keep a lid on all that irrational, totally unprovoked hate.

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The Byron Project and Byronics

So the Byron AI project is proceeding apace. Due to UATV going down, I was unable to make the planned announcement, but thanks to the devs it’s back up again and so I will make it on the Darkstream Monday night. Thanks to the 86/88 backers so far; we’ve tripled our initial objective and there are still five Custom Novel slots left.

And speaking of George Gordon his own bad self, I finished a mix and a music video for a song which my late co-lyricist in Soulsigma wrote as a short poem called THERE BE NONE OF BEAUTY’S DAUGHTERS, and which I dubbed PERFECTION. If you’d like to see the video and learn a little more about the technology behind it, you can do so at AI Central. I think you will be able to see the steady progression from the first attempt at a video to this one; I’ll put them up on UATV soon.

Don’t skip reading the poem at the top of the post; it’s excellent, it’s not very long, and it will add depth to your appreciation for both the song and the video.

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