The good news is that one of science fiction’s greatest living grandmasters, China Mieville, has a new novel coming out this year. In this typically interesting interview, he notes one of the serious problems of popularity, which, interestingly enough, is something I was touching on yesterday on Sigma Game, albeit a different one:
Given the movement of the various weird genres into the mainstream, or this dissolving of the barriers between them, that’s brought some of the writers you care deeply about into the limelight. But have there been any downsides?
Sure. This, to me, is what happens with all subcultures. The more high profile it is, the more you’re going to get sort of sub-par stuff coming in, among the other really good stuff. It’s going to become commodified. Not that it was ever not [commodified], but let’s say, even more so. There will be a kind of cheapening. You end up with kind of Cthulhu plushies, all this stuff. And you can drive yourself mad with this.
It happened with drum and bass. It happened with surrealism. It happens with any interesting subculture — when it reaches a certain critical mass, you end up with the really good side that more people have access to it, more people learn about it, you end up with more people writing in that tradition, some of whom might bring wonderful new things to it. You also end up with the idea that there’s often a banalization. It ends up throwing up its own tropes and clichés and becomes very domesticated.
And this happened with science fiction. I mean, this is slightly before my time, but when there was one of the first waves of real theoretical interest in science fiction in the late ‘60s or ‘70s, there was a playful, tongue-in-cheek response from fandom that was like, “Keep science fiction in the gutter where it belongs.” And this, to me, is the endless dialectic between subculture and success. You’re never going to solve it.
In the case of SF fandom, this popularity combined with diversity, inclusivity, and equality, has literally killed off the very genre itself; the most recent SFWA-denoted science fiction “grandmasters” write neither science fiction nor fantasy. Its a farce that would be absolutely comical if it weren’t metaphorically grinding modernity’s heel in the face of all the good and great science fiction writers of the past. Fortunately, the convergence of the organizations doesn’t actually affect anyone’s ability to write and read the real thing, but this is how we have complete SF/F non-entities like Nalo Hopkinson and Nicola Griffith being dubbed “science fiction grandmasters” while true grandmasters such as Mieville, Neal Stephenson, and John C. Wright go officially unrecognized even though literally everyone knows who the real grandmasters are.
And yes, I know Mieville is a communist. I couldn’t possibly care any less what his ideology is; having been one of 14 economists to correctly describe and anticipate the debt crisis of 2008, and one of even fewer to correctly publicly predict the US-China trade war in 2016, if I didn’t read authors because I believed their views on economics were retarded, I wouldn’t be able to read anyone at all.
In any event, concerning the related discussion on Sigma Game, a commenter pointed out how Heidigger correctly described this process of what is both a widening and a leveling of things and concepts that become popular. In both cases, the effect is much the same.
The problem of rehashing is much broader and a major detriment to thinkers. Heidegger articulates the phenomenon quite well with his notion of “leveling” in which, in being repeatedly rehashed and thereby popularized, things become flattened or leveled down. What were authentic disclosures, observations, ideas, etc. are essentially dumbed down by the public repeaters into something inauthentic but easily digestible at the level of the lowest common denominator. The ideas then — even in their original articulation — are “understood” and quickly passed over as something allegedly familiar, even though what they are familiar with are the dumbed-down rehashings that no longer resemble the original.
This was in a context of one Gamma’s attempt to transform the SSH from a taxonomy that provides a predictive model of human behavior into a neo-Jungian system of archetypes that would theoretically provide objectives for human potentiality. Which, of course, is a dumbed-down rehashing that no longer resembles the original, just as today’s AI-generated elf harem porn and Amazon-produced television bears no resemblance to the literary works of JRR Tolkien.