All of you should have received an email now containing a link to download all of the high-quality, fully-licensed covers that we promised you nearly three years ago. If you haven’t, please email me and I will get it to you. If there are additional rewards owed, such as the promised cover of When The Man Comes Around, rest assured the band will get one recorded and delivered to you.
On a related note, I plan to launch a very small crowdfunding campaign next week for the Soulsigma album, a 10-song collection of original music which I wrote and produced using AI technology and digital audio tools, on FundMyComic, which graciously added a Music category at my request yesterday. Soulsigma is very different than the Booster Patrol covers and Vibe Patrol tunes which you’re accustomed to hearing, being more in the hard alternative rock category. This isn’t a major community project, so don’t feel any pressure to back it if you’re not genuinely interested in the music. The big campaign for which we’ll be hoping for massive support will be at the end of March and I will soon have some very exciting news about that.
I understand that a lot of people are either skeptical or openly derisive about AI music, and understandably so in light of what we’ve seen from ChatGPT, but they simply don’t comprehend that there is a massive difference in the degree of difficulty in producing meaningful text and meaningful music due to the way in which music is much more easily reduced to numbers and numerical patterns. The three best musicians I know, world-class musicians who compose in three very different genres, are uniformly excited about the possibilities being created for them on the AI front, and to be honest, theirs are the only opinions on the matter I take seriously.
I’ve just never had much patience for the buggy whip crowd. Even in these early days, the quality of what can be produced is much better than what was being professionally produced by the record labels in the 1990s, and it’s only going to get better as the technology improves and is further refined. The fact that the particular form of the evolution happens to favor lyricists at the moment only makes it more interesting to me; as we learned from games, the earlier one gets in and masters the development technology, the more one can reasonably hope to accomplish.
Anyhow, if you’re a UATV subscriber and you’d like a taste of the coming campaign, this is one of the alternative mixes of a song that is on the album, the Midnight Ride mix of Ride and Die. UATV
