Kirkus is supposed to be a serious professional book review site. But, as has been written, SJW convergence always prevents an organization from being able to fulfill its primary purpose:
Around the time when diversity became the cause célèbre for young adult fiction’s most passionate activists, trade reviewer Kirkus implemented some unique rules to establish its bona fides at the forefront of the movement: characters were to be explicitly identified by race, religion, and sexual orientation in every YA book review moving forward; furthermore, the writers of those reviews would be selected according to their race, religion, and sexual orientation as well, critiquing texts for sensitivity in addition to entertainment value. A statement on the Kirkus website reads:
“[Because] there is no substitute for lived experience, as much as possible books with diverse subject matter and protagonists are assigned to ‘own voices’ reviewers, to identify both those books that resonate most with cultural insiders and those books that fall short.”
The implementation of these policies hasn’t been without hiccups, but overall, Kirkus had more or less successfully positioned itself as a reviewer striving to be sensitive to pressing contemporary concerns about diversity and representation in YA — right down to the use of the word problematic to describe books that aren’t adequately woke.
It was with these policies in place that Kirkus published its review last week for American Heart, a YA novel by author Laura Moriarty. American Heart takes place in a dystopian future where the U.S. has rounded up and relocated its Muslim population to internment camps in Nevada. Its protagonist, Sarah Mary, is a 15-year-old from Missouri who doesn’t question the validity of the ban until she meets a Muslim woman on the run, an Iranian immigrant and professor named Sadaf. In a story loosely modeled on Huckleberry Finn, Sarah Mary ends up traveling north with Sadaf in the hopes of helping her escape to Canada.
For some members of the YA community, the premise was objectionable from the get-go (the first Goodreads review, left on September 7, begins with “fuck your white savior narratives”). But after a research and review process including multiple sensitivity reads, Moriarty was prepared to stand by her work, and the notoriously prickly Kirkus gave the book a starred review. Published on October 10, it described American Heart as “terrifying, suspenseful, thought-provoking, and touching” and “a moving portrait of an American girl discovering her society in crisis.”
Only a few days later, the review was pulled amid continued criticism of the book from community members. The review was replaced by a statement from Kirkus’s editor-in-chief Claiborne Smith explaining that the editorial board and the reviewer — described as “an observant Muslim [woman] of color” and “expert in children’s & YA literature [who is] well-versed in the dangers of white savior narratives” — were “evaluating” the review. Shortly thereafter, Kirkus published an amended review that retracted the book’s star and condemned Moriarty’s choice to write the story from the first-person perspective of a white teenage girl.
“Sarah Mary’s ignorance is an effective worldbuilding device,” read the new review, “but it is problematic that Sadaf is seen only through the white protagonist’s filter.”
Add “book review sites that don’t review books” to the long list of SJW-converged organizations unable to perform their primary function. And speaking of SJW convergence and YA novels, look at what sort of creature Patrick Nielsen Hayden and Tor Books is now attempting to push on young readers.
Hugo and Nebula Award-winning author and io9 co-founder Charlie Jane Anders mashed up technology and witchcraft in her debut novel All the Birds in the Sky. Now, in her latest project, she’ll be journeying into space and delving into the teenage psyche, in a new young adult science fiction trilogy recently acquired by Tor Teen.
“Now it can be told: I’m a YA author at last!” Anders tweeted. “I’ve always loved YA and I have been toiling in secret on this for ages.”
I expect everyone in science fiction will be tremendously surprised when it gets arrested for something to do with YA readers within 18 months of publication. We may need to lower the time estimated for when Castalia’s sales pass Tor’s.