Further Evidence Against Arthur C. Clarke

Arthur C. Clarke was science fiction’s most famous pedo. He’s far from the only one, but he’s certainly the most famous. While it is massively embarrassing that one of the genre’s greatest writers – one whose short stories are published by Castalia House in two volumes of THERE WILL BE WAR, namely, “Superiority” in Vol. II and “Hide and Seek” in Vol. III – was a sex predator, and while the man cannot be said to have committed any sex crimes in Sri Lanka due to the fact that even the most heinous abuse of children is apparently still legal there, no individual who considers the known facts can reasonably deny that the evidence against the man is both comprehensive and conclusive.

While I was familiar with most of the information in The Dark Side of Arthur C. Clarke, the 2017 article from Vice that contained an eyewitness account of a personal encounter with Clarke was new to me, and further clinches the case against the SF great and his wicked predilections.

I grew up in Sri Lanka. My dad was doing some work for the Canadian government. There were a lot of expat kids in my area and we had free reign of the neighbourhood. Our parents mostly let us do what we wanted, but we were told to stay away—never go near—a large property that bordered my house. When we asked why the reasons were always vague.

There were some rumors (sic) that someone very famous or maybe powerful lived there. We all got the sense that he was …a danger in some way. One day I was home sick from school. My grandfather was visiting from Canada and he was assigned to watch me. I remember that I was in pajamas (sic). We were in the backyard and my grandfather was painting peacocks. Out of our hedges this man appeared and approached us. I instantly knew it was the man from the property. The man from the property wanted something from my dad, who of course wasn’t home. My grandfather was star struck by the man.

Grandpa could barely speak. The two began chatting. The man flattered my grandfather’s painting. He said he also liked to paint but only people. The man looked towards me and said let’s paint the boy. I was placed on a stool in front of the two men. I was eleven years old. Very quickly the neighbour said the clothes were spoiling the beauty of me. He asked me to remove my clothes. I looked at my grandpa and did as I was told. Soon after I was on the stool, naked, and crying. I don’t know how long this went on but at some point my father arrived home.

He quickly reviewed the scene, saw the man from the property, and…went ..nuts. He just lost it on them: raising his voice. Getting in people’s faces. I honestly thought he might kill them both. Within a couple of hours my grandfather was gone and they never – ever – spoke again.

Although in some circles it was common knowledge, the man from the property was a famous British science fiction novelist. Apparently he had been banished to (then) Ceylon from postwar Britain rather than face prison for being a pederast. I think about that day sometimes. My father didn’t have a temper and rarely ever even raised his voice but the man he became in that moment while essentially unrecognizable. While we’ve had our ups and downs from that moment forward I never questioned his love for me again.

The stories people told their therapists about, VICE, July 17, 2017

In retrospect, two of the surprisingly more damning elements are a) Clarke’s personal relationship with King Charles and b) the BBC’s lack of interest in the story. What might have seemed incredible even in 2012 appears obvious now in light of what we now know about Jimmy Savile and the BBC’s now-confirmed preference for ignoring major stories about sex predators.

DISCUSS ON SG


Science Fiction is to Blame

The more we learn about the mediocrities who would rule the world, the more we discover that Isaac Asimov and Gene Roddenberry have much for which to answer:

WEF Says Fashion Will Be Abolished by 2030: “Humans Will All Wear a Uniform”

A newly resurfaced report written in 2019 states that humans will only be permitted to buy three items of clothing per year and will be prohibited from buying or consuming meat. Published in 2019, ‘The Future of Urban Consumption in a 1.5°C World’ report funded by the WEF, sets out extreme targets for governments around the globe to reduce greenhouse gas emissions, as consistent with the 2015 Paris Agreement ambitions.

Look at Klaus Schwab. Can you seriously doubt that he’s a Trekkie? And we have firsthand testimony proving that every Keynesian economist was inspired by Asimov’s Foundation. It’s really a retarded world that they are seeking to build.

DISCUSS ON SG


A Tale of Two Conans

The Essential Malady compares Chuck Dixon’s Conan, which is based on Robert E. Howard’s public domain Conan, with Tor’s Conan, which is presumably licensed from the Swedes holding the rights to the later portrayals of Conan the Barbarian.

Last month I reviewed The Siege of the Black Citadel by “The Legend” Chuck Dixon. I mentioned in the review that it was the first I had read that wasn’t written by Robert E. Howard (excepting comics). I expressed that I was reluctant to read stories by other authors because I didn’t believe they could live up to Howard’s work but that Dixon came very close which is high praise.

Late last year, the first new Conan novel since 2011 was published by Titan Books some months before Dixon’s new story was out. This is written by S.M. Stirling who has been a published author since the 1980s though I hadn’t heard of him until now. Blood of the Serpent is written as a prequel to what is probably Howard’s most recognised story, “Red Nails” and indeed, the events are so closely tied that it is included at the back. When I noticed my library had a copy, I thought it would be worth reading to compare with both Howard and Dixon.

It wasn’t but read on as I elaborate.

S.M. Stirling is a competent enough writer and he has made use of plot details provided in “Red Nails” to construct his narrative. What is wrong with this has little to do with his writing and more to do with what is revealed in the Afterword:

“Red Nails” is pure Howard… Raw and powerful, it’s also very much of its time— written almost a century ago, when our culture could be less socially aware and genre fiction in particular often exhibited rough edges some of today’s readers may find jarring.

From this alone we can establish that both the publisher and the author are embarrassed by (or dislike) the source material. It is not clear who wrote the Afterword so I will assume this is a shared opinion. It would have been more honest to put this in the Foreword so a potential reader could have saved themselves the hassle of finding out. As opposed to “some” of today’s readers, the main reason Howard is seeing a resurgence in popularity is because readers are looking for exactly what they find within Howard. Far from “jarring”, they find his stories refreshing and exciting.

The other problem is if you think Howard had “rough edges”, then why write a new story so closely related instead of one that can stand on its own? Blood of the Serpent is completely dependent on “Red Nails”. The ending is the beginning of the latter and so the ending to Blood of the Serpent isn’t really an ending at all without knowledge of what it is leading up to. What makes this even worse is that it is over three times the length and establishes nothing that wasn’t done more efficiently and eloquently in the opening pages of “Red Nails”. So on these points alone it is pointless but it gets worse still.

Read the whole thing. Apparently it does get worse, and the comparison is considerably in The Legend’s favor. And this explains why Castalia is beginning to delve into revivals of public domain icons, because if we don’t provide correct continuations that respect and hold true to those icons, the Zero History crowd will provide false continuations that invert and betray them.

DISCUSS ON SG


Overwhelmed by AI

Live by the sword, die by the sword. Clarkesworld science fiction magazine is forced to close to submissions by a flood of ChatGTP entries.

Submissions are currently closed. It shouldn’t be hard to guess why.

  1. We aren’t closing the magazine. Closing submissions means that we aren’t considering stories from authors at this time. We will reopen, but have not set a date.
  2. We don’t have a solution for the problem. We have some ideas for minimizing it, but the problem isn’t going away. Detectors are unreliable. Pay-to-submit sacrifices too many legit authors. Print submissions are not viable for us.
  3. Various third-party tools for identity confirmation are more expensive than magazines can afford and tend to have regional holes. Adopting them would be the same as banning entire countries.
  4. We could easily implement a system that only allowed authors that had previously submitted work to us. That would effectively ban new authors, which is not acceptable. They are an essential part of this ecosystem and our future.
  5. The people causing the problem are from outside the SF/F community. Largely driven in by “side hustle” experts making claims of easy money with ChatGPT. They are driving this and deserve some of the disdain shown to the AI developers.
  6. Our guidelines already state that we don’t want “AI” written or assisted works. They don’t care. A checkbox on a form won’t stop them. They just lie.

I don’t know why this strikes me as particularly funny, but it does. Especially because it won’t be long before SFWA has its first fake member, given the way the most successful clout-chasing con artists think. Wracking up three professional publications wouldn’t be hard, and I don’t think the ever-so-inclusive organization has any specific requirement that its members be human or actually exist.

It has to be admitted. For all its evil and awfulness, Clown World can be amusing sometimes.

DISCUSS ON SG


China Buys SF Publisher

This acquisition of an old science fiction publishing house by what appears to be SJWs funded by Chinese money should provide some amusement going forward:

New York, May 19, 2020 – The formation of Astra Publishing House was announced today by COO and Publisher Ben Schrank. “The time is right for a new publishing house that’s deeply committed to progressive values and that champions authors from all corners of the world. Astra Publishing House’s foremost aim is to build bridges between readers and writers in all nations, and I’m so excited to be part of a venture that speaks to an increasing necessity for a shared global consciousness.”

Astra Publishing House is comprised of Astra House, an entirely new adult trade publisher of American and international literary fiction and poetry, and mission-driven nonfiction.

These guys make Castalia House, which has been around since 2014, look decidedly old school.

In big news for science fiction and fantasy publishing, DAW Books is no longer an independently owned publisher. This morning, Astra Publishing House announced its acquisition of the storied SFF imprint.

In a press release, DAW co-publishers (and, until today, owners) Betsy Wollheim and Sheila Gilbert said, “We are extremely pleased by Astra’s enthusiasm, and thrilled that we will be the sole SFF imprint of their company (a first for DAW). We think this is the perfect fit for us, and it’s exciting and refreshing to be an integral part of a new and growing company. It speaks volumes about Astra’s respect for our company that they have included our entire staff. We’re very happy.”

Previously, DAW was partnered with Penguin Random House, which distributed DAW’s titles. (PRH also distributes Astra Publishing House’s books.)

DAW Books was founded in 1971 by Donald A. Wollheim and his wife, Elsie B. Wollheim. It was the first imprint exclusively devoted to science fiction and fantasy, and over the years has published more than 2000 books from a long list of well-regarded authors, including Patrick Rothfuss, Tad Williams, Melanie Rawn, Tanith Lee, Nnedi Okorafor, and Seanan McGuire.

Something isn’t adding up here. As a general rule, China doesn’t tolerate SJWs very well. For example, Disney can’t release its Marvel movies in China anymore. So, it will be fascinating to see where this goes, especially given the specific mention of that “mission-driven” motivation.

It wouldn’t be surprising if Astra makes a bid for Tor soon as well.

DISCUSS ON SG


SF-SJW unleashed

Jeff Denton wants to know how we feel.

Statues coming down, name changes, Bannon out, NK Jemison getting awards, alt-right in a meltdown(see ramzpaul), Trump on the ropes, white birth rates plummeting, immigration being ramped up. How does it feel? Knowing you guys have lost completely

Oh, but we haven’t lost at all! Far from it. This guy is a bit more perspicacious than old Jeff.

This year’s awards were less directly impacted by those meddlesome puppies, but I feel like we’re still suffering through an indirect backlash and overcorrection…. The Obelisk Gate by N.K. Jemisin takes the rocket for Best Novel, making Jemisin just the third author to have back-to-back wins in this category (joining the ranks of Orson Scott Card and Lois McMaster Bujold). She’s a good author, but damn, these books are not for me. Both were at the bottom of my ballot and while I can see why her novel won last year, this one is a little more baffling.

(whistles innocently) Now, lest you doubt the observation that SF-SJWs can create nothing new, and are little more than scabrous, over-medicated dung-feeders crawling about the skeletons of their predecessors attempting to scavenge off their leavings, consider two-time successive Best Novel winner N.K. Jemisin’s next project, from an interview with Tor.

So if you’re using Cthulhu, are you an H.P. Lovecraft fan?

Oh, hell no. This is deliberately a chance for me to kind of mess with the Lovecraft legacy. He was a notorious racist and horrible human being. So this is a chance for me to have the “chattering” hordes—that’s what he called the horrifying brown people of New York that terrified him. This is a chance for me to basically have them kick the ass of his creation. So I’m looking forward to having some fun with that.
It sounds as if Jemisin’s novel will join an ongoing conversation re-examining Lovecraft’s works in the context of their creator, a conversation that currently includes Victor LaValle’s The Ballad of Black Tom, Matt Ruff’s Lovecraft Country, Ruthanna Emrys’ Winter Tide (as well as the Lovecraft Reread), and other recent works engaging with and challenging Lovecraft’s mythos.

Sounds Hugo award-winning to me!


Beautiful. Absolutely beautiful.

The 2017 Hugo Award winners. I think we can state that the convergence of mainstream published “science fiction” is now complete. Notice anything about the winners?
Best Novel
The Obelisk Gate, by N. K. Jemisin (Orbit Books)
Best Novella
Every Heart a Doorway, by Seanan McGuire (Tor.com publishing)
Best Novelette
“The Tomato Thief”, by Ursula Vernon (Apex Magazine, January 2016)
Best Short Story
“Seasons of Glass and Iron”, by Amal El-Mohtar (The Starlit Wood: New Fairy Tales, Saga Press)
Best Related Work
Words Are My Matter: Writings About Life and Books, 2000-2016, by Ursula K. Le Guin (Small Beer)
Best Graphic Story
Monstress, Volume 1: Awakening, written by Marjorie Liu, illustrated by Sana Takeda (Image)
Best Dramatic Presentation (Long Form)
Arrival, screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve (21 Laps Entertainment/FilmNation Entertainment/Lava Bear Films)
Best Dramatic Presentation (Short Form)
The Expanse: “Leviathan Wakes”, written by Mark Fergus and Hawk Ostby, directed by Terry McDonough (SyFy)
Best Editor – Short Form
Ellen Datlow
Best Editor – Long Form
Liz Gorinsky
Best Professional Artist
Julie Dillon
Best Semiprozine
Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, Julia Rios, and podcast produced by Erika Ensign & Steven Schapansky
Best Fanzine
Lady Business, edited by Clare, Ira, Jodie, KJ, Renay, and Susan
Best Fancast
Tea and Jeopardy, presented by Emma Newman with Peter Newman
Best Fan Writer
Abigail Nussbaum
Best Fan Artist
Elizabeth Leggett
Best Series
The Vorkosigan Saga, by Lois McMaster Bujold (Baen)
John W. Campbell Award for Best New Writer
Ada Palmer (1st year of eligibility)
The best part is that NK Jemisin is now the two-time Hugo Award winner for Best Novel. In succession.


Why I don’t go to conventions

This pretty much covers it, in a nutshell.

 

Romance and the Power of the Female Gaze panel with Donna Maree Hanson, Carrie Vaughn, Nick Hubble and Cassandra Rose Clarke. #Worldcon75

Ye cats. I don’t care how big and influential Castalia House becomes in the future. You will never, ever, see me at one of those things. My one experience 20 years ago at MiniCon was considerably more than enough for me.
Besides, I have far more important things to do. Tonight, two teams from my soccer club are playing a friendly; the veterans are playing the men’s second team. I am the starting left wing for the former, while Ender is a starter for the latter. The kid is brimming with confidence, claiming his team just has to keep it close until the second half, when they’re counting on us running out of gas. It’s not a bad strategy, since we probably have an average of 16 years per player on them. Our oldest player is a few months older than me, and he’s 22 years older than their oldest player.
I realized how much is on the line when I ran into the star of the first team yesterday. He asked if I was playing, and when I said that I was, said that he’d see me there. I was a little surprised (and concerned, since he is exceptional), but he explained that most of the first team guys are coming to watch. Which means the losers will not hear the end of it any time soon.


John Scalzi withdraws

Mr. John Scalzi has graciously withdrawn his fine work of science fiction, THE COLLAPSING EMPIRE aka SEE, I CAN’T DO ASIMOV EITHER, from consideration for Best Science Fiction novel.

The other day I announced The Collapsing Empire was a finalist for the Dragon Award in the Best Science Fiction novel category, which was neat. Today, I notified the Dragon Award administrators and let them know I was withdrawing The Collapsing Empire from consideration for the award.

The reason is simple: Some other finalists are trying to use the book and me as a prop, to advance a manufactured “us vs. them” vote-pumping narrative based on ideology or whatever. And I just… can’t. I don’t have the interest and I’m on a deadline, and this bullshit is even more stale and stupid now than it was the several other times it was attempted recently, with regard to genre awards.

My plan was to ignore it, but on further reflection (and further evidence that this nonsense was going to continue through the finalist voting period), I decided this was the better course. To the extent this bullshit manufactured narrative is centered on me, well, now it’s not, as far as these awards are concerned. I’m delighted to be able to chop it off at the knees by removing myself from consideration. I wish the progenitors of this narrative luck; now they will have to compete with the other finalists on the basis of the quality of their work instead.

Also, it will spare him the embarrassment of losing. Because, you see, if you don’t try, then it doesn’t count!

And the Secret King wins again.


Mike Glyer doesn’t like Larry Correia

He really, really doesn’t like him:

Ultimately Correia remains enraged at me today because four years ago, I was one of the people (as were some of you) who said no to him when he wanted to help himself to the Best Novel Hugo. Not that I could actually stop that from happening, but when I started covering as news what Sad Puppies, Rabid Puppies, and everyone else had to say about the controversy (in their own words, with links to the rest of their posts), I had an impact by facilitating the growth of a new community of people who wanted to talk about these issues — most of them opposing the vandalism of an institution they had spent years building up.

In 2013, Correia had decided that someone with his sales figures and blog readership, who had twice had a book on the New York Times bestseller list (for a single week) deserved a Hugo, and started organizing his readers to make it happen. He didn’t think of the members of fandom as his neighbors or colleagues; he approached it like the raid culture of ancient times where you go and steal somebody’s cattle if you think you can get away with it. Despite all of the agitation he stirred up among his followers, he got only 101 nominations and failed to make the ballot.

Larry knew that since the previous summer’s raid hadn’t worked out as well as he’d hoped, to sack Troy, he would need more boats and warriors in 2014. He wrapped his nomination campaign in the flag of the culture wars. Literary awards don’t fire people up, but political motivations do. He called on readers to nominate himself plus selected friends and editors as a way to ”stick it to those SJWs”. His book made the final ballot with the third-highest number of nominating votes (184) and lost to Ancillary Justice. Two hundred votes is enough to do any amount of damage to the Hugo nominating ballot — but after two years of effort by a bestselling author, it doesn’t seem like much of a number.

In 2015 Correia gave the project to Brad Torgersen, his Patroclus, who couldn’t wait to don Larry’s armor and lead the Sad Puppies 3 campaign. Torgersen put together a slate composed of both willing and unwilling writers (with some demanding to be removed), and spearheaded his campaign with a series of abusive political tirades against the Worldcon voters. However, his band of award pirates soon discovered that the Agamemnon of their scenario was really Vox Day. His Rabid Puppies slate blanketed nearly all the Hugo categories, and his followers dictated the 2015 ballot. Larry Correia’s latest novel was one of the things on their slate, but despite three years spent jacking up his readers and colleagues to get him this award, at this point he refused his nomination, went back to his tent, and let everyone else go forward without him.

File 770 covered that story and became a place people gathered to discuss it, and correspondingly became a lightning rod for Larry Correia’s wrath. In the past two years, whenever my name or this site’s name is mentioned in comments on his blog he can always be counted on to erupt in a spew of obscenities about me — in fact, one of his followers regularly injects my name into the conversation just to see him go off. And that same spirit controlled what Correia said on Facebook, and wrote in his post. Likewise the blizzard of comments from Correia’s followers, filled with playground taunts and references to Japanese pornography and prison sex. And these things can be expected to continue because of his example and that they’re encouraged in his comment community.

Then again, Larry Correia really, really doesn’t like China Mike either:

For those of you who aren’t familiar with the seedy underbelly of fandom, File 770 is a garbage gossip column website run by a scumbag named Mike Glyer. His whole shtick is to be a news aggregator for the sci-fi/fantasy business and collect links from people who actually create things for a living. He play acts at being an impartial journalist, but in reality everything he does is slanted to screw over anybody he doesn’t like.

He chums the water for his horde of psychos so they can go about forming internet lynch mobs, boycotts, and black ballings. But then he pretends to be all impartial and above the fray. If you ever want to lose all faith in humanity, read the comments there. His regulars range between basement dwelling goons, creepy weirdo stalkers, and angry rainbow haired social justice warriors.

If you are in any writer’s groups with conservative or libertarian authors in them, then you’ve inevitably heard about this shithole website. We mostly call it Vile 770 or File 666. At one point or another that page has tried to start shit with every author who gets on Glyer’s bad side. Because when you are ever the nail that sticks up, the File 770 crew are the hammer that wants to knock you back down. Luckily, they’re about as effective as a Fisher Price squeaky hammer. So mostly we just mock them.

No matter how big or small you are, if you write something that draws their ire, Glyer will link to you, write some passive aggressive misleading bullshit, and then his little minions will go out of their way to slander you. You are evil and their side is all goodness and light. Usually the slander is about how insignificant and unimportant their foes are, and how they totally don’t even know who you are, which is ironic coming from comments that are bizarrely fixated with your personal details. Across the board they are jealous, spiteful, and really kind of pathetic.

I drew his ire several years ago with my campaign to show that the Hugos were biased. Since Glyer has like 40 something Hugo nominations he took that personal. Go figure. (Sadly, I wish I was exaggerating that number).  He’s been linking back to me constantly ever since, always muck raking and shit stirring. He’ll usually post some passive aggressive thing about look how evil I am, his flying monkeys get riled up, and then he acts all innocent and says he was just reporting the news.

Since I’ve got nothing but contempt for the two faced bastard, I just delete his track backs and move on. I still come up a lot over there . My guess is he really hates me because unlike most authors I don’t dance around with fake politeness. They love fake politeness. They screw you over with impunity, and when you fight back, then they are all about “tone”.

The thing is, for all their mutual dislike, there is an amount of nuance here that may escape your attention. Larry correctly identifies the real problem at File 770 being the commenters, who are as nasty as they are mid-witted. I’ve never been able to discern if Mike Glyer truly shares many of their opinions – unlike them, he seems to grasp that I don’t care about awards and I’m actually pretty good at what I do – or if he’s simply stuck riding the tiger of his readership.

Regardless, the point is that there is more to this than mere personal dislike. The Pink/Blue divide in SF is substantive, ideological, and real, and it is a reflection of the primary divide in the USA that is cultural, ideological, and identity-based.

As for me, I stand by Larry, because he does not throw people under the bus to spare himself. He had every opportunity to do so, indeed, he was actively lobbied to do so by more than a few well-known people, and yet he refused. That is what men of character and integrity do. But I do think there is hope for Mike, if he can ever find the courage to reject the dishonesty and partisanship of his commenters and embrace the objective position that befits the true historian. The ironic thing is that he’d probably a) gain readership and b) never win another SF award if he did so.

Speaking of Puppies, don’t forget to get your Dragon Award votes in. My recommendations are here.