Tag: Lions Den

BB reviews Michael Z. Williamson’s Tour of Duty and finds it somewhat of a mixed bag. I have to admit, I was absolutely shocked that I didn’t hate the Valdemar stories, or at least, the two military ones set on the edges of it.  Let’s just say that my opinion of Mercedes Lackey’s books is considerably less generous than Mr. Williamson’s.  Also, unlike the reviewer, I really liked the gun porn at the end. After reading both articles on the 10 and 10 more manliest guns, I found myself checking out current prices on a few of the more interesting pieces.  But I’m not sure which surprised me more, however, the fact that Mr. Williamson had written stories set in Valdemar or that he has such a high opinion of the GLOCK.  


Those suspecting Mr. Williamson of possessing alternate sexual preferences on this basis should stand down, however, as he is highly sound on the 9mm round. As for the fiction, my definite favorite was the hunting in Hell story.

The book title implies some sort of tie-in between all of the short stories and that tie-in has to do with military or fighting life.  In a general way, this is true.Michael Z Williamson threads together personal anecdotes and short stories and he closes out with recipes for shots.  Not firearm shots, alcohol shots.  A lot of the anecdotes are personal insights into the stories that follow.  Some have to do with his personal deployment, some have to do with what sparked the story, such as the Poul Anderson tale.  That story was quite original and I spent a lot of it trying to match up first names with famous people.  If you read the book, you will understand what I mean.  Some of the anecdotes are just general information on how he ended up writing in this or that fantasy world or how he ended up where he is in life.  He has lived an unusual existence compared to most American citizens.

The first half of the book was particularly engaging.  “Desert Blues” was nice to me.  The imagery of mortar attack interwoven with music and altered lyrics and defiance of the enemy…I liked the feel of the story.  It is the one that stood out the most.  Probably because music is such a universal language, how we all blast the stereo on our favorite tunes, yardwork or housework made more bearable by lyrics and notes.  He captures that in the story, but set in a combat zone and I am still not sure if it is fiction or nonfiction.  After reading it, I wondered if he had that “moment” of clarity personally or not.

The stories from the Valdemar universe were familiar because I have read the original books by Mercedes Lackey but they were different enough to make me want to read the ones co-authored by Williamson and his wife.

I was expecting the whole book to be along the same lines but part way through, Williamson included stories about hell.  More specifically, a special kind of hell for lawyers.  Which could be an amusing premise, but I did not enjoy the tales at all.  And after the first story, “Heads You Lose,” I felt the book didn’t have the impact that the first half had anymore.  The two” Lawyers in Hell” stories were somewhat clever, certain characters locked in to their personas before they died, but it became tedious and no longer amusing after a handful of pages.  And the book sort of went downhill from there for me. 

I did ask Vox for guidance on this review because the book doesn’t follow a normal format, being short stories instead of one long tale, and his only directive was to think about whether the blog readers would enjoy it.  I think some would enjoy the first half for the military action, and some might enjoy the second for the clever wordplay in the second half.  The ending with the shot recipes, I just skimmed through them because I was not interested. 

Out of 5 stars, I’d give the book a 2.5 overall, which would obviously be weighted towards the first several short stories.

The following excerpt is from “Desert Blues”:

The guy could play.  Jazz mixed with blues and he just went on and on, silky and then snappy on the strings, playing his own fills and rhythm. It’s one thing on stage or in the studio with racks of gear and a mixing board, but he had a guitar and an amp.

The notes faded out as he dialed the volume down, and we all strained to hear it as long as possible.  The dull roar of generators, ECUS and the remaining ringing from mortars meant we probably missed quite a bit.  Still, it was what we had.

Then a strummed chord brought it all back to life with one of the greatest songs of all time.

“You get a shiver in the dark,

there’s a sandstorm in the park, but meantime

South of the Tigris you stop and you hold everything.”

I’ve tried playing Sultans of Swing.  It really takes two guitars and a bass to get that groove.  It can be done on one guitar, if the guitarist is just amazingly good.

This guy was that good and then some.

He played this syncopated, peppy rhythm, with this odd bluesy, jazzy, Arabian melody.  It fit the mood, the environment and the time, and I knew I’d never hear anything like it, ever again.  Not that I’d come back to Iraq even for a performance like this, of course…though I just might.

We just stood there and soaked it up, rapt or smiling, amazed or just oblivious.

“…Way on down south.

Way on down south, Baghdad town…”

No one moved, no one twitched.  The oven-dry heat covered us, and my feet sweated from the still sun-hot sand, but I was not going to move.  He sang and played and it was wistful and rich and American, even though Knopfler’s Scottish.  This version, though, was pure American spirit.

“Goodnight, now it’s time to go home.

Let me make it fast with one more thing.

I am the Sultan…

I am the Sultan of swing.”

I had no doubt he was.

Along with Dave Freer, Sarah Hoyt, and Chris McMahon, Kate Paulk is a member of the Mad Genius Club. She is also a Mensa-qualified history buff and her take on Vlad Tepes, aka Dracula, Impaler, is based on the actual historical figure and military leader, as opposed to the caped seducer. Please note that we now have our three volunteer reviewers.

Not Another Dracula Book

I get that a lot, since Impaler is – as the title suggests – about Vlad Dracula. Except, well… it’s not “another Dracula book”. For starters there’s the barest hint of a nod to the vampire legends, and for seconds, he’s the hero. Not anti-hero and not some PC navel gazing everyone is horrible and it’s all awful hero, either, he’s an honest to $DEITY$* actual hero in the old style. Also, because Impaler is alternate history, he wins.

Now that I’ve covered the plot in a nutshell (I really do describe the book to others this way. “Yes, it’s about Vlad the Impaler. He wins.” I think it might be the big grin when I say this that causes the faint of heart to edge away. That and the badge proclaiming “Dracula NEVER sparkled”), I should probably add a little more about what else makes Impaler not your typical Dracula book.

I hesitate to say that I researched the hell out of it, not least because any time I hear someone say that, the end result looks like the research came mostly out of the strange inner curves of their cranium rather than any actual library. I hope I got reasonably close to accurate, given that nobody has written “Everyday Life in Late Fifteenth Century Wallachia” – or if they have, they weren’t considerate enough to publish it in time for me to use it. A heck of a lot of architecture has vanished since then, too, so I spent hours chasing around for weird stuff like “What did Varna’s main gate look like in 1477?” (I didn’t find an answer to that one, so I guessed), “Where was Mehmed II in the winter of 1477/1478?” (Another guess – this one unfortunately essential to the plot), “What state were Constantinople’s walls in by early 1478?” (That one, I did get a more or less useful answer to).

From this the astute reader (meaning most of the folks here) might have guessed that a good chunk of Impaler is in the alternate side of history, and they’d be right. By the end of the first chapter Impaler is out of our timeline and into what might have happened if the man who was at one time regarded as the possible savior of Christendom had survived what was almost certainly an assassination attempt authored by Mehmed II (from a very safe distance – Vlad was the only person who ever scared Mehmed. Which in my opinion put Vlad on the right side of the line).

I started this because Vlad himself has intrigued me for years. Here was a man who was quite possibly the only hope his small nation had – someone with enough strength of will to challenge the noble class who had been going through Princes at the rate of one every couple of years on average (some of them with reigns so short any official portraits would have to be taken from their death mask), the determination to turn what would be called a failed state these days into a law-abiding nation (he succeeded), and the audacity to challenge the overwhelming power of the Ottoman Empire – which had been seen as unbeatable since the fall of Constantinople.

There were also the legends that suggested he inspired extraordinary loyalty, enough of them that there had to have been something there, particularly when some of these legends were authored by his enemies (of which he had many – not helped by Matthias Corvinus betraying him so he could use the crusade gold to ransom the crown of Hungary and forging “evidence” to that end – just like modern politics only with more blood), and the hints that the man behind the legends was strictly moral, determined, and had a vile semi-berserker temper that led him to fly into uncontrollable rages if something hit one of his triggers.

So I started to play with the question of what would Vlad have done if he had survived the assassination attempt. The rest of the book followed on from that.

Jonathan Moeller reviewed Hard Magic by Larry Correia.

Based on the cover art, I picked up this book anticipating something
along the lines of THE DRESDEN FILES or GARRETT, P.I – you know, a
hardbitten private investigator solves crimes involving supernatural
creatures while dealing with the ever-evolving mess that is his personal
and/or love life. (Depending on the skill of the writer in question,
the series might eventually degenerate into an endless sequence of
werewolf-on-vampire romantic interludes.)

HARD MAGIC is nothing like that.

It is speculative fiction in the purest sense of the word – changing
one element of human history or technology and asking “what if?” from
the question. In the case of this book, the premise is that in the
mid-19th century, humans started developing magical powers for unknown
reasons. As one might expect, this played havoc with quite a few
different aspects of human society – World War I was bad, but World War I
with zombies and fire wizards was much worse.

HARD MAGIC opens at the start of the Great Depression. Despite the
Depression, the world is at peace – Nikola Tesla figured out how to use
magic to build his fabled teleforce Death Ray,
and Tesla’ s “Peace Rays” have made war obsolete…or so claims the
government. Jake Sullivan, an ex-con with magical superstrength, is
recruited by the Bureau of Investigation (the precursor to the modern
FBI) to help bring down dangerous “Actives”, or magically empowered
individuals. Jake quickly realizes that the Bureau is in over its head –
in HARD MAGIC, Japan has been taken over by magic-using eugenic-minded
fascists, led by an ancient wizard who is determined to make humanity
stronger to face some unknown enemy…no matter how many people he has to
kill in the process.

Meanwhile, an unwanted girl named Faye, feared for her unusual
magical power of teleportation, grows up with her adoptive grandfather,
who also has the same power. One day when cars full of armed men show up
at her grandfather’s farm, Faye quickly realizes that Grandpa has a
secret…and a lot of people are willing to kill to get their hands on
that secret.

HARD MAGIC is chock-full of action, guns, adventure, and cool magical
powers. It’s also a fascinating piece of speculative fiction. How would
the use of magical powers shape human history? I especially liked the
quotes from historical figures at the start of each chapter, altered
slightly to contain the magical perspective. This also helps make the
villains particularly villainous – 20th century era eugenics were bad
enough, but magic-backed eugenics are even worse. (Also, there seems to
be an unwritten law of alternate history fiction that zeppelins must
make an appearance, and HARD MAGIC has zeppelins in spades.)

Definitely recommended, and I’ll be reading the sequel later this year.

The level of interest in the Lion’s Den has been high enough that I’m going to have to post one every week for a while. As it happens, Baen Books author Michael Z. Williamson has a newly released collection of essays and short stories entitled Tour of Duty: Stories and Provocations. It’s eclectic, and as you might expect from Mr. Williamson, restrained to the point of being demure. His post here is a selection from the opening essay “How I Got This Job” and raises some fascinating questions about his past.


If you would like to be one of the three volunteer reviewers, please email me.

It’s almost a stereotype that science fiction authors have an odd employment history.  I got caught in the first round of military cutbacks in the late 1980s, wound up getting my re-enlistment canceled, and out the gate on a week’s notice.  I had to get all the essential stuff I didn’t have—an apartment, a bed, kitchen utensils, a cat—on credit.  Then I had to find a job in a sucky area for jobs.  Champaign-Urbana being a small town with a large college has lots of well-educated, needy, underpaid applicants for jobs.  I took some hourly positions in fabrication shops, and doing machine maintenance, and even as shift manager at a pizza place, until I could get enrolled for school with the GI bill to help.  I also enlisted in the Army National Guard.

During this time, I hung out a lot with the Society for Creative Anachronism, and someone with a small business asked if I’d both craft armor and weapons for them to sell, and be a sales rep for those and other products.  Every weekend, I was at Drill, or a convention, or a re-enactment.  I stopped working day jobs and did school weekdays. The money wasn’t great, but it was enough to see me through classes.

A funny thing happened on the way to my degree.  I went to a convention in Minneapolis.  I arrived after a day of school, a night of driving, and no sleep, so I wasn’t really lucid after ten hours of setup and selling.  A friend of mine introduced me to a friend of hers, wearing leather and spandex and nothing else except boots and a sword.  We got to talking, and talking some more, and had a great time.  She was curvy and cute, great to talk to, and almost psychic.  While I was trying to come up with a clever way to say “is there somewhere more quiet we can go?” she asked me, “So, should we find somewhere more private?”

Good idea.

I actually was dating someone at the time, though not exclusively.  I made a point of saying so, that I was free for the weekend, but couldn’t promise more than that.  So we had the weekend.

A funny thing about one night stands.  They don’t always last one night.  A month later, she drove all the way to Milwaukee to join me at a convention there, and a month after that, she stopped by the apartment in Illinois on her way to Florida.

She never got to Florida, and still hasn’t.  She managed, very politely, to divert my date for that weekend into an accomplice and roommate, move us into a rental house, find another roommate, and wind up my Significant Other.

Twenty-two years later, twenty of them married, Gail is still here. The bitch just won’t leave.  On the other hand, I haven’t had any reason to throw her out.   But it’s a one night stand.  Honest.

I paid my way through college several ways.   I had the GI bill. I had National Guard drills and volunteered as support for whatever extra days they needed people for.  I was a stripper (yes, really) for decent money, though not often enough.  The small enterprise I worked for moved and folded.  We started our own small business. I worked on blades—repairs, sharpening, custom crafting, and selling retail at SF conventions, SCA events and occasional other events.  She helped with sales, costumes, and the tax paperwork.

Gail went back to school, too, having previously attended University of Minnesota and a local college.  She managed fast food, then wound up doing office management.

Winters were the slow season, and I spent those times trying to build up inventory, scrape money from what small events there were, stringing my wife’s income along into a fine thread, and writing.

I left school without a degree, though I have more than enough credit for a master’s.  The problem is, it’s in electronic controls, history, English, physics, and none of it complete as a program.  I was making enough from events, and enjoying it, that I didn’t miss the official stamps (I do hold a Journeyman’s certificate in HVAC, and a certificate in electrical controls).

Gail’s research suggested that if we moved, we could keep the same cost of living but earn more money. I wasn’t tied to down to any location.  The only complication was that I had transferred back to the Air National Guard at this point, and would have a four hour drive for drill.  It was workable, until I could find a slot in a unit closer to home.

So we moved to the Indianapolis area, staying with friends until we got settled, and yes, managing to earn twice as much money for the same cost of living. So I kept doing it, we managed with some great years and lean years, and in the late 90s, my firearm articles started getting published.  Summers were, and still are, hectic with events.  I took four years of winters to write “Freehold,” which is not my best writing, of course, but was heartfelt and earnest at the time.

SF, though, especially military SF, is not a sellers’ market.  Several experienced authors advised me to “write short stories,” build up a following with sales, then get a novel sold.

It used to work that way.  That was falling by the wayside at the turn of 2000, and is pretty much no longer valid advice, in my opinion.

My shorts got rejected, often because they sucked.  I knew my grasp of language was sufficient.  I knew I had good plots and characters, but something in the construction was missing.

By the time I wrote the first short story that follows, I thought I had a reasonable grasp of the art, and the friends I could trust to be honest not only liked it, but had discussions among themselves about it.  Of course, that didn’t mean it would work for any particular periodical.  It was frustrating.

I groused about this fact on Baen’s Bar, where I’d been holding lengthy debates on the history of weapons and the logistics around them.  I was always careful to spell and punctuate properly.  It’s what I do, and this was a publisher’s site.  I didn’t want to make the people who use the language for a living cringe with my errors.

So I complained about all these rejections of, “Alas, we can’t use it at this time.”  “Alas, it doesn’t quite grab us.”  “Alas, it doesn’t fit our current needs.”

They were saying, “Dear aspirant:  Sorry, try again.”  Why pretty it up with archaic wordage?

Jim Baen replied, “Perhaps they’re trying to be alliterative.  Alack, alas, alay…”  He wrote a whole paragraph of alliterative A-words, which ended with, “That said, send me one. single. chapter. of something you’re working on and I’ll take a look at it.”

After a brief adrenaline shock I shooed my wife from the office (er, kitchen), and I emailed him “One.  Single.  Chapter.”

He replied, “I. Have. Read. It,” and offered some small advice, which of course I took.  He suggested I add a bit on a page about a departure from Earth, describing the shuttle in detail.  I didn’t see the point.  It was a plot device more than anything, connecting two scenes.  But, Mister Baen had been doing this as long as I’d been alive.  I took his advice under consideration, and yes, it turned a break into a segue.  An astute editor, that Mister Baen, which is of course why I’d been trying to court his attention.

He then asked for another chapter.  A week later, he asked for another.  He was politely unhappy with some rambling parts, which I fixed.  We went on.  Finally, he said, “Just send me the rest of the book,” and told me to politely remind him once a month.  Six months after that, I got a late night email that said, “Mike, let’s call it a deal.  I’ll take Freehold for (respectable sum of money for someone desperately broke at that time), and have Marla send you our boilerplate contract.”

I did consult with my friend Dave Drake to make sure I understood all the ramifications of said contract.  But I said yes.

I still only have one TV in the house, and it’s used more for movies and games than TV.  I got cable when it was necessary for Olympic coverage.  My son plays the games.  If it weren’t for the computer (no games here, either) I wouldn’t need a screen at all, really.  I spend most of the time writing, ranting and creating.  I do less events than I used to, but still quite a few.  Some are large for promotion and profit.  Some are small for promotion and to hang out with friends.  I still forge blades and do repairs, but it’s a money-making hobby, not really a job.  I also do product reviews to provide feedback to manufacturers, and to then promote the stuff that holds up well.  I’ve reviewed tactical lights, cameras, guns, backpacks, survival rations, training videos, any number of items relevant to disaster preparedness.

So here I am, doing what I love doing, getting paid for it, and telling you about it.

It’s been a hell of a ride so far.

BW provides the first review of the first Lions’ Den entry, Hard Magic by Larry Correia:

Hard Magic
Larry Correia
Rating: 8/10 and would buy

Hard Magic stands above several portions of mainstream culture. I’m tired of all these plucky kids and these strange worlds of elves and misanthropy. I’m tired of obvious political messages and anti-heroes being tough and unrelatable. I want a heroic big guy with a big gun in a hard boiled narration against someone or people I dislike a little. Hard Magic delivers in spades.

Jake Sullivan is a man for whom gravity is a compliant and willing mistress. Faye Vierra is a teleport spamming farm girl. Together, they must stop the Chairman, a man of elegance, strength and evil, who is planning to rule the world from Imperial Japan. Surrounding them is a colorful cast of characters which include a former radio personality who can control people’s minds, a German with a dark history involving zombies, a powerhouse of a dame and a samurai obsessed with strength above all. One might say it’s gimmicky, but this is no Pride and Prejudice and Zombies. This is a logical and reasonable extension of the singular idea: What if magic showed up suddenly in the 1850’s?

Mr. Correia answers it well, he fulfills certain restrictions of Zeppelins with fire controlling Torches, lightning wrangling Cracklers and the wind shifting Weathermen. Gravity Spikers and Brutes serve as frontline troops, their natural strengths increased with their magical abilities. The Kaiser had sorcerers who raised the German dead to fight again. World War One was ended, not by armistice and treaty, but instead by Mad Scientist-made nuclear fire. At no point did I decide that the logic presented to me offended me. At no point did I say: “That’s it! I’m done, I could take the guy who could control gravity, but that one bit was too much.”

The book keeps a solid amount of suspense and rewarding action dispersed throughout in an even manner. The writing intricately changes itself according to whose perspective is the focus. Jake Sullivan’s voice is barebones and simplistic, hard boiled, even, while Faye’s is more descriptive and full of wonder. Madi’s voice feigns complexity and nobility while delving into barbarism as soon as it suits him. I was never confused as to the motivations of many characters, if it was a bit on the tell side of things.

One of the things that struck me was context. Unlike Dresden Files or other ‘hard boiled’ magical stories, this story had no questions of morals. People were good, or they were evil. Actions determined reactions, rather than stances or who they were. Even the events that lead to the death of a major character was shown to be evil, despite good long term intentions.  An example, not only were the Japanese elitist and darwinistic in the telling, they lived it in the logical fashion. They weren’t evil because they are evil conquering bastards; they were evil conquering bastards because their philosophies and values led them to that point. This brought the book to life. Details abounded, and rather than tell me the unimportant minutiae, Mr. Correia gave me tidbits that were relevant or funny. Hard Magic has no wasted space. 

Hard Magic proves that one doesn’t need a carefully crafted emotional backstory or actions for a modern protagonist. Like John Carter, Tarzan and other great action heroes of the great age of pulp, Jake Sullivan and the rest of the supporting characters do what they do because their characters were crafted from their surroundings, and personality from inherent humanity. It’s fresh, it’s great and I am entertained.

Style: 9 Writing changes itself to suit the characters. The writing never leaves me without images of the characters or actions. I won’t say it’s perfect, but my experience was very positive. There was a lack of complexity, and I was never challenged.

Plot: 10  Plot is simple, but it doesn’t need to be anything else. There’s a villain, and the story is over when he’s defeated. The heroes and villains have their own teams and motivations. It’s the solid armor protecting any weaknesses I didn’t pick up.

Characters: 10 Books like this rely on the couches of plot and characters. Failure in one can be made up in the other, but too much failure ruins the experience. It causes my boxers to get in a twist and me to put down a book. I had to be coerced by outside action before I stopped reading. I enjoyed every character who showed up and I enjoyed seeing them duke it out, especially in a teleport spam battle.

Value: 7  Sadly, this book holds little value in the big picture. All the ideas are interesting, but there is still that sense that this is a book for entertainment. That’s it. I can’t discern much to gain beyond a good tale. However, as entertainment, it succeeds admirably.

Series Draw: 6  Hard Magic is a story that could stand on its own, yet has a series attached to it. Sadly, The first book more or less deals with the characters and villains by the end of it, without pulling me into the series. Will I read the rest later? Oh yes. But if the sequels weren’t out, would I spend energy to remember the release dates? Not likely.

The book has no crippling flaws, I could read it to my not-yet living kids and I think it would look fancy on my paperback bookshelf. Would buy used, perhaps hardback if cheap enough.

Excerpt:  There was a shout and a gunshot. Sullivan’s concentration wavered, just a bit, and the real world came suddenly flooding back. The Power he’d gathered slipped from his control and the elevator gate was sheared from its bolts and slammed flat into the floor under the added pressure of ten gravities. A passenger screamed as his foot was crushed flat and blood came squirting out the top of his shoe. “Sorry, bud.” Sullivan turned in time to see one of the G-men tumbling down the stairwell, a grey shape leaping behind, colliding with Cowley and Purvis and taking them all down, “Aw hell,” he muttered, then spun back in time to see Delilah’s lovely green eyes locked on his.
“You were trying to smoosh me, Heavy!” she exclaimed, eyes twinkling as she ignited her own Power. She grabbed the big man by the tie and hoisted him effortlessly off the floor, even though he was almost a foot taller. The tie tightened, choking him as he dangled, and she finally got a good look at her assailant. “You! Well, if it isn’t Jake Sullivan. Been a long time.”
Then she hurled him. Suddenly airborne, he flew across the waiting area. Instinctively, his Power flared, and he bounced softly off the far wall with the force of a pillow. Jake returned to his normal weight as his boots hit the floor. He loosened his cheap tie so he could breathe again. “Hey, Delilah.”
“You lousy bastard.” She stepped out of the elevator and cracked her knuckles in a very unladylike manner. The other passengers had no idea what was going on, but they knew that this was not where they wanted to be. They took off at a run except for the one with the crushed foot, who hobbled as fast as he could. Every Normal had the sense to stay out of this kind of fight. “I’d heard you’d gone all Johnny Law now,” Delilah said.
“Something like that,” he replied slowly. “Bounty hunter.”
“Hypocrite.”
There was the sound of several quick blows. Off to the side, the grey shape rose and took on the form of a man in a long coat with a nightstick in hand. The G-Men were down. Purvis moaned. The man in grey stepped off the fallen agents and took a wary step away from Sullivan. He was short and tanned, with a pointy blond goatee and nearly shaved head. He picked his hat up and carefully returned it to his head. “Delilah Jones?” he asked quickly. Cowley started to rise and the stranger kicked him in the ribs, sending the agent back down.
“Who’s asking?”
“I’m here to rescue you,” he stated with a German accent, “from him.” He nodded in Sullivan’s direction. “No offense, Mein Herr.”
“None taken, but I’m gonna give you an ass whoopin’, you realize that, right, Fritz?” Jake stated calmly. He checked. The majority of his Power was still in reserve and he began to gather it.
“I can take care of myself, buddy,” Delilah told the stranger. “Were you planning on arresting me, Jake?”
“If I don’t want to go back to prison, yeah,” Sullivan answered, glancing back and forth between Delilah and the new threat. Delilah was a known quantity, the other guy, not so much. “That’s kinda the plan.”
“Too bad,” she answered as she grabbed the heavy metal luggage cart, picked it up as if it weighed nothing and threw it at him.

I thought the inaugural Lions’ Den should start off with a literal literary bang, so I asked my fellow co-founder of the Hispanic-Latino Science Fiction Writers Alliance and Gun Club, Larry Correia, if he would do the honors. Being both fearless and heavily armed, he did not hesitate to kick the door down and stride right in with HARD MAGIC, the first book in the Grimnoir Chronicles.

“I like to say that this is the only book I’m aware of that
features a teleporting magic ninja fight on top of a flaming pirate dirigible.
And somehow, despite my unabashed love of pulp awesomeness, Hard Magic has been
nominated for and won some awards and been really well received. I’ve got back
to back Audie wins for the audiobooks of the first two, and Hard Magic was a
finalist for best novel in France!  That
was certainly unexpected.”
     – Larry Correia

The three reviewers have volunteered and been assigned.  I will post their reviews here in two weeks.