TRANSLATION: Juan Martín el Empecinado

SPAIN, 1811. THE REGULAR ARMIES HAVE FAILED. THE PEOPLE ARE SPAIN’S ONLY HOPE.

Gabriel Araceli rides into the ruined Alcarria to find a countryside stripped bare — burned villages, empty granaries, women digging the fields with hoes, Frenchmen hanging in the trees. Here the war is fought by bands of irregulars: hungry, improvised, ferociously effective. At their head is Don Juan Martín, called el Empecinado, an illiterate farmer who cannot spell his own dispatches and cannot be beaten in the field.

Beside him rides Mosén Antón Trijueque, a giant of an Aragonese priest in a ruined cassock, a tactician of genius and a man eaten alive by envy of the leader he serves. What begins as resentment becomes conspiracy, and conspiracy becomes an ambush in the snow that leaves Gabriel a prisoner of the French, condemned to be shot, alone in a cell with an orphaned child the guerrilleros have adopted as their own.

What follows is escape, pursuit, a night crossing of the frozen sierra, and a reckoning between two enemies that only Galdós could write.

Juan Martín el Empecinado is the ninth book of the Episodios Nacionales, Benito Pérez Galdós’s forty-six-novel account of Spain’s nineteenth century, a sequence long recognised as one of the great achievements of European fiction, and unavailable to English readers for over 150 years.

The ebooks have already been sent to the paid subscribers. Translated by Vox Day, Juan Martín el Empecinado is now available on Amazon for Kindle, KU, and audiobook.


The Daily Machiavelli

Having finished with their collective read of THE GUNS OF MARS, the subscribers of Castalia Library voted on the next Library work to be excerpted daily. The vote went as follows:

  • 16% Pensées
  • 23% History of Florence
  • 23% History of Freedom of Thought
  • 12% De Bello Gallico
  • 27% Discourses on Livy

And so we have begun the daily excerpting of Discourses on the First Ten Books of Titus Livius by Niccolò Machiavelli. Today features the introduction, so it’s not too late to join in and read along:

Although the envious nature of men, so prompt to blame and so slow to praise, makes the discovery and introduction of any new principles and systems as dangerous almost as the exploration of unknown seas and continents, yet, animated by that desire which impels me to do what may prove for the common benefit of all, I have resolved to open a new route, which has not yet been followed by any one, and may prove difficult and troublesome, but may also bring me some reward in the approbation of those who will kindly appreciate my efforts.

And if my poor talents, my little experience of the present and insufficient study of the past, should make the result of my labors defective and of little utility, I shall at least have shown the way to others, who will carry out my views with greater ability, eloquence, and judgment, so that if I do not merit praise, I ought at least not to incur censure.

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Why Castalia Library Matters

We can’t save all the books. But we can save some of them.

The driving force behind this destruction is what researchers call “model collapse.” When AI systems train on text generated by other AI systems, quality degrades with each generation, producing increasingly incoherent results. The internet has become so saturated with synthetic content that companies now actively seek pre-2022 printed books as the last uncontaminated reservoir of human-authored knowledge.

ISBNdb, a company that sources printed books for AI training data, advertises on its website that “the world’s best AI training data is sitting on a shelf.” The company describes printed books as “curated, peer-reviewed, domain-specific human knowledge, structured in a way no web crawl can replicate.” Pre-2022 publications are “structurally guaranteed to be free of this contamination,” the company states, referencing both AI-generated text and the growing practice of authors “poisoning” web content to sabotage scraping pipelines.

The industrial process of destruction

The mechanics of this operation are precise and troubling. Standard pallets of books hold 800 to 1,200 volumes. Buyers scale from pilot orders to 10,000 or more books per batch. Destructive scanners process 80 to 120 pages per minute after hydraulic cutting machines slice off book spines. The original books are then pulped and recycled.

According to court documents from the Anthropic case, the company’s “Project Panama” spent tens of millions of dollars on this exact pipeline, contracting with Datamation for scanning services. Booksellers have identified these bulk buyers through telltale signs: abnormal volume, subject-agnostic orders spanning history, botany, regional law, and German economics simultaneously, and total indifference to pricing. As one bookseller told 404 Media, “It’s not just the quantity, but the weirdness of the orders.”

Anthropic’s Tom Harvey, who previously helped create Google Books, oversaw the operation. One bookseller who has sold hundreds of books to suspected AI buyers expressed mixed feelings: “It benefits me financially… On the other hand, I don’t like the end-use, and I don’t like that uncommon books are being pulped.”

The vanishing heritage

The most troubling aspect of this practice is what it means for rare and out-of-print books. Foreign-language volumes, low-circulation academic works, and antique texts with limited surviving copies face potential extinction. When an AI company purchases the last known physical copy of a rare book, scans it, and destroys the original, that volume ceases to exist in the physical world. It becomes data locked inside corporate servers — inaccessible to future scholars, collectors, or the public.

ISBNdb acknowledges the “optics problem” on its website, noting that “‘AI company destroys two million books’ is not a headline that generates sympathy.” The company promises strict nondisclosure agreements on every engagement, stating that “your identity, strategy, and acquisition targets are never disclosed.” This secrecy means booksellers can only speculate about who is buying their inventory and for what purpose.

A legal framework that encourages destruction

Judge Alsup’s ruling explicitly validated the buy-scan-destroy pipeline, writing that “every purchased print copy was copied in order to save storage space and to enable searchability as a digital copy. The print original was destroyed. One replaced the other.” Because the digital copy was never shown, shared, or sold outside the company, the judge found this “clearly transformative” and therefore protected by fair use.

This reasoning effectively creates a legal incentive for destruction. If a company keeps the physical book, it must store it. By destroying the original, the company can argue it “replaced” the physical copy with a digital one. The ruling handed the entire AI industry a template, and companies now explicitly cite it.

Harvard University, partnering with Google and Microsoft, demonstrated that an alternative exists. The collaboration released nearly one million public-domain digitized books in 254 languages — no destruction required. Microsoft’s Burton Davis called starting with public-domain data “prudent,” noting that libraries hold “significant amounts of interesting cultural, historical and language data.” That alternative track makes clear that labs have cleaner options. They simply choose not to take them.

We’re going to come up with a program to save and bind some of these rare books. They don’t have to be destroyed. What I’m thinking of is an “adopt a book” program that will permit people to fund the rebinding of a rare book in leather, after which they will receive that book or be recognized as the sponsor of that book in Castalia’s library. If we can just convince the AI companies to send us the pages instead of pulping them, this should be something doable.

In the meantime, you can help us create books that are going to outlive the AI companies engaging in this destruction.

And be sure to take notice of how this is being caused as a downstream consequence of copyright law…

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If You Want DRACULA

If you’re not a subscriber and you’re interested in acquiring a copy of Castalia Library’s DRACULA, or you’re a subscriber who wants to pick up an additional one, they are exclusively available from these two. The usual subscriber’s discount code applies on the Arkhaven store.

One more thing that should be mentioned. We didn’t have enough black cowhide for the entire print run, so there is about a one-in-six chance that you’ll be getting Dracula in black pigskin. Unfortunately, we’re not set up to deal with requests for one or the other material; the pictures on the Library stack are all of the cowhide or the goatskin.

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THE FUNAJI SCROLL

As the fifth release in Castalia Libraria’s weekly translation schedule, we have published the first-ever English translation of THE SECRET SCROLLS OF NARUTO: The Funaji Scroll, by Yoshikawa Eiji, who is best-known in the West as the author of MUSASHI. The ebook has already been sent out to the paid subscribers. THE FUNAJI SCROLL is now available on Amazon Kindle, KU, and audiobook.

SAMURAI SWORDS AT SEA

The fourth book of The Secret Scrolls of Naruto brings the pursuit at last to the seas of Japan. What was sworn on a hilltop in Osaka at the close of the first volume, Norizuki Gennojō’s vow to cross the Kitan Strait and follow the lord of Awa’s great ship home, becomes the central action of the fourth volume of the series. From the dockside battle of The Kamigata Scroll, through the urban underground of The Edo Scroll and the mountain passes of The Kiso Scroll, the whole of Yoshikawa’s great adventure has been building toward the all-important crossing into the sealed domain on Shikoku.

In Osaka, Gennojō and the woman he has vowed to see safely to Awa scheme their way aboard a merchant vessel bound for the forbidden domain. In Tokushima Castle, the lord of Awa paces his watchtower on the verge of collapse, his nerves worn raw by the weight of a conspiracy against the shogunate that cannot afford to be exposed. And between them, the three villains of the preceding volumes — Ojūya Magobei, Tendō Ikkaku, and Tabikawa Shūma — close at last on the quarry they have hunted from the canals of Osaka to the mountains of Shinano. Parallel threads of love and betrayal converge on a single ship, and when a sudden storm breaks over the Kitan Strait, the long pursuit comes to a reckoning that neither hunter nor hunted could ever have foreseen.

The Funaji Scroll is the fourth book in the first English translation of Yoshikawa Eiji’s Naruto Hichō, the century-old serial that made him the most widely read author in Japanese history. Translated in literary prose that reads as though it were originally composed in English, it continues the definitive English edition of the novel that created the modern Japanese adventure genre.

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A Library, Unlimited

I’ve been occupied this week with assembling and testing a new translation system. It’s working very well, so well, in fact, that I’ve managed to successfully translate no less than eight hitherto untranslated works, seven from Japanese and one from Italian. All eight rate at a very high level, which is to say that while they don’t quite hit the William Weaver or Jay Rubin levels, they are rated higher than the translations you’re accustomed to reading from the average translated classic.

William Weaver is the late translator of Umberto Eco’s novels, whose work arguably marks some of the best translations ever written. Jay Rubin is one of Haruki Murakami’s translators, and trying to get closer to his level is what has been preventing us from releasing Kenji Weaver’s translation of Natsume Soseki’s Sanshiro until now.

But now that we have the system operating effectively and enough works are already finished to permit me to return to polishing the hundreds of waka required to complete the Genji Monogatari translation, we’re going to start publishing one ebook translated into English every week. Many of these will be works that have never been translated into English before, and some of them are unbelievably good. Most of them will be Japanese, initially, since that is the language with the strongest literary tradition that has the most untranslated works. But we are by no means limiting ourselves to that; we already have lists of our priorities in French, Italian,

Since I know a number of you will a) want to support this but b) really don’t want to buy ebooks from Amazon every week, what we’re going to do initially is use the Library substack as a de facto subscription for the weekly ebooks. We’ve raised the monthly price of that subscription by $2.49, so over the course of a year you’d save about $140 in the event you happened to buy all the ebooks, or $160 if you took out an annual subscription. Subscribers will also be permitted to vote on which projects they want us to tackle next; this is important because one reason some of these works are untranslated is because they are absolutely massive.

And, of course, if you simply wish to buy whichever books happen to appeal to you as they are published, that would be great too. Some of these books will eventually be published and/or collected into print editions, a few may actually see leather editions if they merit them, and if the project is successful enough over time, it may even eventually grow into a separating publishing imprint.

Castalia Library is committed to publishing the most beautiful books in the world. This is a potentially significant step toward Castalia House becoming the best publisher in the world.

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The Translation Process

If you’re looking for a reason why you should subscribe to Castalia Library, the possibility, indeed, the growing probability that my translation of Genji Monogatari may turn out to be the best available in English is something that you might want to consider. One of the reasons for translating various short stories such as Hokusai and the Ghost from Japanese, and translating A Throne of Bones and Death and the Devil into Japanese, was to iteratively improve our processes in order to produce a better, higher-quality translation of Genji.

And so while it was surprising to learn that the subscribers preferred our first attempt at translating Genji by a significant margin, it’s even more surprising that an impartial judge is beginning to conclude that our chapter-by-chapter translations are literally reaching unprecedented heights. Consider the recent comparative review of Chapter 27, Kagaribi.

Vox Day — 94: Best overall balance of:

  • sensual restraint
  • psychological realism
  • musical atmosphere
  • readable English

Royall Tyler — 91: Exceptional tonal discipline, but:

  • emotionally cooler
  • occasionally too skeletal
  • waka slightly more elegant, but less felt

Edward Seidensticker — 84: Clear, reliable, but:

  • emotionally flattened
  • music scenes underpowered
  • Genji less dangerous

Dennis Washburn — 82: Intellectually alert, but:

  • modernizes too much
  • aesthetic texture thins
  • poems feel explanatory

Arthur Waley — 76: Still readable, but:

  • romanticizes badly here
  • blurs social danger
  • tone fundamentally wrong for Kagaribi

There are many challenges that remain. The multi-tier poetry angle we’re pursuing is entirely new, and while it should add to the complexity of the characters, it is difficult to define exactly what makes one waka graceful and elegant and another one vulgar and crude, perhaps not so much on the extremes as on the margins. Even so, it’s a literary task for the literal ages and one to savor even as one labors.

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Junior Classics in Leather

As people have been asking about this for literally years, and since we’ve finally finished all ten volumes of the Junior Classics, the promised new subscription for the Junior Classics leatherbound editions is now available. For more information about that, as well as the belated Castalia History announcement of the Jan-Apr 2026 book, please visit the Castalia Library site.

We’re also taking suggestions for the next Library serial now that The Art of War in the Middle Ages by Sir Charles Oman has come to an end. And you can even see the latest evidence that the bindery is approaching full operational status.

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The Legal Legion Assembles

This is the batcall for the Legal Legion of Evil. If you’re one of our men, particularly the gentleman from Alabama, get in touch. We’ve tried the polite request approach, so now it’s “send a letter” time.

You know who you are.

And if you’re curious about what’s going on and want to know how you can help, the best possible thing you can do right now is to subscribe to one of the Library subscriptions, including the new one we’ll be announcing later today. There will be more about this on the Castalia Library substack later today.

I don’t want to overhype this. It’s not an existential matter, but it is a moderately substantial one. So it’s that time again, the VFM’s favorite time.

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One Additional Week

In response to multiple requests, we are permitting people to purchase the following five Special Limited Editions before we go to print in January and it’s not possible to do so anymore. There will be a few extras, but we can’t know how many at this point. We can do this because we’re still waiting for Arkhaven illustrator Ademir Leal to finish the chapter-heading illustrations for OUT OF THE SHADOWS; all 35 of them are already complete for the other two Signed First Editions.

In other news, the laser cutting system is now fully installed and operational, and both of the very rare rounding-and-backing machines have been fixed and are fully functional for the first time since the first one was dropped by the transport company five years ago. There is also some behind-the-scenes drama regarding the US bindery which I will share on tonight’s Darkstream; we’re optimistic about a positive resolution, but it’s by no means guaranteed. However it turns out, though, it will have absolutely no effect on our ability to produce our books and get them out to you.

Please note that we will not be offering additional Libraria editions of the two books by Homer since we have already taken deliver of the goatskins for them, and unlike the pigskins, we do not have an excessive supply of them. All five books will also be available via NDM Express later today as well; keep that in mind in case you’re having credit card issues.

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