GUNS OF MARS

I’m very pleased to be able to say that like Easton Press and Franklin Library before them, Castalia Library is finally in the Signed First Edition business. Over the next month, we are offering no less than THREE Signed First Editions, beginning with GUNS OF MARS by Chuck Dixon.

GUNS OF MARS: A Thrilling Return to the Red Planet

Chuck Dixon delivers a masterful homage to Edgar Rice Burroughs’s classic Barsoom series with “Guns of Mars,” a tale that captures all the adventure and wonder of the original while bringing fresh energy to the dying world of Mars.

Like Burroughs’ timeless stories, Dixon transports readers to a harsh but magnificent Barsoom where water is more precious than gold and survival depends on strength, cunning, and an unbreakable will. The novel follows the unlikely partnership between a mysterious human bounty hunter and Kal Keddaq, a fierce Warhoon thark fleeing the consequences of his own choices.

Dixon expertly recreates Burroughs’ signature blend of high adventure and exotic world-building. The Martian landscape comes alive with all its deadly beauty – from the vast canal systems of a forgotten civilization to the savage creatures that prowl the wastes. What sets GUNS OF MARS apart is Dixon’s grittier, more realistic approach to survival on the red planet. While maintaining the romantic adventure spirit of the original series, he grounds the action in believable consequences and genuine peril. The central quest drives a plot that builds to a spectacular confrontation between man, thark, and the monstrous guardians of Mars’ greatest treasure.

Dixon, known for his work on BATMAN and THE PUNISHER, brings his talent for character-driven action to create protagonists who are both heroic and deeply flawed. The evolving relationship between the bounty hunter and the exiled thark forms the emotional core of a story that honors Burroughs’ legacy while standing as a thrilling adventure in its own right.

For fans of the original Barsoom novels and newcomers alike, GUNS OF MARS offers everything that made Burroughs’s Mars irresistible: exotic locales, deadly creatures, ancient mysteries, and the kind of two-fisted adventure that belongs among the classics of planetary romance.

For more details about GUNS OF MARS, including an excerpt and information on where to buy it, visit the Castalia Library substack.

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Not Martin, Not Sanderson

I think we have to face it. I’m the best candidate to finish A SONG OF ICE AND FIRE:

Over the last year and a half the excuses for A Song of Ice And Fire being incomplete and George R.R. Martin’s inability to finish The Winds of Winter have become more than absurd. The author has gone from blaming toxic fandom, to talking about Trump and fascism in 2024, to a 2025 where he made it clear he’s definitely not even working on the project.

This year alone he’s started a bar in Santa Fe New Mexico and taken on a new project for an animated Hercules movie, leaving fans who started in A Game Of Thrones with the obvious fact that he’s not going to be finishing the series before he dies. In fact, he’s already given interviews stating he’s probably not going to finish it in his lifetime.

It’s become beyond a joke to fans at this juncture, as most people just want him to be honest about the situation, which for whatever reason, Martin refuses to do.

At Worldcon, one fan was bold enough to ask George R.R. Martin the question, one that now has been condemned as “rude” or “inappropriate” despite it being anything but in the context of a panel on the future of epic fantasy.

A bold female fan asked in a hostile room, “George, you’re not gonna be around for much longer. And this is a tough question. This is more directed at Brandon. I was wondering, like, how would you feel about someone else taking over and finishing the books?”

The crowd immediately starts booing as if the question didn’t make any sense, though it is a poignant one especially since Brandon Sanderson was brought in to take over A Wheel Of Time from Robert Jordan upon his passing.

Sanderson can be heard saying “not me,” during the uproar, confirming he wouldn’t be the one to do the job.

George R.R. Martin is so panicked about the question that he immediately gets up to leave the panel.

That’s not quite as crazy as it sounds. I’m one of the very few authors who has successfully written epic fantasy, as I’ll be finishing A GRAVE OF GODS in the next two years. ARTS OF DARK AND LIGHT is one of the few that generally receives better reviews than A SONG OF ICE AND FIRE and furthermore, they look pretty great in leather.

The only problem is that I am almost certainly the very last person on the planet whom George R.R. Martin would select to finish the series. Would I do it if I was asked? Certainly. I already have a pretty good idea how I would fix the structural problem that prevented Martin from finishing it and provide a much better end to the series than Martin and the HBO producers did.

But I have enough to do in making sure that I bring my own series to an end with a satisfying conclusion. Considering how few epic fantasy authors manage to do that, I think it’s a sufficiently difficult challenge that I need not lament the fact that Martin’s is unlikely to end well. Anyhow, my theory is that it’s actually been completed, but Martin prefers to have it published postmortem since he’s still feeling abused by the public reaction to the HBO series and he doesn’t want to risk going through all that again.

Speaking of books, I should mention that tomorrow is the last day to acquire the backer editions of THE ILIAD and THE ODYSSEY. I further note that later this week, we’ll announce the three Signed First Editions that will be produced in very limited runs and will be available for just one month starting later this week. The related and very good news is that we’ve worked out a deal with multiple parties to a) acquire the new machines and b) sell the old ones for the price we paid for them, so assuming that we sell a few of the special editions we’ll be announcing, everything should work out at least as well as we’d planned.

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Backing the Bindery

Now that THE ILIAD and THE ODYSSEY are ready to go to print, we’re giving everyone two weeks to become a retro-backer of the bindery before we place the order for the interiors. For more details and interior images of the two books, including the title pages, please visit the Castalia Library substack. We’re also looking into the possibility of making them signed and numbered editions, if that’s of interest. Although Homer is obviously unavailable, we could arrange for them to be signed by either a) the bookbinder or b) me, depending upon which would make these very special editions even more desirable.

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The Revised Schedule

The results of the subscribers’ poll, in which nearly one-third of the Library subscribers made their opinions known, are now available on the Castalia Library substack. The new schedules have also been announced. A brief summary:

  • Library goes to 4 books per year. Price unchanged.
  • Libraria goes to 4 books per year. Price reduced.
  • History goes to 3 books per year. Prices unchanged.
  • Cathedra stays at 2 books per year. Price unchanged.
  • Refunds provided to all Library, History, and Libraria subscribers upon request. Details at the substack.

The entire team is in agreement that this plan is the best we are able to do in the circumstances. It might be worth noting that this was a community effort, as it was a subscriber who came up with the plan in the first place.

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Express Yourself

After some discussion, analysis, and research, we believe we’ve come up with a plan to address the panoply of rising costs of producing the world’s most beautiful books in a painless manner.

If you’re a Castalia subscriber, please read it, take part in the poll, and let us know what you think in the comments there. Please note that nothing has been decided yet, we’re just trying to come up with a plan that will work for everyone and maintain future viability without imposing unnecessary expenses on anyone.

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Castalia and the Cost of Tariffs

So President Trump has imposed a 39 percent tariff on Switzerland. This has a direct impact on all the Castalia Library books now being produced in Switzerland, beginning with the Byzantine histories and Dracula. Now, the tariff is imposed on the declared value, not the retail price, so it’s not quite as bad as it looks, but it is a bit of a problem going forward since the discounts provided to subscribers for paying in advance don’t account for this additional expense to the 12 or so books now in production.

Now, even if we jacked up the subscription prices by 40 percent, our books would be a much-better value than Easton Press books, which go for $168. However, we know things are tight, and we don’t want to price our books out of the reach of subscribers who can’t afford a price increase right now.

So what we’re contemplating doing is to add a T-version of our base subscriptions to Library and History, similar to the Euro version of History, that will allow those subscribers who can a) afford the additional tariff cost and b) want to support the bindery. Libraria and Cathedra prices have a sufficient cushion to absorb the additional expense; we priced Cathedra with the expectation that there would be a tariff, although we were hoping for something in the 10-15 percent range. That would mean increasing the monthly subscription price from $50 to $75 for Library.

Another option, indeed, one that we’d originally contemplated from the start, is going back to producing all the US books in the USA, while producing the higher-quality books from the Bindery for Europe and the rest of the world. This would complicate our production runs, but since we could still produce all the interior book blocks from the same tariff-neutral location, would be entirely viable from a manufacturing standpoint. The primary downside is that we would have to establish another shipping operation instead of being able to rely solely on the US one.

Speaking of US production, THE SWISS FAMILY ROBINSON has passed the stamp test and will be getting bound and shipped to the warehouse very soon.

Anyhow, if you’re a Library, History, or Cathedra subscriber, please feel free to share your thoughts on how you think we should address the situation.

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Last Call for Coffee

One of the elite rewards of the Hypergamouse campaign was the Coffee Table Book, which is a large horizontal edition with only two panels per page, thereby spreading out each episode to two pages and permitting larger panels and higher resolution art. This backer’s edition is now available at NDM Express as well as at the Arkhaven store and features the first 100 episodes of the popular comic as well as the nine episodes of the original black-and-white comic drawn by the original illustrator. NDM Express is recommended if you have credit card issues at Arkhaven.

There are more details at Sigma Game if you’re interested, including a picture of a test binding of the Hypergamouse leather edition in the new burgundy pigskin. But today is the last day to obtain a copy of this special edition with a very limited print run of less than 150.

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Point of Order

If you are a business, and you do basically the same thing in a variety of ways, DO NOT PRETEND THAT YOU HAVE NO IDEA WHAT THE PRICE IS.

We make books. I can, and will, tell you what it costs to make a book. Now, obviously the specific price will vary depending upon whether you want to make one small paperback that will spontaneously combust within 15 years or a giant tome bound in albino orca leather and stamped with pure platinum, but the average price for a basic book is what it is.

For some reason, more and more businesses seem to get off on absolutely refusing to tell you anything at all about the price of their goods and services. Which in addition to being infuriating, and a waste of time, is counterproductive, because the first thing I do when I can’t get a price estimate is to go somewhere else where I can.

Is this an instinctive response to Amazon price-shoppers? Or are they simply attempting to delay the moment of truth when the potential customer decides if the acquisition is worth it or not? I don’t know and I don’t care.

Speaking of making books, I’m very pleased to say Castalia House is making a new book. Publishing it would probably be the more apt term, as I just finished the initial edit of a new Chuck Dixon novel. And it is really good, in fact, it’s even better than those Conan novels that, in a very real, official, and legal sense, never existed except as figments of your very vivid imaginations.

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Custom Books

Castalia Bindery will be offering a new service soon to fill in the inevitable downtime in between book runs.

While we are extremely busy working on catching up to our backlog now that the bindery is fully operational, it is clear that there are going to be occasional days when we’re waiting for book blocks or leather to show up due to the vagaries of international shipment. So, we’re planning to take a page from some of the better old binderies out there and utilize that time turning nice old first edition and special edition hardcovers into custom leatherbound books.

Read more about it at the Castalia Library stack. If you’ve got an old first edition or a particular set in mind, get in touch. We’re not going to have time to do a lot of these, and they’ll have to fit in around the production runs, so first come, first served.

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