Book Eight

I think this marks the point at which George Martin has officially lost the plot. I never thought he was likely to finish all seven books, but now they’re talking about stretching the series to eight? I assume they’ll end up enlisting Joe Abercrombie, or one of the HBO screenwriters, to finish them after Martin goes the way of all Starks in Westeros, but I think that Martin should instead consider pulling an epic literary prank that would dwarf the HBO campaign featuring Sean Bean that misled all the viewers who hadn’t read the books.

What if everything that has “happened” is just a terrible nightmare of the Mad King, Aerys II Targaryen? How AWESOME would that be? After A DANCE WITH DRAGONS, it would probably be considerably more entertaining than whatever perversions and grotesqueries Martin, or his successor, attempts to gin up in order to prod his torpid readers into feeling some sort of emotional reaction to the events in the books.


Gatekeepers vs the defensor lector

A pair of contrasting views on the Amazon vs Major Publishers battle appear in the New York Times. Joe Nocera writes of Amazon’s “bullying” tactics:

The story really began some years ago, when Amazon began issuing a standard price for e-books of $9.99 — in some cases selling below cost. Publishers feared that they would become locked into the $9.99 price the same way the music industry had been locked into 99-cent songs by Apple’s iTunes service. They fought back by joining forces with Apple, cutting preferable deals to participate in Apple’s e-book-selling service, and then forcing Amazon to go along with the same terms. E-book prices quickly rose.

Unfortunately for the publishers, their brilliant idea turned out to be an illegal conspiracy, and the government forced them to settle on terms that had the effect of boosting Amazon. Although Amazon has not entirely reverted back to $9.99 e-books, it could if it wanted to, and it has in some cases. In other cases — especially with self-published books or romances — e-book prices are down to $5.99 and even $2.99. “There is a strong gravitational pull downward,” said one publisher (who did not want to be quoted, fearing Amazon’s wrath).

The way I hear it, what Amazon is insisting upon is a deal where it would no longer have to bear the full brunt of its discounting — the publisher would have to bear some of it, in the form of tighter margins, or even losses. Hachette, meanwhile, contends that it needs to be compensated for the important things publishers do: editing, marketing, and curating.

This is an argument that may appeal to the cultural elite, but it is unlikely to move Jeff Bezos, Amazon’s founder and chief executive. Publishers, he has been known to say, are gatekeepers. “Even well-meaning gatekeepers slow innovation,” he wrote in his 2011 letter to shareholders, according to Brad Stone, the author of a recent book about Amazon, “The Everything Store.”

The very complaint that Amazon is selling $9.99 books at a loss reveals that it is the publishers who are the bad guys here. They are desperately trying to retain the outdated model for physical books and apply it to ebooks, which makes absolutely no sense, because that allows them to significantly increase their profit margins at the expense of a) Amazon, b) book buyers, and c) authors. Bezos is correct to dismiss the publishers as gatekeepers, and I very much doubt he considers them to be well-meaning ones.

The other article, a defense of the publishers, inadvertently proves the exact same point:

How did Amazon attain such monopsony power? By providing valuable services? Perhaps, to some extent. But consider that from the moment it introduced its Kindle product, Amazon sold e-books at prices far below what it was buying them for. If Amazon bought an e-book from Hachette for $13, it resold it to a consumer for $9.99, losing $3.01 per e-book. It should come as no surprise that under these circumstances, e-book buyers flocked to Amazon….

So far, Hachette, to its credit, has been unbending. But Amazon still
has its nuclear option. It would appear that unless Amazon backs down —
through public pressure or government intervention — publishers will
have no choice but to employ their own nuclear option: pull all their
books from Amazon and throw their weight behind a law-abiding
alternative. Perhaps the best solution would be an online marketplace
controlled by the publishers — with the 30 percent commission being
split 50-50 with the authors in addition to the author’s royalty.

The ironic thing is that the pro-publisher position is based on the fear of the possibility that Amazon might one day do what the publishers have already done. It is based on the idea that Amazon will eventually jack prices up, never mind the fact that Amazon’s entire business model is based on selling more goods and lower prices. The thing is, even if Amazon QUADRUPLED its average price to the book buyer after driving all the major publishers out of business, retail prices would still be lower than the suggested retail price given by most of the major publishers.

Seriously. The average Amazon price for an ebook is around $6.94. The publishers have been trying to push ebook retail prices up to $27.99; as I pointed out the other day, a new Tor ebook has a digital list price of $27.99, one dollar more than the retail price of $26.99 for the hardcover.

The inept nature of the defense of the publishers can be seen in the proposed solution. The publishers would NEVER be content with such a system; they would fight it even more vehemently than they are fighting Amazon’s attempt to bring ebook prices down below $5. The major publishers want the old system where they sell the book for half the retail price and pay $2.50 to the author. At $28, they get $14 from which they pay $2.50. That is $11.50 gross profit with an 82 percent profit margin; very healthy indeed.

If they set up Publizon, they’d have to reduce their prices to $9.99 to compete with Amazon. They’d pay $2.50 to the author as a royalty, plus another $1.50 as per the suggested model. That means that their gross profit would fall to $5.99 and their profit margin to 60 percent. Still healthy, but far less profitable and probably insufficient to maintain their New York office space and the rest of their expensive overhead. And that’s assuming people are willing to buy books at Publizon; knowing the publishers’ general contempt for the book buying public, it is highly unlikely they can successfully set up a retail operation catering to it.

Meanwhile, they are also competing with Castalia and the other independents, who are selling high-quality ebooks for $4.99. As well as with the self-publishers selling books for as little as $0.99. Any way you look at it, the major publishers cannot possibly survive with their current editorial and distribution structures intact.

Amazon isn’t the bad guy here. Amazon is the defensor lector, the hero of the hour. And speaking of Amazon, fans of a certain fedora-wearing author will no doubt be pleased to know that Castalia will be announcing the release of a new book on Amazon in the coming week, one entitled CITY BEYOND TIME: Tales of the Fall of Metachronopolis.


Tears of the major publishers

Amazon is cracking down on the ability of major publishers to rip off authors:

The battle is being waged largely over physical books. In the United States, Amazon has been discouraging customers from buying titles from Hachette, the fourth-largest publisher by market share. Late Thursday, it escalated the dispute by making it impossible to order Hachette titles being issued this summer and fall. It is using some of the same tactics against the Bonnier Media Group in Germany.

But the real prize is control of e-books, the future of publishing.

Publishers tried to rein in Amazon once, and got slapped with a federal antitrust suit for their efforts. Amazon was not directly a party to the case but has reaped the rewards in increased market power. Now it wants to increase its share of the digital proceeds. The publishers, weighing a slide into irrelevance if not nonexistence, are trying to hold the line.

Late Friday afternoon, Hachette made by far its strongest comment on the conflict: “We are determined to protect the value of
our authors’ books and our own work in editing, distributing and
marketing them,” said Sophie Cottrell, a Hachette senior vice president.
“We hope this difficult situation will not last a long time, but we are
sparing no effort and exploring all options.”

What is hilarious is the authors and publishers crying about how Amazon is “raising the prices” of their books. It’s an absolutely ridiculous charge. What Amazon is actually doing is refusing to continue its extreme discounting on the artificially high retail price of books.

Castalia House has no issue with Amazon, and Amazon doesn’t discount its prices on our ebooks much because they are already in the price range that Amazon expects: 2.99 to 4.99. But publishers that price their ebooks at $15.99 are in trouble, because no one wants to pay actual retail price for them on Amazon. Compare the price of two John C. Wright books. We sell AWAKE IN THE NIGHT LAND for a digital list price of $4.99. Tor sells JUDGE OF AGES for a digital list price of $26.99. Tor is counting on Amazon being willing to offer the customer a 45 percent discount, thus allowing Tor to collect $12.15 (assuming the standard 55 percent distribution discount) on an ebook compared to the $3.50 that Castalia receives. But Amazon only makes one dollar more from the 5x more expensive Tor book than it does from the Castalia book, which means a 17 percent operating margin instead of a 30 percent margin.

And Amazon sells more copies of the lower-priced books. At $4.99 AWAKE IN THE NIGHT LAND is #18,816 on Kindle. At $27.99 reduced to $12.99, JUDGE OF AGES is #41,075. Ebook prices are elastic, so if Amazon can sell 2 low-price ebooks for every 1 high price ebook, it not only makes a) about twice the margin, but also b) about fifty cents more.

No wonder Amazon is unwilling to continue the conventional arrangement. Amazon can only successfully sell its books up to a certain price, depending upon the format and length. Due to the distribution discount system, a higher retail price means a higher distribution price, so Amazon makes half the margin on the more expensive, more steeply discounted books from the major publishers. Amazon is not only perfectly within its rights, but logically needs to stop discounting the book from what is, after all, the publisher’s suggested retail price; Hatchette’s complaint is rooted in the fact that Amazon is now selling its books for the price that Hatchette itself suggests!

By the way, this showdown between Amazon and the major publishers is a development that I predicted would be taking place soon during my campaign for SFWA President. The possibility was pooh-poohed by the business geniuses there, including the eventual winner. Nevertheless, the outcome will likely have a huge effect on authors with major publishers because the reason the publishers are fighting this uphill battle is their inability to support their current overhead structure without the additional revenue they receive from their inflated retail prices on ebooks. If either Amazon or the author were to receive a more equitable share, no major publisher could survive in its current form.

What the publishers should do – what they should have done a long time ago – is to set up a joint online store and then stop distributing books through Amazon. But they didn’t have either the nerve or the foresight, so now they’re faced with trying to develop some sort of alternative as Amazon begins to dip its toes into its own publishing line. Their best bet, in my opinion, would be to buy the Nook Store from Barnes&Noble, embrace a truly open standard, and go into competition.

However, they won’t embrace the open standard, and in doing so, they are giving up one of their two advantages over Amazon.


AWAKE IN THE NIGHT free on Amazon

In case you’re wondering what all the fuss is about, or despite the many excellent reviews you still have not been moved to put John C. Wright at the front of your reading list, today opportunity knocks as today and tomorrow, AWAKE IN THE NIGHT is free on Amazon.

The novella was included in the Years Best Science Fiction anthology published in 2004. It makes for an marvelous introduction to the terrors of the Night Land, as well as to the dark beauty of Mr. John C. Wright’s pen.

In not entirely unrelated news, I would like to thank you all for an astonishingly successful launch of Mr. Wright’s TRANSHUMAN AND SUBHUMAN. I expected it to be of significant interest to many of you, but I can’t honestly say that I expected this:

  • #1 in Books > Science Fiction & Fantasy > Science Fiction > History & Criticism
  • #1 in Kindle Store > Kindle eBooks > Nonfiction > Politics & Social Sciences > Philosophy > Good & Evil
  •  #1 in Kindle Store > Kindle eBooks > Literature & Fiction > History & Criticism > Criticism & Theory


Opera Vita Aeterna

I’ve been informed that it is customary to make Hugo-nominated works freely available to the public during the voting stage, so here is “OPERA VITA AETERNA”, a nominee for the 2014 Hugo Award for Best Novelette. Click on the title link or on the cover image to download the free epub. If you prefer Kindle format, there is also a mobi version available for download.

There has been a fair amount of discussion of the novelette online, almost entirely by people who not only have not read it, but know absolutely nothing about it. I would suggest that anyone who is genuinely interested in excellence in SF/F literature simply read the work and judge it on its merits. And for those who are more interested in thought-policing the genre, they can simply do as some have suggested, “rank a nominated work below “No Award””, and thereby provide us with an accurate measure of the degree to which SF/F fandom is influenced by the politically correct Left.

From the Amazon reviews of THE LAST WITCHKING:

  • The masterpiece of the trio, though, is Opera Vita Aeterna. At its core
    is the dialogue between an aging monk and a long-lived elven sorcerer in
    unwitting search of his own salvation. Day again employs both allegory
    and tremendous subtlety as the more experienced and intelligent elf is
    perplexed and impressed by the power of eternal truth. Aeterna is both
    clever and touching and might be the best story Day has produced to
    date. 
  • Opera Vita Aeterna: This is a brilliant, five-star story, and the
    best in the book, in my opinion. For me to rate a story as brilliant,
    it must be beautifully written, have complex characters, and leave me
    with a note of lingering intangibility. The elf Bessarias is on a quest
    for God, whom he doesn’t necessarily find. Through his searching,
    though, he leaves an important legacy behind him. There lies the
    intangibility–no personal, cathartic moment, but, instead, a glimpse of
    something far greater.
  • Opera Vita Aeterna is a deeply catholic work of the height of beauty,
    the power of events long after the events are forgotten, and the
    complexity and density of the Christian model of hope. Its most elegant
    turn is its ability to transform a deft and intriguing story about a
    strange sorcerer’s encounter with a rural cloister into a meditation on
    the nature of eternity. It is rare to describe a story as both
    restrained and florid, but its details are so rich and believable and
    its voice is so even. Read it, then read it again after reading Summa
    Elvetica.
  • All too brief, it balances the darkness of this book’s title story with a
    reminder that though darkness may engulf the world and seem to triumph,
    within the light there is a power that endures, which darkness cannot
    comprehend. All together, The Last Witchking is a significant offering by Vox, one I am still digesting and will read again.

RIP Andy Robertson

I received this news today concerning the great champion of William Hope Hodgson’s masterpiece, Andy Robertson:

It is with deep regret and much sadness that I must inform you that although we expected Andy to return home from hospital today, he suffered a heart attack and stroke last night and suffered extensive bleeding on the brain.  We are told that he would have felt nothing.  He remains on life support but has been declared brain-dead.

I did not know Andy well, but I very much enjoyed working with him over the last month as we prepared AWAKE IN THE NIGHT LAND for publication. He was delighted when he discovered John C. Wright had dedicated the book to him, and I’m pleased that he was able to see the book meet with both commercial and critical success. He had mentioned to me that his Parkinson’s Disease was acting up and warned me that he might need to go to the hospital soon to deal with it, but was eagerly anticipating future fictional expeditions into the Night Lands.

He was amusing, high-spirited, and iconoclastic. In the very first email he sent to me, he wrote: “What are these links in the sidebar?  Alpha Game?   iSteve?(crikeyblimey, you are openly linking to the king of the HBDbloggers!!??!!)  my, you are a naughty, naughty lot. I think we will get on just fine. Please now to direct humble self to links where I may read all about your fall into badthink and your justified banishment from the society of all decent folk.”  


We did, indeed, get on just fine.

The Night Land was very close to his heart, and although I believe he already has a good team in place who will be able to carry on without him, in the event that assistance is needed to maintain its continuation, Castalia House will be pleased to provide it in Andy Robertson’s memory.

UPDATE:

It is with great sadness that I must inform you that Andy Robertson has died after a stroke.  


Beyond good and bad

The Bloggerblaster reviews AWAKE IN THE NIGHT LAND:

Moments ago I finished Awake in the Night Land by John C. Wright.

As I sit to give you my thoughts on it…  the first thing that comes to
mind is a question.   How does one review… or critique…  something
like this?  I am unfit.

One does not critique the great works of literature.  One appreciates
them.  You define good and bad by them.  Good and bad do not apply to
them….

I would offer some advice to the reader.  Read with patience.  Each
story builds upon the last.  You will have questions and frustrations as
you go.  Keep going. The struggle of the climb improves the view from
the top. 

One theme that keeps reoccurring in reviews is how the book forces them think about it afterwards. To me, that is one of the hallmarks of greatness in literature; one of Maupassant’s haunting stories, his best, in my opinion, once left me staring at the ceiling for nearly an hour.

It may strike you that this isn’t how we usually talk about one of my books, or one of Tom’s books, or one of Larry’s books. It’s not how we talk about the books we publish. It’s not how we talk about the award-winning stuff, be the awards merited or unmerited. This is one of those rare occasions when one discovers, much to one’s surprise, that one has stumbled upon genuine and timeless greatness concerning the observation of the human condition.

The book’s one four-star reviewer declared he only gives out five stars to Shakespeare… then thought about it and gave the book five stars anyway. If you’ve read my book reviews, you know I tend to grade on the severe side, I rarely give out anything above an 8/10, and yet, I don’t hesitate to tell you that this book rates 10/10. If you believe me, then read it. And if you don’t believe me, then read it and afterwards tell us precisely where and how you believe it somehow falls short.


On the cover

Jartstar shares his thoughts about how he went about creating the cover for AWAKE IN THE NIGHT LAND:

Awake in the Night Land is one of the finest stories I have ever read, and when I was given the opportunity to design a cover for it I was elated. After presenting a series of thumbnails to Mr. Wright with series of different styles and ideas, he chose a straight forward image with the focal point being The Last Redoubt.

The challenge was representing a towering, ancient, rusting structure surrounded by a dead and sunless sky encircled by ruins and a wasteland. If the lighting was accurate to the real world and the story it would consist of a silhouetted triangular shape with a dim red glowing horizon and a few bright spots of magma here and there. This would make for a thoroughly uninteresting image which certainly would not work for a book cover. Using some artistic license I brightened up the concept and made a dramatic, disconcerting red sky with the light of the Redoubt fighting against the creeping black around it. 

I certainly hope my version of the Redoubt has done justice to it as described in the story, but more importantly, it should reflect the power of Wright’s superb work. This question of my success can only be answered by the wayfarers who are willing to enter into the dark of the Night Lands and find their way out again.

On John C. Wright’s Journal, Pinlighter asked about the shape of the pyramid:

It’s certainly an effective cover, – I’ll go beyond that, a beautiful
cover – but the Redoubt is clearly described in THE NIGHT LAND as being a
Pyramid without terraces or steps like that, but looking more like the
traditional (Egyptian) pyramid, smoothly tapering to a point. I am
curious as to your motives for not showing it like that. 

VD replies: The change to a more Mayan-style pyramid was my call. As you can see in the thumbs, the original plan was to go by the book. But the simple geometric shape just looked too plain and boring, especially for a central element that was featured so prominently on the cover. So, chalk it down to artistic liberty, in much the same way that the Watcher’s heads are fully exposed rather than on their sides with their faces half-buried as in the text. It’s certainly desirable to get the details right, but not at the expense of making a cover visually tedious. I think Jartstar did a very good job of conveying the ominous spirit of the Night Lands while also expressing its core message of human hope in a visually arresting image; to see it in more detail, just click on the cover.


Larry Corriea drops the bomb

On behalf of Mr. John C. Wright and encourages his vast horde of heavily armed readers to divert a little of their ammo money towards a copy of AWAKE IN THE NIGHT LAND:

Many of you already know John for being an awesome sci-fi writer. Personally, I found him because of his blog. Like me, John is an out of the closet conservative. Only where I am
blunt and sometimes crude, John is eloquent and intellectual. I’m a
tetsubo. John is a rapier. I’ve got a lot of respect for his writing,
and I don’t say this lightly but I really do believe he is our modern
C.S. Lewis….

Right now it is sitting at: Amazon Best Sellers Rank: #10,504 Paid in Kindle Store

I want to bump that up higher because I think
John is a great writer and a voice of reason in the wilderness. So
please tell your friends, repost this on your FB or Twitter or whatever
you are in to.

Read the rest at Monster Hunter Nation.