In case you’re wondering what all the discussion of the various Selenoth-related books is about, or if some of the superlatives being cast about could be even remotely justified, you can now dip your toe into the epic fantasy waters at neither risk nor cost to yourself, as A MAGIC BROKEN is free on Kindle today.
The ebook is a novella in which is related the brief intersection of two perspective characters from A THRONE OF BONES and A SEA OF SKULLS prior to the events of either book. I think those who are fans of the Arts of Dark and Light series would agree that it is a reasonably fair warning of what the reader can expect from immersion into what is now, according to Amazon’s most recent Kindle Normalized Page Count, a cumulative 3,053 pages of epic high fantasy.
Anyhow, if you haven’t read it yet, I’d encourage you to download it and check it out. Even if fantasy isn’t really your thing, it’s more than a bit of a spy thriller as well.
TANGENT: What do you think of the cycles and trends in science fiction, if they exist at all?
ANDERSON: Well, I think Algis Budrys put it very well once—a passing remark in a review or something: ‘Trends are for second-raters.’ There seems to be an occasional bandwagon, but what really happens is somebody has come along and broken new ground, done something original, and it’s worth exploring, you know, so naturally we all get interested—a lot of us try ourselves out in it too. But as far as making that an all-time direction or something, that is only what people incapable of originality would do. The originators, the ground breakers, they’ve gone on to something else.
I think, basically, that Jim Baen is right in his new direction. Not that there should be any declared moratorium on down-beat stories, but it does look as if that theme has been pretty well worked out, for the time being at least. What new disasters can you think of that haven’t already been done? (Laughs) You get these cycles, you know, about ten years or so ago, there was such a rash of stories, about psionics especially, and we all got sick of ‘psi’, and about ten years before that there’d been such a rash of anti-utopian things, especially bad imitations of The Space Merchants. I at least got the feeling that if I read one more of those I’d have to go and throw up.
In other words, this relentless push for multiculturalism, female authors, and diversity on the part of the SF publishers, too, shall pass.
In not entirely unrelated news, the third volume in Brian Niemeier’s Soul Cycle series, THE SECRET KINGS, has been released.
Just out of curiosity, which do you want to read first?
A Sea of Skulls, the final edition
SJWs Always Double Down
Alt-Right Revolution
The Collapsing Empire
Don’t get too excited about any one particular option. You know me. I could end up doing something else entirely.
On a completely unrelated note, the daily average pageviews at Infogalactic have nearly doubled since October and are now rivaling this blog. I’m looking forward to it leaving VP in the very distant dust in the near future. For all that the SJWs would like it to be, Infogalactic has never been about me or my politics. I just want a better dynamic knowledge core for everyone.
The Black Friday 1+1 sale was so successful that we’ve decided to do it again, only this time there is no limit on the number of ebooks you can get. If you buy 20 Castalia print editions, we’ll send you the 20 different ebooks you want. The only caveats are:
The print sales have to be from Amazon or Barnes & Noble. Both hardcovers and paperbacks are eligible.
A SEA OF SKULLS is not an eligible ebook selection UNLESS you buy a print edition of A THRONE OF BONES. The extended edition of ASOS will not be provided to those acquiring ASOS as a bonus copy.
The bonus copy version of THE NINE LAWS will not include the chapter-heading images.
All ebooks sent out will be DRM-free epub. If you prefer Kindle or some other format, just download Calibre and convert it. It takes five seconds.
Kindle Select ebooks are not eligible due to Amazon’s restrictions on non-Amazon distribution. A list of the eligible non-KDP Select ebooks is below.
It’s pretty simple. Order one or more print books from Amazon or B&N today, December 14th. Email a copy of the invoice dated 12/14/2016 with 1+1 in the subject. Specify the non-Kindle Select ebooks you want. Give the print books as gifts and keep the ebooks for yourself.
In Selenoth, the war drums are beating throughout the land. The savage orcs of Hagahorn and Zoth Ommog are on the move, imperiling Man, Dwarf, and Elf alike. The Houses Martial of Amorr have gone to war with each other, pitting legion against legion, and family against family as civil war wracks the disintegrating Empire. In the north, inhuman wolf-demons besiege the last redoubt of Man in the White Sea, while in Savondir, the royal house of de Mirid desperately prepares to defend the kingdom against an invading army that is larger than any it has ever faced before. And in the underground realm of the King of Iron Mountain, a strange new enemy has begun attacking dwarf villages throughout the Underdeep.
Beneath the widespread violence that has seized all Selenoth in its grasp, a select few are beginning to recognize the appearance of a historic pattern of almost unimaginable proportions. Are all these conflicts involving Orc, Elf, Man, and Dwarf the natural result of inevitable rivalries, or are they little more than battlegrounds in an ancient war that began long before the dawn of time?
Epic fantasy at its deepest and most intense. A SEA OF SKULLS is Book II in the ARTS OF DARK AND LIGHT series that began with A THRONE OF BONES.
A SEA OF SKULLS is 449 pages, DRM-free, and retails for $5.99 on Amazon and at Castalia House. This is the early edition of the book; those who purchase it now will receive a free copy of the 850-page final edition in ebook format if they a) buy the book on Amazon and send a copy of the Kindle receipt to voxday-at-gmail-dot-com right away or b) buy the book from the Castalia House store.
UPDATE: just to be perfectly clear, New Release subscribers are free to download the bonus book from John Van Stry regardless of where they purchase A Sea of Skulls.
Every author faces a few decisions when he writes a book, particularly when writing a sequel. Be driven by the market or be driven by the vision. Write more of the same that has proven popular or go where the story takes you. These are not binary decisions, but a series of gradients, and while the consequences of those decisions vary, there are no right or wrong decisions per se, only more effective and less effective decisions which depend entirely upon the perspective.
I made two choices in writing the second book of Arts of Dark and Light, and I have no idea if my decisions will prove to be popular or not. The first decision was that it had to be better from my perspective and more true to my original vision than its predecessor was. That’s why it has taken longer to write. Before, I was only dealing in existing human cultures. Now, I had to work in 3+ inhuman cultures as well, which proved considerably more difficult. The second decision was to increase the contrast. A moral dilemma where there is neither potential loss to the character nor moral consequence is no true dilemma. A choice that is obvious to everyone but an idiot is no true choice. Good people do bad things, and bad people do good things, but the character of a man is seldom defined by a single act. And, I decided, even the most minor character deserves to be taken seriously, presented fairly, and speak with his own voice. Or her own voice. As an example of what I mean by that, here is a sample of the text at Castalia House.
In other words, this is a “damn the torpedoes” book. It should be interesting to learn who likes it better than A THRONE OF BONES and who likes it less. But I hope you will enjoy it, and I hope those of you who read it will be as diligent about posting serious and substantive reviews as you were with its predecessor.
As a side note, I find it incredible to observe that, according to Amazon’s page count, there is now more Selenoth, with 1837 pages of Summa Elvetica + A Throne of Bones + A Sea of Skulls, than there is Middle Earth proper, with 1531 for Lord of the Rings + The Hobbit. It’s not as good, of course – how could it possibly be – but it is worthy of the title “epic”. I should mention that there will be print editions in April-May and they will be the final edition.
Thanks very much to Matthew, Robert, and Kirk for all their hard work in getting this out before the end of the year.
When I was completing my Appendix N series back at the tail end of 2015, let me tell you… it felt like I was just about the only one. Not that I was the first, by any stretch. Ron Edwards and James Maliszewski had trod the same path before me. But the thing is… I couldn’t square how obvious my observations were next to the fact that nobody in the book scene seemed be saying anything remotely in the same vein. It was baffling, really. Sometimes it seemed like there was really only one or two people that even “got” what I was trying to do.
It’s ironic given how I much I’ve written about mass media’s conquest of the imagination, but really… I couldn’t imagine that changing. I should have known better. Working out the actual history of science fiction and fantasy was like putting a puzzle together with no box lid, no edge pieces, and several pieces on the table from entirely different pieces. It took a while. And when it finally started to come together, something happened. There was (and I’m not exaggerating) a kind of sea change in the book discussion scene.
All of it’s documented right here on the Castalia House blog in my Sensor Sweep link roundups. What’s going on exactly…? Well, if you are into classic Dungeons & Dragons you might recognize it as being similar to the Old School Revival that swept over the role-playing game bloggers several years ago. (Cirsova is an obvious counterpart to, say, Fight On! and Knockspell, for instance.) Beyond that, it’s becoming increasingly clear that people that are exposed to the science fiction and fantasy canon don’t just want to talk about it. They want to create!
What does this mean for readers…? It means that awesome things are on the way! If you want a preview, then check out the fifteen book bloggers that I’ve singled out as the best of 2016.
15. Hooc Ott — Ah, the number of times that I’ve been told that Appendix N was just a list of books that Gygax liked. No it wasn’t. Zelazny’s Amber stories thoroughly infuse an iconic adventure module for the classic expert set. And Edgar Rice Burroughs was not just a primary influence on the formation of D&D. He was an essential inspiration to Conan in particular and thus swords and sorcery in general. The only people are still in denial about just exactly Appendix N is at this point are the ones that have blocked Hooc Ott on Twitter.
14. James Cambias of Just the Caffeine Talking — If you don’t know who James Cambias is, well… I’ll hazard a guess that you were never into space themed role-playing games. He wrote or co-wrote a lot of the big ones. He also writes a blog that has more than its fair share of references to classic games and old school science fiction and fantasy. His Nostalgie Du Geek is a must-read series in my book, as are his posts on Game Mechanics. (If you don’t have strong opinions about that last one, then you aren’t a gamer.) He dips into movies on occasion as well, but the post of his this year that got the biggest reaction from me was The Worst Science Fiction Writer Ever which completely destroyed one of my favorite characters of all time.
13. John C. Wright — Jon Mollison nailed it when he tweeted the other day: “I’m starting to think John C. Wright is the spider at the center of an all-encompassing web.” I thought that was hyperbole until I went back through his posts for the year. If you look past the rants on the usual geek culture meltdowns, the political posts, and the analysis of “Morlock” thinking… you really can see Wright was endorsing key players in the scene well before any of this became a “thing.”.
1.0 out of 5 stars This book sets up a false binary from the start … By PinkGandhi on December 9, 2016 Format: Kindle Edition This book sets up a false binary from the start and then goes to prove its case on these terms. It is for the simple minded.
How fortunate that there are so many simple-minded people who troubled to read it.
I also have some other book-related news. As you know, the 500-page early edition of A SEA OF SKULLS will be out soon, most likely next week. There will be two ways to acquire it:
Buy it for $7.99 at the Castalia store. We will send out the 900-page final edition when it is completed in the late spring, which is when the paperback and hardcover editions will also be released. There will be no print editions of the early edition.
Buy it for $5.99 at Amazon, then update in the spring.
We expect most people to prefer Amazon and we will absolutely be willing to send out updates to everyone who buys from Amazon and send us a copy of a purchase invoice dated December 2016, but we are aware that there are people who are liable to fall through the cracks that way.
Take this with a grain of salt, of course, given that an author finishing a novel is among the least trustworthy of judges, but the initial internal reviews of ASOS have been positive. I was determined to avoid both the sophomore slump and middle-book syndrome, as well as GRRM’s patented perspective-character metastasization, and it would appear that I have been successful in doing so. ASOS is a harsher book than ATOB, but then, that is because it provides a glimpse into some harsher cultures than that of Amorr.
hannah_in_azon December 8, 2016 Format: Paperback|Verified Purchase This book is so filled with wisdom that I am planning to leave my copy in the airport on the way home for Christmas for anybody else who wants it. Consider it my end of year non-tax-deductible donation to a good cause.
I suggest putting a note on it; otherwise I suspect people will simply assume you forgot it. It’s sad, but true, that almost everyone needs SJWAL these days.
And speaking of wokeness, there are other ways to spread it. I am informed we have an Original Galaxian sighting on YouTube.
In Selenoth, the race of Man is on the ascendant. The ancient dragons sleep. The ghastly Witchkings are no more; their evil power destroyed by the courage of Men and the fearsome magic of the Elves. The Dwarves have retreated to the kingdoms of the Underdeep, the trolls hide in their mountains, and even the savage orc tribes have learned to dread the iron discipline of Amorr’s mighty legions. But after four hundred years of mutual suspicion, the rivalry between two of the Houses Martial that rule the Amorran Senate threatens to turn violent, and unrest sparks rebellion throughout the imperial provinces.
In the north, the barbarian reavers who have long plagued the coasts of the White Sea unexpectedly plead for the royal protection of the King of Savondir, as they flee a vicious race of wolf-demons who have invaded their islands. And in the distant east, the war drums echo throughout the mountains as orcs and goblins gather in vast numbers, summoned by their bestial gods.
Epic fantasy at its deepest and most gripping. Military fiction at its most fantastic. A THRONE OF BONES is Book I in the ARTS OF DARK AND LIGHT series. Available in both paperback and case-bound hardcover.
Thanks to Matt, Robert, Markku, and Kirk, who somehow managed to find the time to get this out before next week’s release of the early edition of Book II, and in between all of the other new releases to boot. Although the text is the same, it has had another round of deep proofreading and is a completely revamped print edition. Despite being Royal Octavo and larger than the Marcher Lord hardcover, it clocks in at 922 pages.
Scott Cole of the Castalia House blog interviews Castalia author John C. Wright about his recently completed trilogy, (and first quarter of his MOTH & COBWEB duodecology) The Green Knight’s Squire, which consists of the following three books:
Scott Cole: After reading both books my thought is the series is influenced by The Once and Future King and shares similarities with the Book of Revelations (i.e. descriptions of some of the beasts, especially at the first elf tournament), Shakespeare, Narnian anthropomorphism, and Sergei Lukyanenko’s Night Watch along with a multiple mythological references.
John C Wright: You are a little off, but not too far. Any similarity with Lukyanenko’s NIGHT WATCH is pure coincidence. Shakespeare I certainly steal from, but I don’t recall stealing anything from Narnia, aside from a mood. I am not a fan of T.S. White; I take my Arthuriana from Mallory and the Mabinogion and Tennyson’s IDYLLS OF THE KING. Alan Gardner’s WEIRDSTONE OF BRISINGAMEN is also an inspiration.
Since the book is called SWAN KNIGHT’S SON’S SQUIRE, expect to see the events of THE SWAN KNIGHT’S SON played out. Also, I decided to borrow the bad guys from G.K. Chesterton’s THE MAN WHO WAS THURSDAY, and to make Gil a member of the Last Crusade.
SC:What was the inspiration for the Moth and Cobweb series?
JCW: Once upon a time I asked my editor, Vox Day, what I could write that would reach a wider audience. He suggested writing something aimed at the juvenile market, and said that talking animals were always popular. He also admired my short story ‘A Parliament of Beast and Birds’ which appeared in the anthology BOOK OF FEASTS AND SEASONS.
The mystery of where writers get their ideas is a perennial one, but the truth is that we have no more ideas than anyone else. The difference is that, unlike muggles, we write our ideas down and use them. Every writer I have ever met keeps a notebook in purse or pocket or in his smartphone where he jots down ideas.
So, I threw the idea of a talking animal into the pot and looked through my notebook of unused ideas to find what else might go into the stew. Usually a writer needs three ideas to get the ball rolling.
I had the germ of an idea that had been in the back of my mind for some years, a juvenile originally set in a mythical place called Uncanny Valley, Nevada, where four seniors in high school, cousins, each had to do an apprenticeship or internship over the summer with one or another of their mad uncles. Instead of the normal jobs, because some of their uncles were from beyond the fields we know, the kids end up being a squire to a knight, the sidekick to a superhero, a sorcerer’s apprentice, or something of the sort.
A second idea came not from my notebook but from my wife’s Harry Potter inspired role playing game. Like all the games we run, we made up our own rules. In her role playing game, she decided that in addition to buying character stats like strength or scholarship, dexterity and intelligence, you could also buy social stats like fortune, friends, fame, and family. So, for example, an orphan with a vast bank account would have a zero in family and high marks in fortune, whereas a poor boy from a large and supportive family would have the opposite.
One innovation in her rule system, which I had not seen used elsewhere, was that each player had a star he could use to mark one stat and only one he had purchased, and this carried a secret benefit revealed in the course of the game. So, for example, putting a star in scholarship gave the character total recall. Putting the star in family meant you were a member of the largest and most supportive extended family imaginable, the children of the seneschal of Titania, the Moths. This did not give you any magic powers, but it meant that you had uncles and cousins both in the human world and beyond, including royalty, famous scientists, mermaids, and so on. Indeed, my wife had umpired more than one game with these rules, so it became sort of a running joke that I always played a member of the Moth family. My first character was named Dusty Moth, and he was a cowboy from Utah, and an amateur alchemist, who had the blood of elves in his background.
The third idea came from the song ERLKOENIG or the medieval tale of TAM LIN, where a boy is being sold by the elfs to hell. I had noticed that elfs and fairy creatures from the days before Tolkien and Gary Gygax, and indeed from before Shakespeare’s MIDSUMMER NIGHT’S DREAM, were actually quite spooky and frightening, not the pretty and twee tween girls of Disney’s Tinkerbell cartoons.
I noticed traces of the sulfurous scent of the inferno clinging even to such recent and childish works as DARBY O’GILL AND THE LITTLE PEOPLE, a favorite film of mine, based on an older series of books, where the Leprechauns are terrified by the powers of a parish priest, whose blessings and exorcisms can shrivel them. Even in the lighthearted Disney version, as in the original books, the elfs are angelic beings who neither aided Satan during his rebellion, nor fought on the side of Heaven, and so were cast out of paradise, but not all the way to Hell.
It’s a really good interview. Read the rest of it there. And the books are really good as well. If you ever enjoyed Susan Cooper or Lloyd Alexander, you will almost certainly enjoy John C. Wright’s MOTH & COBWEB series.
In case you’re wondering what all the discussion of the various Selenoth-related books is about, or if some of the superlatives being cast about could be even remotely justified, you can now dip your toe into the epic fantasy waters at neither risk nor cost to yourself, as A MAGIC BROKEN is free on Kindle today.
