Defense doesn’t win

Not when it comes to the media. The God-Emperor needs to remember this and go back on the attack:

President Trump defended his mental health again at a press conference on Saturday, saying his Ivy League education, television fame and 2016 election win are proof he is more than competent to run the country.

Responding to claims in Michael Wolff’s new book Fire and Fury that White House insiders worry he is suffering mental decline, the president fired back and said he was never interviewed for it – hours after declaring himself a ‘very stable genius’ on Twitter.

‘It’s a disgrace that he can do something like this,’ said Trump said of Wolff, who he called a ‘fraud’ as he attacked the libel laws in the United States at a Camp David press conference attended by GOP leaders.

‘Libel laws are very weak in this country. If they were stronger, hopefully, you would not have something like that happen,’ said Trump who had defended his intelligence just moments before. 

‘Only because I went to the best colleges, I was an excellent student, came out and made billions and billions of dollars and became one of the top business people, went to television and was a tremendous success, as I am sure you all know and ran for president first time and won.’

‘And then this guy who doesn’t know me, doesn’t know me at all. Who said he interviewed me for three hours in the White House, it didn’t exist, it’s in his imagination.’

‘He was never in the Oval Office,’ said the president who blamed ‘Sloppy’ Steve Bannon for bringing him into the White House.

Trump then dubbed the biography ‘a work of fiction’.

Earlier on Saturday, Wolff, who is a contributor to the Hollywood Reporter, gave that publication a follow up interview on Saturday in which he said he knew Trump was apoplectic with rage over the book.

‘I hear that the president is very angry, or, let me be precise: I hear that he is truly bouncing off the walls,’ said Wolff to the magazine.

The journalist’s book – ‘Fire and Fury’ has already shot to the top of the New York Times bestseller’s list and portrays Trump as an imbecile who never believed he would win the 2016 election. The book also severely questions the president’s ability to carry out his job and casts aspersions on his mental acuity amid suggestions from White House sources he might be losing his mind.

This is a classic gamma attack on an alpha. The gamma doesn’t have any actual power, so he lies about the alpha, thereby angering the alpha, and provoking him into a response that the gamma then smugly claims to be a victory. And you know this guy Wolff is a total gamma by the way he asserts that no one in the Trump White House reads books because they hadn’t heard of him. I read, edit, and write books and I’d never heard of him either. That’s a phenomenal example of gamma posturing combined with self-serving gamma logic.

The problem that Trump has here is that it doesn’t matter how intelligent and mentally stable you actually are, or how accomplished you are, you’re never going to look either smart or mentally stable by stating the obvious. It always comes off as a angry, bewildered, overmatched unfrozen caveman claiming “me am too smart!”

It’s considerably more effective to call out the gamma directly, openly mock him, and engage in direct conflict with him by utilizing objective measures. Trump should have a) compared his SAT scores with the journalist’s own scores while b) having the Secret Service dig up Wolff’s history of mental health issues and calling them into question. The chances are very high that Wolff, who is a known fabricator, has been on some sort of medication for depression for years and is doing little more than projecting his own mental instability onto the God-Emperor.

Gammas always, always, always rely upon nebulous insinuation and provocation, and they always, always, always retreat from any form of conflict that can be objectively measured by outsiders. For example, this is why the site traffic comparison is so damaging to Scalzi; there is simply no amount of dancing, twisting, redefining, or obfuscation that can permit him to credibly claim victory somehow which his gamma nature psychologically requires.

This also demonstrates why a knowledge of socio-sexuality is crucial in understanding how to appropriately respond to attacks. Wolff is absolutely delighted with being angrily denounced in general terms. That, to the gamma, is exactly what victory over an alpha looks like.

We know Trump isn’t a sigma because he didn’t simply smile and publicly ignore the book while having both Wolff and his publisher audited by the IRS and investigated by the DEA.


Why THE LAST CLOSET matters

More young women than you would probably believe were heavily influenced by the twisted psyche of Marion Zimmer Bradley.

I still cannot imagine anything more perfectly aligned with my thirteen-year-old sensibilities than Marion Zimmer Bradley’s masterpiece. Bradley opened my eyes to the idea that, when we look at the past, we are only ever seeing a small part of it — and usually, what we are seeing excludes the experiences of women. Encountering the vain, self-serving, diabolical Morgan le Fay transformed into the priestess Morgaine compelled me to question other received narratives in which women are to blame for the failures of men. The Mists of Avalon also gave me a glimpse of spiritual possibilities beyond male-dominated, male-defined religions. In retrospect, I can see that it gave me ways of seeing that helped me find the feminine even within patriarchal systems while studying religion as an undergrad. The impact of this book lingers in my feminism, certainly, but it also influenced my scholarly interest in folklore, and it still informs my personal spirituality.

But my primary reaction to The Mists of Avalon, when I first read it, wasn’t intellectual; it was emotional. Like The Once and Future King, Bradley’s novel follows its protagonist from childhood into old age. I sympathized with the girl Morgaine, and her adolescent experiences hinted at frustrations I was just beginning to feel. The moment when Morgaine and Lancelet are, finally, about to become lovers — and then Gwenhwyfar, blonde and fair and lithe and helpless, stumbles into Avalon… No matter how many times I revisit this scene, it still crushes me. This isn’t a story about the pretty girl, the princess. It’s the story of the smart girl who becomes a powerful woman. Even so, Bradley brings nuance to these characters. She shows us Morgaine doing foolish, selfish things, and she shows us that Gwenhwyfar’s position is an impossible one. Doom hangs over Arthur’s glorious reign, just as fate rules many a legend and fable. There is no happy ending for anyone at Camelot — there never has been — but Bradley shows us real people struggling against their destiny, and she shows us that it’s not just impersonal fortune to blame for their inevitable downfall. Instead, it’s systems of oppression. By the time I left home for a women’s college in 1989, I’d reread The Mists of Avalon several times. I arrived ready to smash the patriarchy.

It’s easy to claim that the book is not the author, because that is true. But in cases such as this, it is impossible to separate the theme, and more importantly, the message, of the book from the beliefs of the author. There are those authors who are intellectually ruthless enough to accurately represent beliefs they do not hold, but there are not very many such others and Marion Zimmer Bradley was certainly not one of them.

Her personal ideosyncracies not only informed, they dictated the nature of her works, which amounted to pure feminist propaganda. This is readily apparent in even her earliest writings. You cannot read The Mists of Avalon without realizing that it stems from the bitterness of a plain little dark-haired woman who cannot attract the handsome warriors and hates the tall pretty blonde girls who do. It’s essentially a medieval female Revenge of the Nerds. No wonder it was popular in feminist and proto-feminist circles.

And it was popular despite its twisted sexuality and its infamous scene of ritualized child abuse, a scene that its fans still defend as “a description of people who have passed beyond the normal world and into the sacred time of a fertility ritual.”

But the abuse of children is no more justifiable in that context than it was at Greyhaven, especially when there is absolutely no anthropological basis for it. And that is why The Last Closet is important, because it exposes the lie behind which so much evil hides itself.


EXCERPT: An Equation of Almost Infinite Complexity

Dean was brilliant, handsome, exotic, and accomplished. He had come from the Wharton school of business to do a doctorate in mathematics, something that was continually interrupted by consulting engagements during which some Fortune 500 company would fly him to an office in Texas or Washington DC or Seattle or Silicon Valley and pay him $75,000 for two months while he figured out some problem that, apparently, no one else could figure out for them. When he was not studying or working, he was a good enough trumpet player to substitute in the opera company orchestra (an aunt was on the board) and sometimes played professionally in theater pit orchestras. He was also the love of Thisbe’s short life.

They had surprised each other. He was not interested in art or aesthetics or greatness, he did not seek the love of women. He was only driven to succeed in all he did. She was not interested in a new boyfriend or business or the second-tier musicians who hung about the edges of professional theater. In some ways, the attraction each held for the other was inexplicable. Yet for two years, they carried on a scorching love affair, Thisbe completely under the domination of this egoist. Dean’s friends and relations said, “A music student? He could do better.” But when they met her, they saw that she was alert and intelligent and lovely and admitted that there was nothing not to like if she was Dean’s choice. “She’s young,” they would say, “but so quick. And so charming.” For their part, Thisbe’s friends—musicians, students, bohemians—were fascinated and appalled by Dean. “Is he nothing but a success machine?” they would ask. Then they would meet him. He would turn his handsome sad-eyed intensity on them and listen carefully to everything they said, returning well-considered and interested replies, and they too found nothing to dislike.

With Dean, Thisbe felt she had found the other half of her own soul, someone who could complete her. Her life before him evaporated like a dream forgotten on waking. She had been living with Julius at the time, and she left all her things in his apartment and never went back for them. Even the friends who had warned her of Julius’s mediocrity and infidelity were surprised at how perfectly Thisbe forgot him. “He’s a nice guy,” they would say in defense of Julius, but someone used the word “irrelevant,” and that stuck too.

While everyone likes their friends to be lucky in love, Thisbe and Dean were too much. Their togetherness, their intensity, their indestructible delight in one another was hard to take. “When they invite me, I feel like they don’t really care if I say yes or no,” said Meghan Evans, and everyone knew what she meant. Abby Bruler, younger but sharper, said the same thing more precisely: “It’s as if no one else is in the world but them.” They were destined for marriage, or, if that was too old-fashioned for such an heroic couple, at least for some lifetime arrangement.

But as the first year waned and second waxed, there was a change. Where before the two had been inseparable, each seemingly made more gloriously themselves by the other, signs of a more ordinary love appeared. This was noted with approval. Thisbe and Dean might bicker; or Dean might decide not to cut his business trip short. He would spend an extra night in Seattle to avoid taking a redeye. Instead of two weeks in Bora Bora for Christmas, they stayed home so that Dean could work on his thesis. Thisbe’s friends began receiving phone calls from her again, sometimes even when Dean was in town. “It’s more realistic,” said Meghan Evans.

Because Thisbe’s friends believed that, after an initial peak, the love affair was subsiding into something more solid and steady. They had, they told each other, seen it before. The lovers lose the first overwhelming fascination and their relationship dwindles into something more regular. There was a certain satisfaction in this since no one likes to have their middling infatuations exposed to the unforgiving glare of real love. But in predicting for Thisbe and Dean the stability of an average love, they were all wrong.

Over the next months, everything crumbled away. Dean became distant and aloof with Thisbe. He refused to come out when her friends were going to be present. If he did run into her friends, he was openly contemptuous, calling chubby well-meaning Meghan Evans a “fat pinko parasite” and stylish Abby Bruler a “gold watch socialist” who “wouldn’t know a workingman if he raped her.”

Thisbe’s initial promise as a performance major evaporated, in part because the obsessive focus required for musical glory had transferred to Dean. There should have been no shame in this. As Julius had pointed out years before, practicing six or eight or ten hours a day, as violin majors are apt to do, smacks of an unbalanced mind. But as her friends realized, this was a disappointment to Thisbe, who had hoped for greater things and who, such a short time before, had shown promise of achieving them. It was therefore with a particular shivery thrill that they discovered that Dean, arguably the cause of her disappointment, mocked her in her decline. She fell out of the performance program and graduated with the commonplace cum laude in music education. At a party celebrating the end of Thisbe’s four years, Dean referred to her revised major as “the refuge of the talentless.”

Dean’s comments caused a sensation among her friends, who were delighted to think ill of the man who had aroused their suspicion all along. Their gossip, stifled by the perfect love in their midst, now burned up the phone lines. Dean was a control freak. Dean was an egoist. Dean was bipolar. Dean had deep psychological problems that manifested themselves in a desperate will to succeed and an initial charm, which later turned into bitter resentment against regular people for the normal, well-adjusted lives they led and he never could. Dean was a jerk, a goof, a nut, a screwball.

The breakdown came on a stormy night in June, when Thisbe waited two hours for Dean in a restaurant, leaving numerous messages on his cellular telephone. She gave it up and went home in the rain to shower and weep in front of an old movie on television. Dean called.

“Oh my God, I was so worried. Please don’t ever do that again. Don’t let me not know where you are like that…”

He cut her off. “Please don’t call this number again. My cell phone is for work.”

“I know, I know. It’s just that you hadn’t called and I was so worried…”

“I don’t know what you were worried about. I didn’t come because I don’t want to see you anymore. I would appreciate it if you would stop bothering me.”

She could not speak, for despite the difficulties of the previous months, she had not yet admitted that she was to lose him. His words stunned her. She felt a growing panic, but fought against it. She realized that he would hang up if she did not say something, so she quickly said, “Dean, wait.” She was surprised at her tone, which was commonplace and controlled.

She succeeded, because he did not hang up. He said, “Yes, what is it?” He was impatient.

“Are you having a bad day? I don’t want to put any pressure on you, you know that.” Without thinking, she had adopted the tone of a mother speaking to a peevish child. She was pleased, realizing as she spoke that any other tack—emotional appeals, anger, sarcasm—would have ended the conversation immediately. “I just want what’s best.”

“Hm,” he said in a way he had, thoughtful and amused. She felt her words had made an impression. “You may want what’s best, and then again you may not,” he said. She realized that he was mocking her: she wanted what was best, meaning him. “The fact is that I don’t want you. I would appreciate it if you would stop phoning. In fact, I would appreciate it if you left me alone completely.”

“Dean–” and now she could not stop the emotion pouring into her voice. Though the night before she had told Abby Bruler all about Dean’s recent inattentiveness and even cruelties, she realized that she did not care, that she loved him and wanted him no matter how he behaved. “Oh Dean, I–”

Again the brutal interruption. “Please stop this emotional nonsense. That sort of thing never helps. I have no time for you now.”

“Dean!”

“Nothing about you is of any interest to me. Please respect my wishes and leave me alone. Goodbye.”

“Dean!” she fairly shrieked.

He hung up.

When Meghan Evans heard about Dean’s final break with Thisbe, she said, “That man sold his soul to the devil a long time ago.” As we shall see, gentle reader, she was absolutely right.


The Book of Feasts & Seasons

The animals gathered, one by one, outside the final city of Man, furtive, curious, and afraid.

All was dark. In the west was a blood-red sunset, and in the east a blood-red moonrise of a waning moon. No lamps shined in the towers and minarets, and all the widows of the palaces, mansions, and fanes were empty as the eyes of skulls.

All about the walls of the city were the fields and houses that were empty and still, and all the gates and doors lay open.

Above the fortresses and barracks, black pillars upheld statues of golden eagles, beaks open, unmoving and still. Above the coliseum and circus, where athletes strove and acrobats danced and slaves fought and criminals were fed alive to wild beasts for the diversion of the crowds, and the noise of screams and cries rose up like incense toward heaven, statues of heroes and demigods stood on white pillars, glaring blindly down.

Within other walls were gardens whose trees were naked in the wind, and the silence was broken only by the rustle of the carpet of fallen leaves wallowing along the marble paths and pleasances.
Above the boulevards and paved squares where merchants once bought and sold ivory and incense and purple and gold, or costly fabrics of silks from the east, or ambergris from the seas beyond the Fortunate Isles, and auction houses adorned and painted stood where singing birds and dancing girls were sold to the highest bidder or given to the haughtiest peer. And here were gambling houses where princes and nobles once used gems as counters for cities and walled towns, and the fate of nations might depend upon the turn of a card. And there were pleasure houses where harlots plied their trade, and houses of healing where physicians explained which venereal disease had no cures and arranged for painless suicides, and houses of morticians where disease-raddled bodies were burnt in private, without any ceremony that might attract attention and be bad for business.

And higher on the high hill in the center of the city were the libraries of the learned and the palaces of the emperors adored as gods. But no history was read in the halls of learning and no laws were debated in the halls of power.

Not far outside the city was a mountain that had been cut in two, crown to root, by some great supernatural force. On the slopes of the dark mountain, in a dell overgrown and wild, two dark creatures met, peering cautiously toward the empty city.

A black wolf addressed a black raven sitting in a thorn-bush. “What is the news, eater of carrion? Did you fly over the city and spy out where the corpses are?”

The black raven shrugged indifferently. “I thought it unwise to intrude. What of you, bold corsair against the sheepfolds of men? Man has always feared your kind. Did you not creep into the unwatched and unguarded gates? Surely you were not afraid!”

The wolf was embarrassed and turned away. “Surely I am not a fool,” he growled.

“Who, then, will go into the city?” asked the raven.

“Long ago, Man seduced our cousin the Hound to serve him, and to betray us. The Sons of the Hound are friends of Man, and can pass into the city to discover what has become of Adam’s sons and Enoch’s grandsons. I smell one of my cousins nearby. If Man is truly vanished from the bosom of the Earth, then the old covenant is broken and he and I may speak.”

The raven with a croak and a flutter of wings rose into the air. “Surely Hound will know.”

But it proved not so. When Raven and Wolf came to where Hound and Horse and the slow and solemn Bull were all exchanging whispered eulogies and reminiscences, and put their question to him, the Hound shrugged philosophically. “I cannot tell you what has become of Man, nor what these great lightning-flares and thunders and voices mean. All I can say is that I no longer smell his scent on the air, nor smell the smoke of his bright servant, fire. For the first time since the hour when the prince of the air, Prometheus, taught Cain how to build a sacrificial fire, and taught Tubalcain how to light a forge, there has been the smell of smoke or smokestack somewhere in the world, be it campfire or holocaust or steel mills roaring with glorious flame. Now there is no sign of fire anywhere the rumor of the eight winds carries to me.”

The wolf said, “You are friendly to Man. Go there! If he should still be alive, he will pet and fondle you, and feed you soup bones and slivers of meat.”

The hound shook his shaggy head. “It would be disobedience. I cannot go where Man forbids me go.”

Wolf snarled, “And if he is vanished forever? How long will you obey his NO DOGS ALLOWED signs?”

Hound said, “If my master has gone forever, then will I obey his word forever, and never will I enter the city. The First Hound was the first beast ever to be given a name by Adam, the First Man, and that honor we have never forgotten.”

A sharp laugh came from the bushes nearby. It was Fox, with his bright, cunning eyes and his black fur. “And for your loyalty, yours was the first tribe expelled from Eden with him, O Hound!”

“He needed the company,” said Hound simply.

From THE BOOK OF FEASTS & SEASONS by John C. Wright.


EQUATION now in paperback

When the devil moves in next door to Cooper Smith Cooper’s house, Cooper doesn’t know what to make of him at first. But when the unexpectedly neighborly Scratch helps the unemployed actuary find a job at a local insurance company with the help of some inside information into the activities of Death, Cooper decides the old devil might not be so bad after all.

The only problem, Cooper thinks, is how to conceal from his fellow actuaries his newfound ability to perfectly predict the time and place of people’s deaths. And then, there is also the small matter of the screams of his recently deceased neighbor coming from Scratch’s basement furnace to consider.

AN EQUATION OF ALMOST INFINITE COMPLEXITY is a sardonically funny debut novel from J. Mulrooney. Now in paperback and featuring a redesigned cover! 474 pages, $19.99.

From the reviews:

  • J. Mulrooney has crafted a modern fable that illustrates the primacy of the Socratic imperative. In telling the story, the author employs a mordant wit to throw well-deserved darts at journalists, government employees, police officers and baby boomers.
  • Best book in a while. What happens when you are a failed insurance actuary and the devil and his dysfunctional spawn, Death, move in next door? Why, you turn it into a career advantage! As others have said, the humor is very “Douglas Adams-like” with a lot of chuckles and few LOLs. Well worth the read.
  • The best debut novel I’ve read in years. The author hits it out of the park with a truly original story, a crisp writing style and a sophisticated sense of humor that brings a new dimension to this age old tale of “good” versus “evil”. In fact, both good and evil are almost unrecognisable in this tale of a disillusioned Satan who is desperate to retire after the revelation that his traditional role as “Prince of Darkness” is completely irrelevant and no one needs his help finding their way into Hell.
  • This book is FUNNY. I don’t mean like “Louis C.K. talking about necrophilia” funny that passes as comedy today, but actual intelligent wit. This book has wry, dry, absurdist, ironic, observational, satirical, droll and situational comedy. I literally laughed out loud on several occasions, and chuckled merrily on many others. Fans of Douglas Adams will be delighted; the style and sensibility is reminiscent of his “Hitchhikers Guide to the Galaxy,” or “Good Omens” by Prachett & Gaiman, if they’d been influenced by C. S. Lewis and and G. K. Chesteron.
  • I got this book not really knowing what to expect. Quite frankly, I was blown away. Far from being a simple piece of entertaining fluff, I would describe it as a true work of literature. The concept is so clever and the characters so well thought out that I still think about it days after finishing. The lovelorn protagonist is beyond hopeless, but his journey through the story comes with a bizarrely satisfying payoff at the end. Unexpected, brilliant, clever and entertaining.

AN EQUATION OF ALMOST INFINITE COMPLEXITY is probably Castalia House’s most underrated work. But it is a very good, very clever novel. If J. Mulrooney was a New Yorker instead of a Canadian and was published by a boutique New York City-based publishing house instead of Castalia, he’d very likely be hailed as the next Dave Eggers or David Foster Wallace, except, of course, that Mulrooney’s work is considerably more amusing.


SJWs are never satisfied

Even if you are not an inveterate SJW-hater, even if you are the cuckiest of moderates, it is absolutely vital to never give an inch to SJWs. The reason is that they will never be satisfied, and every inch they gain only convinces them that they can get more if they press harder.

An excerpt from SJWS ALWAYS DOUBLE DOWN explains this phenomenon:

The Anonymous Conservative observes the SJW psychological cycle appears to operate in the following manner:

  • Tell yourself you are innately superior due to intrinsic qualities related to your identity.
  • Feel bad about being superior.
  • Feel super-superior for not only being superior, but for also have the moral sense to feel bad about your own superiority.

He asks what amygdala-mediated process could be driving this continual process and concludes that the SJW brain is using the process to attenuate some tendency of his mind to gravitate towards negative thoughts about himself. This gravitation towards negativity can be the result of physical or mental inferiority, childhood trauma, abuse, failure, depression, or any number of reasons, but regardless of the specific reason, SJWs find these negative thoughts to be cognitively painful. When forced to face this pain, their brain runs through the usual routine in order to reduce the angst they feel and replace it with a newly charged feeling of superiority. This is why both the Narrative and the social justice identity are so vitally important to them; it is literally their shield against the emotional pain that constantly threatens to overwhelm them.

SJWs are creatures of pain. They are in a near-constant state of mild psychological distress, which is why so many of them are in therapy or on various psychotropic medications. This is why they are so sensitive, so fragile, and so prone to angry, incoherent rants for reasons that often seem inexplicable to others. They might well be pitied, were it not for the behavior that their suffering inspires in them.

Now, it may seem bizarre that individuals whose primary objective is to mitigate their emotional pain would make a habit of seeking out conflict, much less generating conflict where none previously existed. But that is because you are a normal, psychologically healthy individual whose normal state is not one of internal distress. It is only through conflict that the SJW can generate the feelings of moral superiority he requires in order to drown out his steady state of emotional pain. This is why the Narrative can never stop mutating and why no solution will ever suffice regardless of how perfectly it complies with SJW demands.

It also explains why SJWs are so relentlessly critical of others. In a paper entitled “Holding People Responsible for Ethical Violations: The Surprising Benefits of Accusing Others”, funded by the Wharton Behavioral Lab, researchers found that people who accuse others of unethical behavior can derive significant benefits from doing so. Compared to normal people who do not make a habit of accusing others of crimethink and other moral failures, accusers are perceived by others to have higher ethical standards. In one study, it was found that the act of making accusations increased trust in the accuser and lowered trust in the target. This is precisely the purpose of the disqualify and discredit routine that SJWs so often utilize. In a second study, it was found that making accusations tends to elevate trust in the accuser by boosting other people’s perceptions of the accuser’s ethical standards. And in a third study, it was found that accusations boosted trust in the accuser, decreased trust in the target, and even more significantly, promoted dissension within the group.

In other words, SJWs transfer their own emotional pain into making themselves feel more positive about themselves while simultaneously elevating their social status at the expense of others and at the cost of group harmony. This is why group after group, organization after organization, find that acceding to the demands of the SJWs in their midst inevitably generates more conflict, not less.


Christmas gift guide

A number of people have asked me for last-minute Christmas gift recommendations from the Castalia House catalog. Since we’re discussing gifts here, I will limit my recommendations to print editions. Links to both Amazon and the Castalia Direct store are included; the retail prices are the same but we do a little better if you go with the Direct option.

For those who like to laugh:

The Lawdog Files

The Promethean

For the intellectual:


Clio & Me: An Intellectual Autobiography

On the Question of Free Trade

The Missionaries
For the business professional or college student:

SJWs Always Double Down

For the military buff or wargamer:

A History of Strategy

The 4th Generation Warfare Handbook

There Will Be War Vols. I and II

For the science fiction reader:

The Eden Plague

City Beyond Time

The End of the World as We Knew It
For the fantasy reader:
The Green Knight’s Squire

Appendix N

For the epic fantasy reader:

A Throne of Bones

EXCERPT: A Throne of Bones

Here is an excerpt from the 924-page epic fantasy A THRONE OF BONES. Which, by the way, is a free download today and the rest of the weekend. Also available in hardcover and paperback.

The ebb and flow of battle always seemed to follow a similar pattern, Corvus thought as he watched the ragged ranks of the goblin army march into what he intended to be the field of slaughter. A less experienced commander might be impressed by the huge quantity of armed troops as they moved, apparently inexorably, across the very meadow over which he’d ridden the day before. There were an awful lot of them, between four and five to every man of his, but the numbers were almost unimportant once a critical mass was achieved.

It was surprising how little actual killing occurred while the outcome of the battle was still in doubt, when the two front lines crashed into each other and sword met with sword. No, most of the bloodshed would take place after one side broke, its will shattered by the iron resolve of the enemy, and what had moments before been an army dissolved into a fleeing crowd of frightened individuals.

That was the moment for which every general worth his salt planned, anticipated, and feared. It was the moment in which every decision, every purchase, every piece of equipment, every hour of weapons drill and unit maneuver, was thrown into the cauldron of Fate and the bitch-goddess stirred up her bloody witches brew, seasoned it according to her whim, and served it to you. You had no choice but to swallow it.

He was determined that his would not be the side that broke.

At the moment when he caught sight of the sleek sinuous forms of the wolves slinking through the tall grass below, it was too late to regret splitting his two cavalry wings. It was too late to wonder if he should have stationed more of the artillery on the heights to his right instead of behind him in the center. It was too late to consider if he should have positioned the second and fifth cohorts on either side of the first cohort instead of the fourth and sixth.

That was the worst part of being a general. Everyone else in the legion, from the tribunes to the lowliest legionary, believed you were in command. Only you knew you weren’t. In truth, you were little more than a helpless observer, watching as the events you’d earlier put in motion played themselves out without much in the way of guidance from you or respect for your intentions. It wasn’t what he did in the heat of battle, but what he had done to prepare for it, that mattered.

And yet, he was entirely confident that it would be the goblin commander who would be drinking Fortune’s bitter draught tonight. Legio XVII might be green, but they damn sure had stouter hearts than goblins, who, despite the beating drums that urged them forward, continued to slow their march as they came closer to the Amorran lines.

The goblin advance slowed, then slowed some more, and finally came to a complete halt about fifty paces from the ground where the first cohort stood, steadfast, flanked on either side by the fourth and sixth cohorts. The drums stopped.

Corvus heard the primus pilus shout, a loud cry that was echoed by five hundred voices chanting in response. The centuries in the neighboring cohorts began to pick it up as well. A thousand voices chanted a single word, then slammed the butt of their spears twice on the ground, then repeated it again. Then two thousand voices, then three thousand.

“Legion!” Thump-thump. “Legion!”

Men stomped their feet, clapped their hands, slammed their gauntleted fists into their steel breastplates. The very hill upon which Corvus stood seemed to shake with the echoes, but not as much as the goblins. Their front ranks were visibly quivering with fear.

“Legion!” Thump-thump. “Legion!”

It sounded as if his men were summoning some ancient demon of war—no, an army of demons—from the bowels of the earth.

“Legion!” Thump-thump. “Legion!”

Corvus nodded slowly, pleased. No one, least of all the enemy ranks lined up against them, would imagine these were men who had never seen battle before. Saturnius’s centurions had done their work well.

He glanced to the left. As expected, the goblin commander had divided his wolves between the two flanks, and their right wing looked no more eager to rush forward into the teeth of the infantry fortifying the thin line of horse than their foot was to come to grips with the cohorts in the center. On the right, he saw a desultory exchange of missiles was taking place, but it was nothing to cause him any concern for the safety of two young tribunes he had stationed atop the hill there.

But if the goblin masses were intimidated, their commander was not. His response was spectacular, if not particularly effective. A strange humming filled the air, gradually swelling until the Amorran chanting began to break up as the legionaries wondered what it was. Then, with the sound of a thunderclap, purple fire arched from the goblin rear over their lines and exploded in the midst of the first cohort. He saw men fly into the air, heard other men scream, burned by the shaman’s fire. The goblin drums began to thunder again.

“Ballistari!” Saturnius turned around and screamed at the optio who commanded the artillery. “Cassabus, find me that devil-spawned bugger and flatten him now!”

Corvus squinted and attempt to see where the shaman might be, but he shrugged and gave it up after a moment. The sharpest eyes in the legion were assigned to the artillery squads, and if they couldn’t spot the goblin, his aging eyes certainly wouldn’t be up to the task either.

Saturnius’s face turned redder with each of the two subsequent magical blasts, both of which ripped small holes in the Amorran ranks. But despite their alarming effects on the morale of the troops forced to stand there helplessly enduring the magical barrage, Corvus knew the shaman wasn’t doing them any significant harm.

“They have him, legate!” Cassabus called down to an irate Saturnius. “First cohort, loose!”

There was a loud thrumming sound and the shriek of much-abused wood as the supports absorbed the force of heavy slings slamming down, one after the other.

Ten huge rocks sailed over the heads of the Amorran infantry—and the greater part of the goblin infantry as well. All crashed down into a remarkably small area and left little more than smears of green ruin behind them as they bounced and tumbled to an eventual halt well behind the enemy’s rear.

“Well done, Cassabus,” Corvus shouted to the optio. “Commend your men!”

He doubted the man could hear him over the creaking of the onagers as the ballistarii rewound their huge coils, but Cassabus saw Corvus was shouting at him, and the optio raised his fist triumphantly.

“That’ll do for the bastard,” Saturnius said with satisfaction, his complexion gradually returning to something more resembling its customary color. “And it should give any of his little bastard friends second thoughts about throwing that devil’s fire about willy-nilly.”

“Who needs Michaelines when you’ve got mules?” Corvus laughed at the sour expression on the legate’s face. No matter how well things were going, Saturnius was always foul-tempered throughout the course of a battle.

“At least we’ve got a few lads who can hit the broad side of a barn,” Saturnius said. “But I don’t know what those bloody scorpios thought they were trying to hit.”

Corvus looked behind them, momentarily confused. Sure enough, four of the scorpio squads were reloading their giant crossbows. He hadn’t even realized they had loosed their bolts.

A horn sounded, and a great purple cloud appeared out of nowhere before exploding harmlessly well over the heads of the first cohort.

It was a signal, not an attack. The goblin lines began to move forward again. There was a piercing scream, followed by another, and soon all the wretched breeds were running, shrieking like the souls of the damned as they rushed madly toward the black shields of the waiting legion. Finally, the battle would be truly joined.

Corvus glanced at Marcus Saturnius, who was scowling furiously. How many times had they witnessed this together, Corvus thought. It was always the same. It didn’t matter if you were fighting men or goblins, elves or orcs. All the sights and sounds and strategies and tactics were eventually reduced to this: two lines coming together into one.

Without any signal from either of them, as if the onrushing goblins had crossed some invisible line, a roar went up from the centurions, and a murderous flock of flying serpents leaped into the air from the first two Amorran ranks as the centuries hurled their spears.

The goblins fought with courage, but man-for-man they were much weaker than the legionaries. Their weapons were seldom able to pierce the Amorran armor, and their own armor couldn’t withstand the forged steel of the legionary blades and spearheads. And whereas a wounded goblin was prone to be crushed under the feet of his comrades as they pressed forward, a wounded legionary was quickly extracted by the men behind him and assisted, or carried if need be, to the medici positioned to the left of the reserve cohorts.

Corvus saw Saturnius looking pensive as the pressing goblins fell back momentarily following an extraordinary, but ultimately futile, effort that had seen several men in the front ranks fall, including a centurion from the sixth cohort, at the cost of more than one hundred goblins. Saturnius whispered thoughtfully to himself, then abruptly turned and said something to his draconarius, who blew four rapid notes in a signal that was acknowledged in ragged succession by the centuries fighting below.

After the last horn sounded, the ballistarii launched their missiles en masse just over the helmets of their own troops and into the enemy’s front lines. The three embattled cohorts used the resulting disarray among the goblins to rotate their first three lines of troops back and exchange them with the three lines that had been waiting, more or less patiently, for their own turn at the bloody mill.

“Nicely done,” Corvus complimented his subordinate. “They might have been on the parade ground.”

“They’d damn well better have gotten it right,” Saturnius growled. “I didn’t spend four months standing over them making them practice every day, rain or shine, for my own health. And those two centuries from the bloody sixth still tried to go right instead of left! I’ll have their centurions’ guts to lace my sandals tomorrow.”

Corvus smiled. Things were going well indeed if Saturnius was cursing his troops instead of the enemy. And unless he missed his guess, the century that bumbled its withdrawal had lost its centurion only moments before. Considering that this was their first battle and they had just lost their officer, the century from the sixth were doing well to have merely muffed a rotation. That was the ultimate tribute any unit could pay its commander, to maintain its discipline even in his absence.

Another hour or two, perhaps three more rotations, and the goblins would wear themselves out. Due to their observable lack of discipline and reluctance to come to grips, Corvus suspected the goblin cavalry would be the first to withdraw. They would use their superior speed to run away rather than screen the infantry’s retreat as they should. Then the rear ranks of the infantry would begin to melt away, until the front ones, realizing they were being abandoned, would take fright, throw down their arms, and try to flee.

And then the slaughter would begin.


You CAN judge the artist by the art

And in some cases, most definitely should. The Dark Herald reviews The Last Closet:

I first ran into Marion Zimmer Bradley’s work in college.  A friend who had steered me right on several occasions, (Dune, Canticle for Leibowitz, Lefthand of Darkness) strongly recommended City of Sorcery to me.

He was overdue for a clinker.  City of Sorcery had a number problems for me.  It wasn’t an ideal first entry to the Darkover world.  It was jumping into the middle of an established universe.   If you weren’t all that familiar with the rules of this world as established by the author, then you had to puzzle out a lot stuff as you read the book.  Bradley was disinclined to fill in the blanks.  Also, back in those days I was Science Fiction Snob.  Sure I’d read Tolkien and Leiber and yes, I played Dungeons and Dragons.  But as an SFS I viewed science fiction books as vastly superior not least because they didn’t run to eight hundred pages and fantasy was starting to do that…a lot.

This book was clearly fantasy mascaraing as science fiction.

Also it was just a little bit…off.  There was no one thing I could really put my finger on.  Just a general feel of something that wasn’t quite right here.  Sort of when you walk in to a mist spray of fine vinegar, you know something’s wrong but it’s a little too diffuse to say what.

There was a miasma of something very off putting with the women in this book. An unpleasant edge, almost like they were the anti-Bujold characters.  The heroines were the Renunciates.  It wasn’t explicitly stated what they had renounced but it was obviously heterosexuality.  It was  a club for angry lesbians with the quasi religious overtones of a goofy hippy religion,  (which as as Gen-Xer I had little use for). The protagonist was the Chief Terran Agent on Darkover who had gone native and married another woman and were somehow raising a kid together.  The enemy was a bunch of evil space lesbians who were plotting…something(?),..I forget what. It was the characters that mattered in this book and I didn’t like any of them.

When my friend asked me about it, I made some joke about, The Lesbians In Spaaaaaace.  He didn’t like the joke at all and told me so.  I replied that the author was clearly writing about that of which she knows.  My friend laughed a little too loudly because he was about to ‘one up’ me, in true Gamma fashion.

“Nope, she’s happily married with two kids,” he smirked.

“Yeah, I got my doubts about the happily part,” I replied.

Holy crap, I never spoke truer words.

People often talk about the necessity of distinguishing between the artist and the art, but usually in the context of not rejecting the art on the basis of the behavior or character or politics or ideology of the artist. And this is correct, because to do so is to commit the genetic fallacy.

However, it is right and proper to judge the artist on the basis of the art. More often than not, the art created by the artist provides relevant insight into his psyche; it is very difficult to write the opposite sex well and it is also very difficult for a man to write characters who are different than his own socio-sexual rank.

Read Louis L’Amour and Robert Ludlum. Then read John Scalzi and Neil Gaiman. The difference is readily observable. Then read Piers Anthony and Marion Zimmer Bradley. Notice the creep factor? Exactly. This is one area where you can reliably trust your feelings.


Amazon goes after fake reviewers

Amanda at Mad Genius Club alerts us to a major change in policy at Amazon:

Since Amazon first opened its virtual doors, there have been concerns about reviews. Not just for books but for all the products sold through its site. It is no secret that authors have paid for reviews — and some still do. Or that there have been fake accounts set up to give sock puppet reviews. There have been stories about sellers and manufacturers planting fake reviews as well, all in the hopes of bolstering their product rankings and ratings. From time to time, Amazon has taken steps to combat this trend. One of the last times they did it, they brought in a weighted review system. This one differentiates between “verified purchasers” and those who did not buy the product viz Amazon. Now there is a new policy in place, once that should help — at least until a new way around it is found.

Simply put, Amazon now requires you to purchase a minimum of $50 worth of books or other products before you can leave a review or answer questions about a product. These purchases, and it looks like it is a cumulative amount, must be purchased via credit card or debit card — gift cards won’t count. This means someone can’t set up a fake account, buy themselves a gift card and use it to get around the policy.

Eligibility
To contribute to Customer Reviews or Customer Answers, Spark, or to follow other contributors, you must have spent at least $50 on Amazon.com using a valid credit or debit card. Prime subscriptions and promotional discounts don’t qualify towards the $50 minimum. In addition, to contribute to Spark you must also have a paid Prime subscription (free trials do no qualify). You do not need to meet this requirement to read content posted by other contributors or post Customer Questions, create or modify Profile pages, Lists, or Registries

Whether this change will work in the long run, I don’t know. But, for now, I welcome it.

As a frequent target of fake reviewers, I think this is fantastic. It should work brilliantly, because fake reviewers almost invariably try to hide their identities. Now that reviews will be tied to actual Amazon accounts, it’s very easy for Amazon to see whether the reviewer has a pattern of reviewing books that he has actually bought or not as well as giving Amazon the ability to deny the fake reviewer future access to Amazon’s retail channel if he makes a habit of regularly posting fake reviews or is the recipient of a large number of complaints about abusive reviews.

It was pretty clear that Amazon was already beginning to target fake reviews earlier this year. One SJW who left a fake review of SJWAL back in June even complained about his previous fake review being removed by Amazon.

Interesting that VD presents himself as an enemy of the “thought police”–he has already had my review taken down once, simply because it was negative. SAD!

First, I did not take the review down, Amazon did. And they did so, not because it was negative, but because it was obviously fake. Demonstrating, once more, that SJWs always lie. And given that SJWADD, published in October, has no fake reviews while the most recent fake reviews for SJWAL and ATOB are both from October 2017, I conclude that it was Amazon’s more aggressive policing of fake reviews this fall that led to this new policy. I also think Amanda’s wish for Kindle Unlimited subscribers to be permitted to post reviews is unwise because in my experience, I have already seen how some KU subscribers will download a book they have no intention of reading in order to be able to post a fake review that is marked as a Verified Purchase.

Since Amazon can see exactly how many pages a KU subscriber has read of the book he nominally reviewed, I have no doubt that they saw enough reviews being posted by KU non-readers to decide that KU subscribers cannot be trusted to post honest reviews. Amazon also appears to understand how permitting KU subscribers to post reviews creates a disincentive for authors to put their books in Kindle Select.

Amazon’s decision is an excellent application of Taleb’s “skin in the game” and I expect it will significantly improve the quality of Amazon’s reviews.

Speaking of Amazon, now that I’m able to return to finishing a certain extended edition, I’ve decided to celebrate by making A THRONE OF BONES free on Amazon tomorrow and the rest of this weekend. And if you’ve already read it, then perhaps you should consider getting the hardcover for your bookshelves.