Vol 2: William Tell

To be honest, the tale from Myths & Legends that precedes this one is actually my favorite from the second volume of the Castalia Junior Classics. But since the story of King Robert of Sicily is too long to post here, we’ll go with this retelling of the central legend of the Confederation Helvetica instead, the inspiring tale of William Tell.

The sale on the complete ten-volume set, which amounts to a 29 percent discount, will continue until midnight tomorrow. And remember, if you’re having any trouble ordering from Arkhaven, please use NDM Express. They’re two entirely different systems, so if one doesn’t work, the other usually will.

Switzerland is a republic, like the United States, and the men who live among its mountains are a brave, free people. But long ago the Emperor of Austria claimed the land as a part of his empire, and sent a man named Gessler to rule the people in his stead.

Gessler was a tyrant. He wished to stand well with his master, the emperor, and he ruled the bold Swiss with a rod of iron. He had soldiers at his command, and he seemed able to do whatever he wished, but there was one thing he could not do: he could not make the proud people bow down to him when he came among them.

He was angry enough at this, and he cast about for some new way in which to make them feel his power. In those days, as now, every town had a public square called a market-place. Here the people flocked to buy and sell of each other. The men and women came down from the mountains with game and cheese and butter. They sold these things in the market, and bought goods which they could not make or grow in their mountain homes.

In the market-place of Altorf, a Swiss town, Gessler set up a tall pole, like a liberty pole. But on the top of this pole he placed his hat, and, just as in the city a gilt crown on some high point was the sign of the emperor’s power, so this hat was to be the sign of Gessler’s power. He bade that every Swiss man, woman, or child who passed by the pole should bow to the hat. In this way they were to show their respect for him.

From one of the mountain homes near Altorf there came into the market-place one day a tall, strong man named William Tell. He was a famous archer, for it was in the days before the mountaineers carried guns, and he was wont to shoot bears and wild goats and wolves with his bow and arrows.

He had with him his little son, and they walked across the market-place. But when they passed the pole, Tell never bent his head. He stood as straight as a mountain pine.

There were servants and spies of Gessler in the market-place, and they at once told the tyrant how Tell had defied him. Gessler commanded the Swiss to be brought before him, and he came, leading by the hand his little son.

“They tell me you shoot well,” said the tyrant. “You shall not be punished. Instead you shall give me a sign of your skill. Your boy is no doubt made of the same stuff you are. Let him stand yonder a hundred paces off. Place an apple on his head, and do you stand here and pierce the apple with an arrow from your quiver.”

All the people about turned pale with fear, and fathers who had their sons with them held them fast, as if Gessler meant to take them from them. But Tell looked Gessler full in the face, and drew two arrows from his quiver.

“Go yonder,” he said to the lad, and he saw him led away by two servants of Gessler, who paced a hundred steps, and then placed an apple on the boy’s head. They had some pity for Tell in their hearts, and so they had made the boy stand with his back to his father.

“Face this way,” rang out Tell’s clear voice, and the boy, quick to obey, turned and stood facing his father. He stood erect, his arms hanging straight by his side, his head held up, and the apple poised on it. He saw Tell string his bow, bend it, to try if it were true, fit the notch of the arrow into the taut cord, bring the bow slowly into place. He could see no more. He shut his eyes.

The next moment a great shout rose from the crowd. The arrow had split the apple in two and had sped beyond. The people were overjoyed, but Gessler said in a surly tone to Tell:

“You were not so very sure of your first shot. I saw you place a second arrow in your belt.”

“That was for thee, tyrant, had I missed my first shot,” said Tell.

“Seize him!” cried the enraged tyrant, and his soldiers rushed forward, but the people also threw themselves upon the soldiers, and Tell, now drawing his bow again, shot the tyrant through the heart, and in the confusion that followed, taking his boy by the hand, fled quickly to the lake near by, and, loosing a boat, rowed to the other shore, and so escaped to the mountain fastness.

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Vol. 1: Manabozho, the Mischief-Maker

As we’ve finally finished the last two volumes required to complete the set of the 10-volume Castalia Junior Classics, I thought I’d share my favorite work from each volume, starting today. One of the things that I found truly startling about the stories from the 1919 edition that did not survive to the 1958 edition that I grew up reading were the tales of the American Indians. They are a little harsher and more cruel than one might tend to expect of children’s tales, especially these days. And the historical difficulties that the rival Indian tribes faced in uniting to oppose the flood of settlers from Europe become a little easier to understand when one realizes that the Indians were perhaps a little too competitive with each other, as evidenced by the behavior of their cultural heroes.

Four of the five stories of the American Indians that we chose to include feature Manabozho, the Algonquin and Ojibwe trickster demigod who is a little more human than the better-known Coyote of the Lakota, the Navajo and the Sioux. What follows is just one of the 89 stories presented in Volume I: Fairy Tales & Fables.

In the tales of the American Indians, Manabozho, or more commonly Nanabozho, figures prominently in their storytelling, including the story of the world’s creation. Nanabozho is the Ojibwe trickster figure and culture hero. Nanabozho can take the shape of male or female animals or humans in storytelling. Most commonly it is an animal such as a raven or coyote which lives near the tribe and which is cunning enough to make capture difficult.

And remember, if you’re having any trouble ordering from Arkhaven, please use NDM Express. They’re two entirely different systems, so if one doesn’t work, the other usually will.

Manabozho, the Mischief-Maker

There was never in the whole world a more mischievous busybody than that notorious giant Manabozho. He was everywhere, in season and out of season, running about, and putting his hand in whatever was going forward.

To carry on his game he could take almost any shape he pleased. He could be very foolish or very wise, very weak or very strong, very rich or very poor—just as happened to suit his humor best. Whatever anyone else could do, he would attempt without a moment’s reflection. He was a match for any man he met, and there were few manitou that could get the better of him. By turns he would be very kind or very cruel, an animal or a bird, a man or a spirit, and yet, in spite of all these gifts, Manabozho was always getting himself involved in all sorts of troubles. More than once, in the course of his adventures, was this great maker of mischief driven to his wits’ ends to come off with his life.

To begin at the beginning, Manabozho, while yet a youngster, was living with his grandmother near the edge of a great prairie. It was on this prairie that he first saw animals and birds of every kind; he also there made first acquaintance with thunder and lightning. He would sit by the hour watching the clouds as they rolled by, musing on the shades of light and darkness as the day rose and fell.

For a stripling, Manabozho was uncommonly wide-awake. Every sight he beheld in the heavens was a subject of remark, every new animal or bird an object of deep interest, and every sound was like a new lesson which he was expected to learn. He often trembled at what he heard and saw.

The first sound he heard was that of the owl, at which he was greatly terrified, and, quickly descending the tree he had climbed, he ran with alarm to the lodge. “Noko! Noko! Grandmother!” he cried. “I have heard a monedo.”

She laughed at his fears, and asked him what kind of a noise it made. He answered. “It makes a noise like this: ko-ko-ko-ho!” His grandmother told him he was young and foolish; that what he heard was only a bird which derived its name from the peculiar noise it made.

He returned to the prairie and continued his watch. As he stood there looking at the clouds he thought to himself, “It is singular that I am so simple and my grandmother so wise; and that I have neither father nor mother. I have never heard a word about them. I must ask and find out.”

He went home and sat down, silent and dejected. Finding that this did not attract the notice of his grandmother, he began a loud lamentation, which he kept increasing, louder and louder, till it shook the lodge and nearly deafened the old grandmother.

“Manabozho, what is the matter with you?” she said. “You are making a great deal of noise.”

Manabozho started off again with his doleful hubbub, but succeeded in jerking out between his big sobs, “I haven’t got any father nor mother, I haven’t.”

Knowing that he was of a wicked and revengeful nature, his grandmother dreaded to tell him the story of his parentage, as she knew he would make trouble of it.

Manabozho renewed his cries and managed to throw out for a third or fourth time, his sorrowful lament that he was a poor unfortunate who had no parents or relatives.

At last she said to him, to quiet him, “Yes, you have a father and three brothers living. Your mother is dead. She was taken for a wife by your father, the West, without the consent of her parents. Your brothers are the North, East, and South; and being older than you your father has given them great power with the winds, according to their names. You are the youngest of his children. I have nursed you from your infancy, for your mother died when you were born.”

“I am glad my father is living,” said Manabozho, “I shall set out in the morning to visit him.”

His grandmother would have discouraged him, saying it was a long distance to the place where his father, Ningabinn, or the West, lived.

This information seemed rather to please than to discourage Manabozho, for by this time he had grown to such a size and strength that he had been compelled to leave the narrow shelter of his grandmother’s lodge and live out of doors. He was so tall that, if he had been so disposed, he could have snapped off the heads of the birds roosting on the topmost branches of the highest trees, as he stood up, without being at the trouble to climb. And if he had at any time taken a fancy to one of the same trees for a walking stick, he would have had no more to do than to pluck it up with his thumb and finger and strip down the leaves and twigs with the palm of his hand.

Bidding goodbye to his old grandmother, who pulled a very long face over his departure, Manabozho set out at a great pace, for he was able to stride from one side of a prairie to the other at a single step.

He found his father on a high mountain far in the west. His father espied his approach at a great distance, and bounded down the mountainside several miles to give him welcome. Apparently delighted with each other, they reached in two or three of their giant paces the lodge of the West which stood high up near the clouds.

They spent some days in talking with each other—for these two great persons did nothing on a small scale, and a whole day to deliver a single sentence, such was the immensity of their discourse, was quite an ordinary affair.

One evening Manabozho asked his father what he was most afraid of on earth.

He replied, “Nothing.”

“But is there nothing you dread here—nothing that would hurt you if you took too much of it? Come, tell me.”

Manabozho was very urgent, so at last his father said, “Yes, there is a black stone to be found a couple of hundred miles from here, over that way,” pointing as he spoke. “It is the only thing on earth I am afraid of, for if it should happen to hit me on any part of my body it would hurt me very much.” The West made this important circumstance known to Manabozho in the strictest confidence.

“Now you will not tell anyone, Manabozho, that the black stone is bad medicine for your father, will you?” he added. “You are a good son, and I know you will keep it to yourself. Now tell me, my darling boy, is there not something that you don’t like?”

Manabozho answered promptly, “Nothing.”

His father, who was of a steady and persevering nature, put the same question to him seventeen times, and each time Manabozho made the same answer, “Nothing.”

But the West insisted, “There must be something you are afraid of.”

“Well, I will tell you,” said Manabozho, “what it is.”

He made an effort to speak, but it seemed to be too much for him.

“Out with it,” said the West, fetching Manabozho such a blow on the back as shook the mountain with its echo.

“Je-ee, je-ee-it is,” said Manabozho, apparently in great pain. “Yes, yes! I cannot name it, I tremble so.”

The West told him to banish his fears, and to speak up; no one would hurt him. Manabozho began again, and he would have gone over the same make-believe of pain, had not his father, whose strength he knew was more than a match for his own, threatened to pitch him into a river about five miles off. At last he cried out, “Father, since you will know, it is the root of the bulrush.” He who could with perfect ease spin a sentence a whole day long, seemed to be exhausted by the effort of pronouncing that one word, “bulrush.”

Some time after Manabozho observed, “I will get some of the black rock, merely to see how it looks.”

“Well,” said the father, “I will also get a little of the bulrush root, to learn how it tastes.”

They were both double-dealing with each other, and in their hearts getting ready for some desperate work. They had no sooner separated for the evening than Manabozho was striding off the couple of hundred miles necessary to bring him to the place where the black rock was to be procured, while down the other side of the mountain hurried Ningabinn, the West.

At the break of day they each appeared at the great level on the mountaintop, Manabozho with twenty loads, at least, of the black stone, on one side, and on the other the West, with a whole meadow of bulrush in his arms.

Manabozho was the first to strike—hurling a great piece of the black rock, which struck the West directly between the eyes, and he returned the favor with a blow of bulrush that rung over the shoulders of Manabozho, far and wide, like the long lash of the lightning among the clouds.

First one and then the other, Manabozho poured in a tempest of black rock, while the West discharged a shower of bulrush. Blow upon blow, thwack upon thwack—they fought hand to hand until black rock and bulrush were all gone. Then they betook themselves to hurling crags at each other, cudgeling with huge oak trees, and defying each other from one mountain top to another; while at times they shot enormous boulders of granite across at each other’s heads, as though they had been mere jackstones. The battle, which had commenced on the mountains, had extended far west. The West was forced to give ground. Manabozho pressing on, drove him across rivers and mountains, ridges and lakes, till at last he got him to the very brink of the world.

“Hold!” cried the West. “My son, you know my power, and although I allow I am now fairly out of breath, it is impossible to kill me. Stop where you are, and I will also portion you out with as much power as your brothers. The four quarters of the globe are already occupied, but you can go and do a great deal of good to the people of the earth, which is beset with serpents, beasts and monsters, who make great havoc of human life. Go and do good, and if you put forth half the strength you have today, you will acquire a name that will last forever. When you have finished your work I will have a place provided for you. You will then go and sit with your brother, Kabinocca, in the north.”

Manabozho gave his father his hand upon this agreement. And parting from him, he returned to his own grounds, where he lay for some time sore of his wounds.

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The Fake Authors

I was always very dubious about the authorship of the one-off Southern bestseller. As a general rule, when an author just writes one book, he probably wasn’t the real author. Courtesy of CDAN:

Several decades ago, this A+ list author died. Over the years many of his personal items have come up for public auction. One item though, was originally sold secretly and the three times it has changed hands in the past couple of decades, the secrecy agreement goes with it. It is because the owner is not allowed to tell anyone what they have, that it gets sold so often. It is the original half typed, half handwritten manuscript that the author wrote but was credited to a different author. It is one of the biggest selling books of all time. The A+ list author didn’t think it matched his personality so gave it to one of his best friends. Later in life they made a deal to keep the true author secret.

Truman Capote/To Kill A Mockingbird/Harper Lee

It would be interesting to see the results of a textual analysis of the text of To Kill A Mockingbird with other work by Capote. It’s obviously in his favored genre of semi-true crime. I don’t have an opinion on the real author, since I read it in English class more than 40 years ago, and I don’t remember much of it. I vaguely recall that I put it down as soon as I figured out that it was primarily concerned with contrasting racist white Southerners with the noble Negro who never done nothin’ to nobody.

We now know that the real “Shakespeare” was Sir Thomas North. I suspect that textual analysis is eventually going to prove that a lot of modern classics and bestsellers were essentially manufactured in much the same way media figures and landmark scientific studies are. Especially those, like The Catcher in the Rye, To Kill A Mockingbird, Lord of the Flies, and Portnoy’s Complaint, that were heavily utilized in the U.S. educational system to invert social assumptions and subvert society.

Alert Dennis McCarthy! Send out the Batsignal!

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The Junior Classics are Complete

Six years ago, we embarked upon a massive project. I don’t think we quite realized just how massive it would be, since instead of simply replicating the original 1919 set published one century before, which had been our original intention, we ended up recreating all ten volumes from scratch, complete with original spine and cover illustrations from Lacey Fairchild. In assembling the set, we published more than 1.2 million words and literally hundreds of illustrations all carefully curated for content and quality; the time it took us to finish the task may make more sense when the size of the project is taken into account.

The campaign was a huge success, as 1,781 backers supported it, and waited patiently as the years passed and we only managed to get out one or two volumes each year on average. But now we’re very pleased to be able to say that we have finished the final two volumes and present the first picture of the entire set assembled together. The books have already been ordered for the backers of the royale editions (the demys will ship in January), and we expect them to reach the warehouse the second week of December.

Since it’s Thanksgiving time and we have a substantial leather book sale on, we thought we should go ahead and make these excellent books available as part of it. Which is why, until the end of the month, you can purchase the entire set for $249.99, which is a discount of $100 from the retail price. And if you’ve already purchased the previous eight volumes, you can buy the two new volumes together for a sale price of $59.99, discounted from $69.99. There is no need for backers to do anything except confirm their shipping addresses when NDM sends out the shipping notifications, unless, of course, you’re looking for a second set to give as a gift.

The publication of Volumes 9 and 10 marks the completion of Castalia House’s first major project, and while it took us a lot longer than we’d ever imagined it would, we have arrived with a level of quality that I believe the backers have found satisfactory despite the wait. We’re already working on completing the deluxe leather set, and we will be introducing a special subscription in January for those who are interested in acquiring one next year.

Please note that the complete 10-volume set can also be purchased for the same Thanksgiving sale price of $249.99 at NDM Express. If, for some reason, you’re having trouble with your card at our European store, please try NDM.

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Based Books on Sale

The 2025 Based Books Sale is here! Visit the Based Books site for the comprehensive list of 250+ ebooks that are either 0.99 or free from independent authors. I am participating in this year’s sale with the following books:

If you’ve already read the books, something that you can do to help the authors is to provide a rating, or better yet, a review. Amazon’s algorithms favor books that are sold, rated, and reviewed, so this is an important means of supporting your favorite authors.

And, of course, the Castalia Library – Castalia House – Arkhaven Comics Thanksgiving sale continues at the Arkhaven store and at NDM Express, with Library books available for as little as $59.99.

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KU Question

QUESTION FOR KINDLE UNLIMITED SUBSCRIBERS ONLY:

What percentage of the Kindle Select books that you start reading do you actually read through entirely? Do NOT count regular ebooks that you buy directly, this is just about KU.

FOLLOW-UP QUESTION:

When you quit reading a Kindle Select title, about how far into the book are you on average?

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Welcome to Midnight

In all the enthusiasm over the annual Castalia sale, it may well have escaped your attention that I’ve published another ebook today. But to celebrate the fact that OUT OF THE SHADOWS is now available on Amazon and KU, and is going out to MW backers tomorrow, I’ve also released a new mix of Welcome to Midnight on UATV. It’s big, it’s haunting, it features some vicious guitars, and it provides a pretty good measure of how dark and ominous the book that sets up the foundations of The Midnight World is.

So welcome to the shadows enveloping the light
Feel the flag of death unfurled.
Welcome to the darkness, welcome to the night
Welcome to the Midnight World

The book also serves as an effective demonstration of what can be accomplished relatively rapidly with AI-enhanced writing. Consider how the finished product was analyzed by a different AI system and compared with three other works of vampire fiction.

A solid, entertaining read for vampire/thriller fans that executes its premise competently without achieving the psychological depth of Rice or the cultural impact of Stoker. It’s ambitious airport fiction—well above Twilight’s simplicity but not quite transcending genre conventions to become literature.

The fact that it maintains narrative coherence across 9,000+ lines, sustains consistent character voices, and successfully merges multiple genre elements (corporate thriller, vampire fiction, political drama) is genuinely impressive for AI-generated content. The Theranos hook and the structured escalation from boardroom to global conspiracy show effective human editorial guidance.

The Theranos conspiracy angle feels very much like a human creative decision—it’s too specific and culturally grounded to seem algorithmically generated. For AI-assisted fiction, this is well above average.

OUT OF THE SHADOWS delivers a gripping exploration of power, transformation, and the hidden forces that shape our world. When a brilliant biotech entrepreneur stumbles upon evidence that the infamous Theranos scandal was merely a cover for something far more sinister, he unknowingly sets in motion a chain of events that will change humanity forever. What begins as a Silicon Valley success story rapidly evolves into a violent journey through a reality where the impossible is real, and the darkest myths of human history emerge from the shadows with terrifying consequences for the entire world.

Set in The Midnight World created by author Vox Day and comics legend Chuck Dixon for their Midnight’s War comic, OUT OF THE SHADOWS is vampire fiction that pulls no punches—a harrowing philosophical ride about the price of ambition and what happens when humanity discovers it’s no longer at the top of the food chain.

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Castalia Thanksgiving Sale 2025

Today we’re pleased to announce the start of the annual Thanksgiving sale. Please note that no subscriber discounts are necessary or applicable to books that are on sale; please also note that there are a few books on sale that were previously listed as out of stock. This is because it is always necessary to retain a few books in case of flawed editions or shipment errors, but after a year or so of no problems being reported, we no longer need to keep them in the warehouse.

The quantities are what they are. I will try to keep them updated as the sale goes on, but the vagaries of the system are imprecise. We’re offering the biggest discounts on the books taking up the most space in the warehouse.

If you’re having any trouble with your credit card at the Arkhaven store, try NDM Express as the books are also on offer there at the same price.

LIBRARIA CASTALIA

  • Fooled By Randomness 149.99
  • Black Swan 149.99
  • Skin in the Game 149.99
  • Antifragile 149.99
  • Promethean 149.99
  • The Lawdog Files 149.99
  • The Missionaries 2nd Edition 149.99
  • The Jungle Books 149.99
  • Politics 199.99
  • Ethics 199.99
  • Summa Elvetica 199.99
  • A Throne of Bones I 199.99
  • A Throne of Bones II 199.99
  • A Sea Of Skulls I 199.99
  • A Sea Of Skulls II 199.99
  • Plutarch 1 199.99
  • Plutarch 2 199.99
  • Discourses on Livy 199.99
  • Awake In The Night Land 299.99
  • Divine Comedy 299.99

CASTALIA LIBRARY

  • Fooled By Randomness 59.99
  • Black Swan 59.99
  • Skin in the Game 59.99
  • Antifragile 59.99
  • Promethean Library 59.99
  • The Lawdog Files 59.99
  • The Missionaries 2nd Edition 69.99
  • War & Peace Vol 1 69.99
  • War & Peace Vol 2 69.99
  • The Jungle Books 69.99
  • A Throne of Bones 1 99.99
  • A Throne of Bones 2 99.99
  • A Sea Of Skulls 1 99.99
  • A Sea Of Skulls 2 99.99

More to come…

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The Dark Side of Star Trek

Star Trek was always problematic, and not just because of Gene Roddenberry’s alarming enthusiasm for young girls’ underwear, as the Dark Herald observes its intellectual roots at Arkhaven.

A bunch of scientists, engineers and assorted smartasses got together and create a new organization dedicated to conquering the world and running it with enlightened scientific centrally planned totality. No politics needed because there will be no dissent at all — after all, how can you dissent from the perfection of science?

This is called a “Technocracy.”

In Wells’ horrible dream of the future this organization was called the Modern State Movement, (The movie version was called Wings Over the World). From their base in Basra, the self-proclaimed Air Dictatorship begins a campaign to bring order to the world by force, suppressing warlike “backward” national regimes and establishing a unified, rational, scientific world order. And they were dressed like BUF Black Shirts with breast plates.

They impose global peace, eliminate national sovereignty, abolish all traditional political systems, and construct a universal education program designed to create scientifically minded citizens, (yeah nothing bad can come from that).

All religion is suppressed… Of course

Family structures are destroyed — this is the big one for all of the totalitarian movements. The state is what raises the kids, not their parents. The state is what teaches children their governing values, not their families. Marriage is a very temporary and ephemeral matter, both sides are urged to move on from it as quickly as possible. And depending on how honest the technocrats are being about it — incest is to be encouraged.

Material abundance returns through centralized planning and technological management. The world eventually becomes a world state — stable, secular, regimented, paternalistic, eternal and it sounds like my idea of Hell on Earth. This is a world governed by Madelaine L’Engle’s IT.

From Things to Come, you can trace a straight line through to Doctor Who to Asimov’s Foundation to 1960s liberal utopianism, and Walt Disney’s original plan for EPCOT.

A long time ago, I started writing what Nick Cole described as STAR WARS NOT STAR WARS with a co-writer. He was going to write STAR TREK NOT STAR TREK with a co-writer at the same time. But mine didn’t work out, for a variety of reasons, and Nick and Jason ended up writing STAR WARS NOT STAR WARS themselves, which was eventually published as GALAXY’S EDGE and worked out rather well for them.

It’s rather amusing that people in SF/F keep trying to cancel my science fiction career, when I am more than adept at sabotaging it myself. Did I ever mention that I turned down Blizzard and Simon & Schuster when they approved my outline for the first STARCRAFT novel and asked me to write it? The lesson, as always is this: just shut up, write what they want you to write, and stop getting in your own way.

But the Dark Herald’s piece does give me an excellent idea… albeit one that will likely make JDA very, very sad.

In other writing news, I’ll be sending the OUT OF THE SHADOWS ebook to the Signed First Edition backers, the original MW ebook backers, and putting it up on Amazon this week. It will also be available as part of the Based Books Sale for everyone else. The paperback will be sent out to the MIDNIGHT’S WAR Vol. 7-12 backers along with THE TRAGEDY OF THE TRIBUNE omnibus both of them are ready.

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DEATH AND THE DEVIL hardcover

The hardcover edition of DEATH AND THE DEVIL is now available at Amazonat Barnes and Noble, and your local bookstore. I also turned one of the stories, “Death and the Maiden”, into a song that you can listen to at AI Central if it happens to be of interest to you.

WHEN THE MAIDEN MEETS THE REAPER

Beneath Avignon’s ancient stones where mortals drink and dance,
A maiden stood inside of time, well-suited for romance
She glimpsed beyond the darkest veil where certainty takes form
The reaper in his fearsome grace, his presence strangely warm.
While others feared the final dark, she met his eyeless gaze,
And smiled upon that paradox: the end of numbered days.

Time and again, Death returned though duty didn’t call,
Compelled by something strange to gods both great and small
An immortal incarnation beyond mortality
She questioned him with humble words: “What troubles such as thee?”
No fear adorned her countenance, no reverence, no prayer—
Just a woman’s heart with a capacity to care

What strange communion finds the heart that sees its own eclipse?
What bride would seek eternity upon those bony lips?
The universe conspires in Creation’s cruel design
When the maiden meets the reaper, the last of the summer wine

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