WP explains the current Marvel situation:
There were two Marvel comics universes. (For simplicity I’ll say two though that is not accurate.) One was the main one and one was the ULTIMATE universe which was meant to be a more gritty version which started in the year 2000.
The character Nick Fury was always a white man but in the ultimate version they made him a black man and they specifically made him look like Samuel L. Jackson. One could assume that they did this hoping to force the hand of higher-ups to cast Samuel L. Jackson for any future movies that were made. That is what eventually happened.
Becoming the guy in charge of a 300 million dollar movie is hard. Becoming the guy in charge of a comic book is much easier. Samuel L. Jackson as Nick Fury demonstrates that becoming the guy in charge of the comic can mean you decide how the 300 million dollar movie looks.
SJWs appear to have noticed this. They made a WOKE replacement for all of the main Avengers. Little black girl Iron Man, womyn Thor, Asian Hulk, black Captain America etc.
In recent years Marvel Comics seemed to want to force a female character to be their flagship character. A big problem with this was that most of their female characters that people like were X-Men and Fox owned the movie rights to X-Men so those characters were neglected. They decided to make Captain Marvel into their Wesley Crusher.
For reasons they also re-tooled Captain Marvel to be more repulsive and masculine, they did this repeatedly even though the comics were failures. With this in mind it’s notable that a Captain Marvel movie got made at all – no one cares about this character or could reasonably expect it to be very profitable.
Guys like Robert Downey Jr. eventually have to age out of the Marvel Cinematic Universe. It would appear that the SJWs knew that and created the WOKE replacement comics to be the source material for the 2.0 Marvel Cinematic Universe.
Which may explain why Disney is looking to eject the comics altogether, since they know that Marvel Comics (SJW edition) is not only NOT going to plant more movie seeds, but is actively attempting to control the movie products. After all, if Disney wants SJW versions of the IP it owns, it is perfectly capable of producing them on its own. Soy Wars (nee’ Star Wars) is sufficient proof of that.